Rashi Rohatgi is the author of the new novel ‘Where the Sun Will Rise Tomorrow.’ Courtesy photo, used with permission.
Rashi Rohatgi is an Indian-American Pennsylvania native who lives in Arctic Norway. Her short fiction and poetry have appeared in A-Minor Magazine, The Misty Review, Anima, Allegro Poetry, Lunar Poetry and Boston Accent Lit. Her non-fiction and reviews have appeared in The Review Review, Wasafiri, World Literature Today, Africa in Words, The Aerogram and The Toast. She is a graduate of Bread Loaf Sicily and associate professor of English at Nord University. Her new book “Where the Sun Will Rise Tomorrow” was released this month and is the beautifully written story of a girl who has no plans to become anything more than what has been promised to her by history.
“Where the Sun Will Rise Tomorrow” is set in 1905 and begins as 16-year old Leela and her younger sister Maya are on a small rowboat in the middle of the Ganges River awaiting the sun rise. They have used the excuse of an early morning ‘prayer expedition’ to spend time on their own. Japan’s victory over the Russians in the Russo-Japanese War has shocked the British and their imperial subjects. In India, Leela and Maya, are spurred on to wear homespun as a sign of protest to show the British that the Indians will no longer be oppressed. But when Leela’s betrothed, Nash, asks her to circulate a petition among her classmates to desegregate the girls’ school in Chandrapur, she is wary. She needs to remind Maya that the old ways are not all bad, for soon Maya will have to join her own betrothed and his family in their quiet village. When she discovers that Maya has embarked on a forbidden romance, Leela’s response shocks her family, her town and her country firmly into the new century.
Part historical novel, part coming of age story, “Where the Sun Will Rise Tomorrow” offers a glimpse into a young girl’s world that is changing around her. Leela wants to adhere to family traditions but the lure of the possibilities is too strong to resist. Like most teens, she and Maya are rebellious in their own way “Now that we all have to wear the widow’s weeds, we can’t go around getting soaked through like the heroines in the romances we hide under our pillows.” The historical background helps the reader better understand what these girls, and others like them, are experiencing and will certainly appeal to history aficionados. With simple but poetic language, the author successfully combines the tumultuous times in India with the often confusing and difficult teenage years, “I stand at the edge of the flat roof and want to step off, certain that if my body were to act the way I feel I would fly,” to create an interesting first novel. The most unexpected part comes towards the end when Leela sets off a bomb at a speaking engagement, propelled by a feeling of power that comes from the sole knowledge that something big was about to happen. Overall, “Where the Sun Will Rise Tomorrow” is a fascinating look at India at the turn of the century as well as into one Indian girl’s family and traditions.
“Nash agreed with us, at first, with Gandhi: that maybe images of war can replace war, for who on earth could look at images of war and risk bringing it about?”
*The author received a copy of this book for an honest review. The views and opinions expressed here belong solely to her.
Nettie glided along the sidewalk in her best dress, her mother’s creation that would soon be too small. That Saturday, however, the colorful outfit still fit and perfectly complemented her wide smile and earnest stride. The dress was spring blue with flower patterns bursting open into full blossoms, quite like Nettie herself.
She stayed out of the way of the white pedestrians inspecting her with what appeared to be a mixture of curiosity and irritation. “What’s that one doin’ here?” one woman asked as she passed by. So Nettie hugged the buildings as she moved, trying to disappear against the facades. There was something big going on in the square, but Nettie couldn’t see over or through the gathering, since she was just seven years old.
She had pleaded with her parents to go with her father from their home in Mooretown, Lynwood’s section for blacks, to a nearby town while he delivered a meal to a close friend who was gravely ill. At the last minute, Nettie’s mother had wanted one more item added to the delivery from a store on Lynwood’s downtown square—an establishment that served them only from the back door off an alley. Nettie was supposed to wait in the car, but despite her father’s admonishments, the strange and festive noises drew her out into the nearby crowd where she was protected only by her look of youthful wonder.
Lynwood’s civic core was comprised of an expanse of lawn with a massive oak reigning over the surroundings. Four perpendicular streets framed the lawn, and they had been closed for several hours so people could mingle without regard to sputtering cars. The attendees had obliged the gesture by swarming the entire area by midmorning. The day’s activities appeared to originate across the street nearer the tree, allowing the spectators along the periphery to wander about with more freedom. From where Nettie was she could see the crown of the tree, and she moved in that direction as if pulled by some invisible force.
The day was hot and humid. High clouds had gathered through the morning and darkened the midday sky, but the music played on and people chatted in small groups as if they were at an annual parish fair.
After several minutes of distant rumbling a sprinkle started, and it soon developed into cascading water pouring from invisible pots in the sky. The drenching dispersed the crowd into stores and under awnings. Deserted chairs and soda bottles lay across the lawn.
The scattering of the masses created large openings around the square. What was an impenetrable wall of people became a flat, open field of vision. The oak, of course, remained right where it had begun decades before as a sapling.
Nettie couldn’t run into any of the stores like the others caught out in the street during the rainstorm. So, like the oak, she remained standing, although now she had a clear view of the square. Her dress—dripping and heavy with water—would have distracted her in any other setting, but unanswered curiosity kept her searching the square for clues about the day’s festivities.
The oak tree had long, thick branches, like the heavy arms of a giant. A braided rope was slung over one of these arms, out about ten feet from the trunk. The rope was wrapped once about the branch and secured to a large stake in the ground. The other end of the rope was fashioned into a noose, and suspended from it was the still body of a black man. The man’s neck was grotesquely angled, and the feet were bare. His hands were bound behind his back.
Nettie leaned forward like she was about to rush toward the oak. But she neither ran away nor went to it. She stared up at what had been until moments before a living, breathing person. She was frozen in place and time—alone in the moment when her world changed forever.
Her father came running from behind and snatched her up with such force that the dress ripped along a side seam. He covered her with his protective embrace and spirited her away to the car that waited in the alley. They headed straight home using back streets and little-known shortcuts, the car not speeding despite the urgency of the situation. The trip to deliver the meal basket was abandoned as her father kept swearing that he’d never go to the square again.
Nettie didn’t look outside the car. She kept her head down and stared at one of the dress’s printed blossoms, the flower part of the pattern ending at the hemline to reveal her trembling knees.
**************************************************************************** Michael McAuliffe is the author of ‘No Truth Left to Tell’ and has been a practicing lawyer for thirty years. He was a federal prosecutor serving both as a supervisory assistant US attorney in the Southern District of Florida and a trial attorney in the Criminal Section of the Civil Rights Division at the Department of Justice in Washington, DC. In 2008, Michael was elected and served as the state attorney for Palm Beach County, leading an office of approximately 125 prosecutors. He was known for leading the ethics reform movement in county that resulted in the creation of a permanent inspector general, an ethics commission and new ethics code. Michael and his wife Robin Rosenberg, a US district judge, have three children and live in Florida and Massachusetts.
San Antonio’s first and longest running contemporary art non-profit, Blue Star Contemporary, located in the heart of the Blue Star Arts Complex, is pleased to present the Novel Ideas Art Book Fair which will take place on Friday March 6 from 5p.m. to 9p.m. and Saturday March 7 from 10a.m. to 6p.m. at SAYSi. The first and only art book fair in the region coincides with Blue Star Contemporary’s spring exhibitions featuring the work of Emilia Azcárate, Ann Clarke, Arturo Herrera, Candace Hicks, Rand Renfrow, Benedikt Terwiel, Hye-Ryoung Min and Sarah Welch. Also complementing the fair are Contemporary Art Month San Antonio and the Association of Writers and Writing Programs conference taking place in San Antonio, March 4 to 7, 2020. (Blue Star Contemporary, 2020)
Novel Ideas Art Book Fair is a two-day art book fair organized by Blue Star Contemporary. It will feature artists’ books, monographs, zines, printed ephemera and more. Conceived as a platform and community-building event for artists and producers operating primarily in the Southwestern US region and Mexico who are dedicated to books as medium and material, the Novel Ideas Art Book Fair includes a range of exhibitors, both publishers and artists. Novel Ideas includes programming such as talks, pop-up workshops, signings, an after party hosted by Paper Tiger and four complementary onsite exhibitions.
The fair presents noted artist and curator Julie Ault as the keynote speaker for the event on Saturday March 7 at 3p.m. Julie Ault is a curator, writer, editor, artist and designer who began her career establishing the temporary exhibition as art form.
Admission
$15 – Friday, March 6, 2020 opening night (CAM supporters receive $5 discount at the door with CAM sticker)
$20 – Saturday, March 7, 2020 all day
Door cover charge – closing concert at Paper Tiger on Saturday, March 7, 2020 7p.m. to 11p.m.
$40 – All access pass to all the above, advance purchase only, limited edition artist print by Rand Renfrow for the first 40 purchasers.
BSC members, TPR members and members of any of our museum month partner organizations receive a $5 discount on the all access pass.
Participating 2020 exhibitors include
Animal Facts Club (Wimberley)
Annie May Johnston (Austin)
Artpace (SA)
Bill’s Junk (Houston)
Cattywampus Press (SA)
Cortney Cassidy (Oakland)
Coyote Bones Press (San Antonio)
Feral Editions (SA)
Flowerpot Books (SA)
French & Michigan (SA)
Glasstire (TX)
Hare and Hound Press (SA)
Hellen Jo (LA)
M12 (Colorado)
Lawrence Markey (San Antonio)
Lorenzo Gomez (San Antonio)
Pey-Jing Li Mehrinfar (San Marcos)
Mixed Media Press (Mexico City)
Modernizm Zine (Houston)
MOSAIC Student Artist Program (San Antonio)
Mystic Multiples (Houston)
Rand Renfrow (Austin)
San Anto Zine Fest (SA)
Southwest School of Art (SA)
Spend Time Zine Mart (Austin)
Sybil Press (SA/Baltimore)
Texas State University Photography Program (San Marcos)
TPR/David Martin Davies (TX)
Trilce Ediciones (Mexico City)
UT Riso Room (Austin)
Yes, Ma’am Press & Xicana Vegan(SA)
Blue Star Contemporary (BSC) is the first and longest-running nonprofit venue for contemporary art in San Antonio. Its start 32 years ago created a pathway leading to city bond funding that supported the revamp of an old warehouse complex into an artist-centric, mixed-use development, sparking the total revitalization of Southtown as it is today. Their mission to inspire, nurture, innovate and support artists and nurturing the community’s relationships with them are the very fibers of Blue Star Contemporary’s rich cultural tapestry.
SAYSí
1518 S Alamo St.
San Antonio, TX 78204
(210) 212-8666
This year’s San Antonio Book Festival will be held on Saturday April 4. Photo: San Antonio Book Festival, used with permission.
The San Antonio Book Festival (SABF) is excited to announce its 2020 author lineup, which includes more than 120 local, regional and national authors who will appear at the 8th annual festival as well as a new event – Lit Crawl. This year’s lineup includes nationally renowned authors such as Saeed Jones, Attica Locke, Marie Arana, César Cuauhtémoc García Hernández and more. The amazing weekend of festivities will take place on Saturday, April 4, from 9a.m. to 5p.m. at the Central Library and Southwest School of Art. (The San Antonio Book Festival, 2020)
The book festival is a free, family-friendly event that draws more than 20,000 festival goers to downtown San Antonio for a full day of author presentations, panel discussions, book sales, signings, children and teen activities and food trucks. It showcases first-time novelists and established writers, and introduces attendees to new literary talents and connects them with their favorite authors. A listing of all festival writers as well as a detailed festival schedule will be available online in March.
This year, there will be an additional free event, Lit Crawl, a big block party for books and everyone who loves to read them. This is the first time Lit Crawl is held in San Antonio and the city is just the 15th one globally to produce Lit Crawl. The event will take place the evening of Friday, April 3, as part of First Friday in Southtown in the Blue Star Arts complex. Lit Crawl brings literature to the streets, offering a mini-festival within the larger Book Festival that features writers, poets and storytellers performing their work and inviting audience participation. Lit Crawl will feature several events, including Literary Death Match, where four writers will compete for “bookish” glory; at another event, writers will speak about writerly topics but will be unaware that the audience has been instructed to take a shot every time one of the writers utters specific words. Lit Crawl involves the local literary scene and captures San Antonio’s unique flavor—all while getting book lovers and revelers alike drunk on words. The inaugural Lit Crawl is produced with the help of Ricos Products and the Blue Star Arts Complex.
Internationally acclaimed writer Sandra Cisneros will debut a new festival event, Sandra Cisneros Presents, where she introduces four of her favorite writers to festival audiences. Cisneros’ long list of accolades includes NEA fellowships in both poetry and fiction, the Texas Medal of the Arts, a MacArthur Fellowship, several honorary doctorates and national and international book awards, including the National Medal of the Arts awarded to her by President Obama in 2016.
The San Antonio Book Festival is also excited to bring back the 4th Annual Book Appétit Literary Feast at the Witte Museum’s Mays Family Center on April 2 featuring novelist Amor Towles. SABF will also be hosting Book It! luncheons, three opportunities to have an intimate lunch with a festival author at Club Giraud on April 4.
The mission of the San Antonio Book Festival (SABF) is to unite readers and writers in a celebration of ideas, books, libraries, and literary culture. SABF was first presented in April 2013. Founding partners include the San Antonio Public Library, the Southwest School of Art, the San Antonio Public Library Foundation, and Texas Book Festival. This “Fiesta for the mind” is a gift to visitors and the citizens of San Antonio, free and open to all.
The ‘Bit and Spur Makers of the Texas Tradition’ is this Friday February 7. Courtesy photo, used with permission.
This week, the Briscoe Western Art Museum is hosting a Lunch Lecture with bits and spurs specialist Kurt House on Friday February 7 from 12p.m. to 1:30p.m. He will be talking about the spur and how it evolved from a European symbol of wealth and power to an essential tool of the cowboy. Co-author of the book “Bit and Spur Makers of the Texas Tradition,” House will share stories about spur makers and how the Texas-made OK spur became one of the most sought-after pieces of cowboy equipment. House’s in-depth knowledge of spurs and bits will give everyone something to chew on during an open-lunch session where attendees can bring their lunch or grab a flavorful bite from Go’Shen Point BBQ food truck on the Briscoe’s campus. The lecture is included in museum admission. (Briscoe Western Art Museum, 2020)
Open daily, admission to The Briscoe Western Art Museum is free for children 12 and under, as well as active duty members of the military and up to four members of their family. Museum admission is $10 for adults, $8 for seniors and students, and $5 for retired military, first responders, educators, firemen and police officers. The museum offers extended hours and free admission every Tuesday from 4p.m. to 9p.m.
Briscoe Western Art Museum
210 W. Market Street
San Antonio, TX 78205
(210) 299-4499
But there was no decision to make. This was my calling. Some powerful force had come to dwell inside me, something bigger and stronger than me. —Malala Yousafzai
Malala Yousafzai, as the world knows, was shot in the head by the Taliban on October 9, 2012, as she rode home on the school bus in the Swat Valley, Pakistan. Malala was fifteen at the time. She survived the attack, recuperated in England, and has continued her education. She was awarded the Nobel Peace Prize in 2014 for her “struggle against the suppression of children and young people and for the right of all children to education.”
Can a child, an adolescent, a young person—make a world-changing decision? Is someone ever too young?
Let’s take a look at Malala’s story, because none of this came out of the blue. The “struggle” the Nobel Committee cited, was a decision that was so deeply embedded into her character that, at age fifteen, it had already become her way of life. And continues to be.
Seemingly from birth, Malala loved education. Her biographical material makes much of the fact that she sought to emulate her father, Ziauddin Yousafzai, who was so dedicated to education that he had founded his own school, the one she attended. Such “private” schools are not uncommon in Pakistan.
But Ziauddin’s school and his outspoken daughter became special targets of the Taliban. The fundamentalist group had issued an edict against educating girls and death threats against the entire family (mother Toor Pekai Yousafzai and two sons). The school was forced to close for a time and had re-opened shortly before Malala was shot.
You might say that the child was merely following the example—or the dictates—of the father (who was supported in all endeavors by the mother). That the child made no decisions on her own. That happens in families all the time. I can think of many examples in my own life—involving my parents and the decisions they made for me when I was young, and about how my wife and I did the same for our sons. None of these decisions involved defying the Taliban and bringing danger to our family. But, that may not be the right way to look at what Ziauddin did. Were his decisions part of doing what parents claim we always try to do—leading by example?
Do you ever think about the phrase “an accident of birth”? It means that none of us are responsible for the circumstances of our birth—who our parents are, our family, our nationality or state or town, our genetic make-up, economic status and so on.
Among the things that Malala was not responsible for: That she was a first-born daughter in a culture that values boys over girls; that she was born into a troubled country being over-run by violent extremists. But it was also an accident of birth that she had two parents who were, by all accounts, as dedicated to her welfare, education, and growth as they were to that of her two younger brothers. It seems to me that Malala took what she was given and decided to run with it.
By the time she was shot in 2012, Malala had shown by her own example that she recognized her “accident of birth.” Her dedication to education for girls was in fact her own decision based on parental example. Consider her words, written just a year later in her autobiography:
“I was very lucky to be born to a father who respected my freedom of thought and expression and made me part of his peace caravan and a mother who not only encouraged me but my father too in our campaign for peace and education.”
At an even younger age than fifteen, Malala was already an ardent activist. She blogged for the BBC on the oppressions of life under the Taliban and was the subject of a New York Times documentary. She made speeches often, including one entitled “How dare the Taliban take away my right to an education.” The year before she was shot, she won both the International Children’s Peace Prize and Pakistan’s first Youth Peace Prize. As the Taliban’s noose ever tightened around her country, her family, and her safety, Malala’s outspokenness and visibility grew. As she wrote in her autobiography, “I decided I wasn’t going to cower in fear of [the Taliban’s] wrath.”
In the years since she survived the Taliban assassination attempt, Malala has become a global symbol for the cause of education for girls specifically and for the welfare of all children. Not even a year after she was shot, she addressed the “Youth Takeover” at the United Nations. Two years almost to the day after she was shot, the Nobel Committee announced that she would share the 2014 Peace Prize with Kailash Satyarthi, who made his name with international peaceful protests on behalf of children. Even with constant visibility while traveling the world to event after event, she completed the studies necessary to be accepted in 2017 into Oxford University (which fact she announced on her new Twitter account). Also in 2017, Malala was designated a United Nations Messenger of Peace “to help raise awareness of the importance of girls’ education.”
Malala is still enveloped in the support of her family, which left Pakistan to settle in the UK. The Economist, noting that “Pakistani education has long been atrocious,” included the following in a detailed and dismal examination of the current status:
“From 2007 to 2015 there were 167 attacks by Islamic terrorists on education institutions . . . When it controlled the Swat River valley in the north of the country, the Pakistani Taliban closed hundreds of girls’ schools. When the army retook the area it occupied dozens of them itself.”
Malala has written two books. The first, “I Am Malala,” was published a year after her shooting and tells, with the help of writer Christina Lamb, of her early life in Pakistan and the event that put her onto a new trajectory. Published in 2017, the second book is for children, “Malala’s Magic Pencil.” In it, young Malala yearns for a special pencil that would let her do all sorts of special, interesting things, including drawing “a lock on my door, so my brothers couldn’t bother me.” I think every child wants a lock like that. Eventually, she describes what we adults will recognize as an intention, a determination, a decision: “I knew then that if I had a magic pencil, I would use it to draw a better world, a peaceful world.”
Time will tell us how Malala’s decisions as a girl, a teenager, a young adult, and into the future will all play out, how world-changing they will be. My hope is that the answer is— immensely.
Malala’s story offers all of us one overarching lesson about decision-making that will help us all lead better lives:
If you are a parent or other adult in a position to influence children and young people, remember how important your own example is. The decisions you make on behalf of others may turn out to be the template that helps form their lives.
If that’s all you glean, that’s enough. But there are many other lessons to take:
Have courage to do the right thing, whether it is large or small.
Understand you may be attacked and plan for that in advance. I mean physically attacked, as well as the more expected verbal criticisms.
Recognize you may be a symbol for others and prepare for that in ways they will embrace and admire. And behave that way.
Follow your decision. Give it a chance to shape your life.
Do not give up.
Depend on each other. Know whom you can trust, and be that trustworthy person to others to the best of your ability.
Seek education and take every other opportunity to broaden your knowledge of the world and its people.
Robert L. Dilenschneider is the founder of The Dilenschneider Group, a corporate strategic counseling and public relations firm based in New York City. Formerly president and CEO of Hill & Knowlton, he is the author of the bestselling books “Power and Influence, A Briefing for Leaders,” “On Power” and newly released “Decisions: Practical Advice from 23 Men and Women Who Shaped the World.”
Brandyn Cross, accomplished TV filmmaker, actor and writer and award-winning singer/songwriter, makes his debut as a novelist. “The Legacy Series: Book One,” the first novel in the epic book series, will be released February 18, 2020. Based on real events, writings, and correspondences, it tells the story of a terminally ill young boy who is also enduring a life of physical, emotional, and sexual abuse. It will be available in paperback and digital version on Amazon and all other major retailers and bookstores. (Black Château, 2020)
“The Legacy Series: Book One” offers a unique, unparalleled glimpse into the mind of abused children amid the hysteria surrounding the Satanic Ritual Abuse Panic of the early 1990s. It provides an unprecedented opportunity to experience a real world of childhood desperation and painful secrets, through first-hand, day-to-day accounts as they occur; it is a world known by millions of children, but never openly shared with adults. In the early days of the Internet, Brandyn (Brandy) Harris builds his private virtual world outside the knowledge of his strict and abusive parents. He finds solace in the messages he exchanges with a close group of virtual teen friends. Written in the message board format specific to the infant days of the Internet, “The Legacy Series: Book One” reveals the truths kids only tell their friends when they are away from adult supervision. It also proves that no matter how dreary the circumstances of our lives, we can always choose happiness, a philosophy by which Brandyn Cross himself lives.
Brandyn Cross was born a high functioning autistic with a love of music, books and film, but he did not begin exploring his creative gifts until a severe industrial accident left him a wheelchair-bound amputee. Determined to show the world that even severe obstacles can be overcome, he began studying and honing his craft, until ultimately turning his ambitions into a professional reality. He is a multi-media artist with credits ranging from accomplished writer to recording artist, songwriter, filmmaker and actor. As a singer/songwriter, Brandyn scored the international top 10 hits and won BEST SONG at the prestigious Utah Film Festival & Awards. As an actor and filmmaker, Brandyn has worked on numerous projects such as Unicorn City and The Wayshower and is presently in post-production on his feature directorial debut with the dark Emo drama, The Legacy.
Most feelings of discomfort in life have clear solutions. For a stuffy nose, decongestants do the trick. For a pounding headache, aspirin or Tylenol comes in handy. But what do you do about a relentlessly aching back? As most of us know, the answer is not nearly as clear-cut as we’d wish. And unlike infectious diseases that often have targeted remedies (think antibiotics for bacterial infections and vaccines for viruses), ailing backs are like misbehaving, obnoxious family members—we can’t easily get rid of them or “fix” them. They also have a tendency to stick around and bother us nonstop, lowering our quality of life considerably and indefinitely.
Perhaps nothing could be more frustrating than a sore or hurting back. It seems to throw off everything else in our body, and makes daily living downright miserable. With the lifetime prevalence approaching 100 percent, virtually all of us have been or will be affected by low back pain at some point. Luckily, most of us recover from a bout of back pain within a few weeks and don’t experience another episode. But for some of us, the back gives us chronic problems. As many as 40 percent of people have a recurrence of back pain within six months.
At any given time, an astounding 15 to 30 percent of adults are experiencing back pain, and up to 80 percent of sufferers eventually seek medical attention. Sedentary people between the ages of forty-five and sixty are affected most, although I should point out that for people younger than forty-five, lower back pain is the most common cause for limiting one’s activities. And here’s the most frustrating fact of all: A specific diagnosis is often elusive; in many cases it’s not possible to give a precise diagnosis, despite advanced imaging studies. In other words, we doctors cannot point to a specific place in your back’s anatomy and say something along the lines of, “That’s exactly where the problem is, and here’s how we’ll fix it.” This is why the field of back pain has shifted from one in which we look solely for biomechanical approaches to treatment to one where we have to consider patients’ attitudes and beliefs. We have to look at a dizzying array of factors, because back pain is best understood through multiple lenses, including biology, psychology, and even sociology.
The Challenge
So, why is back pain such a confounding problem? For one, it’s lumped into one giant category, even though it entails a constellation of potential culprits. You may have back pain stemming from a skiing accident, whereas your neighbor experiences back pain as the consequence of an osteoporotic fracture. Clearly, the two types of back pain are different, yet we call them “back pain” on both accounts, regardless. Back pain has an indeterminate range of possible causes, and therefore multiple solutions and treatment options. There is no one-size-fits-all answer to this malady. That is why diagnosing back pain, particularly persistent or recurrent pain, is so challenging for physicians.
Some people are able to describe the exact moment or series of moments when they incurred the damage to their back—a car accident, a slip and fall, a difficult pregnancy, a heavy-lifting job at work, a sports-related injury, a marathon, and so on. But for many, the moment isn’t so obvious, or what they think is causing them the back pain is far from accurate.
The Two Types of Back Pain
If you are going to experience back pain, you’d prefer to have the acute and temporary kind rather than the chronic and enigmatic kind. The former is typically caused by a musculoskeletal issue that resolves itself in due time. This would be like pulling a muscle in your back during a climb up a steep hill on your bicycle or sustaining an injury when you fall from the stepladder in the garage. You feel pain for a few weeks and then it’s silenced, hence the term self-limiting back pain. It strikes, you give it some time, it heals, and it’s gone.
The second type of back pain, though, is often worse, because it’s not easily attributed to a single event or accident. Often, either sufferers don’t know what precipitated the attack, or they remember some small thing as the cause, such as bending from the waist to lift an object instead of squatting down (i.e., lifting with the legs) or stepping off a curb too abruptly. It can start out of nowhere and nag you endlessly. It can build slowly over time but lack a clear beginning. Your doctor scratches his head, trying to diagnose the source of the problem, and as a result your treatment options aren’t always aligned with the root cause of the problem well enough to solve it forever. It should come as no surprise, then, that those with no definitive diagnosis reflect the most troubling cases for patients and doctors.
What Are the Chances?
Chances are good that you’ll experience back pain at some point in your life. Your lifetime risk is arguably close to 100 percent. And unfortunately, recurrence rates are appreciable. The chance of it recurring within one year of a first episode is estimated to be between 20 and 44 percent; within ten years, 80 percent of sufferers report back pain again. Lifetime recurrence is estimated to be 85 percent. Hence, the goal should be to alleviate symptoms and prevent future episodes.
Jack Stern, M.D., Ph.D., is the author of “Ending Back Pain: 5 Powerful Steps to Diagnose, Understand, and Treat Your Ailing Back.” He is a board-certified neurosurgeon specializing in spinal surgery, and cofounder of Spine Options, one of America’s first facilities committed to nonsurgical care of back and neck pain. Dr. Stern is on the clinical faculty at Weill Cornell Medical College and has published numerous peer- and non-peer– reviewed medical articles. He lives and practices in White Plains, New York.
The emergency call came in at breakfast. They could hear Wolfie’s shortwave radio belting out his call sign, repeatedly declaring, “Come in 5Z4WD, most urgent call for Pero Baltazar.” Pero got up and made his way to Wolfie’s office, asking Amal, their waiter, to get Wolfie. “Kwenda kupata bwana Wolfgang haraka, tafadhali, Amal.” (Go get boss Wolfgang quickly, please, Amal.)
Pero knew better than to touch Wolfgang’s sole means of communication with the outside world. Besides, Wolfgang had once allowed him to use the radio transmitter set, commonly called an RT set, to reach out to Pero’s old contacts at the CIA and State Department in Washington. Pero had been a runner for them, collecting papers and making note of fellow passengers at airports when asked, fortunately infrequently—nothing dangerous, nothing remotely exciting. Then two events had caused Pero to get deeper into the world of anti-terrorism than he ever wanted. Unable to cope alone those two times, he had involved his friends, including Heep, Mary, Susanna, and, of course, Mbuno, who were once again on location with him, this time along the shore of Lake Rudolf. Pero desperately hoped this emergency call had nothing to do with his old Washington contacts.
He had quit after the Berlin package incident, after he had nearly died, mainly because he had married for the second time in his life as soon as he had left the hospital and recovered. Susanna was a brilliant sound engineer, as devoted to Pero as he was to her. The name of Pero’s first wife, Addiena, who had died in the Lockerbie disaster, was tattooed on the underside of his right forearm. He used to sleep with it across his heart so he would not forget her after she perished. Her tragic death was the reason he had offered his minor services to the CIA in the first place, wanting to do something to thwart terrorism. It was heartwarming for Pero that his new wife, Susanna, now insisted she drift off to sleep lying to his right, making him put out his arm for her to use Addiena’s name as a pillow. “She loved you and you, her. It is how I can remember her, thank her, for teaching you how to love, you dummer Mann.”
Susanna’s native German expression of “dumb man” had been a scolding term for him originally deployed during the Berlin dangers, which was when she had revealed she cared for Pero deeply. Since then, it had become a term of endearment between them, their bond cemented by past events.
Adrenaline pumping because of the radio call, Pero weaved his way past tightly packed breakfast tables, careful not to allow his large, six-foot frame to disturb fellow guests. He heard Amal calling out to Wolfgang. By the time Pero got to the radio office, he could hear Wolfgang replying, “I am coming, I am coming.” The RT set was almost a living thing to Wolfgang, and Pero was used to hearing the man talk to it as a father would his child. Pero, waiting at the door, opened it for Wolfgang, who entered, sat, and flicked the on switch all in one practiced movement. He keyed the mike, gave his call sign 5Z4WD in answer, and said, “What is the message?”
The voice faded suddenly, coming in faintly, and Wolfgang gently turned the tuning dial. “Okay, Nairobi, I read you now, the sun’s up here so this may break up.” A woman’s voice came on the radio, asked if Baltazar was available, and Wolfie told her he was present and standing by.
“Message from Flamingo Tours, for Pero Baltazar, urgent, Mwana Wambuno, on safari, Moyowosi Game Reserve, missing for over ten hours. Safari clients being flown back to Nairobi. No trace of Ube. Over.” Ube was the nickname of Mbuno’s nephew, Mwana Wambuno. Pero immediately knew Mbuno would take the news of his favorite nephew hard.
Pero asked, “Wolfie, may I speak directly to her?” Wolfgang nodded and indicated the mike button. “Pero here, who’s that? Sheila Ndelle? Over.” Sheila, the backbone of Flamingo Tours, was also the sister of the UN security police chief and totally reliable.
“Ndiyo, over.” Yes, came the reply.
“Hi Sheila, give me all the details you have, and also, where’s Tone? Over.” Anthony Bowman was the owner of Flamingo Tours, known to everyone over the decades as simply Tone. An ex–white hunter, Tone ran the best safari outfitters anywhere—expedition tents, private toilets, dinner with white table linens, client’s wishes always fulfilled.
“Hi Pero, Mr. Anthony is down at the Tanzanian Embassy trying to find out more information, if there is any known terrorist or poaching problems in the area. There wasn’t any when we sent the clients there. All we know is that Ube took three clients out on a walking safari yesterday morning, camera clients”—by which she meant not hunters—“and they took leopard images in the tall grass, a kill of a bushbuck, treeing the carcass, you know the drill.” Pero did. Leopard was one of Africa’s big five—lion, leopard, rhino, elephant, and cape buffalo. Originally a hunting list, these animals still presented a challenge for the lens hunter. “On the plane’s HF radio, briefly, the clients have reported that suddenly as they were heading back to camp, Ube told our two bearers to make the clients crawl back to the Land Rover and fly back to Nairobi without stopping or talking to anyone. They said Ube told them to do this quietly if they valued their lives. They did as they were told. They have no idea what Ube did or where he went.” Sheila paused. “But, Pero, they said they heard a shot. Over.”
Pero’s producer instincts kicked in. “You say the clients are en route for Wilson Airport? Over.” Wilson Airport was on the western side of Nairobi and the jumping off small airport for most safaris and the Flying Doctor air services. Wolfgang glanced at Pero, clearly wondering why Pero should be interested in the clients since he knew Ube’s disappearance would be of paramount importance to Mbuno and, therefore, presumably to Pero.
Sheila’s tone also had an edge. “Yes, yes, they are inbound but had to wait for Tanzanian air traffic control for permission to depart. We had a plane waiting, in case, for medical reasons on the client’s instructions. They will be back in about two hours. But it is Ube we are worried about, and we need to tell Mbuno. Over.”
Pero nodded. “Agreed, I’ll take care of that. But Sheila, listen to me, please, I need you to go immediately to the airport, see Sheryl at Mara Airways, arrange for a Cessna 414 for us here immediately, plane and pilots—note, I said pilots—on loan, indefinite period. Over.” Sheila gave her confirmation. “Good, then call the Langata police station and ask for Sergeant Gibson Nabana. He’s the one I shot during that terrorist attack two years ago, remember? Over.” Sheila laughed and said she remembered it well. It had made the front page of the Daily Standard paper. At the time Pero had needed to gain control of a difficult confusion of authority at Wilson Airport and had only slightly wounded the sergeant. They subsequently became good allies and, since then, drinking buddies. “Okay, Sheila, tell Gibson to stop your clients and confiscate every piece of camera equipment they have. Tell him that I will be in Nairobi as soon as possible. Look, we need to review every shot to see if those camera-happy clients caught anything that can help us figure out what has happened to Ube. Once Mbuno and I see what is there, or not, we will reboard the Mara Cessna and proceed to . . . where was the landing strip? Remember that Sheryl at Mara Airways will need to have that information while you are at Wilson Airport, okay? Over.”
Sheila understood the flight would have to leave Kenya and land in Tanzania, an everyday occurrence as long as the paperwork was filled in properly with Customs and Excise on both sides of the border. “The Moyowosi Airport we used for the clients was actually at Mgwesi at the southwestern end of the Lake Nyagamoma, and then there is a three-hour slow drive into the game reserve. Should I lay on transport? Our drivers are still there, packing up the tents. I have not given them instruction to drive back to base. Over.”
“Yes, Sheila, hold your people in place, reestablish the camp, but move it at least a mile or more away. We’ll use it, and we’ll pay the fare. And one more thing, your clients will get back to Wilson before we do, so you have to make sure to tell them, before they land, that if Ube had reason to get your clients out secretly, whatever his reasons were, it is serious and if they value their lives they will not, I repeat, not talk with anyone. And keep them at the airport. Over.” Sheila said she understood and signed off.
Wolfgang looked over at Pero and simply said, “I guess you’ll be leaving then. The pool is full; I was thinking about draining it, but you might as well use it before you go while you wait for transport.” It was as friendly a gesture Pero had ever heard the owner of the Oasis make.
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Peter Riva is the author of “Kidnapped on Safari.” He has spent many months over thirty years traveling throughout Africa and Europe. He created the 1995 series Wild Things for Paramount. Passing on the fables, true tales and insider knowledge of the last reserves of true wildlife is his passion. He has been working as a literary agent for the past forty years. In his spare time, Riva writes science fiction and African adventure books, including the Mbuno and Pero Adventures series, “Murder On Safari” and “The Berlin Package.” He lives in Gila, New Mexico.
‘Freedom Lessons’ is the debut novel by Eileen Harrison Sanchez. Photo: Barnes & Noble
Eileen Harrison Sanchez is an author who retired from a forty-year career in education that started as a teacher and ended as a district administrator. Her debut novel is “Freedom Lessons: A Novel” on which she draws on her own remarkable experience as a young, white teacher in the Jim Crow South during desegregation to write her immersive work of fiction inspired by those events. It is the story of Colleen, a white northern teacher who enters into the unfamiliar culture of a small town and its unwritten rules as the town surrenders to mandated school integration.
“Freedom Lessons” is told alternately through three points of view: by Colleen, an idealistic young white teacher, Frank, a black high school football player and Evelyn, an experienced black teacher. This is the story of how the lives of three very different people intersect in a rural Louisiana town from July 1969 to November 1970. It begins as Colleen and Miguel, newlyweds, are driving to Fort Polk and their vehicle overheats. Miguel is Cuban and has been transferred to the Louisiana army base where he would serve as a drill sergeant for a year. Colleen later gets a job at the local black school until seemingly overnight, the school is ordered shut down and the neighboring white school is forcibly integrated. Frank is determined to protect his mother and siblings after his father’s suspicious death even if it means keeping evidence from the crime scene a secret from everyone around him. Being forced to attend the now integrated white school means he lost his position as a star football player and others lost positions of power, including the president of the student council. Evelyn does not want public schools to be integrated because she believes, as other like her do, that black teachers do a better job with black students and prefer to follow the Freedom of Choice plans, where everyone ‘chooses’ to be with their own.
As the years go by, the era of Brown v. Board of Education, Jim Crow laws and civil rights is in danger of becoming a distant memory. That is why it is vital that the topic gets revisited, especially by authors with first-hand knowledge, which gives their voice authenticity, as is the case with “Freedom Lessons.” Eileen Harrison Sanchez spent a year teaching in rural Louisiana and, as a teacher and an outsider, experienced the effects of segregation and forced integration and how it affected those around her. Far from being a white savior story, Colleen does not come in and “saves the day,” this is a well-researched and balanced novel that successfully gives three different viewpoints of one of America’s darkest periods. The language is easy to understand and simultaneously poetic: “The houses were set behind huge trees with Spanish moss dripping from the trees, like curtains shielding the lives of the tenants.” The characters are well developed and relatable and considering the topic, it is appropriate for all ages and should be required reading in schools. “Freedom Lessons” is a must-read for fans of historical fiction and a gentle reminder of how far we have come as a country and how much we still need to learn.
May 17, 1954: Brown v. Board of Education of Topeka was a landmark US Supreme Court case. The court unanimously declared that state laws establishing separate public schools for black and white students was unconstitutional. In 1955, the court ordered states to desegregate “with all deliberate speed.”
*The author received a copy of this book for an honest review. The views and opinions expressed here belong solely to her.