Tag: new single

‘The Nail Beside The Door’: The Soulful New Single from E.W. Harris’ new album

Alt-folk singer/songwriter E.W. Harris unveils new single and announces new EP Machine Living in Relief. Courtesy photo, used with permission.

(New York, NY) With the release of the new single, “The Nail Beside The Door,” alt-folk singer/songwriter E.W. Harris announces the forthcoming EP, Machine Living in Relief, due out this year. An ambitious collection of songs born out of a last call challenge to make a completely acoustic record about robots and AIs, Machine Living in Relief is the latest in a five-album series set inside Harris’s self-styled “romantic dystopia” Rocket City. (One in a Million Media, 2024)

If one weren’t already familiar with Harris’s more traditionalist background, the chummy strum of his guitalele reaches out and shakes your hand by way of friendly introduction. He also incorporates a number of unusual instruments (cedar flute, a broken autoharp), outside-the-box toys (Speak-n-Spell, Mr. Robot, Magic Wand Reader), and MacGyvered percussion hacks (can full of rice, “suitcase that I hit with a roll of duct tape”) throughout these folkways-meets-the-spaceways tracks. Call it asteroid field recording.

In a strange bit of real-time lore that feels like it could only happen to Harris, one of his cousins walked up to him mid-set a few years back and handed him a banjo, offering only the briefest explanation – “Here man, I’m not gonna learn this and I thought you might use it” – before promptly leaving the gig. The result, some months later as Harris tinkered with the unfamiliar instrument under lockdown, was this album’s lead single, “The Nail Beside the Door.” “Written from the perspective of a prisoner who becomes emotionally dependent on an AI companion,” it effectively sets out to explore the ideas behind the album opener from the other side, with all the profound, maddening aloneness of COVID isolation bleeding through the character loud and clear.

Courtesy photo, used with permission.

Though perhaps best known for his event horizon synths, spaghettified guitar effects, and above all, his overwhelming, spacetime singularity of a voice, Harris’s career began, some 25 years ago, in a much more earthbound vein, with the train trestle roots-rock of Luminous and the cable knit jazz-folk of The Eric Harris Group.

Through subsequent releases and relentless touring Harris steadily populated his teeming retropolis with comet-hopping hobos and android vagabonds of every stripe, worldbuilding his future from the ground up until it finally skyscraped against the present, with Machine Living in Relief, and the fateful fortune of that half-remembered night at the bar.

If Machine Living in Relief is truly the result of some apocryphal gauntlet throw issued at last call, Harris has met it in spades. Both a natural outgrowth of what came before, and a tantalizing peek at what might be soon to come, it pushes all the right buttons – even when those buttons are connected to the characters themselves – and leaves you contemplating your place within our brave new world of hyperconnected loneliness and transhuman striving.

“If the heart pumps a turbine that generates power to the computer half of the cyborg brain, what is the value of the parts? Is addiction just a modality of being a divided whole? If time is not linear, in remembering our past mistakes do we actually return to those moments? It’s a damn good thing songs don’t need to answer questions.” – E. W. Harris

‘On My Own’: Harrison Lipton’s New Anthem of Self-Discovery

Harrison Lipton masks post-breakup sadness with cheeky humor on ‘On My Own.’ Photo: Eciaus Booth, used with permission.

Breakup songs hold a unique appeal for listeners, offering emotional catharsis and a sense of solidarity. These songs often explore themes of heartache, loss, and personal growth, providing an outlet for listeners to process their own emotions. The relatable lyrics and powerful melodies resonate deeply, allowing individuals to feel understood and less alone in their struggles. Whether through soulful ballads or upbeat anthems, breakup songs help listeners navigate the pain of relationships ending while offering hope for healing and new beginnings. The universal nature of heartbreak makes these songs timeless and comforting during times of emotional turmoil.

The Brooklyn-based musical jack-of-all-trades Harrison Lipton recently released his cheeky new breakup anthem “On My Own” via Amuse. The facetious, 70s-inspired dad rock song uses the all too familiar coping mechanism of poking fun at inherent sadness to make it through the day. His voice full of smooth earnestness, Lipton ushers listeners towards the greener grass on the other side. (Big Hassle, 2024)

“The song started in a small bedroom studio in Carroll Gardens during a session with Aidan Ludlam of the booyah! kids, who uses lyrics like an impressionist painter uses paint. He helped me balance the dissonance between being dumped and finding how to be okay with it.” – Harrison Lipton

Shot on 16 mm film, the official music video was directed by Yishen Wang. An ode to the city and people of New York, Lipton finds himself lost in a sea of recognizable faces, even Times Square’s Naked Cowboy.

“…feels like a rarity, transposing of-the-moment sounds into a dusted-off paean to a romance lost in memory and feeling.” – NPR

“An artist whose stylistic tenacity is fabulously muddled, Lipton floats between genres, brushing against indie, alternative and bedroom pop with a driven psychedelic influence flowing through the hazy soundscapes.” – The Lines of Best Fit

Fresh on the heels of landing songwriting and production credits for indie-rock sensation Yot Club and Atlantic Records six-piece MICHELLE, among others, Lipton has made a name for himself as a rapidly ascending, go-to creative collaborator. His recent work as a songwriter and producer has earned him shoutouts in HYPEBEAST, The Line of Best Fit, and Sirius XM’s Life with John Mayer.

Now with the focus shifted to his own releases, Lipton unveiled “Synchronized Swimming,” with its captivating accompanying music video, back in September. Exploring romance coyly nestled within the metaphor of synchronized swimming, listeners witness Lipton’s proven songwriting and production talent in raw form. Complete with dusty piano, laid-back Khruangbin-like drums, and an underwater guitar solo, the final touch is the perfect pairing of background vocals from MICHELLE’s Layla Ku. 

“On My Own” keeps building the world “Synchronized Swimming” started, putting forth a distinctly clean and modernized late 70s aesthetic.

Harrison Lipton is a 30-year-old singer, songwriter and producer. The Brooklyn artist’s musical flair resides in the intersection of indie, R&B and 70s soft rock. Lipton prides himself on fully realizing a track from start to finish, leading the charge with songwriting, producing, and mixing, as well as creative direction. Lipton’s music is a product of his singular imagination, presenting a style that is sincere, authentic and all his own. His music has been featured in NPR and Early Rising as well as on numerous editorial playlists such as Apple Music’s Late Night Menu and Spotify’s Fresh Finds and Chill Vibes. Now focusing on new singles leading toward a larger project, Lipton emerges as a promising and unique voice, blending soulful vocals with singular and catchy production.

Courtesy photo, used with permission.

John Mailander’s ‘Let The World In’: The Soul-Stirring New Album

John Mailander’s Forecast to independently release ‘Let The World In’ on January 24, 2025. Photo: Emily Walis, used with permission.

Nashville Tenn. —  John Mailander’s Forecast is excited to independently release Let The World In on January 24, 2025, on CD, vinyl, and digitally. Forecast is a Nashville-based collective of visionary musicians led by acclaimed performer, producer, composer, educator, and recording artist John Mailander, known for his voice on the fiddle and other stringed instruments. (Dreamspider Publicity, 2024)

Forecast is John Mailander on fiddle, keys, and electronics; Ethan Jodziewicz on upright and fretless electric bass; Chris Lippincott on steel guitars, keys, and electronics; Mark Raudabaugh on drums and percussion, Jake Stargel on acoustic guitar, and David Williford on tenor saxophone and bass clarinet.

Produced by Mailander, Let The World In was recorded by Brook Sutton at The Studio Nashville, assisted by Will Tyson and Maeve Graham. It was mixed by Daniel Rice and mastered by Wayne Pooley. With nine tracks, four of which are shorter free improvs, all but “Road” are original instrumentals. 

The songs show a crossover from the jazz side of things and more into the jam band world, especially with the first single—a Nick Drake song, “Road,” which is available to stream and buy now.

“‘Road’ has been a bit of a mantra to me over the past couple of years. I haven’t always considered myself much of a singer, but it felt important for me to sing this one myself on the album. Lyrically, I feel like it ties into the themes of the album as a whole, and it’s a great vehicle for jamming as a band. This track captures a lot of the vibe of what we do live.” – John Mailander

The song was described as “majestic and expansive” by JamBase, who debuted the Grouch Bucket-animated video that accompanied it. In their feature, they went into deeper detail with John about “Road” and the entire album. 

Let The World In is the spiritual third in a trilogy of “Forecast” records and the second “true” album as a band since 2021’s Look Closer, which was recorded during the pandemic. Originally assembled for the live debut of John’s 2019 album Forecast, the group adopted the name for a series of residency shows in Nashville at Dee’s Lounge. John Mailander’s Forecast has since developed a dedicated following through their adventurous improvisations, singular collaborations, and genre-bending, exuberant musical explorations.

The album opens with 18 seconds of the band candidly gathering to warm up, culminating in the count-off to “Let The World In.” The title track is a Forecast sound collage in which Mailander explores on fiddle and Wurlitzer, and the ambiance is enhanced further with the addition of the “Let The World In Sound Freedom Expressionists” (Hannah Delynn, Maya De Vitry, Gibb Droll, Ella Korth, Lindsay Lou, and Royal Masat).

Other compositions include the bluesy, whimsical, and mysterious “Gardener,” the string-layered “Chapters,” and the peaceful Metheny/Hornsby-inspired “Heartland,” which showcases Stargel’s imaginative guitar solo along with a Jodziewicz arco bass feature and Mailander’s piano playing. 

“(improvisations 1)” and “(2)” are short pieces that were spontaneously composed by Forecast during the end of their daily recording sessions. “(reprise),” bookends the album with a reinterpretation of the title track’s cinematic main melody, with Mailander again on piano. Let The World In is meant to be played as a whole listening experience. Play this album loud.

Along with “conducting” the Forecast, Mailander is a member of Bruce Hornsby & the Noisemakers. His playing can be heard on albums by Billy Strings (including the Grammy-winning album Home), Noah Kahan, Joy Williams, Lucy Dacus, Molly Tuttle, Joe K. Walsh, Chatham County Line, and many more. John is currently on tour with Sam Grisman Project.

Let The World In Track Listing:

(open) (0:18)

Let The World In (6:52)

Gardener (4:40)

(improvisation 1) (1:15)

Chapters (2:55)

Heartland (6:22)

(improvisation 2) (1:44)

Road (9:25)

(reprise) (1:47)

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Ally Venable’s ‘Do You Cry’ Delivers Raw Emotion and Soulful Power

Ally Venable shares her new song ‘Do You Cry,’ a heartfelt exploration of lost love. Courtesy photo, used with permission.

Texas blues-rock singer, songwriter, and guitarist Ally Venable is back with a poignant new single, “Do You Cry,” a soul-stirring ballad that dives deep into the emotional complexities of heartbreak and lost love. The song, which marks a raw departure into the more vulnerable corners of Venable’s musical identity, is available now on all streaming platforms. (Big Hassle, 2024)

“The song explores the raw, vulnerable experience of heartbreak and the complex emotions that come with it. I wrote ‘Do You Cry’ about the bittersweet reality of lost love. I hope this song can connect with listeners on a deeply personal level.” – Ally Venable

Known for her electrifying live performances, signature glitter dresses, and black knee-high boots, Ally Venable is a force in the blues-rock world. Guitar Player Magazine describes her as an artist who “pulls off a stunner of gritty and/or sultry blues rock tunes embellished with lots of tasty guitar solos.” With a musical journey rooted in the blues and nurtured through early influences like Stevie Ray Vaughan, Ally has steadily built a reputation as one of the most exciting and dynamic guitarists and songwriters of her generation.

Born in Kilgore, Texas, Ally Venable began singing at age four and picked up the guitar at age 12. By 13, she was leading her own band, already drawing from her deep love for the blues. Her early albums, No Glass Shoes (2016) and Puppet Show (2018), earned her local acclaim and charted radio play. However, it was her 2019 release, Texas Honey, which pushed her to international recognition, debuting at #2 on the Billboard Blues chart and establishing Ally as one of the brightest stars in the genre.

Her 2021 album Heart of Fire, which also charted on the Blues Billboard charts, featured collaborations with music legends like Kenny Wayne Shepherd and highlighted Ally’s ability to write about love, pain, and overcoming adversity.“On this album, I really wanted to create a tone of overcoming your struggles and persevering through them,” she shared.

Ally’s most recent release, Real Gone (2023), produced by Grammy-winning Tom Hambridge, debuted at #1 on the Billboard Blues Charts and included collaborations with blues icons Buddy Guy and Joe Bonamassa. This spring, she was named #2 on Guitar World’s list of “Top 15 Young Guns Making the Gibson Les Paul Cool Again” and received the Road Warrior Award at the Independent Blues Music Awards.

In addition to her solo tours, Ally’s band has supported legends like Buddy Guy, Kenny Wayne Shepherd, and Colin James, and she has performed alongside fellow guitar icons on the Experience Hendrix tour and at ACL Live in Austin, Texas.

Looking ahead, Ally Venable will be part of the highly anticipated Experience Hendrix Tour in 2025, where she will share the stage with musical heavyweights like Samantha Fish, Devon Allman, Eric Johnson, Christone “Kingfish” Ingram, and many more.

With her new single “Do You Cry,“ Ally Venable proves once again that her artistry continues to evolve, offering her audience a more intimate and introspective side of her music. Fans old and new will find comfort in the vulnerability and soulfulness of this beautifully crafted song.

New single release: Kick It – flor

flor doesn’t care much what you think of them on their new single ‘Kick It.’ Courtesy single artwork, used with permission.

First Hood River, Oregon’s, now the world’s alt-pop darlings, flor, released their newest single this month –  “Kick It.” A fuzzed out, knobs dialed all the way up type of track, “Kick It” tells judgmental onlookers to shove it and be on their way. A more confident, provocative take from flor, the band continues showing their vast songwriting range as they explore the joy of their newfound creative independence. (Big Hassle Media, 2024)

flor finds light in the promise of a new day. The Hood River, OR trio—Zach Grace (vocals, guitar), Dylan Bauld (bass), and Kyle Hill (drums)—excavate unshakable melodies from jubilant synths, buoyant beats, and lush guitars as they relay a coming-of-age story all their own.

The story began as high school kids playing in a garage. The band quietly generated hundreds of millions of streams in the wake of their 2016 debut come out. you’re hiding. In 2019, ley lines only accelerated their momentum buoyed by tracks including “white noise,” “slow motion,” and “dancing around.” Critical acclaim followed from NYLON, Billboard, Paste, and Ones To Watch who hailed the album as “an exhilarating balancing act.”

They concluded a successful headline tour at the top of 2020 only to face the harsh reality of the Global Pandemic with the rest of us. Once it became safe enough to do so, the musicians congregated back in Los Angeles at Dylan’s studio for a series of writing sessions. This time around, they built the bulk of the songs face-to-face together inspired by favorite records from the likes of MGMT, Phoenix, The Killers, and M83. The result was their 2022 third full-length album, Future Shine which won over the praise of Rolling Stone, AltPress, and many others.

After taking some time to evaluate who they want to be creatively, flor is now back and more refreshed than they’ve ever been. The end of last year saw the release of “Same Color as the Sun” as the band joined The Maine for a massive North American tour.

Last month, flor starred in The Noise’s first episode of their new video series titled Something Loud. Filmed in Los Angeles – with the help from Betawave Media – flor performed their singles “Every Night,” “Warm Blood Pt 2,” “No More Time,” and “Gotta Do Something” to showcase what “loud” means to them.

Regularly releasing new singles to keep their fanbase fed, the last few months have seen flor unveil “Same Color as the Sun,” “Warm Blood Pt 2” and “Nosedive.” “Same Color as the Sun” quickly gained traction at Triple A radio and continues to chart higher week after week. “Warm Blood Pt 2” also arrived with an official video. With the song’s precursor dating back to their 2016 debut album come out. you’re hiding, part two wasn’t initially created as a follow up. But as the band began writing with the intent of creating something as rapturous as the original, things started to fall in place.

The end of 2023 also saw flor join their friends in The Maine for a massive North American tour, selling out almost every single date. Over the coming months, flor will continue to ride their current wave of inspiration with more new music on the way.

New single release: Relief – Gus Baldwin & The Sketch

Gus Baldwin shares new single and launches Western US tour. Courtesy photo, used with permission.

Austin Power Punk artist Gus Baldwin is a 25-year-old singer/songwriter/ex-hippie/part-time punk hailing from Austin, TX. After a stint holding down drums for Dallas surf punk legends Sealion in high school, Baldwin went on to form the Psych Pop combo Acid Carousel, which he led for 6 years and 20 something releases before departing the band on Halloween night 2021. He shares the official video for his new single Relief via Austin Town Hall. (US/THEM group, 2024)

Since leaving Carousel, Gus has made a name for himself as a solo artist in Austin, constantly performing as a singer/songwriter, one man garage band, or with his band The Sketch. Quickly releasing a string of titles on his own GetWithIt! Records imprint, including the EPs “THRILLER II,” “Live Bugs,” as well as a slew of singles, Gus established himself firmly as the godson of Texas rock ‘n’ roll. Splitting his time as a frequent collaborator with The Black Angels, Baldwin also works with the likes of Christian Bland & The Revelators as well as The UFO Club with Night Beats frontman, Danny Lee Blackwell.

Gus Baldwin & The Sketch kicked off their Western U.S. tour this month, which includes a performance at Punk Rock Bowling in Las Vegas. 

GUS BALDWIN & THE SKETCH LIVE 2024:
5/22 Marfa, TX
5/23 El Paso, TX
5/25 Las Vegas, NV
5/26 Long Beach, NV
5/27 San Francisco, CA
5/29 San Diego, CA
5/31 Los Angeles, CA
6/01 Tucson, AZ
6/02 Phoenix, AZ

Cover art for single Relief. Courtesy photos, used with permission.

New album release: Talking to Strangers – Jack McKeon

“Last Slice of Heaven” is the first single off Jack McKeon’s forthcoming new album Talking to Strangers, due out June 21, 2024. Courtesy photo, used with permission.

Jack McKeon is a different sort of musician; a Nashville-based singer-songwriter with an honest, plainspoken vocal, an eclectic-roots sound, and a knack for bringing crystalline characters to life. A student of the greats drawn to the timeless, rather than the trendy, he hails from Chatham, New York (a few hours north of New York City and a world removed from the Americana and bluegrass scene he now inhabits), and harbors a deep love for the written word. First inspired by literary music icons from Hank Williams and Guy Clark to Tom T. Hall and John Hartford, McKeon arrived in Nashville in 2021 and has since established a reputation for his own message-drive lyricism—a value which shows up in its full sonic serenity on his 2024 album debut, Talking to Strangers, due out June 21. (IV-PR, 2024)

Recorded live over three days, Talking to Strangers captures the warm, organic sound of contemporary Appalachian soul, infusing folk rock with an easy-going bluegrass sway and speaking to his long-held musical values. It’s a work of classic craftsmanship, sturdy and simple yet packed with the nuance of a true, intentional wordsmith, and just the first significant step in what McKeon sees as “a lifelong pursuit.”

“Last Slice of Heaven” is the first single from Talking to Strangers. Fans can stream or purchase the single and pre-save Talking to Strangers ahead of its release.

With a classic banjo kick-off and rose-colored details dotting the first verse, Jack McKeon gives listeners their first taste of his new album with “Last Slice of Heaven.”

McKeon’s depiction of developmental creep is the story of every landowner outside of burgeoning cities nationwide. It doesn’t take long for the story to take a darker turn. How are the bills getting paid? Is there a new contractor twisting the county’s arm to condemn? “But now the land that he’s been working is worth more than he could need,” McKeon sings in the song’s pre-chorus. “If selling out’s surrender, is leaving like defeat?” “I wrote this song to give a voice to the person I imagined holding on to this ‘Last Slice of Heaven,’ a character at odds with the transformation around him who’s fighting to hold on to his own identity,” says McKeon. “…in spite of ‘A world that’s always changing what it means to be the same.’”

The Bluegrass Situation premiered the music video for “Last Slice of Heaven,” a simple, poignant affair in which McKeon picks the song on his vintage Gibson dreadnaught in his own little slice of heaven.

Talking to Strangers track list:
Willow Lane
Paler Shade of Blue
Highway 29
Last Slice of Heaven
I Don’t Trust You
Hard Headed
Crooked Teeth
Past the Point of Rescue
Waffle House Wonder
Love at the End of the World

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New single: Woman Like Me – Brontë Fall

Brontë Fall’s new single, Woman Like Me, is a bluesy-rocker appealing to anyone who has ever been asked to fit into a box. Courtesy photo, used with permission.

Teri Bracken, better known by her stage name Brontë Fall, is an acclaimed songwriter whose road to songwriting began in childhood when she picked up piano at age 7. Classical violin lessons soon followed, and eventually she was tapped as the singer/violinist in a college rock band with a group of nineties rock loving frat boys. Bracken eventually made her way to Nashville—a dream come true considering it is a songwriter’s mecca. Though most of her instrumental focus is on guitar these days for pure convenience sake, Bracken still brings out her violin and even performs on piano during her shows—she never sings a note empty handed. (IV-PR, 2024)

After a family tragedy struck in 2022, Bracken rededicated herself to her craft, emerging with plenty of scar tissue and a batch of new songs that she considers her best yet. That lineup is highlighted by the new single Woman Like Me. The track is both a reminder of Fall’s skills as a songwriter and a significant leap forward in both sound and style. It’s a defining statement, the culmination of years grinding for a shot and, at the same time, a new beginning.

After years of grinding through music industry blockades on free-thinking, hard-working women, not to mention universal, unrealistic female expectations, Bracken decided it was time to set her record straight. “That we must ‘settle down’ at a specific time to start a family, give up our careers and lead a purely domestic existence; that we should be the apologetic, pleasing peacemakers; My song ‘Woman Like Me’ is a pushback on that entire narrative,” she says. After all, it was the Brontë sisters’ resistance to gender stereotypes in their industry that was a guiding light for Bracken at the beginning of her career, naming her whole persona in honor of Charlotte, Emily, and Anne’s resilience. 

With Woman Like Me, while owning who she is but also lamenting the unease she feels, Brontë Fall poses the question “Am I lovable?” over minor blues chords and a rock groove, making the song feel edgy, rebellious, and intriguing. “I’ve also found, while performing this song, that it touches people regardless of gender because perhaps we all feel pressure to fit a certain box based on where we’re from—and through the lens of social media,” she says. 

Recorded with a backing band of Matt Bubel, Robert Kearns, Jabe Beyer, Corey Congilio, Tim Craven (who also produced the track), and John Henry, the song signals a new era for Brontë Fall. Woman Like Me is the first of many new songs from the artist, all of which honor a new commitment to her most true self. “With this new era, I just wanted to be as authentic and raw as possible. In the past I was trying too hard or trying to be too different from who I actually am.” With Woman Like Me, Brontë Fall is beginning to unveil her unbridled vision.

Out everywhere, “Woman Like Me” is available right here and be sure to stay tuned for much more new music in the coming months. Brontë Fall will take the stage in Nashville for a hometown show on April 19. Tickets and more information can be found here.

 

MoonKill shares single from forthcoming debut album

‘Ranger Danger, Pt. 2’ is the first single from the Austin punk-metal band’s debut album. Courtesy photo, used with permission.

Austin band MoonKill recently shared the lead single from their forthcoming debut album via New Noise Magazine. (MoonKill, 2024)

MoonKill plays untethered Texas Punk, inserting ambient spacey sounds and new-wave tension into a punk world that is difficult to pin down. Vocalist Dan Aronov croons and howls with the powerful pipes of young Glenn Danzig, while the rest of the band blasts out tight and infectious melodic, metallic punk rock. Together throughout the album, the band harnesses simplicity to powerful effect.

MoonKill materialized in a T-shirt factory, which doubled as an after-hours practice space, in Austin, TX. The quartet all connected for a random jam session in May 2022. The drummer was the lynchpin in a network of friends, which included a guitarist who lived in a trailer in his driveway at the time. The first session produced their initial song “Long Line to Hell” and they have been growing their queue of Texas Punk songs ever since.

The band self-produced a 3 song EP, The Kong Sessions, in the loft of their friend’s screen-printing shop. After presenting it to producer/engineer Roky Moon (of American Sharks), he offered to produce their debut album, which was completed in February 2024. They played their first live show in September 2023, to a packed house, and began a relentless live show schedule.

Since then, others have taken notice, including their growing fan base in and around Austin. Their EP gained notice from music critics, including Greg Kot, (Chicago Tribune) who featured “Dead Holiday” on his syndicated show, Sound Opinions.

MoonKill will be available to stream and download on May 3, 2024. Pre-order/pre-save HERE.

Artist: MoonKill
Album: MoonKill
Label: self-released
Release Date: May 3, 2024

Courtesy photo, used with permission

  1. Dead Holiday
  2. Ranger Danger, Pt. 1
  3. Ranger Danger, Pt. 2
  4. Chainsaw Bathroom Sex
  5. Murderhouse
  6. Full Stop
  7. Ghost Town
  8. Long Line to Hell
  9. Rabbit’s Foot
  10. Friend or Foe
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New single: High Hopes and Low Expectations – JD Clayton

High Hopes and Low Expectations is the new single by JD Clayton. Courtesy photo, used with permission.

With his new single, High Hopes and Low Expectations, the Natural State’s new favorite recording artist, JD Clayton, tells the story of a young man searching for a better self and greener pastures, leaving his small town for the glamour of the big city. “This is really a song to myself,” says Clayton who co-wrote High Hopes with Nashville veteran Kendell Marvel. The song was self-produced by Clayton and he teamed up with six-time Grammy Awards winner Vance Powell to mix the track. The song’s protagonist meets an older gentleman who gives him a bit of free advice: “Live with high hopes and low expectations.” It’s not lost on Clayton that Marvel is the one who’s giving him the sage advice back in the real world. “He has become such a good friend and has been so kind to me as I’ve started my career,” says Clayton. “It felt like we were living out the song literally as we penned it.” (IV-PR, 2024)

Clayton found the inspiration for High Hopes and Low Expectations by chasing a blend of James Taylor and Elton John. Acoustically rich, the mid-tempo slow burner rides a heavy emphasis on a borderline-funky backbeat, piano, and guitars playing counterpoint to Clayton’s earnest vocal delivery. High Hopes and Low Expectations is out now and can be streamed or purchased right here. This single is the first in a number of new releases from Clayton as he gears up for a full-length follow-up to 2023’s Long Way From Home.

JD Clayton’s debut album, Long Way From Home, was released in early 2023 receiving overwhelming critical acclaim. Named one of 2023’s most anticipated Americana albums by Wide Open Country, the debut, 10-song offering has simplicity and sincerity running throughout. Earnest lyrics and lived-in vocals are delivered with a balance of warmth and resolve, and his timeless sound has an immediate appeal. Touring-wise, 2023 was spent building fans market by market, city by city while touring with Dwight Yoakam, Old Crow Medicine Show, Josh Turner, Tanner Usrey, Pat Green, Shane Smith & The Saints, Vincent Neil Emerson, Parker McCollum, Hank Williams Jr., Brent Cobb, Ashley McBryde, Cole Chaney and playing tastemaker festivals such as Bonnaroo, Rebels & Renegades, Born & Raised, and Dreamy Draw. On the heels of his debut album’s success, Clayton is putting finishing touches on his forthcoming self-produced record to be announced in spring and released later 2024. 

Clayton just wrapped up a 22 date tour with Tanner Usrey through early March and has upcoming dates with Ashley McBryde in April as well as adding additional headline and other support dates to be announced in the coming weeks.

Catch JD Clayton On Tour:
April 25 – Joliet, IL – Rialto Square Theatre *
April 26 – Chesterfield, MO – The Factory *
May 3 – Cullman, AL – Alabama Strawberry Festival 2024
May 12 – San Diego, CA – Wonderfront Music & Arts Festival
May 17 – Bentonville, AR – FreshGrass Bentonville
* With Ashley McBryde