Mixtape Memories: Jacob Duarte’s Deluxe Edition Hits Hard and Haunting

Nihilistic Easyrider (Jacob Duarte of Narrow Head) announces debut album via Run For Cover. Photo: Derek Rathburn, used with permission.

🎤Nihilistic Easyrider’s DELUXE EDITION: A Mixtape of Memories, Melodies, and Melancholy

Nihilistic Easyrider is the brainchild of Narrow Head frontman Jacob Duarte—but make no mistake, this isn’t a solo endeavor in disguise. DELUXE EDITION is a genre-blurring mixtape: a collection of songs written across various phases of Duarte’s career. The album pulls from a colorful palette of styles—Y2K-era emo, pop punk anthems, Soviet fuzz-drenched alt rock, and shimmering pop reminiscent of Evan Dando. (another side, 2025)

The debut is brought to life by an ensemble that includes Narrow Head drummer Carson Wilcox, producer and former tour-mate Graham Hunt, and features from Momma’s Allegra Weingarten and Ella Friedman. Even with its eclectic range, DELUXE EDITION remains rooted in Duarte’s signature approach to songwriting—melodic, moody, and full of hooks.


An Emotional Companion to Narrow Head’s Depth

In both lyric and sound, DELUXE EDITION shares Narrow Head’s penchant for navigating the emotional wreckage of modern life. The themes—romantic failures, mental unraveling, and existential burnout—are now filtered through the lens of mundane reality. Hunt’s textured production brings Duarte’s inner world to life with buzzing synths, barroom piano bursts, rattling acoustics, and early-aughts-styled sonic quirks.


The Lead Single: “Getaway Plan”

Written during a 2021 stay in Florida, the album’s opener, “Getaway Plan,” launches straight into jubilant pop-rock territory. Duarte strings together irresistible hooks before unleashing a Smashing Pumpkins-style climax of arena-ready guitar theatrics. The song’s lyrics tell a tale of failed midnight meetups and the naïve hope of suburban escape—summed up with the bittersweet charm of a red Solo Cup on a front lawn.

The track arrives with a playful video directed by Nate Kahn, starring Matt Berry (The Berries), who “signs” Duarte to Run For Cover Records for a fictional one quadrillion dollars.


From the Road to the Studio

Fresh off a relentless touring cycle behind Narrow Head’s 2023 album Moments of Clarity—featuring dates with Interpol, Snail Mail, Senses Fail, and others—DELUXE EDITION feels like a welcome retreat. It captures a rawer, more off-the-cuff studio vibe while also looping in some of Duarte’s tour comrades for cameos.

“Narrow Head and this project are equally big parts of me, and I need to do them both,” Duarte explains. “But I always know if a riff is going to become a Narrow Head song or a Nihilistic Easyrider song the moment I first write it. In a funny way, these Nihilistic Easyrider songs are closer to the music I always wanted to make growing up — they’ve got that real ’90s and 2000s emo feel that I grew up loving and wanting to channel.”


🎶On Tour This Fall

Nihilistic Easyrider hits the road this fall for a North American headlining tour kicking off in Houston and Austin, with stops in Chicago, Toronto, New York City, Washington D.C., and more. Support comes from On Being an Angel.

🎟️ Tickets are on sale now — don’t miss it.

Check below for full dates and locations.

Nihilistic Easyrider Live Dates:
Tickets Here | Hi Re Poster Here
Sep 12: Houston, TX – Secret Group
Sep 13: Austin, TX – Mohawk (Inside)
Sep 16: Chicago, IL – Subterranean
Sep 17: Bloomington, IN – The Bishop
Sep 18: Detroit, MI – Parts & Labor
Sep 19: Toronto, ON – Sneaky Dee’s
Sep 20: Buffalo, NY – Rec Room
Sep 22: Ridgewood, NY – TV Eye
Sep 23: New York, NY – Night Club 101
Sep 24: Philadelphia, PA – PhilaMOCA
Sep 25: Washington, DC – DC9
Sep 26: Raleigh, NC – Kings
Sep 27: Atlanta, GA – Aisle 5


DELUXE EDITION Tracklist:
1 – Getaway Plan
2 – Weekend Forever
3 – Facedown
4 – Drive All Night
5 – Don’t Get Scared Now
6 – Well Kept Secret
7 – Sanitorium
8 – Smiles and Cries
9 – Everything Is So F*cked Up
10 – Howie On The Brain
11 – Waiting On Someone
12 – The Way It Crumbles

Clowns, Cornfields, and Carnage: A Look at Horror’s Creepiest Villains

The movie adaptation of Adam Cesare’s ‘Clown in a Cornfield’ is in movie theaters now. Photo: Barnes & Noble

The Terrifying Appeal of Clowns in Horror

Clowns have long been a staple in horror movies, tapping into a deep-rooted fear known as coulrophobia. Their exaggerated makeup, forced cheerfulness, and unpredictable behavior create a sense of unease, making them perfect villains.

From It’s Pennywise to Poltergeist’s creepy toy clown, these characters distort childhood innocence into pure terror. The contrast between their playful facade and sinister intentions fascinates audiences, offering a twisted reflection of trust gone wrong. Over the years, horror clowns have evolved from quirky jump-scare devices to complex symbols of chaos—continuing to captivate moviegoers who crave both fear and fascination in equal measure.


Book Spotlight: “Clown in a Cornfield” by Adam Cesare

Bram Stoker Award Winner for Superior Achievement in a Young Adult Novel

In Adam Cesare‘s terrifying young adult debut, Quinn Maybrook finds herself caught in a battle between old and new, tradition and progress—a conflict that may cost her life. (Barnes & Noble, 2025)

Quinn and her father move to the tiny, seemingly boring town of Kettle Springs, hoping for a fresh start. But since the Baypen Corn Syrup Factory shut down, the town has split in two:

  • The adults, desperate to return to a conservative past
  • The teens, eager to move on, party, and escape

Enter Frendo, the town’s former factory mascot—now a homicidal clown in a pork-pie hat. As tensions boil over, Frendo takes it upon himself to “cull the rotten crop” of local teens in a bloody attempt to restore order.

The series also includes:

  • “Frendo Lives: Clown in a Cornfield Book 2”
  • “The Church of Frendo: Clown in a Cornfield Book 3”

The movie adaptation is now in theaters nationwide.


Movie Review: Clown in a Cornfield

Clown in a Cornfield is a slasher horror film that blends old-school gore with modern teen angst, offering a chilling—if somewhat familiar—ride through rural Americana. It follows Quinn and her father as they settle in Kettle Springs, only to encounter terror when the clown-masked Frendo begins a gruesome rampage.

The movie taps into generational tension, pitting rebellious teens against a town stuck in the past. Frendo’s clown mask is genuinely unsettling, as is his menacing giggle, and the film delivers scares in everything from cornfield chases to abandoned farmhouses.

While the story doesn’t break new ground, its brisk pace, creative kills, and intense finale make it a solid entry in the teen slasher canon. If you’re in the mood for bloody fun with a side of small-town social commentary, Clown in a Cornfield delivers just enough thrills to satisfy.

Rating: 4 out of 5.

Having read the book before watching the movie, I can attest that the major plots present in the book made it into the movie and it has just a couple of major differences: Quinn’s father Glenn is given a more heroic role in the movie and Janet, the teen group’s queen bee, is not as deeply developed in the movie as she is in the book.


Raw, Real, and Relentless: De’Wayne Delivers with ‘highway robbery’

De’Wayne ushers in a new era with electric single ‘highway robbery,’ out now via Fearless Records. Photo: Shai Lev, used with permission.

Los Angeles, CA – Houston-born and Los Angeles-based rock star De’Wayne is ushering in a new era of music with the electric single “highway robbery.” Accompanied by a striking music video that brings the song’s rebellious spirit to life, De’Wayne is setting the stage for a bold new chapter. (Big Picture Media, 2025)

This song is a high-energy anthem that captures De’Wayne in his purest form, blending shimmery guitars, soulful funk-infused vocals, and irresistible, two-step-ready drums. Produced in collaboration with Dylan Bauld (flor) the track channels influence from Ohio Players to Nina Simone to Bruce Springsteen while remaining unapologetically modern and true to himself.

“The title was inspired by a heartfelt connection with my partner. She didn’t literally steal my heart—but I left the door wide open for it. I wrote this song as a poem first, and it evolved into this rock’n’roll soul influence. It feels good to be locked in!” – De’Wayne

Following the release of his 2024 EP I Want You More Than Anybody Wants You, De’Wayne has solidified himself as a force to be reckoned with. Constantly pushing boundaries, he is redefining Black rock music one song at a time.

With “highway robbery,” he establishes himself as a fearless trailblazer in rock, fusing genres with raw authenticity. De’Wayne is on a mission to show the world that neither people nor music should be confined to one box.

Shedding any and all creative inhibitions, De’Wayne plays rock ‘n’ roll spiked with funk, R&B, alternative, and magic. Accessing the duality of humanity, he harnesses the divine feminine through musicality manifested loud with no shortage of soul, sex, sweat, and style.

Emerging in 2017, the Houston-born and Los Angeles-based singer, songwriter, multi-instrumentalist, and producer has amassed tens of millions of streams across Stains [2021], My Favorite Blue Jeans [2022], and I Want You More Than Anybody Wants You EP [2024].

In the wake of the latter, UPSET placed him on its cover and urged, “it’s time to sit up and pay attention” to De’Wayne. KERRANG! went as far as to christen him “one of the most electrifying new performers in the alt. world today. He has established himself as the rare force of nature equally comfortable on a track with either Chase Atlantic and Masego, IDKHOW, Waterparks, grandson, WILLOW, Good Charlotte, and Tom Morello of Rage Against The Machine.

Beyond headlining packed shows on multiple continents, De’Wayne and his band have ignited festival stages at Gov Ball, Lollapalooza, Reading & Leeds, Bonnaroo, and BottleRock.

His music may have brought him close to the divine feminine in the past, but he finally learned how to open his eyes and gently embrace it—which is exactly what he does on his new music. Inspired by Lenny Kravitz, Parliament Funkadelic, Marvin Gaye, Ohio Players, Bill Withers, Nina Simone, Prince, Brandon Flowers, and Bruce Springsteen, he levels up as a proud black man, a son, a friend, a leader, an artist, and lover.

Local Spotlight: How Harlingen Community Theatre Breathes New Life into ‘Godspell’

Gospell is now playing at the Harlingen Community Theatre.

This year the Harlingen Community Theatre is celebrating its 50th Season and its current production is Godspell. Godspell, the beloved musical with music and new lyrics by Stephen Schwartz and book by John-Michael Tebelak, has charmed audiences since its debut in 1971 with its joyful energy, imaginative staging, and heartfelt message. Drawing inspiration from the Gospel of Matthew, the show reimagines biblical parables with a modern twist, blending pop-rock music, imaginative characters, and a vibrant, communal spirit. Its universal message of love, compassion, and forgiveness—values that transcend religion and remain deeply relevant today.

Locally, it opened on Thursday April 10 and features a talented cast that brings this classic musical to life. Over the years, Godspell has retained its appeal through its adaptability and emotional sincerity. Each production is encouraged to reflect the times, making it ever-fresh for new generations and this one is no exception. There are a couple of added scenes and dialogue to add relevance to modern times and the cast is encouraged to bring their own flavor to the scenes.

Stephen Rodriguez is a natural in the role of Jesus and David Laughlin’s portrayal of Judas is haunting and poignant. The show’s upbeat songs like ‘Day by Day’ and ‘Prepare Ye’ resonate across eras, reminding audiences of the enduring power of kindness and connection in an often divided world. Highlights include when Jesus defends the woman accused of adultery by challenging those accusing her that if any one them is without sin, to cast the first stone. He does this by playing a card game with them in which they are each given a card that has the word ‘SIN’ on it. Another is in Act Two, the emotional ‘Beautiful City’ by Jesus, which turns the tide of the show and sets the stage for the heartbreaking finale. The catchy musical numbers, humor, and humanity makes it a must-see production.

In today’s society—marked by social unrest, isolation, and a longing for meaning—Godspell serves as both a celebration and a call to action. Its themes of community, inclusion, and moral courage strike a powerful chord. Whether experienced as a nostalgic favorite or a first-time discovery, Godspell continues to inspire reflection and hope, proving that its message is not just timely, but timeless.

There are still two chances to catch this unforgettable production: Saturday and Sunday at 2:30p.m. General admission tickets are $25 for adults and $10 for children and are available online and in person an hour before showtime.

Cast:
Jesus – Stephen Rodriguez
John the Baptist/Judas – David Laughlin

Vendors and Customers:
Xochitl Carmona, Alyssa Christiansen, David Dillon, Beth Ensign, Kathy Eunice, Justin Evans, Vicky Fultz, Amy Gonzalez, Ariel S. Gonzalez, Jorge Gonzalez, Stephanie Jackson, Trinity Minson, Carmen Montalvo, Ian Montalvo, Damian Moseley

Gospell stage.

Harlingen Community Theatre
1209 Fair Park Blvd
Harlingen, TX

Cowboys, Romance, and Frontier Life: ‘Oklahoma!’ Takes the Stage at the Camille

‘Oklahoma!’ is now playing at the Camille Playhouse in Brownsville. Photo: Sandra Cruz

Now playing at the Camille Playhouse in Brownsville is “Oklahoma!” – a timeless American musical that combines a compelling story with vibrant music, offering a celebration of frontier life and the complexities of love and community. It features a score by Rodgers and Hammerstein, including unforgettable songs like “Oh, What a Beautiful Mornin'” and “People Will Say We’re in Love.” Set in the early 1900s, it follows the lives of two rival groups—farmers and cowboys—in the Oklahoma Territory, with romance blossoming between the spirited Laurey Williams and the charming Curly McLain.

From the brilliant minds of Richard Rodgers and Oscar Hammerstein II, the Camille takes a trip to the turn of the 20th century with “Oklahoma!” With the rivalry between local farmers and cowboys, the setting of this show is full of conflict, but it’s also a love story of a farm girl and her choice between a cowboy and a farmhand. (Camille Playhouse, 2025)

Tickets are $25 for ages 3 and up and are available online or avoid the service charge and buy them at the box office. The lobby opens 30 minutes before the curtain and seating opens 30 minutes before curtain. Seating is on a first come, first serve basis.

Cast includes:

Brandon Binder – Curly
Leah Hollingshead – Laurey
Daniel Ramirez – Will Parker
Grecia Ortiz – Ado Annie Carnes
Valentina Capistran – Aunt Eller

Opening night on Friday was a wonderful start to the Camille’s presentation of this foot-stomping musical. The narrative strikes a balance between lighthearted moments and deeper themes and explores issues like jealousy, societal norms, and personal independence. The character-driven plot shines with its dynamic, well-developed roles, with excellent portrayals of Laurey by Leah Hollingshead and Curly by Brandon Binder. Their relationship stands at the forefront of the emotional core. A standout performance comes courtesy of Dean McElyea (Jud Fry) during the melancholy “Lonely Run” where Jud sings about his longing for a woman of his own and showcases the depth of the character. The lively choreography, paired with the energetic ensemble, brings the world of Oklahoma to life at the local level. Outstanding performances all around.

Despite some of its dated views on gender roles, “Oklahoma!” remains an important part of American musical theatre history. Its infectious energy, catchy tunes, and memorable characters continue to captivate audiences, making it a must-see for lovers of classic musicals. Do yourself a favor and stop by the Camille to experience this magical performance at its very best and discover the talent that Brownsville has to offer. Try and get the catchy “Oklahoma” tune out of your head. Congratulations to the cast and crew!

Now playing – February 1, 2, 7,8, and 9

Showtimes:

Friday 7p.m.
Saturday 2p.m. and 7p.m.
Sunday 2p.m.

Blood Incantation’s Absolute Elsewhere: A Mind-Bending Exploration of Death Metal’s Boundaries

Blood Incantation is: L-R Paul Riedl (Guitars, Vocals), Morris Kolontyrsky (Guitars), Jeff Barrett (Fretless Bass), Isaac Faulk (Drums). Photo: Julian Weigand, used with permission

Death metal is a subgenre of extreme metal characterized by its aggressive, fast-paced sound, often featuring growled or screamed vocals, heavy guitar riffs, and complex drumming. Its appeal lies in its raw energy and cathartic nature, offering a way for listeners to release pent-up emotions. Fans are drawn to the technical skill required to play the intricate rhythms and fast tempos, as well as the intensity of the performances. The dark themes, often exploring death, decay, and existential questions, provide a sense of escapism for some, while the sheer heaviness of the music creates an adrenaline-fueled experience.

If you’re a fan of the genre, there’s a new album out by Blood Incantation worth noting.

Blood Incantation is an American death metal band from Denver, Colorado formed in 2011. Their new album Absolute Elsewhere is the sound of a star being born. (another side, 2024)

“The Stargate” Side One: A violent storm invokes the familiar before a grand cosmic key turn for a hint of sweeping scope to come with spiritual acknowledgement and accompaniment by Tangerine Dream’s Thorsten Quaeschning on synths on the song’s second tablet. Musically as violent as it is mediative, with subtle spoken passages flitting between Nicklas Malmqvist’s (Hällas) busy synthesizer keys and Mellotron strings invoking both the modern and ancient, and it is all given sharp focus by Arthur Rizk’s powerfully dynamic and enveloping mix. Blood Incantation depart Extreme Metal’s traditionally antiquated waystation, warping their way towards “Genre of One” stature, as “The Stargate” intones the disembodiment of consciousness itself, careening through the stargate towards Samsara-like reincarnation, punctuated by the occasional growl from Sijjin/ex-Necros Christos main man, Malte Gericke.

“The Message” Side Two: A step through doorways of unearthly beauty, playfulness, quirk and horror. As if David Gilmour jams beside Chick Corea and Trey Azagthoth melting together through psychedelic hyperspace, eliciting mystical vibes and a tangible metaphysical transcendence. Dalos briefly reengages with this track in his native language, alongside star-riding Malmqvist, whose iconic synth/keys work throughout the album adds to the unearthly atmospherics that with Absolute Elsewhere defines a new musical epoch for Blood Incantation, as much as 21st century Metal itself. 

In total the piece hovers at nearly 45 minutes, their longest full length recording yet, the album’s two movements are as confounding as they are engaging, exponentially expanding upon the formulas laid down by their scene-shattering debut Starspawn (2016) and landmark follow up Hidden History of the Human Race (2019).

For inspiration, the group looked to the mid-70s progressive rock collective, Absolute Elsewhere as the album’s namesake. For the uninitiated, Absolute Elsewhere’s obscure 1976 album, In Search of Ancient Gods, was constructed as a musical accompaniment to the works of Chariots of the Gods author, Erich Von Daniken, and his theories of non-terrestrial humanoid prompts towards mankind’s evolution. The subject matter of which should serve as no surprise to anyone familiar with Blood Incantation’s cosmically philosophical leanings. But make no mistake, the four musicians working under the Blood Incantation banner for the past decade – guitarist and vocalist Paul Riedl, drummer Isaac Faulk, guitarist Morris Kolontyrsky and bassist Jeff Barrett – have successfully left the microgravity of genre behind and are re-writing the Rosetta Stone of extreme music with a new language entirely. 

Absolute Elsewhere is available from Century Media. Its physical version features a 73 minute feature film All Gates Open: In Search Of Absolute Elsewhere which tells the story of their time in Berlin during the summer of 2023, while recording at the legendary Hansa Studios. It is available on Blu-Ray with the album’s deluxe media book package and includes the documentary’s original soundtrack, All Gates Open (Original Motion Picture Soundtrack) which includes 60 minutes of exclusive new music distinct from the new album.

This special edition will also include Blood Incantation’s 2023 maxi-single, “Luminescent Bridge” for the first time ever on CD, and of course, Absolute Elsewhere in both standard and Dolby Atmos / 5.1 mixes, alongside exclusive liner notes, exclusive interviews, behind the scenes photos and a forward by Ross Dolan of Immolation. Underscoring the classic Progressive Rock vibe, the album is adorned with contemporary visionary paintings by the iconic and reclusive 70s Sci-Fi artist Steve R. Dodd.

Blood Incantation sets out on an extensive North American tour crossing both coasts and more with support from Midwife. All tickets are on sale now here. A full list of dates is available online.

Blood Incantation Absolute Elsetour Dates:

Nov 27: Boston, MA – Brighton Music Hall ~
Nov 29: Montreal, QC – Fairmount ~
Nov 30: Toronto, ON – Lee’s Palace ~
Dec 01: Detroit, MI – Magic Stick ~
Dec 03: Chicago, IL – Metro ~
Dec 04: Minneapolis, MN – Fine Line ~
Dec 05: Omaha, NE – Bourbon Theater ~

~ w/ Midwife

Early Praise For Absolute Elsewhere:

“the metal album of the year” NPR 

“an amazing, proggy, thrilling death metal epic” The Needle Drop

“This album is the work of a band who have proven themselves capable of anything. It belongs on the shelf alongside Pestilence’s ‘Testimony Of The Ancients and Spheres’, The Orb’s ‘UFOrb’ and Pink Floyd’s ‘Wish You Were Here’. It’s a goddamn masterpiece.”  The Wire

“the ultimate Blood Incantation album” Brooklyn Vegan

Courtesy photo, used with permission.