Merciless Suffering is the new album by Canadian band Dying Remains. Courtesy photo, used with permission.
Maggot Stomp Announces Debut Album from Dying Remains: Merciless Suffering
Maggot Stomp is proud to unveil the debut full-length album from Canadian death metal upstarts Dying Remains. Titled Merciless Suffering, the record cements the band as a skull-cracking force blending unrelenting brutality with infectious riffs and grooves. Fans of Obituary, Frozen Soul, Tribal Gaze, and Jungle Rot will feel right at home. (Haulix, 2025)
New Video: Hung and Drawn
Alongside the album announcement, Dying Remains has unleashed a chilling new music video for the track “Hung and Drawn” — a must-watch for fans of the genre.
The video isn’t just a performance clip; it’s a short horror film. Drawing heavy inspiration from ‘70s and ‘80s B-grade gore flicks, the visual depicts one gruesome chapter in the album’s overarching narrative of a sprawling torture chamber. Directed by Aron Diaz, the film perfectly complements the band’s dark lyrical themes, bringing their macabre vision vividly (and violently) to life.
About the Album: Merciless Suffering
Merciless Sufferingis a towering slab of modern death metal rooted in the genre’s classic traditions. The record delivers:
Crushing brutality paired with catchy, well-crafted grooves
A sound that echoes the seminal work of Morta Skuld, Jungle Rot, and Obituary
A fresh, uncompromising edge designed for today’s generation of death metal fans
This is death metal at its most relentless and primal — a monolithic force that honors the past while pushing the genre forward.
On Tour Now
Dying Remains are currently tearing across the U.S. on their first-ever tour, bringing the ferocity of Merciless Suffering to the stage night after night.
🔥 Whether you’re a fan of old-school brutality or hungry for the next wave of death metal devastation, Dying Remains’ Merciless Suffering is an album that demands to be heard.
Finnr’s Cane unveils self-titled debut with Nordvis Produktion. Courtesy photo, used with permission.
Finnr’s Cane Returns with Their Self-Titled Fourth Album
The mystic Canadians Finnr’s Cane return with their self-titled fourth album — a haunting and introspective journey through the frozen landscapes of the mind. Marking their debut with renowned Swedish label Nordvis Produktion, this release continues the band’s unique blend of atmospheric black metal, doom, and ambient soundscapes. (Nordvis Produktion, 2025)
A Band Forged in the North
Formed in 2008, Finnr’s Cane consists of The Peasant and The Bard—pseudonyms chosen to maintain anonymity. Hailing from the icy expanse of Sudbury, Ontario, the band has always thrived on the fringes, letting the music speak for itself.
One of their most distinctive traits is the absence of a traditional bass guitar, replaced instead with the deep, melancholic resonance of a cello. Paired with an improvisational songwriting style, this approach gives their music an organic, almost ritualistic quality.
The New Album
Arriving as summer fades into autumn, the self-titled album delves deep into themes of nature, introspection, and spiritual connection to the land. Listeners are guided through passages that shift from somber acoustic meditations to powerful, distorted crescendos, with the cello remaining a central pillar throughout.
For fans of Agalloch, Wolves in the Throne Room, and Fen, this record offers a compelling exploration of liminal spaces and the sacred elements of the wilderness.
Since their 2010 debut Wanderlust and subsequent critically acclaimed releases on Prophecy Productions and Frostscald Records, Finnr’s Cane have carved out a singular voice. This latest work— their first collaboration with Nordvis—feels like a natural continuation of their vision.
From the Band
“The final form of this album emerged slowly and instinctively, informed by our experiences and emotions over a long period of time. We carefully distilled it into what we’re certain is our absolute best work to date.” — The Bard
Album Details
Artwork: Mark Seydewitz
Layout: Thomas Väänänen
Format: CD / LP / Digital
Singles Release Timeline
June 20, 2025 — Twilight Glow
July 25, 2025 — Awaken the Sleeping Forest
Availability
Worldwide: Streaming on all major platforms + Bandcamp
The country music icons teamed up for a powerful take of the 1998 classic. Courtesy photo, used with permission.
✨ Country music fans are in for a treat — Ty Herndon has teamed up with Ashley McBryde to reimagine one of his most beloved hits, “A Man Holdin’ On (To a Woman Lettin’ Go).” The powerful duet bridges past and present, honoring Herndon’s legacy while showcasing McBryde’s fearless edge.
Ty Herndon and Ashley McBryde Reimagine Classic Hit “A Man Holdin’ On (To a Woman Lettin’ Go)”
NASHVILLE, TN — GRAMMY®-nominated country music icon Ty Herndonhas joined forces with Ashley McBryde, Grand Ole Opry member and GRAMMY® Award-winning powerhouse, to reimagine his 1998 hit “A Man Holdin’ On (To a Woman Lettin’ Go).” (Aristo PR, 2025)
The haunting ballad of love, loss, and heartbreak is the second single from Herndon’s upcoming double album, THIRTY—a landmark project celebrating his three decades in country music. The album will be released in two volumes, with Volume One arriving this fall and featuring reimagined versions of Herndon’s greatest hits, each performed as collaborations with some of the genre’s most dynamic voices.
A Classic Reborn
Originally penned by Gene Dobbins, John Ramey, and Bobby Taylor, “A Man Holdin’ On” became one of Herndon’s signature songs in the late ’90s. With McBryde’s raw vocal edge paired with Herndon’s heartfelt delivery, the new rendition digs even deeper into the song’s emotional core—capturing the pain, poetry, and power of letting go.
“This song has always been one of the most emotional songs in my catalog,” said Herndon. “To revisit it with someone as fearless and gifted as Ashley was both humbling and electric. We didn’t just sing the song — we lived it.”
A New Chapter with Club44 Records
Released through Club44 Records, the track also marks Herndon’s next step in an exciting partnership with the Nashville-based label, known for championing bold vocalists and genre-defying artistry. The release is part of a newly announced three-album deal.
More than just an anniversary record, THIRTY is a declaration of endurance, artistry, and authenticity from one of country music’s most enduring voices.
About Ty Herndon
In 2025, Herndon will celebrate the 30th anniversary of his breakout single “What Mattered Most.” Between 1995 and 2002, he charted 17 singles, including three No. 1 hits, with fan favorites such as “I Want My Goodbye Back,” “Loved Too Much,” and “A Man Holdin’ On.”
Herndon has also broken barriers in country music. In 2015, he made history as the first major male country artist to publicly come out as gay. His artistry continued to evolve with albums like Journey On and Right About Now. His 2022 album JACOB produced the No. 1 independent country hit “Dents on a Chevy” with Terri Clark, which spent seven weeks at the top of the charts.
About Ashley McBryde
Ashley McBryde is a GRAMMY, CMA, and ACM award-winning artist celebrated for her unapologetic, raw country sound. Her 2018 debut album Girl Going Nowhere earned a GRAMMY nomination for Best Country Album, while her collaboration with Carly Pearce on “Never Wanted To Be That Girl” won a GRAMMY and CMA Award for Musical Event of the Year.
Currently, McBryde is on tour supporting her latest album The Devil I Know, with sold-out shows across the UK and North America.
Two master guitarists with distinct, complementary personalities join together for bold music full of depth, energy, and inspiration. Courtesy photo, used with permission.
Larry Keel & Jon Stickley Release Debut Duo EP
ASHEVILLE, NC — Larry Keel and Jon Stickley have long been recognized as two of the finest flatpicking guitarists of this generation. Now, they’ve joined forces to celebrate the pure joy of acoustic guitar music with their new duo project. Their chemistry is undeniable—effortlessly weaving rhythm and lead, creating an intimate conversation between two guitars and two voices, while maintaining their own distinct musical personalities. (Dreamspider Publicity, 2025)
Their self-titled debut EP, Larry Keel and Jon Stickley, will be independently released on September 5. Pre-save/Pre-order here.
A Duo Years in the Making
“I’ve wanted this project to happen for so long!” Keel says. “Jon and I have been on many of the same bills all over the place for so many years, teaming up in jams, sit-ins, and campfire pickings, and yet we’ve never gotten our fill of playing together as guitar players—which we both seem to crave. So, now we’ve put this guitar duo act in motion, playing shows and making a record, and it feels great getting to scratch that itch.”
About the EP
The five-track collection blends lyrical songwriting with adventurous instrumentals:
“Future Ghost” – A shredding, dynamic instrumental that highlights the duo’s contrasting styles. Stickley describes the interplay as “very freeing and exhilarating.”
“Sailor Suit” – A cover of Steve McMurry’s 1990s Acoustic Syndicate tune, with Stickley on lead vocals.
“Pioneers” – Written by Keel during a 1990s tour along the Oregon Trail, this track reflects on the journeys of early settlers in the American West.
“Take the Air” – A Stickley original, inspired by David Grisman and Tony Rice, written in 7/4 time during the pandemic as a meditative, uplifting riff.
“Starborn” – Classic Keel: upbeat yet tinged with melancholy, closing with a spacey outro that serves as a tribute to a released soul.
Together, these songs push the boundaries of two-guitar arrangements, resulting in a progressive and compelling acoustic collection.
“Pioneers” is out as an early single. Stream/buy here.
Festival Favorites
Keel and Stickley are no strangers to the stage. Both have been staples on the bluegrass, Americana, and jam band circuits for years, sharing late-night jams and festival stages at Strings and Sol, Jam Cruise, DelFest, Hulaween, Suwannee Spring Reunion, Roots Revival, Hoxeyville, The Bender Jamboree, WinterWonderGrass, and Billy Strings’ Renewal, among many others.
✨ The Keel Stickley Duo brings raw virtuosity, creative spirit, and late-night jam energy to every note. Their debut EP is just the beginning of an inspired new chapter in their musical journey.
Larry Keel and Jon Stickley track listing 1.) Future Ghost (2:34) 2.) Sailor Suit (4:07) 3.) Pioneers (3:24) 4.) Take the Air (2:56) 5.) Starborn (4:03)
Produced by Larry Keel and Jon Stickley Recorded/Engineered by James McLaughlin Mastered by Crystal Mastering Artwork/Design by Luther Blevins
The Berries announces forthcoming new album. Photo: Ajalena Dewolf Moura, used with permission.
The Berries Announce New Self-Titled Album — Out August 29
A Return to Form for Matthew Berry
The Berries marks a pure return to form, delivering Matthew Berry’s strongest take yet on the hallowed tradition of the guitar-wielding singer-songwriter. The LP masterfully channels the tradition’s iconic sentiments—naked Americana, chemical winds whistling over barley shafts, longing-swollen livers, and pleading romance—while infusing them with a rich melancholy that is distinctly Berry’s. (another side, 2025)
Breaking from the Past
Berry describes the record as an act of survival and rebirth:
“This record came out of a need to break from my old self, to break from a lifestyle that I could no longer bear waking up to everyday. It’s equally fueled by remorse and relief—I can rejoice a bit in having found a renewed purpose, but I had to finally stare down everything that was standing in the way of that sense of dignity first.”
Sound and Structure
Sonically, The Berries draws inspiration from a long lineage of studio-centered pop songcraft—from the comedown genius of Tusk-era Fleetwood Mac to the reverb-drenched expanses of The War on Drugs.
The album unfolds as a series of impressionistic vignettes, each track carving out its own emotional terrain rather than conforming to established genre convention.
Lead Single: Angelus
On standout track and lead single “Angelus,” Berry threads together tender vocal melodies over a sparse progression, slowly building a wall of melancholy. The song resonates with a distinctly Californian desolation—capturing the loneliness of highway overpasses and the apocalyptic brightness of staring out across the Pacific.
Evolution of The Berries
The Berries began as a bedroom project—cosmic Americana and fuzzy guitar heroics that quickly secured Berry a multi-record deal with Run for Cover Records.
Since then, Berry has explored:
Berryland — country-inflected balladeering
Throne of Ivory — distorted, stadium-sized melodrama
High Flying Man — Californian burnout pop
Now, with The Berries, Berry steps fully into his role as a self-made studio auteur. Written in early 2025 and recorded that summer at engineer Jimmy Dixon’s home studio, the record reflects both urgency and precision, co-produced by Berry and Dixon.
Release Details
The Berries (self-released) will be available in stores and online August 29, 2025. It is available for pre-order/pre-save.
The Berries tracklist:
1 – Sedentary Blues 2 – Vagabond 3 – Angelus 4 – White Peach 5 – Wind Chime 6 – Run You Down 7 – Salt Of The Earth 8 – Lie In The Fire Again 9 – Something Better 10 – Seventh Album Art/Photo By Ajalena Dewolf Moura
Finding freedom through vulnerability, Delynn writes heartfelt songs of hope and healing. Courtesy photo, used with permission.
Hannah Delynn Releases Debut Album Trust Fall — Out September 5
NASHVILLE — Nashville-based vocalist, songwriter, and multi-instrumentalist Hannah Delynn will independently release her debut full-length album, Trust Fall, on September 5. Known for her ability to view life through many perspectives, Hannah crafts songs that are emotionally engaging, compelling, and rooted in vulnerability. (Dreamspider Publicity, 2025)
This record is a heartfelt exploration of self-responsibility and the tangled web of emotions that come with it—a journey toward finding freedom by embracing one’s true self.
“I write about matters of the heart and hope my words and songs bring you hope and healing and connect you with the beauty that is all around us—even when it feels difficult to see.” — Hannah Delynn
A Spotlight on “Jealousy”
Hannah recently released “Jealousy,” the album’s third single, which premiered on The Bluegrass Situation. They described it as “anchored by emotive piano, exploring the depths and catacombs of often squashed emotions.”
The track leans toward a raw, almost pop sound, offering complete vulnerability by shining a light on a difficult emotion.
“Instead of being a shameful thing, jealousy can be an insight into what one really wants by seeing others as mirrors to oneself.” — Hannah Delynn
A Journey Across Continents
Originally from Florida, Hannah’s path to Nashville in 2013 took her through New Zealand, British Columbia, and Australia, collecting life stories along the way. Many of these experiences now live in the songs of Trust Fall, which reflects a season of profound grief, loss, betrayal, heartbreak, but also love, generosity, friendship, and beauty.
A Collaborative Creation
Produced by fellow songwriter Maya de Vitry, who also provides harmonies and performs on the record, Trust Fall features a talented cast of Nashville musicians:
Alex Wilder — harmony vocals, piano/Wurlitzer
Ethan Jodziewicz — arco and ukulele bass
John Mailander — fiddle, electronics
Jordan Tice — guitar
Annaliese Kowert — violins
Lizzy Ross — harmony vocals
The Songs of Trust Fall
The album features 11 original tracks by Hannah Delynn, with notable co-writes:
With Maya de Vitry: “Leaf on a River,” “Blood Alone,” “No Small Thing,” and string arrangements on “For the Record”
With Josh Rennie-Hynes: “For the Record”
With Clare Reynolds: “Jealousy”
Chordal arrangements for “Waiting” by Emily Mann
Trust Fall will be available September 5 on all major streaming platforms. It’s available for pre-order on Bandcamp.
‘Riding High In Texas’ is the newest single from their forthcoming album. Photo: Bismeaux Records/Signature Sounds Recordings, used with permission.
Asleep at the Wheel Releases New Single “Riding High In Texas” Ahead of Forthcoming Album
Austin, TX — In celebration of their 50+ years as a cornerstone of Texas music, legendary Western swing band Asleep at the Wheelhas released the title track of their new album, Riding High In Texas, out August 22 via Bismeaux Records and Signature Sounds Recordings. (IV-PR, 2025)
The track, “Riding High In Texas,” was originally written by bluegrass great Peter Rowan and first appeared on his 1980 LP Medicine Trail. This new version features Ian Stewart—the band’s newest member—on lead vocals, delivering a quick, twangy take on the song.
In a nod to Rowan’s bluegrass roots, bandleader Ray Benson invited modern-day guitar phenom Billy Strings to lend his virtuosic picking to the track.
“Love everything about this song,” says Benson. “It also made for a great title for the record. Ian can yodel, and having Billy Strings play guitar on it… took it to a whole new level.”
The song’s hook— “Let’s go riding high in Texas in my mind / Said sometimes I feel I gotta leave this crazy world behind”— rings out with the band’s signature harmonies, pedal steel, and fiddles, all elevated by Strings’ unmistakable flatpicking.
Holler. premiered the track and its accompanying music video, calling it an “effortlessly cool road anthem with their signature pedal steel and fiddle licks.”
The video features Stewart on horseback, singing through the streets of Austin. Intercut with footage of saddle bronc riders and full-band performances at Dallas’ Longhorn Ballroom and Benson’s Austin studio, the video captures the Lone Star spirit that defines the band’s sound and this record.
Riding High In Texas tracklist: Riding High In Texas Texas In My Soul Long Tall Texan Texas Texas Cookin’ Lonesome Pine Special T for Texas (Blue Yodel #1) All My Exes (Live in Texas) There’s Still a Lot of Love in San Antone Beaumont Rag
August Wednesday, August 6 – Sellersville, PA – Sellersville Theater Thursday, August 7 – Vienna, VA – Filene Center (with Lyle Lovett) Saturday, August 9 – Carthage, TX – Texas Country Music Hall of Fame Wednesday, August 13 – Homer, NY – Center for the Arts of Homer Thursday, August 14 – Norwalk, CT – District Music Hall Friday, August 15 – Newton, NJ – Newton Theatre Saturday, August 16 – Peekskill, NY – Paramount Hudson Valley Sunday, August 17 – New York, NY – City Winery New York City Tuesday, August 19 – Kent, OH – Kent Stage Wednesday, August 20 – Ann Arbor, MI – The Ark
The Division Men is the husband-and-wife duo of J. Spencer Portillo and Caroline Rippy Portillo. Courtesy photo, used with permission.
The Division Men Announces New Album Hymns and Fiery Dances, Shares Single “San Saba”
El Paso, TX by way of Berlin acoustic duo The Division Menhas shared a haunting new single and video titled “San Saba”, taken from the forthcoming album Hymns and Fiery Dances, due out August 22, 2025, via Motor Music. (US/THEM Group, 2025)
The track debuted in the U.S. via New Noise Magazine and in the EU via Side-Line Magazine, and is now available on all major streaming platforms. 🎧 Listen to “San Saba” HERE 📺 Watch the visualizer on YouTube 👇
About Hymns and Fiery Dances
The new album features an impressive roster of collaborators including:
Rafael Gayol (Leonard Cohen)
Rick G Nelson (Afghan Whigs, St. Vincent)
Jay Reynolds (Asleep at the Wheel)
Fredo Ortiz (Beastie Boys, Los Lobos)
Leah Shapiro (Black Rebel Motorcycle Club)
Dana Colley (Morphine)
Asya Sorshneva (CocoRosie)
Beto Martinez (Grupo Fantasma)
Peter Hayes (Black Rebel Motorcycle Club)
Alain Johannes (Queens of the Stone Age, PJ Harvey) …and many more.
Available in LP, CD, and digital formats, Hymns and Fiery Dances can be pre-ordered now. 🛒 Pre-order HERE
Who Is The Division Men?
Founded in Berlin, Germany in 2008 and now based in El Paso, Texas, The Division Men is the husband-and-wife duo of J. Spencer Portillo (vocals/acoustic guitar) and Caroline Rippy Portillo (vocals/bass guitar).
The band’s name reflects the original mission: to collaborate with artists worldwide regardless of borders—a philosophy that has remained central to their identity.
Caroline, born in San Antonio, previously played bass for Tito & Tarantula from 2007 to 2012. Spencer, born in Los Angeles and raised in Texas, channels the spirit of border towns into evocative lyrics about love, loss, and life.
Their sound is often described as dark, romantic, ethereal, and haunting. Their previous album, Niños Del Sol, featured Rafael Gayol, Steven Hufsteter, Jay Reynolds, Mitch Hertz, Raiye Rippy, and Jake Garcia (The Black Angels).
Upcoming Live Dates
Catch The Division Men live in support of Hymns and Fiery Dances:
📍 08/15/2025 – Austin, TX – Vinyl Beauty Bar 📍 08/17/2025 – San Antonio, TX – Faust Tavern 📍 08/22/2025 – El Paso, TX – Love Buzz
For more news and updates, follow The Division Men on all official channels.
Mareux shares shares Ébèné Fumé video/single feat Riki. Photo: Jason Renaud, used with permission.
Mareux Teams Up with Riki for New Single “Ébèné Fumé” Ahead of Nonstop Romance🎶
Los Angeles, CA – Revered pop/darkwave musician and producer Mareux (Aryan Ashtiani) joins forces with multifaceted artist and singer Riki on his nostalgic new single “Ébèné Fumé,” out now via Revolution/Warner Records. (another side, 2025)
Riki’s charismatic, confessional vocal performance blends seamlessly with Mareux’s intricately crafted electronics, creating a compelling dance-pop track that’s as moody as it is magnetic. Her standout presence shines throughout the song’s striking music video, created by Muted Widows (Michael E Linn, Nedda Afsari, and Michael R. Zumaya), which visually channels the same fusion of elegance and edge.
Where most artists might double down on the slick darkwave and goth-pop that brought them initial fame, Mareux pivots with his upcoming sophomore album, Nonstop Romance, due out June 27. The new project is messy in all the right ways—drunk in love, feverish with emotion, and unafraid to stumble. Picture a frilly valentine dragged through city grit: gushing, fractured, but completely transparent in its longing.
Throughout Nonstop Romance, Mareux sets his songs like Venus fly traps—irresistibly romantic and danceable, but tinged with a sinister red glow. It’s a record that revels in pleasure while hinting at danger, a balance central to its ethos.
“I’m trying to make something that’s reflective of me getting older,” Mareux shares. But rather than quiet introspection, his version of maturity centers on joy: “Could you put it on in your house with people around and not bring the mood down?” That guiding question helped shape the sound and energy of the album.
Written and recorded in Mareux’s Lincoln Heights bedroom throughout 2024, Nonstop Romance draws cinematic inspiration from a muted old CRT TV playing everything from Tarkovsky and Jodorowsky to Hype Williams’ Belly. The result? Smudged tape-residue synths woven into readymade club anthems.
Though Mareux favors vibe over precision, longtime fans won’t feel lost. Whether you discovered him through his viral platinum-certified cover of The Cure’s “The Perfect Girl” or the noir heartache of 2023’s Lovers from the Past, there’s plenty to swoon over. Nonstop Romance is exactly what it promises: emotionally raw, sonically rich, and obsessed with love.
“I only care about one thing,” Mareux says. “And that’s being in love.”
Grayson Jenkins leans into the rock side of country with new song and video. Courtesy photo, used with permission.
Grayson Jenkins Unveils New Single “Hard Heart to Hold” Ahead of Forthcoming Album Country Parables
Kentucky-born country artist and songwriter Grayson Jenkins has released his new single “Hard Heart to Hold,” an anthemic country-rock track from his upcoming album Country Parables, set to release everywhere on July 25. (Covered Bridge Creative Co-op, 2025)
The single is paired with a live performance music video, filmed at Jenkins’ 2025 headlining show at The Burl in Lexington, KY—the very venue that inspired the song’s creation.
A Rising Voice in the Appalachian Country Scene
“Hard Heart to Hold” follows a string of successful releases, including:
“Nobody’s Stopping You Anyhow” (feat. Brit Taylor), featured on Spotify’s All New Country playlist
“Taxes & Time”
“Good Times Go” (feat. Pony Bradshaw), highlighted by The Bluegrass Situation and Whiskey Riff
Fans can watch the video, stream the new single, and pre-order vinyl and merchonline.
A “Hillbilly Springsteen” Sound
Jenkins’ bandmates jokingly describe “Hard Heart to Hold” as sounding like a “hillbilly Springsteen”—a track driven by pulsing drums and heavy guitars, elevating Jenkins’ vocals and vivid storytelling.
Jenkins views the song as a reflection of both his influences and his ongoing sonic evolution.
Telling Stories from the Heart of Kentucky
Lyrically, the track tells the story of a young woman navigating early adulthood and finding comfort in the Lexington music scene—a nod to the thriving musical culture of Kentucky and the greater Appalachian region.
Nearly a Decade on the Road
Grayson Jenkins is no newcomer. With nearly ten years in the music industry, his career has weathered:
The ups and downs of indie artistry
A global pandemic
Over 250,000 miles touring across the US, Canada, and Europe
Raised on a small farm in Muhlenberg County, KY—yes, that Muhlenberg County from John Prine’s “Paradise”—Jenkins carries with him a strong work ethic and resourcefulness that continues to shape his music and career.
Country Parables: Jenkins’ Most Ambitious Work Yet
Now in his 30s, Jenkins returns with Country Parables—a ten-track LP that marks his most comprehensive and mature work to date. The album combines the lyrical depth fans have come to expect with a fully realized sonic palette that Jenkins has long been chasing.
Crafted by a Powerhouse Team
To bring this album to life, Jenkins teamed up with frequent collaborator and touring partner Pony Bradshaw to co-produce the record. The album was recorded at Fellowship Hall Sound in Little Rock, AR, with a team of acclaimed musicians, including:
Paddy Ryan (Parker Millsap, John Fullbright)
Jesse Aycock (JR Carroll, John Moreland)
Aaron Boehler (Wilderado)
Fats Kaplin (Jack White, John Prine)
Collaborations on the album include Brit Taylor, Madelyn Baier, and Pony Bradshaw, with two tracks co-written by Nashville veteran Pat McLaughlin (John Prine, Bahamas).
With Country Parables, Grayson Jenkins offers a heartfelt, roots-driven collection that further cements his place in the next wave of Americana storytellers.
Country Parables tracklist:
1.Old Trails 2.Hard Heart to Hold 3.Nobody’s Stopping You Anyhow (feat. Brit Taylor) 4.Grand Slam 5.Scarecrow 6.Taxes & Time 7.Good Times Go (feat. Pony Bradshaw) 8.From Now On 9.Calling Out Your Name (feat. Madelyn Baier) 10.Country Parables
“But beyond the smoky bars and days out on the farm, Jenkins embodies one of Country’s more abstract, yet most important qualities: its philosophical soul.”
— American Songwriter
“In case you aren’t familiar with Grayson Jenkins’ prior work, the Muhlenburg County, KY native aptly follows in the footsteps of John Prine and all of the other folk and country troubadours before him who forged their career on the strength of clever lyricism and truthfully authentic storytelling.”
