Tag: New music

Welcome to the Gelliverse: Gelli Haha’s ‘Normalize’ Sets the Stage for Switcheroo

Gelli Haha releases new single ‘Normalize.’ Photo: Sophie Prettyman-Beauchamp, used with permission.

Gelli Haha Unleashes “Normalize” — The Final Single Before Debut Album Switcheroo

Gelli Haha has officially announced her newest single and video, “Normalize,” the final release ahead of her highly anticipated debut album Switcheroo, due out June 27, 2025. Drawing from the rich textures of 80s Nigerian soul boogie, the track delivers a smooth, mid-tempo synth-funk groove beneath Gelli’s raw yet velvety vocals. In the chorus, she aches for escape: “I want to fly away.” (another side, 2025)

The video for “Normalize” is a surreal extension of her live performances, directed by David Gutel. It continues the psycho-science experiment narrative introduced in her previous single “Spit,” revealing Gelli’s transformation into a parachute monster. Watch the video below.

Introducing the Gelliverse

Gelli Haha (pronounced Jelly-Haha) is more than a musician — she’s a shapeshifter, a sonic acrobat, and a visionary performer blurring the line between Studio 54 glam and Area 51 mystery. Her music dances in the tension between playful and profound, absurd and sincere.

Her debut album Switcheroo, via Innovative Leisure, serves as the official soundtrack to the Gelliverse — a vibrant, chaotic, and genre-bending world of her own design.

Switcheroo: A High-Voltage Creative Experiment

Created in collaboration with Sean Guerin of De Lux, Switcheroo is the product of spontaneous experimentation and a shared love for off-kilter pop and vintage gear. The duo leaned into analog oddities — Eventide Harmonizers, MXR Pitch Transposers, Electrix units — crafting textures that are intentionally flawed and brilliantly bizarre.

Every track is an invitation to let go, laugh, dance, and dive headfirst into the spectacle. Switcheroo is an inside joke turned theatrical masterpiece.

Don’t Miss Gelli Haha Live in LA

Gelli Haha’s wild, prop-filled, fully choreographed live performances have made her one of the most buzzed-about acts in the LA underground. She returns Friday, August 8, headlining at Resident in Downtown Los Angeles, with support from dance arts center and a DJ set by KCRW’s Travis Holcombe.

Presented by Minty Boi and Gelli Kompany. Tickets available here.

Let yourself get weird. Gelli Haha’s Switcheroo is coming.

Switcheroo tracklist:
1 – Funny Music
2 – Spit
3 – Normalize
4 – Bounce House
5 – Piss Artist
6 – Tiramisu
7 – Gelliverse
8 – Dynamite
9 – Johnny
10 – Pluto is not a planet it’s a restaurant

Courtesy photo, used with permission.

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From Viral Covers to Emotional Club Anthems: Mareux Evolves with ‘Ébèné Fumé’

Mareux shares shares Ébèné Fumé video/single feat Riki. Photo: Jason Renaud, used with permission.

Mareux Teams Up with Riki for New Single “Ébèné Fumé” Ahead of Nonstop Romance🎶

Los Angeles, CA – Revered pop/darkwave musician and producer Mareux (Aryan Ashtiani) joins forces with multifaceted artist and singer Riki on his nostalgic new single “Ébèné Fumé,” out now via Revolution/Warner Records. (another side, 2025)

Riki’s charismatic, confessional vocal performance blends seamlessly with Mareux’s intricately crafted electronics, creating a compelling dance-pop track that’s as moody as it is magnetic. Her standout presence shines throughout the song’s striking music video, created by Muted Widows (Michael E Linn, Nedda Afsari, and Michael R. Zumaya), which visually channels the same fusion of elegance and edge.

Where most artists might double down on the slick darkwave and goth-pop that brought them initial fame, Mareux pivots with his upcoming sophomore album, Nonstop Romance, due out June 27. The new project is messy in all the right ways—drunk in love, feverish with emotion, and unafraid to stumble. Picture a frilly valentine dragged through city grit: gushing, fractured, but completely transparent in its longing.

Throughout Nonstop Romance, Mareux sets his songs like Venus fly traps—irresistibly romantic and danceable, but tinged with a sinister red glow. It’s a record that revels in pleasure while hinting at danger, a balance central to its ethos.

“I’m trying to make something that’s reflective of me getting older,” Mareux shares. But rather than quiet introspection, his version of maturity centers on joy: “Could you put it on in your house with people around and not bring the mood down?” That guiding question helped shape the sound and energy of the album.

Written and recorded in Mareux’s Lincoln Heights bedroom throughout 2024, Nonstop Romance draws cinematic inspiration from a muted old CRT TV playing everything from Tarkovsky and Jodorowsky to Hype Williams’ Belly. The result? Smudged tape-residue synths woven into readymade club anthems.

Though Mareux favors vibe over precision, longtime fans won’t feel lost. Whether you discovered him through his viral platinum-certified cover of The Cure’s “The Perfect Girl” or the noir heartache of 2023’s Lovers from the Past, there’s plenty to swoon over. Nonstop Romance is exactly what it promises: emotionally raw, sonically rich, and obsessed with love.

“I only care about one thing,” Mareux says. “And that’s being in love.”

📀 Pre-Order / Save Nonstop Romance

🎤 Upcoming Performances

  • Friday, December 12 – Fox Theater, Pomona
  • Saturday, December 13 – The Novo, Los Angeles

Tickets are on sale now. Stay tuned for more tour announcements!

Nonstop Romance tracklist:
1 – Blackmail
2 – Radio Club
3 – Nonstop Romance
4 – Wild at Heart
5 – Ébène Fumé Ft. Riki
6 – Prodigy
7 – Blue
8 – Laugh Now Cry Later
9 – Snake Eyes

Photo: Cameron McCool, used with permission.

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‘The Isolate’ Explores Inner Turmoil in Demons My Friends’ Latest Heavy Release

Demons My Friends share new single and video for The Isolate. Courtesy photo, used with permission.

Demons My Friends Drop New Single “The Isolate” Ahead of Sophomore Album

Last month, Demons My Friends, the heavy-hitting trio from Mexico City and Austin, unveiled their latest single, “The Isolate,” marking their debut release with acclaimed heavy music label Ripple Music. (US/THEM Group, 2025)

A Sonic Reflection on Teenage Anxiety

“The Isolate” is a deeply personal track, capturing the intense anxiety the band members experienced during their socially awkward teenage years. The song lays the thematic groundwork for their upcoming sophomore album, soon to be officially announced.

“Demons My Friends continues to be a therapeutic effort for all of us,” says guitarist/vocalist Pablo Anton. “With this new song we wanted to shine a light on our teen years… so much of the drama in our lives is invented by our own minds, by our own demons.”

Behind the Music

  • Music by: Demons My Friends
  • Lyrics by: Pablo Anton and Luis Salinas
  • Recorded at: One Pot Mexico (Querétaro, Mexico) and Red Nova Ranch (Austin, TX)
  • Produced & Mixed by: Jeff Henson (Red Nova Ranch)
  • Mastered by: Alberto de Icaza

Band Members:

  • Pablo Anton – Guitars and vocals
  • Lu Salinas – Bass and vocals
  • Tarro Martinez – Drums

From SXSW to Sonic Catharsis

Formed during an impromptu session at SXSW 2022, Demons My Friends brings together members of Fellowcraft (Washington, DC) and Mexican rock veterans QBO. What began as a spontaneous collaboration quickly evolved into a fully-formed musical identity.

Their concept is clear: confront inner demons—anxiety, depression, rage—and transform them into creative fuel.

Debut Album Demons Seem To Gather (Out Now)

Their 2023 debut Demons Seem To Gather (via Gravitoyd Heavy Music) showcases a powerful blend of drop-tuned grunge riffs, doom-laden structures, psychedelic harmonies, and groove-heavy rhythms. Fans of Monolord, King Buffalo, All Them Witches, Soundgarden, and Baroness will feel right at home.

“The Austin/Mexico City groove unit applies their sonic dominance toward deftly-written, clever songs… climactic hooks shake up their luxuriously groovy pacing.” — Invisible Oranges

Available now on LP, CD, and streaming platforms.

Demons Seem To Gather tracklist
1.The Tower Falls
2.Bring The Night
3.Inner Slay
4.Ghosts Of You
5.Make Them Pay
6.Fire Mountain
7.Your Bones
8.We Are The Resistance

Stay tuned for more from Demons My Friends as they gear up for their next chapter—haunting melodies, introspective themes, and thunderous grooves included.

Grayson Jenkins Finds His Voice on ‘Hard Heart to Hold’ and Forthcoming Album Country Parables

Grayson Jenkins leans into the rock side of country with new song and video. Courtesy photo, used with permission.

Grayson Jenkins Unveils New Single “Hard Heart to Hold” Ahead of Forthcoming Album Country Parables

Kentucky-born country artist and songwriter Grayson Jenkins has released his new single “Hard Heart to Hold,” an anthemic country-rock track from his upcoming album Country Parables, set to release everywhere on July 25. (Covered Bridge Creative Co-op, 2025)

The single is paired with a live performance music video, filmed at Jenkins’ 2025 headlining show at The Burl in Lexington, KY—the very venue that inspired the song’s creation.

A Rising Voice in the Appalachian Country Scene

“Hard Heart to Hold” follows a string of successful releases, including:

  • “Nobody’s Stopping You Anyhow” (feat. Brit Taylor), featured on Spotify’s All New Country playlist
  • “Taxes & Time”
  • “Good Times Go” (feat. Pony Bradshaw), highlighted by The Bluegrass Situation and Whiskey Riff

Fans can watch the video, stream the new single, and pre-order vinyl and merch online.

A “Hillbilly Springsteen” Sound

Jenkins’ bandmates jokingly describe “Hard Heart to Hold” as sounding like a “hillbilly Springsteen”—a track driven by pulsing drums and heavy guitars, elevating Jenkins’ vocals and vivid storytelling.

Jenkins views the song as a reflection of both his influences and his ongoing sonic evolution.

Telling Stories from the Heart of Kentucky

Lyrically, the track tells the story of a young woman navigating early adulthood and finding comfort in the Lexington music scene—a nod to the thriving musical culture of Kentucky and the greater Appalachian region.

Nearly a Decade on the Road

Grayson Jenkins is no newcomer. With nearly ten years in the music industry, his career has weathered:

  • The ups and downs of indie artistry
  • A global pandemic
  • Over 250,000 miles touring across the US, Canada, and Europe

Raised on a small farm in Muhlenberg County, KY—yes, that Muhlenberg County from John Prine’s “Paradise”—Jenkins carries with him a strong work ethic and resourcefulness that continues to shape his music and career.

Country Parables: Jenkins’ Most Ambitious Work Yet

Now in his 30s, Jenkins returns with Country Parables—a ten-track LP that marks his most comprehensive and mature work to date. The album combines the lyrical depth fans have come to expect with a fully realized sonic palette that Jenkins has long been chasing.

Crafted by a Powerhouse Team

To bring this album to life, Jenkins teamed up with frequent collaborator and touring partner Pony Bradshaw to co-produce the record. The album was recorded at Fellowship Hall Sound in Little Rock, AR, with a team of acclaimed musicians, including:

  • Paddy Ryan (Parker Millsap, John Fullbright)
  • Jesse Aycock (JR Carroll, John Moreland)
  • Aaron Boehler (Wilderado)
  • Fats Kaplin (Jack White, John Prine)

Collaborations on the album include Brit Taylor, Madelyn Baier, and Pony Bradshaw, with two tracks co-written by Nashville veteran Pat McLaughlin (John Prine, Bahamas).

With Country Parables, Grayson Jenkins offers a heartfelt, roots-driven collection that further cements his place in the next wave of Americana storytellers.

Country Parables tracklist:

1.Old Trails
2.Hard Heart to Hold
3.Nobody’s Stopping You Anyhow (feat. Brit Taylor)
4.Grand Slam
5.Scarecrow
6.Taxes & Time
7.Good Times Go (feat. Pony Bradshaw)
8.From Now On
9.Calling Out Your Name (feat. Madelyn Baier)
10.Country Parables

“But beyond the smoky bars and days out on the farm, Jenkins embodies one of Country’s more abstract, yet most important qualities: its philosophical soul.”

— American Songwriter

“In case you aren’t familiar with Grayson Jenkins’ prior work, the Muhlenburg County, KY native aptly follows in the footsteps of John Prine and all of the other folk and country troubadours before him who forged their career on the strength of clever lyricism and truthfully authentic storytelling.”

— Whiskey Riff

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‘Suitcase Blues’: Shelby Means Hits the Road with Her Solo Debut

Shelby Means gets help from her all-star friends for a heartfelt road song, “Suitcase Blues.” It’s the latest single from the Maya de Vitry-produced self-titled solo debut. Photo: Hunter McRae, used with permission.

Shelby Means Packs Up the “Suitcase Blues” and Heads Down a New Road

“I had driven out of Nashville hundreds of times as a touring musician, but this time I was packed up and moving to a different city,” says songwriter, singer, and bassist Shelby Means.

Known for her dynamic work with world-class string bands like Della Mae and the GRAMMY-winning Molly Tuttle & Golden Highway, Means is now stepping into the spotlight with her debut solo album, Shelby Means. The bittersweet memory of leaving Nashville is captured in her latest single “Suitcase Blues.” (IV-PR, 2025)

Backed by an all-star lineup—Billy Strings on harmony vocals, along with Bryan Sutton, Michael Cleveland, Ron Block, and Sam Bush—the track offers a poignant twist on the classic road song.

“Bryan, Michael, Ron, and Sam brought incredible life and depth to the recording,” Means shares. “Already a very strong collaboration with the band, I was honored that Billy Strings agreed to sing harmony. His voice and energy mixing with mine and the sentiment of the song paint a vivid picture of chasing down a dream on the open road.”

Musically, “Suitcase Blues” rolls forward on a moody chord progression, its trepidation mirrored in the interplay of fiddle and banjo, with tasteful flourishes on guitar and a brief, emotive mandolin solo. The lyrics tell a story many touring musicians know all too well:

“I don’t know when I’ll be back
I gotta go with Cackalack Jack
It’s a lonesome road that I choose
Packing up my suitcase blues”

🎧 Listen now: Stream or purchase “Suitcase Blues.”
📀 Explore more music: Check out previously released singles — “Farm Girl,” “Streets of Boulder,” and “Million Reasons.”
🛒 Pre-order the full album: Shelby Means arrives May 30. Pre-order now.
💾 Want to pre-save on Spotify? Click here.

🎶 Catch Shelby Means on Tour

May 23 – WMOT Finally Friday @ 3rd and Lindsley – Nashville, TN
June 4 – The Ramkat & Gas Hill Drinking Room – Winston Salem, NC
June 6 – Midwood Guitar Studio – Charlotte, NC
June 7 – Charleston Pour House – Charleston, SC 🌟 Album Release Show
June 25 – The 5 Spot – Nashville, TN 🌟 Album Release Show
July 4 – Soundcheck Summer Music Series – Pinedale, WY
July 6 – Hot House West – Salt Lake City, UT
July 13 – Means House Concert – Laramie, WY
July 17 – Big View House Concerts – Westcliffe, CO
July 18 – Music on the Green – Telluride, CO 🎤 with Maya de Vitry
July 25 – RockyGrass – Lyons, CO 🎤 with Molly Tuttle & Golden Highway
August 22 – Charleston Pour House – Charleston, SC 🎤 with Bronwyn Keith-Hynes
October 18 – Henderson Bluegrass – Henderson, NV
October 20 – WoodSongs – Lexington, KY
October 22 – Red Barn Radio – Lexington, KY

📍 See all tour dates online.

🌾 About Shelby Means

Shelby Means was born in the bluegrass of Kentucky and raised on the high plains of Wyoming. With nearly two decades of experience across bluegrass, folk, rock, Americana, and country, she’s one of the most respected upright bassists in the roots music world.

During her years in Nashville, she was a core member of the GRAMMY-nominated Della Mae, bringing her magnetic presence and deep rhythmic pocket to stages across the globe. She’s since toured nearly 30 countries as a musical diplomat and collaborated with some of the genre’s finest artists.

Now based in Charleston, SC, Means also performs with Molly Tuttle & Golden Highway, earning her first GRAMMY with the group’s 2023 release, City of Gold. Her accolades include multiple IBMA awards for her work with both Della Mae and Golden Highway.

With her upcoming solo debut, Means opens a new chapter—blending tradition with individuality, heartache with hope, and musicianship with soul.

From NPR to the Grand Ole Opry, Telluride, Bonnaroo, Newport Folk, and beyond, Shelby Means is forging a path that’s both grounded and boundless.

Shelby Means album cover. Courtesy photo,used with permission.

Commoner’s ‘Change of Heart’: A Raw and Reflective Breakthrough

Commoner’s new EP is available now. Photo: Yeshua Flores, used with permission.

Commoner Announces New EP Change of Heart via New Morality Zine

Tucson-based alternative rock band Commoner has announced the release of their new EP, Change of Heart, out now via New Morality Zine. The title track “Change of Heart” delivers a hard-hitting, emotionally raw experience, digging deep into themes of fractured relationships and shifting personal dynamics. The accompanying music video reflects this narrative visually, using fragmented edits of the band’s performance to emphasize the feeling of instability and change. (Big Picture Media, 2025)

A Dynamic, Emotional Sound

Change of Heart blends elements of emo, alternative, and post-hardcore, showcasing Commoner’s ability to strike a balance between cathartic intensity and stripped-back vulnerability. The band’s sound is raw, dynamic, and highly personal—each track moving seamlessly between heavy, driving moments and quiet emotional reflections.

“The process of recording this EP was truly healing for me,” says lead singer Romin Mattison. “We had been sitting on these songs for a while and getting a little stir crazy with listening to them over and over again. It was really awesome to hear the final product and be able to listen back to the memories in real time.”

Produced in collaboration with Zach Tuch (Touche Amore, Knocked Loose, Zulu), the EP leans into what makes Commoner’s sound so compelling: emotive vocals, tight instrumentation, and a gritty, aggressive edge that commands attention. The release features five tracks, each delivering a distinct emotional and sonic punch.

Meet the Band

Commoner is made up of:

  • Romin Mattison – Vocals
  • Matthew Bryant – Bass
  • Jeremy Buck – Guitar
  • Beto Marroquin – Guitar
  • Tyler Casillo – Drums

Together, they create music that invites listeners to lose themselves in the noise, drawing inspiration from early 2000s and 2010s influences like Citizen, Movements, Incubus, and Fuel. Their high-energy performances bring their emotional songwriting to life on stage, leaving a lasting impact on their growing fanbase.

About Commoner

Formed in Tucson, Arizona, Commoner blends emo, alternative, and post-hardcore into a style that feels raw and cathartic. What started as a solo project by Romin Mattison with the track Japanese Apartments eventually evolved into a full band when Matthew Bryant joined on bass. The lineup was completed with the addition of Jeremy Buck, Beto Marroquin, and Tyler Casillo, solidifying the band’s identity and collaborative sound.

In 2023 and 2024, the band released two singles as part of their Winter Promo series—“Misery Mistaken” and “Whatever’s Left is Yours”—exploring themes of abandonment, neglect, and healing. These tracks laid the groundwork for Change of Heart, both in tone and depth.

With plans to tour and keep evolving their sound, Commoner is just getting started—and Change of Heart marks a powerful new chapter in their journey.

Change of Heart tracklist:

1.Test Your Luck

2.Change of Heart

3.Parting Gift B-Sides (Vinyl Only)

4.Misery Mistaken

5.Whatever’s Left Is Yours

‘Alone in a World of Wounds’: Steve Von Till’s Meditative Ode to Nature and Loss

Steve Von Till releases new single/video from Alone in a World of Wounds. Photo: Bobby Cochran, used with permission.

Steve Von Till’s Alone in a World of Wounds: A Haunting Tapestry of Loss, Nature, and Reflection

Ploughing a different furrow from his work with post-metal pioneers Neurosis, Steve Von Till’s latest solo album, Alone in a World of Wounds, is a sweeping, gothic-tinged collection of Americana infused with ambient textures and world-weary vocal melodies. It’s a deeply introspective journey—both sonically and thematically. It will be released on May 16 via Neurot Recordings. (another/side, 2025)

A Cinematic Opening

The album opens with “The Corpse Road,” a track that unfolds in a haze of mauve-toned drone textures, immediately immersing listeners in a creaking, dust-laden wilderness. Von Till sings of being placed in the “solitude of our inner spaces,” his voice framed by the mournful resonance of French horn and beautifully subtle cello arrangements by Brent Arnold. The track is accompanied by a haunting visual, directed by Josh Graham.

Rooted in Atmosphere and Intuition

Initially inspired by the harmonic resonance of piano and synths, Alone in a World of Wounds follows the reflective ambience of 2021’s No Wilderness Deep Enough. This new album sees Von Till opening up his voice like never before, with songs that emerged from intuitive improvisations—raw, emotional, and unguarded.

Music, Poetry, and Purpose

Outside of music, Von Till is also a published poet. His 2021 collection, “Harvestman,” draws from a deep well of personal and philosophical writing. His lyrics and prose often reflect on humanity’s place in the cosmos, touching on themes of longing, loss, and the vastness of existence. In this album, a profound connection to—and disconnection from—nature serves as the thematic core.

The title Alone in a World of Wounds is inspired by a quote from environmental philosopher Aldo Leopold’s 1949 book A Sand County Almanac:

“One of the penalties of an ecological education is that one lives alone in a world of wounds.”

Life Beyond the Music

Von Till’s commitment to the natural world goes beyond his art. He has been an elementary school teacher for over two decades and serves on the board of directors for the Firekeeper Alliance, a non-profit dedicated to reducing youth suicides among the Blackfeet Nation in Montana.

A Sonic and Visual Aesthetic

While Alone in a World of Wounds may seem far removed from the aggressive tones of Neurosis, the raw spirit of punk and DIY ethos remain essential to Von Till’s process. His search for deeper connection, his willingness to live with sorrow, and his instinctive approach to creativity all ground this project in authenticity.

Recorded largely at his barn studio in Idaho and mixed by Randall Dunn at Circular Ruin in Brooklyn, the album also features artwork by Spokane-based alternative process photographer Brian Deemy. Working in colloidal wet plate tintype, Deemy’s visuals perfectly complement Von Till’s ancient-yet-modern aesthetic—a haunting tribute to our bond with the more-than-human world.

Steve Von Till Live Dates:

May 30 – June 1: Prepare the Ground Festival – Toronto, CAN
July 25 – 27: Fire in the Mountains Festival – Blackfeet Nation, MT

Alone in a World of Wounds tracklist:
1 – The Corpse Road
2 – Watch Them Fade
3 – Horizons Undone
4 – Distance
5 – Calling Down the Darkness
6 – The Dawning of the Day (Insomnia)
7 – Old Bent Pine
8 – River of No Return

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Starmony Is Coming: Slumbering Sun’s Next Chapter in Sound

Slumbering Sun shares Midsommar Night’s Dream single from forthcoming sophomore album Starmony. Courtesy photo, used with permission.

Slumbering Sun is set to rise once more with their much-anticipated new album, Starmony—a sonic voyage that promises to blend celestial ambiance with earth-shaking heaviness. As the band teases fragments of what’s to come, early listeners are already whispering about a bold evolution in their sound. Here’s what I know so far:

Austin band Slumbering Sun shares “Midsommar Night’s Dream,” a new single from their forthcoming sophomore album Starmony. Starmony will be available on limited edition LP and digital on May 6, 2025. Fans can pre-order HERE. (US/THEM Group, 2025)

Slumbering Sun is a powerful new melodic doom entity formed by members of underground mainstays Temptress, Destroyer of Light, and Monte Luna. The resulting sound explores broader melodies and sonics than their other bands, inspired as much by Celtic folk standards as by doom, grunge and shoegaze.

Slumbering Sun makes music for crazy romantics. Keegan Kjeldsen, James Clarke, Kelsey Wilson, Garth Condit, and Kelly “Penny” Turner joined forces in 2022 in order to weave a dreamy kind of doom that would incorporate shoegaze, grunge, and prog. All were friends in the Texas metal scene, assembled from bands in Austin and Dallas, who sought to elevate the love and camaraderie they’d found over the years into an artistic vision. 

After releasing their debut, The Ever-Living Fire (2023, #20 debut on Doom Charts), Slumbering Sun played their first show at Stoner Jam during SXSW, embarked on a series of regional tours, and capped off the year with an appearance at Ripple Fest. The band spent all of 2024 making their second effort, Starmony, in between touring the Midwest, and releasing their single “Out of the Blue & Into the Void” — a brilliant mashup of Neil Young’s and Black Sabbath’s classic tracks. With no plans to slow down, the band intends to make more metalheads than ever pound their fists and cry about their exes. 

Band members:
James Clarke (Vocals) – of Monte Luna
Keegan Kjeldsen (Guitar) – of Destroyer of Light
Kelsey Wilson (Guitar) – of Temptress
Garth Condit (Bass) – of Monte Luna, Scorpion Child
Penny Turner (Drums) – of Destroyer of Light

SLUMBERING SUN LIVE 2025:
05/02 Austin, TX – Valhalla (album release show)
06/04 El Paso, TX – Rosewood
06/06 Tempe, AZ – Yucca Tap Room
06/07 Las Vegas, NV – Dive Bar
06/08 Palmdale, CA – Transplants Brewing
06/10 San Francisco, CA – Bottom of The Hill
06/12 Eugene, OR – Sparrow & Serpent
06/13 Portland, OR – High Water Mark – Soundcastle Festival
06/14 Olympia, WA – McCoy’s
06/15 Bellingham, WA – Shakedown
06/17 Moscow, ID – Mikey’s
06/18 Boise, ID – Neurolux
06/19 Salt Lake City, UT – Aces High
06/20 Denver, CO – Squire
06/21 Colorado Springs, CO – What’s Left Records
06/22 Wichita, KS – Kirby’s Beer Store
07/11 Asheville, NC – Doomed and Stoned Festival

Starmony tracklist:

01. Together Forever

02. Keep it Secret

03. Midsommar Night’s Dream

04. The Solar Bear

05. Danse Macabre

06. The Tower

07. Wanderlust

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Trippy, melodic doom metal. From the moment you hit play, ‘Liminal Bridges’ feels like a transitional track meant to guide you along a wispy, winding trail in a slightly foggy forest while on a quest.” — Metal Sucks

“An ice-cold blend of 90s alternative, doom, and prog that will quench your thirst for captivating melodies, thundering percussion, and grungy riffs! They’ve created an epic mash-up of classic doom and added the soaring vocals and towering instrumentation that took us on the sonic journey from Sabbath to Maiden to Soundgarden.” — CvltNation

“Nothing short of fantastic, and should be blasted at full volume.” — Metal Injection

“Possibly the best doom album I’ve heard this year… Front to back it’s an insanely well done work, with remarkably clear vision.” — Invisible Oranges

Psychedelic Revival: The Brian Jonestown Massacre Drops a Hypnotic New Single

The new release sets the tone for a massive North American tour this fall. Photo: Joe Eley, used with permission.

The Brian Jonestown Massacre announces a new single, ‘Makes Me Great / Out Of Body,’ on red transparent 10” vinyl, due to be released on April 25th via Anton Newcombe’s record label A Recordings. Fans can pre-save it here. (Magnum PR, 2025)

Following a hugely successful UK and Europe tour earlier this year, the band will return to North America this fall for an extensive run of live shows, including two dates with special guests, Cast, making their first US appearance in nearly 30 years. Tickets on sale now. 
 
It’s been over 30 years since Anton Newcombe – frontman, songwriter, composer, studio owner, multi-instrumentalist, producer, engineer, father, force of nature – and his band The Brian Jonestown Massacre released their first single She Made Me / Evergreen. Released in 1992, as the British music press descended on the US to anoint the next US guitar band as flavor of the month and major labels were on the hunt for the compliant hopefuls to be their latest quick fix, Anton Newcombe had an idea: say no.

As leader of the Brian Jonestown Massacre, Newcombe had already established himself as a visionary songwriter, a man to whom making music wasn’t a lifestyle choice or a hipster haircut but the very fabric of existence itself, and he had observed in silent horror as his peers meekly consented to everything – yes to contracts, yes to management, yes to suggestions, yes to this, yes to that, yes, yes, yes. But he was different. Anton Newcombe was going to say no to everything. “I just knew I would be more successful in a certain way by saying no, just being contrary because I figured that if people liked me they were gonna like me anyway,” he says. “Or dislike me. It doesn’t matter.”
 
Much of this was documented on the controversial documentary ‘Dig!,’ which is still hailed as one of the best rock documentaries ever made, and celebrates its 20th Anniversary this year with the remastered, expanded version “Dig! XX.”
 
Brian Jonestown Massacre’s shoegazing-tinged debut album Methodrone was released in 1995 and since then numerous band members have joined Newcombe on his sonic escapades, but he has remained the sole constant, the creative mastermind at the centre of one of music’s most fascinating bands. There have been a further 20 albums under the Brian Jonestown Massacre moniker since then, each embarking on their own mind-expanding adventure and exploring the outer realms of rock’n’roll; psychedelic rock, country-blues, snarling rock’n’roll, blissed-out noise-pop and more.
 
Along the way, Newcombe has established himself as a once-in-a-lifetime talent who saw the direction in which mainstream indie-rock was heading and opted to take the long way round. He’s emerged as a revolutionary force in modern music, an underground hero. There was no other way, this was how it had to be. “My only option with everything in life has always been that you just jump into the fire,” he declared. “It doesn’t matter what it is.”
 
It’s with that spirit that he’s hopped around the globe, from the West Coast to New York, from Manhattan to Iceland, and then to Berlin, where he’s lived for 15 years and has two flats, one to live in and one that’s been converted into his studio.

Brian Jonestown Massacre released their 20th full-length studio album The Future Is Your Past, in February 2023 on Anton’s record label, A Recordings. In 2022 / 2023, they completed a massive world tour that saw them play 34 dates in North America, 25 dates across Europe and 16 dates in the UK. Towards the end of 2024, they released ‘Don’t Look At Me’ ft. Aimee Nash. It is a delicious slice of hypnotic shoegaze with Nash lyrically casting a spell with the mantra “Do No Harm.”
 
There is no such thing as a defining statement in Anton Newcombe’s world anymore, just more chapters that contribute to the tale. “Nobody can stop me, I’m not asking somebody, I’m not making the rounds at Warners, saying ‘please put out my record!’ It’s just for me,” he says. He hopes he can be an inspiration to others. “I would love to see more groups, people playing music in the UK and everywhere else because I really enjoy it. That’s the only reason I need. It’s the only reason to do stuff.” That hits to the core of what makes Anton Newcombe and Brian Jonestown Massacre tick. He’ll keep jumping in that fire. That’s how he rolls. Savor it.

PRESS FROM THE BJM’S JAN / FEB UK TOUR
 
“Brian Jonestown Massacre have a cult following big enough to warrant the publication of an acclaimed memoir by percussionist Joel Gion and big enough that this large UK tour includes a date at Brixton Academy… Newcombe is really adept at coming up with melodies and guitar figures that sound immediately familiar, as if you know them already from a song you can’t quite place – a genuine skill.” – Guardian
 
“The Brian Jonestown’s ability to create an immersive live experience remains unparalleled and this Brixton gig was a masterclass in psychedelia, intensity, and raw musical craftsmanship.” – Music News
 
“A night of hypnotic grooves, kaleidoscopic guitars, and the kind of immersive psychedelia that only they can provide… The Brian Jonestown Massacre’s live show is not just a performance – it’s an experience. At the O2 Institute Birmingham, they proved once again why they remain one of the most compelling acts in modern psychedelic rock. Newcombe’s vision, combined with the band’s tight musicianship, created a night of sonic transcendence that few in attendance will soon forget.” – RockShot

Courtesy photo, used with permission.

Raw, Real, and Relentless: De’Wayne Delivers with ‘highway robbery’

De’Wayne ushers in a new era with electric single ‘highway robbery,’ out now via Fearless Records. Photo: Shai Lev, used with permission.

Los Angeles, CA – Houston-born and Los Angeles-based rock star De’Wayne is ushering in a new era of music with the electric single “highway robbery.” Accompanied by a striking music video that brings the song’s rebellious spirit to life, De’Wayne is setting the stage for a bold new chapter. (Big Picture Media, 2025)

This song is a high-energy anthem that captures De’Wayne in his purest form, blending shimmery guitars, soulful funk-infused vocals, and irresistible, two-step-ready drums. Produced in collaboration with Dylan Bauld (flor) the track channels influence from Ohio Players to Nina Simone to Bruce Springsteen while remaining unapologetically modern and true to himself.

“The title was inspired by a heartfelt connection with my partner. She didn’t literally steal my heart—but I left the door wide open for it. I wrote this song as a poem first, and it evolved into this rock’n’roll soul influence. It feels good to be locked in!” – De’Wayne

Following the release of his 2024 EP I Want You More Than Anybody Wants You, De’Wayne has solidified himself as a force to be reckoned with. Constantly pushing boundaries, he is redefining Black rock music one song at a time.

With “highway robbery,” he establishes himself as a fearless trailblazer in rock, fusing genres with raw authenticity. De’Wayne is on a mission to show the world that neither people nor music should be confined to one box.

Shedding any and all creative inhibitions, De’Wayne plays rock ‘n’ roll spiked with funk, R&B, alternative, and magic. Accessing the duality of humanity, he harnesses the divine feminine through musicality manifested loud with no shortage of soul, sex, sweat, and style.

Emerging in 2017, the Houston-born and Los Angeles-based singer, songwriter, multi-instrumentalist, and producer has amassed tens of millions of streams across Stains [2021], My Favorite Blue Jeans [2022], and I Want You More Than Anybody Wants You EP [2024].

In the wake of the latter, UPSET placed him on its cover and urged, “it’s time to sit up and pay attention” to De’Wayne. KERRANG! went as far as to christen him “one of the most electrifying new performers in the alt. world today.” He has established himself as the rare force of nature equally comfortable on a track with either Chase Atlantic and Masego, IDKHOW, Waterparks, grandson, WILLOW, Good Charlotte, and Tom Morello of Rage Against The Machine.

Beyond headlining packed shows on multiple continents, De’Wayne and his band have ignited festival stages at Gov Ball, Lollapalooza, Reading & Leeds, Bonnaroo, and BottleRock.

His music may have brought him close to the divine feminine in the past, but he finally learned how to open his eyes and gently embrace it—which is exactly what he does on his new music. Inspired by Lenny Kravitz, Parliament Funkadelic, Marvin Gaye, Ohio Players, Bill Withers, Nina Simone, Prince, Brandon Flowers, and Bruce Springsteen, he levels up as a proud black man, a son, a friend, a leader, an artist, and lover.