trauma ray’s Carnival EP Is a Dark, Shoegaze-Fueled Descent Into Unease

trauma ray announces new album – Carnival. Photo: Erasmo Viera, used with permission.

trauma ray Explores the Dark Funhouse on Carnival EP

trauma ray’s Carnival EP captures the Fort Worth five’s strongest, most intense, and exploratory work within the boundaries of a whirlwind year. Carnival delves into moodier, more cerebral material, like holding their past excursions against a funhouse mirror. There’s a distinct sense of unease in these songs, built in a fleeting window of time, proving the band works best under pressure and when pulling from the darkest corners of their subconscious. (another side, 2026)

Carnival will be available on February 20 via Dais Records.
Pre-save / pre-order here.


Following the Breakout of Chameleon

Carnival follows the breakout success of Chameleon, trauma ray’s 2024 debut on Dais Records. The album helped firmly establish the band amidst the current wave of shoegaze revivalists. Increasingly agile, trauma ray has proven able to weave between scenes, touring extensively with the likes of Deafheaven, Loathe, Touché Amoré, and more.

A confluence of blitzing riffs and stark beauty, trauma ray’s sound continues to evolve, nodding to loud-quiet-loud greats across metal, grunge, and shoegaze, from Slowdive to Smashing Pumpkins.


New Single: “Hannibal”

trauma ray’s new single and video, “Hannibal,” contorts with a tinge of unprecedented evil, slithery and, as vocalist Uriel Avila puts it, “Stone Temple-y, Alice in Chains-y.” Lyrically, the track taps into teenage angst and the feeling of being dissected and rejected.

“It’s a song about the feeling of doing your best as an individual yet still falling short in the eyes of those you hope to make proud,” Avila explains.

“A lot of it stems from internal battles I faced growing up with my father, role models, and religion. Some of it comes from more recent experiences of being put under the microscope by my peers. It’s a gut-wrenching sensation that I was able to tie lyrically to the visceral mood of the instrumentation that kicks off the track and begins the journey through Carnival’s overall theme.”


Recording Under Pressure

During a brief break in their relentless touring schedule last summer, trauma ray regrouped in Texas for a few days to record a flurry of tracks, later sent to Corey Coffman for mixing and mastering. Core songwriting duo Avila and guitarist Jonathan Perez welcomed increased contributions from the rest of the band, most notably guitarist Coleman Pruitt and bassist Darren Baun, who brought an eerier strain of rhythmic and textural ideas.

This shift coincided with a growing sense of collective dread and anxiety, visually captured in a striking photo set of a deserted amusement park near Brighton, England. Shot on tour by drummer Nicholas Bobotas, the images now serve as the EP’s artwork.


Track-by-Track Through the Funhouse

The wordless opener “Carousel” ushers in Carnival’s unsettling atmosphere, with blasts of static and downcast strums giving way to “Hannibal,” the anthemic lead single packed with power riffs and raw emotion.

“Méliès,” named after French illusionist and filmmaker Georges Méliès, cuts between heavy, sludgy chords and a skyward chorus—“from something scary to like a dream state,” Avila says, channeling the surreal abstraction of its namesake.

“Funhouse” dips into doom metal, featuring sparse guitar work and possibly the band’s slowest BPM yet. Lyrics play with shifting perspectives, culminating in a call-and-response outro—“take my hand / this is not your wonderland”—that conjures opposing forces or frames of mind.


A Jarring Exit: “Clown”

In contrast, the final track “Clown” jolts, flashes, and pummels, like emerging from the other end of a house of horrors, now immersed in the disorienting lights of the carnival. Personified by a knotty, synth-soaked lead guitar squall, the song evokes Robin Williams as an archetype of tragic happiness: those who work hardest to make others laugh may privately be the saddest.

Sonically, the band cites influences like Failure’s “Undone” and “Stuck on You,” alongside the omnipresent Loveless. The result speaks to trauma ray’s growing strength: five musicians absorbing, synthesizing, and expanding on what they love.

Carnival offers a brief, highly loopable detour into darkness from a band growing more formidable by the mile.


Carnival EP tracklist: 

1 – carousel
2 – Hannibal
3 – Méliès
4 – Funhouse
5 – Clown


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Begging Dog: Jeff Kleinman’s Gritty Tribute to Everyday Life

Begging Dog shares new single Common Place from forthcoming album. Photo: Photo By Kat Nijmeddin, used with permission.

Begging Dog: Jeff Kleinman’s Raw, Everyday Poetry Finds Its Voice

Begging Dog is the indie-punk project of Los Angeles–based artist and multi-instrumentalist Jeff Kleinman. Known for his work with Choir Boy, Kleinman created Begging Dog as an outlet for songs that embrace the mundane with a raw, homespun sound. The project leans into garage-punk grit and plain-language lyricism, capturing the poetry of everyday life. (another side, 2025)

A Demo That Sparked a Buzz

Kleinman’s debut, DEMO 1, spread quickly through underground circles. Word reached Dais Records, who soon signed Kleinman and announced a wider vinyl release of the original album.

Clocking in at just 26 minutes, DEMO 1 is packed with rolling bass and synth lines, charismatic riffs, and motorik drum beats. Sonically lean but emotionally weighty, the project showcases Kleinman’s distinctive storytelling and ear for melody.

Characters, Scenes, and Lived-In Observations

Lyrically, DEMO 1 drifts through a series of lived-in characters and scenes:

  • a pushy union rep
  • a mailman with a steady federal job
  • a compulsive gambler
  • a beloved neighborhood homeless man

Ex-lovers flicker in and out of several tracks, collaged into sharp, witty free verse. Kleinman cites Bruce Springsteen as an influence, not in genre, but in philosophy. He writes in “plain ink,” opting for direct simplicity over flowery prose.

Loneliness in Plain Sight

Much of DEMO 1 taps into a shared loneliness, universal and uniquely tied to life in Los Angeles. The title track anchors that feeling as Kleinman sings, “no one loves a begging dog.” Borrowed from a friend, the line encapsulates the project’s core: the world can make you feel like a begging dog searching for affection and security, yet there’s beauty in solitude, routine, and the quiet hum of everyday life.

From Solo Recordings to a Seven-Piece Band

Kleinman recorded DEMO 1 almost entirely on his own. But live, Begging Dog expands into a dynamic seven-piece band, giving the songs a new sense of scale and energy.

“No matter how good or not good you have it, you’re kind of like looking for something more,” Kleinman says. He stops short of assigning grand meaning to the work, maintaining a sense of humility that permeates the project. DEMO 1 thrives on this balance of candor, grit, and hook-driven songwriting.

Release Details

DEMO 1 was mixed and mastered by Matt Whitehurst. It’s currently streaming on all major platforms and will be released on vinyl via Dais Records on December 12. It is available for pre-order.

Kleinman’s latest single, “Common Place,” reflects on his five years living in Salt Lake City, another snapshot of everyday life reframed through Begging Dog’s honest, unvarnished lens.


DEMO 1 Tracklist:
01 – Begging Dog
02 – Cave In On Me
03 – Money Tree
04 – The Eel
05 – Laughing Boy
06 – Clamshell Tune
07 – Continuing Education
08 – Tell Me That You Love Me
09 – Common Place
10 – Here For A Good Time



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Gran Moreno Ignites with New Single ‘Temple of Fire’ Ahead of Debut Album El Sol

Gran Moreno is Ricardo (guitarist and vocals) and Christian (drums). Photo: Tico Mendoza, used with permission.

Gran Moreno Unleashes New Single “Temple of Fire” Ahead of Debut Album El Sol

This week, Austin duo Gran Moreno released their newest single, “Temple of Fire,” now available on all major streaming platforms. The track originally premiered via The Obelisk, offering an early glimpse into the band’s evolving sonic universe. (US/THEM Group, 2025)


A New Force in Psychedelic Rock

Gran Moreno is quickly emerging as one of the most compelling voices in the new wave of psychedelic rock. Their sound, rooted in analog warmth, expansive textures, and hypnotic grooves, creates an immersive experience that blurs the line between distortion and introspection. With heavy rhythms, emotionally charged melodies, and atmospheric layers, their music feels like a sonic mirage: shifting, evocative, and deeply felt.


A Conceptual Debut: El Sol and La Luna

At the heart of Gran Moreno’s artistry is a dedication to storytelling through sound. Their upcoming debut album is a conceptual, two-part experience:

  • Side A: El Sol — urgency, energy, and clarity
  • Side B: La Luna — shadow, mystery, and reflection

The first release, El Sol, captures the band at full intensity, offering a vivid and unfiltered introduction to their creative identity.


A Live Experience That Transcends the Stage

Gran Moreno’s live performances elevate their music into a full-body encounter. Blending sonic power with rich visual elements, their shows draw audiences into a shared trance, one that feels both deeply personal and profoundly communal. Their fierce independence and bold creativity continue to shape a musical world entirely their own.


Release Info

El Sol will be available on LP and digital download on January 17, 2026.
Pre-orders are available HERE.


El Sol tracklist:

  1. Las Montañas
  2. Aztlan
  3. Huracan
  4. Temple of Fire
  5. La Mentira
  6. Oaxaca – Please Don’t Cry
  7. Hikuri
  8. California Blues

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Paz Lenchantin Breaks Free with Triste, a Bold New Chapter in Her Career

Paz Lenchantin’s solo album Triste is set for an October 17 release. Photo: David Alvarado, used with permission.

Paz Lenchantin Steps Into the Spotlight with Debut Solo Album Triste

Paz Lenchantin, the Argentine-American musician best known for her nearly three-decade career as bassist, vocalist, and co-writer for iconic bands like Pixies (2014–2024), A Perfect Circle, Zwan, and The Entrance Band, is now stepping forward on her own. Her debut solo album, Triste, arrives October 17 via her own label, Hideous Human Records. (another side, 2025)

A First Glimpse: “Novela”

Lenchantin recently released Triste’s opening track and recent single, “Novela.”

“The track is a melodramatic story that resolves with accepting that you are the way you are—‘Sos como sos’,” explains Paz.

Drawing from the emotional tradition of Spanish balladry, “Novela” sets the tone for the album with raw, restless compositions. The accompanying video, directed by longtime friend and filmmaker Maximilla Lukacs, is available to watch now.

A Fusion of Roots and Reinvention

The 12-track Triste blends Latin folk textures with American rock structures, placing Paz at the piano and weaving her signature string arrangements around the rock foundations she helped shape in past projects. She performed all instruments before inviting collaborators, including former A Perfect Circle bandmates Josh Freese (drums) and Troy Van Leeuwen (guitar), to add depth to the record’s sonic landscape.

Each song unfolds with both editorial precision and mystical intuition, creating music that feels timeless while firmly rooted in the present.

Written in Mexico, Mixed with Vision

The seeds of Triste were planted in Petatlán, Mexico, where Paz spent much of 2024 writing about faith, doubt, and self-discovery in the wake of her departure from Pixies. The album was later mixed by Chris Coady (Beach House, Yeah Yeah Yeahs), giving the project a lush yet intimate finish.

A Statement of Independence

For Paz, Triste is more than an album—it’s a declaration of self.

“I had to make this record on my own—not to prove anything, but just to have faith that music can nurture me back. And it did.”

With Triste, Paz Lenchantin opens the first chapter of her solo career: deeply personal, sonically adventurous, and undeniably her own.

Listen to “Novela” now and watch the video, then mark your calendar for the release of Triste on October 17, available for pre-order/pre-save.


Triste tracklist:

01 – Novela
02 – Lows & Highs
03 – Woman Of Nazareth
04 – Hang Tough
05 – Wish I Was There
06 – Si No!
07 – In The Garden With The Devil
08 – Adam
09 – Lucia
10 – Sin Dios
11 – Save It For Hell
12 – Triste

Triste Artwork By Camila Doring


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Ty Herndon & Ashley McBryde Breathe New Life into A Man Holdin’ On

The country music icons teamed up for a powerful take of the 1998 classic. Courtesy photo, used with permission.

✨ Country music fans are in for a treat — Ty Herndon has teamed up with Ashley McBryde to reimagine one of his most beloved hits, “A Man Holdin’ On (To a Woman Lettin’ Go).” The powerful duet bridges past and present, honoring Herndon’s legacy while showcasing McBryde’s fearless edge.

Ty Herndon and Ashley McBryde Reimagine Classic Hit “A Man Holdin’ On (To a Woman Lettin’ Go)”

NASHVILLE, TN — GRAMMY®-nominated country music icon Ty Herndon has joined forces with Ashley McBryde, Grand Ole Opry member and GRAMMY® Award-winning powerhouse, to reimagine his 1998 hit “A Man Holdin’ On (To a Woman Lettin’ Go).” (Aristo PR, 2025)

The haunting ballad of love, loss, and heartbreak is the second single from Herndon’s upcoming double album, THIRTY—a landmark project celebrating his three decades in country music. The album will be released in two volumes, with Volume One arriving this fall and featuring reimagined versions of Herndon’s greatest hits, each performed as collaborations with some of the genre’s most dynamic voices.

A Classic Reborn

Originally penned by Gene Dobbins, John Ramey, and Bobby Taylor, “A Man Holdin’ On” became one of Herndon’s signature songs in the late ’90s. With McBryde’s raw vocal edge paired with Herndon’s heartfelt delivery, the new rendition digs even deeper into the song’s emotional core—capturing the pain, poetry, and power of letting go.

“This song has always been one of the most emotional songs in my catalog,” said Herndon. “To revisit it with someone as fearless and gifted as Ashley was both humbling and electric. We didn’t just sing the song — we lived it.”

A New Chapter with Club44 Records

Released through Club44 Records, the track also marks Herndon’s next step in an exciting partnership with the Nashville-based label, known for championing bold vocalists and genre-defying artistry. The release is part of a newly announced three-album deal.

More than just an anniversary record, THIRTY is a declaration of endurance, artistry, and authenticity from one of country music’s most enduring voices.


About Ty Herndon

In 2025, Herndon will celebrate the 30th anniversary of his breakout single “What Mattered Most.” Between 1995 and 2002, he charted 17 singles, including three No. 1 hits, with fan favorites such as “I Want My Goodbye Back,” “Loved Too Much,” and “A Man Holdin’ On.”

Herndon has also broken barriers in country music. In 2015, he made history as the first major male country artist to publicly come out as gay. His artistry continued to evolve with albums like Journey On and Right About Now. His 2022 album JACOB produced the No. 1 independent country hit “Dents on a Chevy” with Terri Clark, which spent seven weeks at the top of the charts.


About Ashley McBryde

Ashley McBryde is a GRAMMY, CMA, and ACM award-winning artist celebrated for her unapologetic, raw country sound. Her 2018 debut album Girl Going Nowhere earned a GRAMMY nomination for Best Country Album, while her collaboration with Carly Pearce on “Never Wanted To Be That Girl” won a GRAMMY and CMA Award for Musical Event of the Year.

Currently, McBryde is on tour supporting her latest album The Devil I Know, with sold-out shows across the UK and North America.


The Division Men’s Hymns and Fiery Dances Arrives This August—Here’s What to Expect

The Division Men is the husband-and-wife duo of J. Spencer Portillo and Caroline Rippy Portillo. Courtesy photo, used with permission.

The Division Men Announces New Album Hymns and Fiery Dances, Shares Single “San Saba”

El Paso, TX by way of Berlin acoustic duo The Division Men has shared a haunting new single and video titled “San Saba”, taken from the forthcoming album Hymns and Fiery Dances, due out August 22, 2025, via Motor Music. (US/THEM Group, 2025)

The track debuted in the U.S. via New Noise Magazine and in the EU via Side-Line Magazine, and is now available on all major streaming platforms.
🎧 Listen to “San Saba” HERE
📺 Watch the visualizer on YouTube 👇

About Hymns and Fiery Dances

The new album features an impressive roster of collaborators including:

  • Rafael Gayol (Leonard Cohen)
  • Rick G Nelson (Afghan Whigs, St. Vincent)
  • Jay Reynolds (Asleep at the Wheel)
  • Fredo Ortiz (Beastie Boys, Los Lobos)
  • Leah Shapiro (Black Rebel Motorcycle Club)
  • Dana Colley (Morphine)
  • Asya Sorshneva (CocoRosie)
  • Beto Martinez (Grupo Fantasma)
  • Peter Hayes (Black Rebel Motorcycle Club)
  • Alain Johannes (Queens of the Stone Age, PJ Harvey)
    …and many more.

Available in LP, CD, and digital formats, Hymns and Fiery Dances can be pre-ordered now.
🛒 Pre-order HERE


Who Is The Division Men?

Founded in Berlin, Germany in 2008 and now based in El Paso, Texas, The Division Men is the husband-and-wife duo of J. Spencer Portillo (vocals/acoustic guitar) and Caroline Rippy Portillo (vocals/bass guitar).

The band’s name reflects the original mission: to collaborate with artists worldwide regardless of borders—a philosophy that has remained central to their identity.

Caroline, born in San Antonio, previously played bass for Tito & Tarantula from 2007 to 2012. Spencer, born in Los Angeles and raised in Texas, channels the spirit of border towns into evocative lyrics about love, loss, and life.

Their sound is often described as dark, romantic, ethereal, and haunting. Their previous album, Niños Del Sol, featured Rafael Gayol, Steven Hufsteter, Jay Reynolds, Mitch Hertz, Raiye Rippy, and Jake Garcia (The Black Angels).


Upcoming Live Dates

Catch The Division Men live in support of Hymns and Fiery Dances:

📍 08/15/2025 – Austin, TX – Vinyl Beauty Bar
📍 08/17/2025 – San Antonio, TX – Faust Tavern
📍 08/22/2025 – El Paso, TX – Love Buzz

For more news and updates, follow The Division Men on all official channels.

Hymns and Fiery Dances tracklist:

01. Leonora

02. Dolores

03. Dead Moon

04. The Undertow

05. The Night Calls

06. San Saba

07. Cemetery Girl

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From Viral Covers to Emotional Club Anthems: Mareux Evolves with ‘Ébèné Fumé’

Mareux shares shares Ébèné Fumé video/single feat Riki. Photo: Jason Renaud, used with permission.

Mareux Teams Up with Riki for New Single “Ébèné Fumé” Ahead of Nonstop Romance🎶

Los Angeles, CA – Revered pop/darkwave musician and producer Mareux (Aryan Ashtiani) joins forces with multifaceted artist and singer Riki on his nostalgic new single “Ébèné Fumé,” out now via Revolution/Warner Records. (another side, 2025)

Riki’s charismatic, confessional vocal performance blends seamlessly with Mareux’s intricately crafted electronics, creating a compelling dance-pop track that’s as moody as it is magnetic. Her standout presence shines throughout the song’s striking music video, created by Muted Widows (Michael E Linn, Nedda Afsari, and Michael R. Zumaya), which visually channels the same fusion of elegance and edge.

Where most artists might double down on the slick darkwave and goth-pop that brought them initial fame, Mareux pivots with his upcoming sophomore album, Nonstop Romance, due out June 27. The new project is messy in all the right ways—drunk in love, feverish with emotion, and unafraid to stumble. Picture a frilly valentine dragged through city grit: gushing, fractured, but completely transparent in its longing.

Throughout Nonstop Romance, Mareux sets his songs like Venus fly traps—irresistibly romantic and danceable, but tinged with a sinister red glow. It’s a record that revels in pleasure while hinting at danger, a balance central to its ethos.

“I’m trying to make something that’s reflective of me getting older,” Mareux shares. But rather than quiet introspection, his version of maturity centers on joy: “Could you put it on in your house with people around and not bring the mood down?” That guiding question helped shape the sound and energy of the album.

Written and recorded in Mareux’s Lincoln Heights bedroom throughout 2024, Nonstop Romance draws cinematic inspiration from a muted old CRT TV playing everything from Tarkovsky and Jodorowsky to Hype Williams’ Belly. The result? Smudged tape-residue synths woven into readymade club anthems.

Though Mareux favors vibe over precision, longtime fans won’t feel lost. Whether you discovered him through his viral platinum-certified cover of The Cure’s “The Perfect Girl” or the noir heartache of 2023’s Lovers from the Past, there’s plenty to swoon over. Nonstop Romance is exactly what it promises: emotionally raw, sonically rich, and obsessed with love.

“I only care about one thing,” Mareux says. “And that’s being in love.”


📀 Pre-Order / Save Nonstop Romance


🎤 Upcoming Performances

  • Friday, December 12Fox Theater, Pomona
  • Saturday, December 13The Novo, Los Angeles

Tickets are on sale now. Stay tuned for more tour announcements!


Nonstop Romance tracklist:
1 – Blackmail
2 – Radio Club
3 – Nonstop Romance
4 – Wild at Heart
5 – Ébène Fumé Ft. Riki
6 – Prodigy
7 – Blue
8 – Laugh Now Cry Later
9 – Snake Eyes

Photo: Cameron McCool, used with permission.


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‘The Isolate’ Explores Inner Turmoil in Demons My Friends’ Latest Heavy Release

Demons My Friends share new single and video for The Isolate. Courtesy photo, used with permission.

Demons My Friends Drop New Single “The Isolate” Ahead of Sophomore Album

Last month, Demons My Friends, the heavy-hitting trio from Mexico City and Austin, unveiled their latest single, “The Isolate,” marking their debut release with acclaimed heavy music label Ripple Music. (US/THEM Group, 2025)


A Sonic Reflection on Teenage Anxiety

“The Isolate” is a deeply personal track, capturing the intense anxiety the band members experienced during their socially awkward teenage years. The song lays the thematic groundwork for their upcoming sophomore album, soon to be officially announced.

“Demons My Friends continues to be a therapeutic effort for all of us,” says guitarist/vocalist Pablo Anton. “With this new song we wanted to shine a light on our teen years… so much of the drama in our lives is invented by our own minds, by our own demons.”


Behind the Music

  • Music by: Demons My Friends
  • Lyrics by: Pablo Anton and Luis Salinas
  • Recorded at: One Pot Mexico (Querétaro, Mexico) and Red Nova Ranch (Austin, TX)
  • Produced & Mixed by: Jeff Henson (Red Nova Ranch)
  • Mastered by: Alberto de Icaza

Band Members:

  • Pablo Anton – Guitars and vocals
  • Lu Salinas – Bass and vocals
  • Tarro Martinez – Drums

From SXSW to Sonic Catharsis

Formed during an impromptu session at SXSW 2022, Demons My Friends brings together members of Fellowcraft (Washington, DC) and Mexican rock veterans QBO. What began as a spontaneous collaboration quickly evolved into a fully-formed musical identity.

Their concept is clear: confront inner demons—anxiety, depression, rage—and transform them into creative fuel.


Debut Album Demons Seem To Gather (Out Now)

Their 2023 debut Demons Seem To Gather (via Gravitoyd Heavy Music) showcases a powerful blend of drop-tuned grunge riffs, doom-laden structures, psychedelic harmonies, and groove-heavy rhythms. Fans of Monolord, King Buffalo, All Them Witches, Soundgarden, and Baroness will feel right at home.

“The Austin/Mexico City groove unit applies their sonic dominance toward deftly-written, clever songs… climactic hooks shake up their luxuriously groovy pacing.” — Invisible Oranges

Available now on LP, CD, and streaming platforms.

Demons Seem To Gather tracklist
1.The Tower Falls
2.Bring The Night
3.Inner Slay
4.Ghosts Of You
5.Make Them Pay
6.Fire Mountain
7.Your Bones
8.We Are The Resistance


Stay tuned for more from Demons My Friends as they gear up for their next chapter—haunting melodies, introspective themes, and thunderous grooves included.

Grayson Jenkins Finds His Voice on ‘Hard Heart to Hold’ and Forthcoming Album Country Parables

Grayson Jenkins leans into the rock side of country with new song and video. Courtesy photo, used with permission.

Grayson Jenkins Unveils New Single “Hard Heart to Hold” Ahead of Forthcoming Album Country Parables

Kentucky-born country artist and songwriter Grayson Jenkins has released his new single “Hard Heart to Hold,” an anthemic country-rock track from his upcoming album Country Parables, set to release everywhere on July 25. (Covered Bridge Creative Co-op, 2025)

The single is paired with a live performance music video, filmed at Jenkins’ 2025 headlining show at The Burl in Lexington, KY—the very venue that inspired the song’s creation.


A Rising Voice in the Appalachian Country Scene

“Hard Heart to Hold” follows a string of successful releases, including:

  • “Nobody’s Stopping You Anyhow” (feat. Brit Taylor), featured on Spotify’s All New Country playlist
  • “Taxes & Time”
  • “Good Times Go” (feat. Pony Bradshaw), highlighted by The Bluegrass Situation and Whiskey Riff

Fans can watch the video, stream the new single, and pre-order vinyl and merch online.


A “Hillbilly Springsteen” Sound

Jenkins’ bandmates jokingly describe “Hard Heart to Hold” as sounding like a “hillbilly Springsteen”—a track driven by pulsing drums and heavy guitars, elevating Jenkins’ vocals and vivid storytelling.

Jenkins views the song as a reflection of both his influences and his ongoing sonic evolution.


Telling Stories from the Heart of Kentucky

Lyrically, the track tells the story of a young woman navigating early adulthood and finding comfort in the Lexington music scene—a nod to the thriving musical culture of Kentucky and the greater Appalachian region.


Nearly a Decade on the Road

Grayson Jenkins is no newcomer. With nearly ten years in the music industry, his career has weathered:

  • The ups and downs of indie artistry
  • A global pandemic
  • Over 250,000 miles touring across the US, Canada, and Europe

Raised on a small farm in Muhlenberg County, KY—yes, that Muhlenberg County from John Prine’s “Paradise”—Jenkins carries with him a strong work ethic and resourcefulness that continues to shape his music and career.


Country Parables: Jenkins’ Most Ambitious Work Yet

Now in his 30s, Jenkins returns with Country Parables—a ten-track LP that marks his most comprehensive and mature work to date. The album combines the lyrical depth fans have come to expect with a fully realized sonic palette that Jenkins has long been chasing.


Crafted by a Powerhouse Team

To bring this album to life, Jenkins teamed up with frequent collaborator and touring partner Pony Bradshaw to co-produce the record. The album was recorded at Fellowship Hall Sound in Little Rock, AR, with a team of acclaimed musicians, including:

  • Paddy Ryan (Parker Millsap, John Fullbright)
  • Jesse Aycock (JR Carroll, John Moreland)
  • Aaron Boehler (Wilderado)
  • Fats Kaplin (Jack White, John Prine)

Collaborations on the album include Brit Taylor, Madelyn Baier, and Pony Bradshaw, with two tracks co-written by Nashville veteran Pat McLaughlin (John Prine, Bahamas).


With Country Parables, Grayson Jenkins offers a heartfelt, roots-driven collection that further cements his place in the next wave of Americana storytellers.


Country Parables tracklist:

1.Old Trails
2.Hard Heart to Hold
3.Nobody’s Stopping You Anyhow (feat. Brit Taylor)
4.Grand Slam
5.Scarecrow
6.Taxes & Time
7.Good Times Go (feat. Pony Bradshaw)
8.From Now On
9.Calling Out Your Name (feat. Madelyn Baier)
10.Country Parables


“But beyond the smoky bars and days out on the farm, Jenkins embodies one of Country’s more abstract, yet most important qualities: its philosophical soul.”

— American Songwriter

“In case you aren’t familiar with Grayson Jenkins’ prior work, the Muhlenburg County, KY native aptly follows in the footsteps of John Prine and all of the other folk and country troubadours before him who forged their career on the strength of clever lyricism and truthfully authentic storytelling.”

— Whiskey Riff



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‘Alone in a World of Wounds’: Steve Von Till’s Meditative Ode to Nature and Loss

Steve Von Till releases new single/video from Alone in a World of Wounds. Photo: Bobby Cochran, used with permission.

Steve Von Till’s Alone in a World of Wounds: A Haunting Tapestry of Loss, Nature, and Reflection

Ploughing a different furrow from his work with post-metal pioneers Neurosis, Steve Von Till’s latest solo album, Alone in a World of Wounds, is a sweeping, gothic-tinged collection of Americana infused with ambient textures and world-weary vocal melodies. It’s a deeply introspective journey—both sonically and thematically. It will be released on May 16 via Neurot Recordings. (another/side, 2025)

A Cinematic Opening

The album opens with “The Corpse Road,” a track that unfolds in a haze of mauve-toned drone textures, immediately immersing listeners in a creaking, dust-laden wilderness. Von Till sings of being placed in the “solitude of our inner spaces,” his voice framed by the mournful resonance of French horn and beautifully subtle cello arrangements by Brent Arnold. The track is accompanied by a haunting visual, directed by Josh Graham.

Rooted in Atmosphere and Intuition

Initially inspired by the harmonic resonance of piano and synths, Alone in a World of Wounds follows the reflective ambience of 2021’s No Wilderness Deep Enough. This new album sees Von Till opening up his voice like never before, with songs that emerged from intuitive improvisations—raw, emotional, and unguarded.

Music, Poetry, and Purpose

Outside of music, Von Till is also a published poet. His 2021 collection, “Harvestman,” draws from a deep well of personal and philosophical writing. His lyrics and prose often reflect on humanity’s place in the cosmos, touching on themes of longing, loss, and the vastness of existence. In this album, a profound connection to—and disconnection from—nature serves as the thematic core.

The title Alone in a World of Wounds is inspired by a quote from environmental philosopher Aldo Leopold’s 1949 book A Sand County Almanac:

“One of the penalties of an ecological education is that one lives alone in a world of wounds.”

Life Beyond the Music

Von Till’s commitment to the natural world goes beyond his art. He has been an elementary school teacher for over two decades and serves on the board of directors for the Firekeeper Alliance, a non-profit dedicated to reducing youth suicides among the Blackfeet Nation in Montana.

A Sonic and Visual Aesthetic

While Alone in a World of Wounds may seem far removed from the aggressive tones of Neurosis, the raw spirit of punk and DIY ethos remain essential to Von Till’s process. His search for deeper connection, his willingness to live with sorrow, and his instinctive approach to creativity all ground this project in authenticity.

Recorded largely at his barn studio in Idaho and mixed by Randall Dunn at Circular Ruin in Brooklyn, the album also features artwork by Spokane-based alternative process photographer Brian Deemy. Working in colloidal wet plate tintype, Deemy’s visuals perfectly complement Von Till’s ancient-yet-modern aesthetic—a haunting tribute to our bond with the more-than-human world.


Steve Von Till Live Dates:

May 30 – June 1: Prepare the Ground Festival – Toronto, CAN
July 25 – 27: Fire in the Mountains Festival – Blackfeet Nation, MT


Alone in a World of Wounds tracklist:
1 – The Corpse Road
2 – Watch Them Fade
3 – Horizons Undone
4 – Distance
5 – Calling Down the Darkness
6 – The Dawning of the Day (Insomnia)
7 – Old Bent Pine
8 – River of No Return



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