Tag: new album

Embracing Vulnerability: Maya de Vitry’s Journey in The Only Moment

Maya de Vitry’s The Only Moment will be out July 12. Courtesy photo, used with permission.

Maya de Vitry’s vibrant voice seems to rise out of some necessity of bringing songs to life, embracing listeners with what Folk Alley calls a “soulful intimacy.” She grew up in a musical family in Lancaster County, Pennsylvania, understanding music to be a place of gathering, a way to spend a summer night around a campfire. Maya first traveled and performed as a fiddling street musician, and then in bars, theaters, and on festival stages as a founding member of The Stray Birds (2010-2018). Since the band parted ways in 2018, Maya has been devotedly creating a powerful new body of work—one that consistently blurs genre while showcasing her delight in storytelling and her extraordinarily dynamic singing. In addition to performing and recording, Maya is a sought-after co-writer and co-creator and has been steadily and closely collaborating within her chosen musical community of Nashville, Tennessee, for nearly a decade. (IV-PR, 2024)

Her latest single, “Odds of Getting Even,” owes its inspiration to an unlikely figure in the greater Americana world: the late, great soul and funk singer, Sharon Jones. “I really wanted to do this one justice, for this song to feel as alive and exuberant as I think it wants to be – and I just honestly couldn’t find that in myself for a while. But this finally felt like the perfect band and moment in my own life for me to sing this one,” she says, having compiled her Nashville “bar band” of A-list, next-generation players for this new batch of songs. “I feel especially lucky to have my friend Phoebe Hunt singing harmony. She’s on the whole record, but on this song I just think she’s absolute magic.” 

“Odds of Getting Even” is the latest single to be released from Maya de Vitry’s upcoming self-produced album The Only Moment—out July 12. Fans can stream or purchase “Odds of Getting Even,” check out de Vitry’s previously released single, “Compass,” and pre-order The Only Moment ahead of its July 12 release. 

Courtesy photo, used with permission.

The Only Moment tracklist:

Nothing Else Matters

Compass

Odds of Getting Even

I’m Not Going Anywhere

If They Feel Like Wings

Some Rent

Burning Building

Addicted

Watching the Whole Sky Change

Ribbon

Produced by Maya de Vitry and mixed by Grammy-award-winning engineer Justin Francis (Madison Cunningham), The Only Moment is an unabashed blend of indie folk, indie rock, and indie pop, with elements of Americana and alt-country. Recorded at Phantom Studios in Gallatin, TN, the album captures the unfettered energy and occasional chaos of de Vitry’s Nashville “bar band,” featuring Anthony da Costa on electric guitar, Ethan Jodziewicz on electric bass, and Dominic Billet on drums. These three musicians played a pivotal role in nurturing de Vitry’s vision, crafting atmospheres around her songs that feel unrestricted by notions of genre.

Catch Maya de Vitry on tour:
June 21 – Tryon, NC – Summer Tracks Music Series
July 12 – Nashville, TN – Finally Friday w/ WMOT at 3rd & Lindsley
July 20 – Bethlehem, NH – Colonial Theatre (co-bill w/ Griffin William Sherry)
July 26-27 – South Hiram, ME – Ossipee Music Festival
August 31 – Erwin, TN – Sol Slam Mountain Jam
September 24 – Philadelphia, PA – World Cafe Lounge
September 25 – Cambridge, MA – Club Passim
September 26 – Portland, ME – Oxbow
September 27 – Brooklyn, NY – Owl Music Parlor
September 28 – Lancaster, PA – West Art
September 29 – Vienna, VA – Jammin’ Java
October 1 – Evanston, IL – Space
October 3 – Milwaukee, WI – Anodyne
October 4 – Madison, WI – Shitty Barn
October 5 – Minneapolis, MN – Cedar Cultural Center (supporting Robin & Linda Williams)
November 1 – Saratoga Springs, NY – Caffe Lena
November 2 – Lincoln, VT – Burnham Presents

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Musical Evolution: The Mysterines’ Bold New Sound in Afraid of Tomorrows

Afraid of Tomorrows is due out June 21 via Fiction Records. Photo: Steve Gullick, used with permission.

Starting over is never easy. It takes guts, determination and will power to move out of the shadows of yesterday. But this is precisely what British rock band The Mysterines has done. Their ferocious new album, Afraid of Tomorrows, out on June 7 via Fiction Records, burns the past to the ground and builds something brand new out of the rubble. (Big Hassle, 2024)

Formed in Liverpool, The Mysterines – frontwoman Lia Metcalfe, drummer Paul Crilly, bassist George Favager and guitarist Callum Thompson – has undergone a radical transformation over the past few years. Fresh with new purpose and reinvigorated from songwriting sessions while secluded away in the countryside, the band is about to release the best music of their career. “We can feel the difference with this album,” Metcalfe says. “These songs show how far we’ve come. We’ve grown up a lot.”

Afraid of Tomorrows is the perfect frame for Metcalfe’s extraordinary voice. Like no one else on the British rock scene, she can switch suddenly from a lascivious purr to a hair-raising yowl, the love-child of Courtney Love and Karen O. The most impressive part of the record is how much it demonstrates the band’s colossal ambition.

This week, the band released their whirring new single “The Last Dance,” the third track to be taken from the highly-anticipated new album Afraid of Tomorrows.  

Bolstered by a blistering guitar solo and thunderous drum beats, “The Last Dance” details finding solace in something that is not real. Frontwoman Lia’s imagination dances wildly through the track, as it tells the tale of a person who falls in love with a porcelain mannequin and longs to dance with them.

“I suppose it’s an analogy for what loneliness can do to you. Once you’ve exhausted all the dark alleyways of drugs and alcohol, you end up reaching for something to connect to that isn’t real.” – Lia Metcalfe

The Mysterines is set to embark on their biggest headline tour to date this fall across Europe and North America. The band will play a string of exciting shows this summer, including at Crystal Palace Park as special guests to Bloc Party for their huge 20th anniversary show on July 7, and numerous festivals including Riot Fest in Chicago. North American tour dates will go on sale this Friday at 12p.m.ET — complete tour info available online.

UPCOMING NORTH AMERICAN TOUR DATES
September 10 – Los Angeles, CA – The Roxy
September 11- Phoenix, AZ – Last Exit
September 13 – Colorado Springs, CO – Vultures
September 15 – Minneapolis, MN – 7th St Entry
September 17 – Toronto, ON – The Cave
September 19 – New York, NY – Mercury Lounge
September 22 – Chicago, IL – Riot Fest

Courtesy photo, used with permission.

Afraid of Tomorrows track list:

1. The Last Dance

2. Stray

3. Another Another Another

4. Tired Animal

5. Jesse You’re A Superstar

6. Hawkmoon

7. Sink Ya Teeth

8. Junkyard Angel

9. Goodbye Sunshine

10. Inside A Matchbox

11. So Long

12. Afraid of Tomorrows

Lord Buffalo: Holus Bolus Album by Austin Psychedelic-Americana Band

Lord Buffalo’s new album Holus Bolus will be released July 12, 2024. Photo: Metal Injection

Austin heavy psychedelic-Americana band Lord Buffalo recently released a new single from their forthcoming album Holus Bolus. CvltNation shares “I Wait on The Door Slab” single HERE. Also now streaming on Bandcamp and all DSPs HERE. (US/THEM Group, 2024)

Metal Injection previously launched the title track and official video for “Holus Bolus” HERE.

Lord Buffalo is Daniel Pruitt (guitar, bass, piano, vocals, melodica), Garrett Hellman (guitar, sub-bass, piano, synths), Patrick Patterson (violin), and Yamal Said (drums, percussion).

Lord Buffalo is heavy in the way that ghosts are heavy… in the way that billowing dust is heavy.

That is to say, the Austin, TX Psych-Americana band’s music impacts hard, though it seems impossible to touch. Their sound flows through us, it doesn’t invite the Pavlovian response of typical heavy rock music

Perhaps it’s fitting then that their new album Holus Bolus takes its name from an antiquated term meaning “all at once.” It materializes instantly from the first notes of the opening title track, like a dark grey haze drawing listeners in with the band’s deft juxtapositions of droning violin, guitars, drums and vocals. It draws equally from Morricone and Badalementi as from Sabbath and Swans.

While the quartet trudges the same murky waters as dark emotive brethren David Eugene Edwards/Woven Hand, Chelsea Wolfe, Emma Ruth Rundle, Earth/Dylan Carlson, Echo & The Bunnymen, and Nick Cave, their creative interplay of Middle Eastern influence with a distinctly Western feel takes listeners in entirely new directions as the album envelops them. Holus Bolus was recorded by Danny Reisch and Max Lorenzen at Good Danny’s in Lockhart, TX. Mixed by Danny Reisch. Mastered by Max Lorenzen.

“While the making of this record feels a bit like a sleep-deprived hallucination to me. Listening to it now, I find it strangely hopeful — there’s a kind of release that you hit in exhaustion. I think the record knew what it was after, even if we didn’t. It felt very much like the record just appeared one day, holus bolus.” – Daniel Pruitt

Holus Bolus will be available worldwide on vinyl, CD, and digital via Blues Funeral Recordings on July 12, 2024. Pre-order HERE.

Artist: Lord Buffalo
Album: Holus Bolus
Label: Blues Funeral Recordings
Release Date: July 12, 2024

Courtesy album photo, used with permission

Holus Bolus

Slow Drug

Passing Joy

Malpaisano

I Wait on the Door Slab

Cracks in the Vermeer

Rowing in Eden

“Known for their atmospheric spin on folk-rock, at times sounding like the Anthology of American Folk Music beamed from outer space.” — NPR Music

“A dusky, moody, roots-quaking disc of tension and release.” — Austin Chronicle

“Lord Buffalo masterfully mixes straightforward, stoner-tinged rock with more violin-driven post-rock tones into one beautifully captivating sound that everyone should be familiar with.” — Metal Injection

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New album release: Wonderland – The Palms

The Palms’ new album and ode to California, Wonderland, is available now. Photo: Mike Fahey, used with permission.

Started in Los Angeles, CA in 2015 by Johnny Zambetti and Ben Rothbard, The Palms has become a formidable player in today’s independent musical landscape. With their signature California sound, an underground modern day classic in “Push Off,” and an ever growing and beloved fanbase and catalog, they’ve generated hundreds of millions of streams, all while retaining 100% ownership of their music and remaining loyal to their DIY ethos. (Big Hassle Media, 2024)

With their new album Wonderland out now, arguably their best work to date, 2024 looks to be a career defining year for The Palms. It’s time the world gets their ears on California’s best kept secret.

Their first full-length record since 2020, Johnny Zambetti and Ben Rothbard have done a lot of creative healing and found their way back to their roots. Self-produced, Wonderland is the soundtrack for a top-down drive anywhere from Laurel Canyon to the Sunset Strip, an osmotic experience of surroundings and the band’s ever present motif of redemption based on their personal David vs Goliath journey.

“As a whole, ‘Wonderland’ is a portal into our own existence and our attempt at making sense of the wild world around us over the last three years. If each song acts as a story filled with questions and lessons, ‘Phases,’ the final track on ‘Wonderland,’ is a subtle resolution to the eleven songs preceding it and a reminder that this journey is but a series of chapters and episodes. As brutal and defeating as life can appear, ‘this too shall pass’ and it is up to us to find beauty and meaning in the lesson.”

Courtesy photo, used with permission.

Wonderland track list:

“Talk Too Much”
“Jesse Jane”
“Pretty Face”
“Maggie’s Garden”
“Pretenders”
“Ready Or Not”
“One Stop”
“East Of LA”
“Freak Out”
“Feel It In My Hands”
“CA. Baby”
“Phases”

The California duo recently announced their headline Wonderland Tour. Kicking off in San Diego, CA on July 26, the tour will then make its way across North America, hitting major markets like Austin, D.C., Brooklyn and Chicago. To close out the tour, the band will play a hometown LA show at the Troubadour on August 24. Throughout the run, The Palms will receive support from Marlon Funaki, Lucia Zambetti and future.exboyfriend.

Courtesy photo, used with permission.

New album release: Talking to Strangers – Jack McKeon

“Last Slice of Heaven” is the first single off Jack McKeon’s forthcoming new album Talking to Strangers, due out June 21, 2024. Courtesy photo, used with permission.

Jack McKeon is a different sort of musician; a Nashville-based singer-songwriter with an honest, plainspoken vocal, an eclectic-roots sound, and a knack for bringing crystalline characters to life. A student of the greats drawn to the timeless, rather than the trendy, he hails from Chatham, New York (a few hours north of New York City and a world removed from the Americana and bluegrass scene he now inhabits), and harbors a deep love for the written word. First inspired by literary music icons from Hank Williams and Guy Clark to Tom T. Hall and John Hartford, McKeon arrived in Nashville in 2021 and has since established a reputation for his own message-drive lyricism—a value which shows up in its full sonic serenity on his 2024 album debut, Talking to Strangers, due out June 21. (IV-PR, 2024)

Recorded live over three days, Talking to Strangers captures the warm, organic sound of contemporary Appalachian soul, infusing folk rock with an easy-going bluegrass sway and speaking to his long-held musical values. It’s a work of classic craftsmanship, sturdy and simple yet packed with the nuance of a true, intentional wordsmith, and just the first significant step in what McKeon sees as “a lifelong pursuit.”

“Last Slice of Heaven” is the first single from Talking to Strangers. Fans can stream or purchase the single and pre-save Talking to Strangers ahead of its release.

With a classic banjo kick-off and rose-colored details dotting the first verse, Jack McKeon gives listeners their first taste of his new album with “Last Slice of Heaven.”

McKeon’s depiction of developmental creep is the story of every landowner outside of burgeoning cities nationwide. It doesn’t take long for the story to take a darker turn. How are the bills getting paid? Is there a new contractor twisting the county’s arm to condemn? “But now the land that he’s been working is worth more than he could need,” McKeon sings in the song’s pre-chorus. “If selling out’s surrender, is leaving like defeat?” “I wrote this song to give a voice to the person I imagined holding on to this ‘Last Slice of Heaven,’ a character at odds with the transformation around him who’s fighting to hold on to his own identity,” says McKeon. “…in spite of ‘A world that’s always changing what it means to be the same.’”

The Bluegrass Situation premiered the music video for “Last Slice of Heaven,” a simple, poignant affair in which McKeon picks the song on his vintage Gibson dreadnaught in his own little slice of heaven.

Talking to Strangers track list:
Willow Lane
Paler Shade of Blue
Highway 29
Last Slice of Heaven
I Don’t Trust You
Hard Headed
Crooked Teeth
Past the Point of Rescue
Waffle House Wonder
Love at the End of the World

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Upcoming new single release: Family – The Peterson Brothers

The Peterson Brothers will unveil heartfelt single ‘Family,’ from anticipated album Experience, on February 27, 2024. Photo: Michael Davila, used with permission.

The Peterson Brothers, hailing from the vibrant musical hub of Austin, Texas, have been enchanting audiences with their very own blend of Americana music consisting of classic Soul, Funk, Blues, and Jazz for over a decade. The dynamic duo consists of Glenn Jr. on vocals and guitar, and Alex, a GRAMMY® award-winning artist, on bass, vocals, and even the violin. Their musical journey began when their mother and grandmother bestowed upon them a treasure trove of assorted albums and a turntable from a garage sale, sparking a lifelong love affair with classic music. (The Peterson Brothers, 2024)

Immersing themselves in the sounds of iconic artists such as The Isley Brothers, Earth, Wind & Fire, The Brothers Johnson, and B.B. King, the Peterson Brothers honed their craft by absorbing the nuances of these legends. Drawing inspiration from their musical roots, they crafted a unique stage show that showcases their infectious energy and undeniable musical prowess.

As torchbearers of classic American music, The Peterson Brothers continue to leave an indelible mark on the music scene, captivating audiences with their infectious spirit and a musical prowess that pays homage to the timeless sounds that inspired their journey.

Celebrated for their genre-defying blend of Americana, classic soul, funk, and blues, The Peterson Brothers are gearing up to release their latest single, “Family,” on February 27, 2024. The single is available for pre-save HERE. This track serves as a heartfelt ode to the fans who have been with them since their early teen years. Dedicated to those who feel more like family than followers, the song is a musical expression of gratitude and connection. With lyrics that resonate with the bonds of kinship and shared experiences, the song celebrates the profound connection between a person and their biological or chosen families.

Experience, set to be unleashed in April 2024, is a jubilant celebration of life’s common themes, encapsulating the joys of spending time with family, the thrill of newfound love, and the beauty of human connection. Through the lens of gratitude, The Peterson Brothers invite listeners to join them on a heartfelt exploration of life’s many experiences, all set to a sonically uplifting soundtrack.

“This album is really personal to us and our experiences in life and conversations we’ve had through this journey in life and music. The name for the album comes from our experiences that we’ve had, conversations we’ve had with other people on their lives, the growth in our musicianship and artistry up to this point, and the fact that all of the songs on the album are experiences that everyone has had and can relate to.” – Alex Peterson

Experience will be available on all major streaming platforms on April 12, 2024. Fans can also pre-order the album starting March 29 to gain exclusive access to bonus content.

Experience track list:
In The Beginning
Family
Take You Time
Out Of My Mind
Too Soon
South End
I’ll Be Around
Shine

Courtesy photo, used with permission.

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New album release: Sweethearts – Christian Parker

Christian Parker breaths new life into the Byrd’s classic country leaning album with new LP Sweethearts. It will be out August 18, 2023. Courtesy photo, used with permission.

Christian Parker is an American recording artist, guitarist and songwriter. He knows his way around a song, and his musical vision enables him to deliver electrifying licks on rock anthems as well as cascading layers of acoustic guitar on ballads of love and loss. Parker started taking guitar lessons when he was 12, the day after John Lennon was killed, and learned how to play “Rocky Racoon” that same night. The New York-based musician released his first album, Reflections of Tomorrow, when he was 17, launching a music career devoted to introspective songwriting marked by its attention to the world around him. Since then he has released six studio albums, including his forthcoming Sweethearts, Parker’s version of the classic Byrds’ album Sweethearts of the Rodeo. His albums have earned him praise from No Depression, Blues Blast, and Jambands. His most recent, Every Passing Mile and Best Kept Secret, contain previously unreleased material written over the last two decades. In addition to his solo work, Parker has played lead guitar in the Waydown Wailers, rockers who have shared stages with Z.Z. Top, Charlie Daniels, Lady A, and New Riders of the Purple Sage. (IV-PR, 2023)

On August 18, Parker will release his version of the Byrds’ now-legendary country-rocker, Sweethearts of the Rodeo. Titled Sweethearts, it features his rollicking band and support from pianist Earl Poole Ball and pedal steel from JayDee Maness—both of whom played on the original record back in 1968.

Just as then-new Byrds member Gram Parsons loved the Louvin Brothers, Merle Haggard, and Cindy Walker—and wanted to deliver faithful versions of their songs “The Christian Life,” “Life in Prison,” and “Blue Canadian Rockies”—so Parker delivers the Byrds’ versions in tender renditions that capture the groundbreaking character of the original album. Throughout Sweethearts, Parker’s vocals echo the purity of Parsons’ efforts to import the clarity of county music into vibrant rock rhythms. In addition to the original eleven songs on Sweethearts of the Rodeo, Parker has included three more classics: “I Still Miss Someone,” “Satisfied Mind,” and “Drugstore Truck Driving Man.”

Parker shared the first single from Sweethearts, the album-opening “You Ain’t Goin’ Nowhere” with premiere partner The Bluegrass Situation. “I first heard this song by Bob Dylan on an acoustic guitar. But I was hooked when I listened to the opening pedal steel guitar on the Byrds album,” says Parker. “This song was in my repertoire for decades, and I felt like I was recording an old friend. Tracer James’ interpretation of Lloyd Greens’ pedal steel guitar opens Sweethearts up perfectly and having Earl Poole Ball in the studio, who played piano on the original version, was magical for me.” Finding room between James’ scampering steel licks and Ball’s gospel-inflected piano runs, Parker delivers the song’s iconic refrain: “Whoo-ee, ride me high / Tomorrow’s the day my bride’s gonna come.” The cascading piano on the outré is Parker’s distinctive take on this buoyant song.

Fans can hear “You Ain’t Goin’ Nowhere” now at this link and pre-order or pre-save Sweethearts ahead of its August 18 release.

Sweethearts track list:
You Ain’t Goin’ Nowhere
I Am A Pilgrim
The Christian Life
You Don’t Miss Your Water
You’re Still On My Mind
Pretty Boy Floyd
I Still Miss Someone
Hickory Wind
One Hundred Years From Now
Blue Canadian Rockies
Life In Prison
Nothing Was Delivered
Satisfied Mind
Drugstore Truck Driving Man

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New album release: Blood Brothers – Dallas Burrow

Dallas Burrow paints a full circle picture of his home with the first song “River Town” from his upcoming Jonathan Tyler-produced album Blood Brothers. Courtesy photo, used with permission.

Dallas Burrow, a Texas-born Americana artist rooted in the tradition of his home state’s songwriting heroes, built a career on both sides of the Atlantic with his 2019 debut Southern Wind. It reached Number 25 on the UK Americana Chart and Number 4 on the US Alt-Country chart, paving the way for a string of cross-country shows alongside fellow road warriors like Charley Crockett. For Burrow—a lifelong explorer who had spent his 20s on the move, chasing his muse across most of America and Europe while rubbing shoulders with luminaries like Bob Dylan and Dr. John—being so far away from home felt natural. Even so, he began missing the stability of his new life back in Texas, where he had built a family and gotten sober. His second album, 2021’s Dallas Burrow, marked both a symbolic and literal homecoming for the songwriter, who recorded the material with modern-day legend Bruce Robison in the rural Texas countryside. His new album Blood Brothers finds Burrow telling the story of his musical roots, his father’s influence on his craft, and his own personal journey as a songwriter; all in his signature, gravely baritone. (IV-PR, 2023)

“River Town,” the opening track from his upcoming album Blood Brothers, rides a pulsing country backbeat and is dressed up with a fiddle, organ, electric guitar, and producer Jonathan Tyler singing harmonies. It tells the true story of Burrow’s small-town Texas upbringing, the leaving, and the coming back to start a family. “After getting in a little trouble, doing a lot of traveling, fast living, and soul searching—and finally meeting my wife and starting to settle down a little—in the end, I realized just what a beautiful area it was to live after all, and the perfect place for us to raise a kid,” he says. The Bluegrass Situation premiered the single, diving more into the backstory.

Fans can hear “River Town” at this link and watch the video for Burrow’s previously-released single, “Out My Window” here. 

With Blood Brothers, Burrow wanted to chase something a little more refined and a little more polished than his previous two efforts: Southern Wind and Dallas Burrow. With the creative vision and technical talent of producer Jonathan Tyler, Burrow took everything he had learned from the last two album cycles, plus a lot more experience on tour, and brought a new outlook—not to mention what he calls “some of the best songs I’ve ever written”—into the recording studio, crafting his best work to date. Existing fans of Burrow’s will find his instantly recognizable songs sung in his signature gravelly tone, but there are hints of something deeper afoot. Musically, the pair of Burrow and Tyler chased down new tones influenced by everything from Stax to Muscle Shoals to New Orleans, but lyrically, Burrow’s journey through his own history and influences steals the show. “The songs on Blood Brothers tell about where I’m from, where I’ve been, what I’ve done, and what I’ve seen,” he says.

Blood Brothers track list:
River Town
Starry Eyes
Devil’s Tongue
Out My Window
Motel 6
A Lot of it Was
Only Game in Town
Blood Brothers
Mr. Mudd and Mr. Gold
X Old Flames
Wild Bill
You Go On Ahead
True Believer

Catch Dallas Burrow on tour:
June 23 – San Antonio, TX – The Lonesome Rose
June 24 – San Marcos, TX – Cheatham Street Warehouse
June 30 – Houston, TX – The Mucky Duck
July 7 & 8 – Red River, NM – Motherlode Saloon
July 21 – New Braunfels, TX – Freiheit Country Store
Jul 22 – Luckenbach, TX – Luckenbach Dancehall
July 29 – Hunter, TX – Riley’s Tavern
August 2 – La Grande, OR – Union County
August 3 – Portland, OR – Topaz Farm
August 4 – Sisters, OR – The Belfry
August 5 – Carson City, NV – Nashville Social Club
August 6 – Arbuckle, CA – Burgie’s
August 7 – Bakersfield, CA – Pyrenees Cafe
August 9 – Santa Cruz, CA – Moe’s Alley
August 10 – Los Angeles, CA – Zebulon
August 11 & 12 – Lake Havasu, AZ – Jermey’s Juke Joint
August 13 – Mesa, AZ – Roosters Country
August 25 – Kingsbury, TX – 1281 Sherrill Rd
August 26 – New Braunfels, TX – Riley’s Tavern
September 8 – Driftwood, TX – Wings Over
September 22 – La Grange, TX – Bugle Boy
September 23 – Boerne, TX – Salvador DOBBS
September 30 – Red River, NM – Motherlode Saloon
November 25 – New Braunfels, TX – Riley’s Tavern

 

New album release: From Here To Home – The South Austin Moonlighters

From Here To Home will be released June 30, 2023. Courtesy photo, used with permission.

Legendary, Saxon Pub-bred quartet The South Austin Moonlighters were riding high on the success of their 2019 opus Travel Light with top billing on the alt-country charts and festival appearances throughout the U.S. and Europe when the world came crashing to a screeching halt in 2020. Fortunately for the band and their fans alike, the Moonlighters are veterans of Austin’s scrappy, DIY music scene and were never going to let a little loss of momentum stop them. With the help of a wildly successful crowdfunding campaign, The South Austin Moonlighters—Lonnie Trevino Jr., Chris Beall, Daniel James, and Hunter St. Marie—took to the studio with producer Steve Berlin and got right back in the saddle, cutting ten tunes that would eventually become their brand new album, From Here To Home. (IV-PR, 2023)

At its core, From Here To Home is an album of rebirth and acknowledgement. It is a recognition of where The South Austin Moonlighters have been, and a peek at all of the exciting places they are going and want to head towards in the future. “From Here To Home is a journey back to rediscovering why we started doing this in the first place,” Trevino Jr. says, before his co-conspirator helps him complete the thought in a way only the closest of collaborators can: “Because that’s the only thing we want to do–make joyous music.”

The South Austin Moonlighters recently released their first single from From Here To Home, the bouncing, half-time groove of “Make A Livin’”; a deceptively deep, upbeat song about what it really means to make ends meet for a family. “What should we be providing?’’ asks Beall, who wrote the song with his good friend Rodney Black. He expands, “Surely ‘ourselves’ would be the most important thing, and yet there are multiple generations of parents working so much they rarely see their kids. Lots of folks have to work like that, unfortunately. But could there be a ‘line’ that gets crossed when too much is just ‘too much?’ The TV bill, the new car, the nicer house….maybe we should let go of a few of those things and not have to be shackled to the workplace to pay for them.” Packaged within textures of gritty guitars and vintage bass thump, “Make A Livin’” is one of those rare songs that makes listeners dance and think, and that quality is the Moonlighters’ party piece that runs from beginning to end of From Here To Home.

Fans can listen to “Make A Livin’” today at this link and pre-order or pre-save From Here To Home ahead of its June 30 release. The South Austin Moonlighters are back on the road; tour dates can be found below or online. 

From Here To Home track list:
Nashville
Make A Livin’
Long Time Coming
Box Of Memories
Faded Into Gray
Hearts In Parallel
From Here to Home
Then Away Farewell
It’s Only Money (That Makes The World Go ‘Round)
Delta Man

Catch The South Austin Moonlighters On Tour:
June 16 – Austin, TX – Waterloo Records In-Store Record Release
June 23 – Conroe, TX – Red Brick Tavern
June 24 – Austin TX – 3Ten – Album Release Show
July 1 – Houston, TX – McGonigel’s Mucky Duck
August 3 – Estes Park, CO – Listening at the Legion
August 4 – Telluride, CO – Mountain Village Summer Concert Series
August 5 – Silverton, CO – Columbine Roadhouse Gatorfest
August 11th – Dallas, TX – Morton Meyerson Symphony Center (Los Lobos support)

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Boston based bluegrass band Mile Twelve returns with new album

Mile Twelve’s new album Close Enough to Hear will be out February 3, 2023. Courtesy photo, used with permission.

Mile Twelve, Boston’s modern string band, is back in motion. From the first manic downbeat of their virtuosic new record, Close Enough to Hear, you will discover a band that is ready to explode from a restless pandemic-induced hiatus. You will hear the same warmth and innovation that earned the band IBMA’s 2019 Album of the Year nomination and 2020 New Artist of the Year Award, which has gained them an international reputation as one of the most dynamic bands in contemporary acoustic music. Heard as a whole, Close Enough to Hear displays the vast creative potential of the bluegrass quintet—banjo (BB Bowness), mandolin (Korey Brodsky), fiddle (Ella Jordan), acoustic guitar (Evan Murphy), and upright bass (Nate Sabat)—in the hands of world-class musicians. (Mile Twelve, 2023)

Fans of Mile Twelve will notice the presence of two new members on Close Enough to Hear: fiddler and vocalist Ella Jordan and mandolinist Korey Brodsky. Take note of the new dimension they add to the band and their ability to lock in with founding members Evan Murphy, Catherine Bowness, and Nate Sabat. These are not session players; this album captures the formation of a new coherent unit.

Both of the bands’ previous full-length albums, as well as their guest star-packed EP, were recorded in Nashville but the new challenges of traveling and dodging positive Covid tests kept the band closer to home. They chose Sam Kassirer’s legendary Great North Sounds in the woods of Parsonsfield, Maine, a studio that has played host to a murderer’s row of Americana acts and has become a fixture of the New England recording scene. Leading up to the making of their new album, Mile Twelve—a flourishing act whose output has helped push the envelope of New England’s progressive bluegrass and string-band scene—learned a whole new level of perseverance, patience, and performance.

Fans can watch the music video for “Close Enough to Hear” and pre-order or pre-save Close Enough to Hear ahead of its February 3 release.

This is a band looking forward—simultaneously shoring up their bluegrass foundations (in the transfixing acapella opening of “If Only,” for example) while also pushing their musical boundaries and driving into new territory. You will detect flavors of jazz (“Red Grapes on the Vine”), acoustic pop (“Take Me As I Am”), and trance music (“Light of Angels”). Heard as a whole, Close Enough to Hear displays the vast potential of acoustic string band music in the hands of capable players.

Close Enough to Hear track list:
Romulus
Johnny Oklahoma
Close Enough To Hear
Red Grapes on the Vine
Light of Angels
Hopping Around Telluride
Waiting
Anywhere Town
Take Me As I Am
If Only

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