Of Shadows and Lost Souls: Love and Loneliness in The Jinja of Blood

The Jinja of Blood: Of Shadows and Lost Souls is the exciting new fantasy novel by Vivian Bell. Photo: Amazon

The Jinja of Blood: Of Shadows and Lost Souls (Book 1)

By Vivian Bell

An ancient jinja is home to the Wind and Ice clans, vampires who spend eternity fighting loneliness and boredom. In modern-day Japan, the New Bloodline must navigate everyday life, love, and increasingly ferocious yokai.

Shun Holynorth, a vampire, lives in the frost of eternity, while Haruki Akayama, a mortal, exists within the fragility of human time. Their meeting becomes the crack through which both light and darkness seep.


Story Overview

The novel opens with Shun admiring the sun’s final rays at sunset. Even after centuries, sunsets still mesmerize him, though they stir an ancient unrest within his soul. Shun belongs to the New Bloodline, children born of vampires and immortals. As the youngest, he’s seen as delicate, earning him the nickname the Cub. Adam and Ryuu are assigned to protect him as he begins university at Aizawa Academy, where vampires and humans study side by side.

Haruki Akayama and Yoshi Yamamoto are among the human students attending Aizawa Academy. Haruki is a 20-year-old billionaire with no immediate direction in life, aside from his determination to find his mother, who disappeared during his childhood. He’s dating Sam, unaware that Sam is a vampire.

As the group begins school, friendships form and secrets surface. Shared struggles and personal drama draw them closer together, revealing unexpected similarities. Beneath their everyday lives, however, a lurking danger emerges, only briefly introduced here, as this is the first book in the series.


Review

The Jinja of Blood: Of Shadows and Lost Souls blends ancient myth with modern unease. Set within an ancient shrine, it explores what happens when immortality collides with change. The New Bloodline must balance mundane university life with the growing threat of increasingly dangerous yokai, creating a compelling tension between the ordinary and the supernatural.

Shun and Haruki’s connection acts as a bridge, allowing light, darkness, longing, and fear to seep into each other’s worlds. Bell writes their relationship with emotional sensitivity, making it feel earned rather than merely symbolic.

As the opening volume of The Jinja of Blood, the novel sets the tone for a saga focused less on spectacle and more on belonging, friendship, and love in all its complexities. While the central romance between two young men places the book firmly within queer fantasy, the broader cast adds depth and diversity.

The vampires and immortals are portrayed as beings seeking normalcy rather than reveling in blood and gore. Their longing for ordinary lives makes them relatable, despite their centuries-long existence.

The narrative flows smoothly, supported by vivid, poetic language:

“The leaves, no longer resisting, surrendered to the wind’s invitation and danced over gardens and rooftops, skimming aerials and skyscrapers.”

Because the story is set in Japan, Japanese terms appear throughout. While this occasionally slows the pacing, the included glossary is helpful. The incorporation of Japanese folklore, such as the story of Hachiko, the faithful dog who waited for his long dead owner at Shibuya Station for ten years, adds cultural richness.


Final Thoughts

Overall, The Jinja of Blood: Of Shadows and Lost Souls is a strong and atmospheric beginning to a dark urban fantasy saga. It explores themes of friendship, identity, coming of age, and love. Though categorized as LGBTQ+ fiction due to its central romance, the story’s emotional core and diverse cast give it broad appeal.

Fans of fantasy, vampire lore, and Japanese culture will find this an engaging and promising start to what is sure to be an exciting series.

“Yoshi was the only anchor that allowed him to maintain a connection to reality. Without him, he would have capsized in the tidal waves of his own soul.”

Rating: 4.5 out of 5.

About the Author

Vivian Bell is a shadow behind shrine doors, writing queer gothic tales of vampires, jinja, and cursed bloodlines. The Jinja of Blood is her debut dark fantasy, set between university corridors and yokai-haunted districts in modern-day Tokyo.


*Thank you to Vivian Bell for the gifted copy for review consideration. I haven’t been compensated for this review and all views and opinions expressed are my own.

Worm Unveils the Dark Majesty of Necropalace

Worm announces new album Necropalace. Photo: Andreas Marschall, used with permission.

Worm Walks Backwards Into the Future with Necropalace

Worm has incessantly built upon their sonic palette of “Necromantic Black Doom” with roots in nearly every worthy corner of extreme metal’s history, from the grandiose heights of ’90s symphonic black metal to the emotional technicality of ’80s shred metal. (another side, 2025)

Four years after their acclaimed full-length Foreverglade, Worm emerges with their next studio album and first release with Century Media Records, Necropalace. The Floridian band has only grown more powerful, showcasing a level of grandiose songcraft that is beyond modern compare. On Necropalace, Worm has managed to do what many others in this day and age can only attempt: they walk backwards into the future.


A World Untouched by Time

Necropalace lives in a world of its own.

A world of lush velvet and ostentatious gold, covered in the dust of time.
A world where shadows seem to move in your peripheral vision, yet the loneliness never ceases.
A world where wounds of the flesh may heal, but those of the heart never do.


The Gates Open: “Necropalace”

The nightmarish omnipotence of album opener and title track “Necropalace” ushers the listener into a journey through obsessive bloodlust. Spellbinding, powerful vocals from Phantom Slaughter guide the descent, while guitarist Wroth Septentrion flaunts his stunningly masterful songwriting throughout.

“Necropalace” feels like an endless maze of subterranean, candle-lit corridors, each riff constantly shifting and evolving. With multiple listens, however, one discovers that the maze contains many paths that ultimately converge into one another.


Into the Crypt: “Blackheart”

Worm’s latest single, “Blackheart,” is a descent into the nether vaults of the Necropalace. As you make your way through the crypts and catacombs beneath the castle, you find Nightfang’s resting place. Beside his black coffin sits the Blackheart, encased in ice and glowing blood red.

This occult artifact pumps life into the ancient palace walls and keeps the vampire lord immortal.

“Blackheart” serves as part two of Worm’s official Necropalace short-film series, heavily inspired by their obsession with horror from the ’80s and ’90s. Director Norman Cabrera, Producer Maya Kay, and Colorist Alex Nicolaou, under the direction of Ted Nicolaou, continue to bring Worm’s dark fantasy into reality following “Necropalace,” now deepening the vision with “Blackheart.”


The Infernal Masquerade

Enter if you dare, but know the consequences of your choice.

Through the opulent finality of album closer “Witchmoon: The Infernal Masquerade,” featuring guitar virtuoso Marty Friedman, Necropalace reveals itself as the true sonic representation of unbridled, night-bound maleficence.

The album manifests as the soundscape to a star-laden winter sky reflecting off the Everglades’ darkest slough, where death meets the deathless. This is a vociferous call to action for anyone who still possesses ancient vampiric blood in their veins.

Prepare yourself for a full-force attack of zealous guitar agility and heretic spellcraft.

The gates are now open.


Release Information

Necropalace will be released February 13, 2026 via Century Media Records. Pre-order/Pre-Save here.

Necropalace tracklist:
1 – Gates to the Shadowzone (Intro)
2 – Necropalace
3 – Halls of Weeping
4 – The Night Has Fangs
5 – Dragon Dreams
6 – Blackheart
7 – Witchmoon – The Infernal Masquerade (Feat. Marty Friedman)



Photo courtesy of artist, used with permission.