Cloakroom, L-R Doyle Martin (Lyrics, Guitar), Tim Remis (Drums), Bobby Markos (Bass), announces new album on Closed Casket and shares ‘Bad Larry’ video and single. Photo: Vin Romero, used with permission.
For Cloakroom, an American shoegaze band from Northwest Indiana, the world of modernity is in polycrisis and America has lost its soul. Narrative fetishism is all too usual of a literary mechanism for Cloakroom. If you listen closely you can hear the concern; not just for the teetering social structure but for what it means to be human and the high cost of the human experience. (another side, 2025)
The Indiana three return next month with their next studio album, Last Leg of the Human Table – the follow up to 2022’s post-apocalyptic space western Dissolution Wave, and label debut for Closed Casket Activities. Each song showcases Cloakroom’s genre-bending capabilities and seemingly vast array of influences; whether it be the sampling of the post-disco Detroit group Was (Not Was) or the lifted NASA recording of the humming of Saturn’s rings. Recorded in December of 2023 at Electrical Audio in Chicago and Rec Room Recording in Des Plaines, Illinois, engineer Zac Montez(Whirr, Turnover) aided in smoothing out the rough and turning up the quiet.
Last Leg of the Human Table sees its release on February 28 via Closed Casket. Fans can pre-order/pre-save here.
Pop, shoegaze, doom, post-punk, folk only scratch the surface on Cloakroom’s shortest yet most essential release to date. Its title Last Leg of the Human Table may sound sardonic in its nature, but this group has always found some wonder in the scurrying chaos of modern life. In 37 minutes, the album imbues a sense of responsibility to the listener as if one leg were to falter, the whole table will fall.
Cloakroom shares the lead single and video “Bad Larry.” Lyricist and guitarist Doyle Martin explains, “It was written about a fabled character out of folklore like ‘Diamond Joe’ composed by Baldwin ‘Butch’ Hawes.. if that’s who even wrote that song first. Bad Larry roams free and wants for nothing; living a life of experience and lives by his own rules and dying on his own terms; a life to vilify or envy.”
After wrapping an extensive North American tour with Full of Hell last month, Cloakroom has announced a special Chicago album release show happening April 12 at Empty Bottle. More dates and news to come.
Last Leg of the Human Table tracklist: 01 – The Pilot 02 – Ester Wind 03 – On Joy and Unbelieving 04 – Unbelonging 05 – The Lights Are On 06 – Bad Larry 07 – The Story of the Egg 08 – On Joy and Undeserving 09 – Cloverlooper 10 – Turbine Song
San Antonio actor Celestina Harris and The DoSeum CEO Dan Menelly debut Baxter. Photo: The DoSeum, used with permission.
SAN ANTONIO – For ten years, The DoSeum has invited San Antonio’s children to learn, explore, and create, shaping a generation of curious thinkers. San Antonio’s premier children’s museum kicked off its 10th anniversary year with its annual State of The DoSeum breakfast event on Tuesday January 28, 2025. This milestone celebration not only marks a decade of experiential learning but also showcases the museum’s impact and continued commitment to children and caregivers in the Alamo City. (The DoSeum, 2025)
During the annual State of The DoSeum breakfast, San Antonio actor Celestina Harris and The DoSeum CEO Dan Menelly unveiled The DoSeum’s new mascot: Baxter.
Meet Baxter The Robot
Wired for friendship and powered by pure joy, Baxter is The DoSeum’s beloved mascot. When he isn’t buzzing through exhibits, he’s lighting up the rooms with his infectious energy, and encouraging every visitor to embrace their curiosity. With a sweet smile, circuits of charm, and a heart full of cheer, Baxter’s mission is clear: to keep minds at play and remind everyone that learning can be joyful at any age.
Whether he’s offering a high-five, sharing a new discovery, or leading a fun-filled adventure, Baxter is always ready to spread happiness and spark new ideas. His battery is always full, and his circuits are always buzzing with excitement for the next adventure. No challenge is too big, no question too small—Baxter is here to brighten your day and make every visit to The DoSeum an unforgettable one.
The DoSeum’s Impact on San Antonio
Since opening its doors in 2015, The DoSeum has become a cornerstone of San Antonio’s educational and cultural landscape. With 68,000 square feet of interactive space featuring more than 250 exhibits, the museum has consistently provided enriching experiences in STEM, arts, and literacy for children aged 0 to 11.
The DoSeum has established itself as more than just a children’s museum. It serves as a valuable resource for San Antonio’s educational ecosystem, with long-standing research partnerships with area colleges and universities.
Since its opening, The DoSeum has demonstrated a commitment to dynamic, evolving experiences for its visitors. The DoSeum fortifies its membership through continual renewal of exhibition themes and educational events. The museum has renovated four permanent exhibit galleries and made updates to many individual exhibits, ensuring fresh experiences for repeat visitors. In addition to its permanent offerings, The DoSeum has hosted over 30 special exhibitions since 2015 over the past decade providing a unique environment for early learners to discover big ideas and foundational concepts through interactive and creative play.
The people powering The DoSeum’s Success
At the heart of The DoSeum’s success is its exceptional team of 80 staff members, including an Education team with unparalleled expertise in the museum industry. Featuring former classroom teachers and professionals with advanced degrees in Education and STEM-related fields, this talented group conducts innovative, TEKS-aligned programs, leads engaging holiday and summer camps, and provides inspired professional development for area educators. The DoSeum’s educational offerings, meticulously crafted and rooted in proven frameworks, incorporate elements of risky play to foster growth and development. This collective experience forms the foundation for San Antonio’s most innovative program portfolio, ensuring that every visit to The DoSeum is not just educational, but also engaging and fun for children of all ages.
Cruising into the Next Decade
The DoSeum is poised for an exciting future, having solidified a new strategic plan for the next 10 years. With support from a generous grant from The Meadows Foundation, the museum has invested in research and robust evaluation to strengthen its educational program design and outcomes. This research will inform The DoSeum’s focus on growth for sustainable placemaking, fully integrated experience design, exemplary informal STEM education, and engaging learners of all profiles.
The museum plans to introduce new, innovative themes to its camps, weekly workshops, and other programs. Among these additions is a focus on ceramics, providing children with hands-on experiences in this tactile art form. These new programs reflect The DoSeum’s commitment to continually evolving its curriculum to engage young learners in diverse and exciting ways. By blending retrospection with innovation, The DoSeum aims to build on its successful foundation while adapting to the changing interests and needs of San Antonio’s youth.
The DoSeum’s commitment to growth and innovation is evidenced in its plans for 2025 exhibits. On March 1, The DoSeum will unveil “Uniquely Us: Understanding Race and Building Unity,” its second internally developed traveling exhibition. This project, in development since 2020, has benefited from extensive community input and national support. Following this, “Emotions at Play,” a hands-on exhibition, based on Disney Pixar’s “Inside Out”, will focus on social-emotional learning and is set to open on May 24. The museum’s celebration continues into fall and winter with a special birthday edition of the Artist-in-Residence exhibition.
Finally, the community is invited to Save the Date for June 6th for The DoSeum Birthday Bash where admission will be free all day to the community.
The DoSeum is San Antonio’s museum for children and a cornerstone of interactive learning since 1995, offering 68,000 square feet of exhibits and 55,000 square feet of outdoor space. The Doseum offers hands-on experiences that empower families to explore, create and discover together. It offers interactive exhibits spanning science, math, art and literacy, designed to spark curiosity and ignite imaginations. Committed to fostering hands-on learning and discovery, The DoSeum serves as a premier educational resource for educators, caregivers, and children in the San Antonio community.
Etch Pictures announces Philip Gelatt’s First Word on Horror. Courtesy photo, used with permission.
New York – ETCH has announced the upcoming release of their documentary series First Word on Horror, which will be available exclusively via Substack on February 7, 2025. This will be the first project from the independent animation and production company run by the award-winning trio of Philip Gelatt, Will Battersby, and Morgan Galen King. (EG PR, 2025)
First Word on Horror is a fifteen-part documentary series that profiles five of the finest horror writers working today.
Across multiple episodes, each author discusses their life, their inspirations, their philosophies, and their writing techniques while reading one of their short stories. As fact and fiction blend, secrets are revealed and the delicate alchemy that turns human experience into creative expression begins to emerge.
The series is a love letter to writers of all ilk, to the primacy of the human experience, and to the simple act of reading a damned good story.
The authors profiled are New York Times bestsellers, multi-award winners, and cult favorites. In this first season, they are Stephen Graham Jones, Paul Tremblay, Elizabeth Hand, Laird Barron, and Mariana Enriquez.
Through the authors’ lives the series takes viewers from a harrowing Iditarod dogsled race in Alaska to the lurking terror of growing up under the Argentinian dictatorship; from the unbridled energy of the early DC punk scene to an ill-fated hunting expedition on the Blackfeet reservation in Montana.
First Word on Horror is directed by Emmy and WGA winning writer and filmmaker Philip Gelatt, whose credits include: The Spine Of Night, Europa Report, They Remain, The Bleeding House, and Love Death + Robots. The project is produced by Will Battersby (The Spine Of Night, They Remain, Trumbo) and other key crew include Director of Photography Sean Kirby, Composer Peter Scartabello, Editor April Merl, and Sound Designer Ben Cheah.
ETCH Director Philip Gelatt commented on the upcoming series: “Before I loved film or video games or comics, I loved books and writers. In particular, Horror writers were seminal to how I viewed the world. I was raised on King and Rice, on Barker and Lovecraft. As with so many other people, their work made me.
First Word on Horror is about getting lost in writing and we wanted to bring it directly to fans via Substack. Substack is such an exciting driver of culture and commentary. We want this series to live in and be a part of that conversation.
The series is purposefully human-forward, designed to remind us of the humanity at the core of creativity. Especially now, in the current moment of technological advancement and uncertainty, with the future so unknown, it’s important to remember that it’s human beings who give us our dreams and our nightmares; that it’s as human to hope as it is to fear; and that it’s human to want to find someone there in the dark with you.”
Etch is an independent animation and production company run by the award-winning trio of Philip Gelatt, Will Battersby, and Morgan Galen King. Specializing in the provocative, intelligent and innovative, as well as fantastical and horrific, Etch seeks to put the dark magic back into moving images.
Etch has expertise in animation, documentary and feature production and a core philosophy of maintaining ownership and creative control through novel approaches to production and distribution.
Courtesy photos, used with permission.
Stephen Graham JonesPaul TremblayElizabeth HandLaird BarronMariana Enriquez
Skeleten shares ‘Let It Grow’ single from new album Mentalized, out on February 7, 2025. Courtesy photo, used with permission.
Eora/Sydney-based artist Skeleten (aka Russell Fitzgibbon) unveils his final single “Let It Grow” from his forthcoming second album, Mentalized, out February 7 via 2MR / Astral People Recordings. (another side, 2025)
Amidst a record absorbed in the ways we’re disconnected from ourselves every day – “mentalized for better or worse” – “Let It Grow” immerses in a dissociative surrender. Over a sensual synth line, Skeleten breathes life into the inexplicable weight of intimate connection. It’s a submission to that feeling of an “it” that cannot be denied. The song hangs heavy in the air, unmoving like the heat of an overpacked club, and the only way out is up.
“‘Let It Grow’ was so natural it just kinda started existing without me even realising it. Which I guess is the whole vibe of the song. Surrender and acceptance??”- Skeleten
“Let It Grow” completes a lineup of adored singles “Deep Scene”, “Love Enemy”, “Viagra,” and “Bodys Chorus” alongside respective remixes by Axel Boman and Spray, in laying the foundations for Mentalized. The releases have earned tastemaker nods from Pitchfork, Stereogum, Paste, Brooklyn Vegan, KEXP, KCRW, BBC 6Music, FBi Radio, Apple Music’s ‘Best of 2024’ playlists, and more.
This month Skeleten will complete a 3-month residency at Sydney’s Pleasure Club, spotlighting local talent across the city’s different scenes, alongside Skeleten and his full live band. Having already united acts like Hugh B and the Modern Pop Ensemble, Dylan Atlantis, Scruffs. and Killian, stay tuned via Skeleten’s socials for the final surprise announcement. Skeleten will also perform at Golden Plains Festival in March, alongside esteemed artists PJ Harvey, Fontaines D.C, Kneecap and more.
Mentalized tracklist: 1 – These People 2 – Love Enemy 3 – Bodys Chorus 4 – Crack In The Shell 5 – Deep Scene 6 – Raw 7 – Let It Grow 8 – Viagra 9 – Ravers Dream 10 – Mindreader
Skeleten Live Dates: Mar 8 – 10, 2025: Golden Plains Festival, Meredith Supernatural Amphitheatre, VIC
Dead Before They Wake will be available to rent or own in the UK from 27th January. Courtesy photo, used with permission.
Topical thrillers take current events, real-world issues, or contemporary themes to create fast-paced, suspenseful narratives. Their appeal lies in their relevance, making them feel immediate and relatable. By incorporating elements such as political intrigue, technological threats, or social tensions, these stories tap into the anxieties and curiosities of today’s world. Viewers are often drawn to the sense of urgency and the high stakes, feeling a personal connection to the situations depicted. Topical thrillers offer not just entertainment, but also an opportunity to reflect on the challenges and risks facing society, heightening emotional engagement and anticipation.
London – Shepka Productions have announced the UK release of the brutal, topical thriller, Dead Before They Wake. The feature will be available to rent or own on Digital Platforms in the UK from January 27th and is available to download in the US now. (Strike Media, 2025)
Based on true events, the film follows nightclub bouncer Alex who is hired by a retired lawyer to track down a missing teenage girl, suspected of being snared by a trafficking ring, and to bring her home no matter what it takes.
Dead Before They Wake stars Nathan Shepka (Lock & Load, The Baby in the Basket), Grace Cordell (Cara), Manjot Sumal (The Last Bus, hit BBC sitcom Scot Squad), Kareem Nasif (The Job). Also starring Dr Who legend Sylvester McCoy (The Hobbit trilogy, The Munsters), and Patrick Bergin (Sleeping With the Enemy, Patriot Games).
“We wanted to base the film on real events and researched how UK sex trafficking gangs operate to give the film a grounded sense of reality. It is important to highlight what goes on every day and can often by ignored by the mainstream. We don’t feel any studio would have taken on the story in this way, it is likely to be a divisive and controversial portrayal. Ultimately there still has to be a pay-off for the audience; the film culminates in a brutal revenge-driven showdown.” – Producer Nathan Shepka
Dead Before They Wake is directed by Andy Crane and Nathan Shepka. The film features an original score by Academy Award winning composer Joseph Renzetti and is produced by Nathan Shepka.
The Briscoe kicks off 2025 with stories, art, and nature. Photo: Briscoe Western Art Museum, used with permission.
San Antonio, TX – The Briscoe Western Art Museum invites everyone to start the new year on the right foot with art, storytelling, wildlife, and inspiration as it closes its acclaimed Storytellers: Narrative Art & the West exhibition. From a special conversation with celebrated artist Billy Schenck to the museum’s wildest day of the year, the Wild West Wildlife Festival, 2025 gets off to a great start at the Briscoe. (Briscoe Western Art Museum, 2025)
See the Stories of the Southwest through Narrative Art
Blending visual elements with symbolism, narrative art invites connection with stories on a deeper, more emotional level. On view now, Storytellers: Narrative Art and the West explores the many ways artists have told stories about the Southwest in their art, including religious, migratory, historical, and rural subjects. From Indigenous stories passed down through generations to the contemporary interpretations of Western life, Storytellers showcases how artists use visual narratives to capture the spirit, landscapes, and people of the West. It is on display now through January 19, 2025.
Guiding questions throughout the exhibition invite visitors to take a closer look at the works on display – and dive into the stories they tell – while stations throughout the exhibition ask visitors to share their own stories. Visitors can then hang their story on the exhibition’s community story wall, while a mini-drawing lab offers visitors the opportunity to practice the techniques of gesture drawing – a quick sketching technique that helps capture the essence of a subject’s pose, movement, or expression – to create their own narrative art.
Renowned artist Billy Schenck, a founding figure of the Western Pop Art movement, shares insights into his bold and iconic depictions of the American West. Known for his striking, cinematic style, Schenck’s work bridges the gap between Western tradition and contemporary artistry. Schenck will share how he weaves together the story of his artistic process from film stills to paintings and creating new narratives. His approach offers a critical perspective on classic and contemporary Western iconography. Learn about Schenck’s early career, artistic inspirations, and the influences that shape his work during this conversation with Tim Newton, Publisher Emeritus of “Western Art & Architecture” and the Briscoe’s Curator of Night of Artists and Special Exhibitions. Hear more about Schenck’s role in “Western Pop,” his Native pottery collection and his new book “Women Artists of the Ancient Southwest: A Tribute to Timeless Creators.”
Walk on the Wild Side: Wild West Wildlife Festival
January 25, 2025, 10a.m. – 4p.m., free admission
A celebration of the animals and natural beauty of the West, featuring crafts, animal encounters, and activities focused on the wildlife of the American West, one of the pillars of Western art. The Wild West Wildlife Festival celebrates the flora and fauna that define the West with a beastly day of animal fun, education and hands-on crafts and activities highlighting the truly wild side of the West. The festival features art, storytelling, and more to inspire everyone to explore the nature all around them.
Extended Hours & Programming Make 2025 a Great Time to Head West
The Briscoe is committed to engaging the community with a variety of family-friendly and educational programs for all ages – all included in museum admission. The museum offers extended hours on Thursday, 10a.m. – 8p.m. and is open 10a.m. – 5p.m. Friday – Monday.
Children 12 and under always receive free admission at the Briscoe, making these programs affordable family fun:
Highlights Tour – Enjoy a guided tour through the museum’s galleries through these 45-minute tours each Thursday at 2 p.m., with stops at some of the most significant and striking pieces in the Briscoe’s collection. With frequently rotating artworks on display, this tour is ideal for both first-time visitors and long-term friends of the museum.
Locals Day – Come say howdy and explore the West for free as a San Antonio local. San Antonio and Bexar County residents enjoy free admission on the first Sunday of each month. Upcoming dates: February 2, March 2.
Scout the Briscoe – Hunt and enjoy a fun interactive way to see more of the Briscoe’s collection in an educational scavenger hunt on the first Sunday of each month. Completing the hunt is a family affair and you’ll learn fun information about works throughout the museum. Upcoming dates: February 2, March 2.
Storytime Stampede – Enjoy a storytelling session designed for young children and families on the third Saturday of each month at 10:30a.m. Sing songs, engage in movement activities and create artwork together as you learn about the West. Even better: Adults bringing children to Storytime Stampede receive half-off general museum admission.
An oasis of Western beauty just off the River Walk, the Briscoe’s McNutt Sculpture Garden and the museum grounds feature 35 sculptures portraying various aspects of Western life. The museum’s beautifully restored historic home inside the former San Antonio Public Library building, includes 14 galleries, with special exhibitions, events and the Hendler Family Museum Store, providing art, culture, history and entertainment. Museum hours, parking and admission details are available online.
Julia Belle: The John Hartford Fiddle Tune Project Vol 2 features the most beloved female artists in the Hartford-inspired bluegrass scene. Courtesy photo, used with permission.
Nashville, TN – In the twenty-three years since Bluegrass and Americana titan John Hartford’s passing, the witty, vibrant tunes of the Grammy-winning, river and steamboat-obsessed, flatfoot dancing legend have taken on a life of their own, creating an entire sub-genre of the American music canon. That’s thanks to not only Hartford’s pure, funny, and virtuosic catalog, but also to the family and friends attending to the late banjo and fiddle player’s legacy. In the past few years alone, Hartford’s daughter, Katie Harford Hogue, and modern-day fiddle great Matt Combs compiled a never-before-seen collection of unrecorded music in a book entitled “John Hartford’s Mammoth Collection of Fiddle Tunes” which quickly turned into a star-studded album, The John Hartford Fiddle Tune Project Vol 1. (IV PR, 2024)
Today, Hartford’s legacy takes another step into the future with the announcement of Julia Belle: The John Hartford Fiddle Tune Project Volume 2. Again co-produced by Hogue, along with Sharon Gilchrist and Megan Lynch Chowning, Volume 2 celebrates some of the most beloved female artists in the Hartford-inspired bluegrass scene: Rachel Baiman, Phoebe Hunt, Ginger Boatwright, Brittany Haas, Deanie Richardson, Allison de Groot, Della Mae, The Price Sisters, Uncle Earl, and many more.
“The feeling of working on an all-female project is unparalleled. It felt powerful and developed a real sense of togetherness and community.” – Della Mae’s IBMA Award-winning bassist and vocalist, Vickie Vaughn
Volume 2 contains thirteen new Hartford instrumental fiddle tunes and five “legacy” covers of beloved John Hartford songs, all of which take on new life under the hands—and voices—of some of the finest musicians around today. “What is so incredible is that you hear these tunes played in so many different ways, and Dad comes through on every one of them,” says Hogue. “It’s like his DNA is in the songs.” Today, with the announcement of Volume 2, one of Hartford’s most beloved songs, “Steam Powered Aereo Plane,” was released, much to the pleasure of the Goodle Family, the official-ish collective of Hartford fans worldwide.
Fronted by legendary country vocalist Kathy Mattea, the cast behind “Steam Powered Aereo Plane” delivers a mellow, true-to-the-original version of the song originally released on Hartford’s 1971 album of a slightly altered name, Aereo-Plain. Alison Brown, who produced the single, leads into the first verse on banjo accompanied by none other than Sierra Hull on guitar. Gradually Missy Raines brings in the bass and Larkin Poe’s Megan Lovell and the latest Punch Brothers band member Brittany Haas add their dobro and fiddle flourishments, respectively. The result is four straight minutes of pure John Hartford ethos, brought into the present day by a lineup of some of the most respected and accomplished musicians of their time—all of whom credit Hartford as an iconic influence in their musical lives.
Fans can stream or purchase “Steam Powered Aereo Plane” and pre-order or pre-saveJulia Belle: The John Hartford Fiddle Tune Project Vol 2 ahead of its February 28 release.
For fans who can’t get enough Hartford, the Hartford family has rallied their efforts around the Goodle Family Patreon page: a subscription-driven home base for all things John Hartford. Whether it be archival releases, updates on the Fiddle Tune Project, orin-person/livestream fan meetups—like the upcoming installment of Mammoth Marathon Mondays.
Julia Belle: The John Hartford Fiddle Tune Project Vol 2 tracklist: Irish Familiarity The Julia Belle Swain Grant Marsh & Joseph La Barge/Little Pig/Entertainment Tonight (medley) Spirit of the South Availability I’m Still Here Kenny and Mac Merry Christmas Learning To Smile All Over Again Royal Box Waltz Takes Her Clothes Off Gasoline Alley No. 1 No End of Love Living Up Stairs Not Soft Enough Don’t Throw Her Down Steam Powered Aereo Plane Champagne Blues
One of the most respected musicians in Nashville history, John Hartford is considered a cornerstone of the newgrass movement due to his 1971 masterpiece, Aereo-Plain. He won a career four Grammy Awards, including two for his 1967 recording of “Gentle on My Mind,” a third for his 1976 album Mark Twang, and a fourth for his contributions to the O Brother, Where Art Thou? soundtrack in 2000. He was posthumously inducted into the International Bluegrass Music Hall of Fame in 2010, was awarded the Americana Music Association President’s Award in 2005, and the Folk Alliance “Spirit of Folk” award in 2011.
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‘Something Better’ is the debut novel by Diane Parrish. Photo: Amazon
“Something Better” by Diane Parrish centers around Ruth, David, and Annabeth. Ruth and David are a seemingly happy couple living in the suburbs. After Annabeth’s parents die in a tragic car accident, their lives intersect in ways that will test all three of them.
Annabeth’s father, Jack Brady, was a close friend of David’s, so when Annabeth arrives in town, David and Ruth help her out during her time of grief. Ruth is a lawyer who dreams of starting a family, but then she gets the opportunity of a lifetime at work with a new client, Brian Bishop, in San Francisco. She decides to take the new client despite it being on the West Coast and having to spend time apart from David.
David is a successful landscape designer but he’s having trouble tackling all the work, so he hires Annabeth to work in the office. David grows closer to Annabeth while Ruth develops an attraction to Brian and before it’s all over, relationships will be tested. Each must decide if they will remain faithful or risk it all for the promise of ‘something better.’
Review:
This debut novel by Diane Parrish is best described as literary fiction combined with contemporary women’s fiction. Set in a small Connecticut town, it follows the journey of Ruth and David, as they navigate a turbulent time in their life while they struggle with loss, betrayal, and the search for inner peace.
Parrish’s writing is poetic and descriptive, offering readers a glimpse into the emotional landscape of someone struggling with difficult truths about love, redemption, and the choices we make. It explores the main theme of forgiveness without offering easy answers but allowing the characters to struggle with their decisions, creating a narrative that feels authentic and relatable.
The subtle interplay of faith—both religious and personal—adds another layer to the story, prompting readers to reflect on their own beliefs and the role of grace in healing. The narrative is from multiple points of view and the language is simple and easy to understand. While the plot of strained marriages is far from original, the character exploration is intriguing.
Overall, “Something Better” is a thought-provoking work of literary fiction that aside from forgiveness, also deals with the complex themes of faith, family, love, identity, and human resilience. Parrish gives us a story about the human capacity to change, to forgive, and to hope—no matter how impossible those actions may seem. This novel is a quiet, powerful meditation on life’s challenges and the possibility of redemption. It is recommended for readers who enjoy character driven literary fiction with religious undertones.
“…he would have to learn to live with the silence of his shame, his own frailty, his unspeakable desire, all the things that made him unworthy to call himself Ruth’s husband, not good enough for anyone who loved him, let alone himself.”
*The author received a copy of this book for an honest review. The views and opinions expressed here belong solely to her.
The global release of Z-Machine’s independent 3-part docuseries ‘Before the End: Searching for Jim Morrison’ is set for January 13, 2025. Courtesy photo, used with permission.
Jim Morrison, the enigmatic lead singer and lyricist of The Doors, remains one of rock music’s most iconic figures. Born in 1943, Morrison’s blend of poetic, often mystical lyrics and raw, charismatic stage presence helped define the counterculture of the 1960s. His exploration of existential themes, love, and rebellion resonated with a generation grappling with societal upheaval. Though his life was tragically short—he died in 1971 at just 27—his influence endures through songs like “Light My Fire” and “Riders on the Storm.” Morrison’s legacy as a rock legend and cultural symbol continues to captivate new generations of listeners.
(LOS ANGELES, CA) Z-Machine has announced release details for its independent 3-part docuseries, Before the End: Searching for Jim Morrison. The first of its kind “documystery” series clocks in at a total of 3.5-hours and will make its global TVOD/Digital release on January 13, 2025, following Morrison’s 81st birthday, available on all the major platforms of Amazon Prime Video, AppleTV, Google Play, and YouTube TV, with more to follow. (Cinematic Red PR, 2024)
A dozen years in the making, Before the End’s cryptic tagline encapsulates its investigative approach: “One Man. Countless Myths. And in between lies the truth.” Z-Machine founder, Jeff Finn, drew from 38 years of personal research into the gray areas of Jim Morrison’s humanity to distinguish between persona and person. Finn’s extraordinary detail work breaks the decades long closed seal on the traumatic formative years that forged a brief hellacious life, through Morrison’s controversial career as lead singer of legendary 1960s rock band, The Doors, to his reported 1971 death by “heart failure” in Paris at age 27. Morrison’s ostensible demise, technically an unsolved cold case, formed its own rabbit hole of reasonable doubt, which inspired Finn to consult with private investigators and forensic analysts.
Before the End transcends “rock doc” in the same sense that Jim Morrison was more than a rock star. A 1965 graduate of UCLA’s film school, he achieved much beyond music during his abbreviated time in the spotlight, including self-publication of three books of poetry, producing, directing, and acting in an experimental film, and enduring a railroaded obscenity trial in defense of artistic freedom of expression. Morrison’s legacy has since been muddled by a half-century of PR spin, character assassination, urban legend, and crass commercialism, all of which have defanged his once-fierce anti-authoritarian stance.
Jim Morrison was many things: cult figure, teen idol, goth/punk forebear, and political fugitive. Living the role of haunted visionary, he said, “When you make your peace with authority, you become authority.” Given the US’s current zeitgeist of threatened dictatorship and crumbling democracy, Finn believes the timeless message of the young poet who infamously killed his navy admiral father in song is even more vital in toxic-masculine 2024 than in free-love 1967, and he hopes Gen Z will unlock an empathic connection to the complex Morrison, like it has with the Menendez Brothers. “There’s the ‘truth,’” Finn says, “and there’s the real truth. Before the End is for Morrison fans, like me, who are tired of the ‘official’ story.’” He quotes a meme aimed at self-appointed experts and closed-minded gaslighters: “Conspiracy Theorist: Nothing more than a derogatory title used to dismiss a Critical Thinker.”
Featuring unprecedented content, from shocking corroboration about Morrison’s early life, to harrowing revelations about his stardom, and fresh evidence that contradicts his professed death, Before the End: Searching for Jim Morrison is proudly unauthorized because it “seeks the unvarnished truth.” The documystery reverse-engineers long-controlled narratives while it explores the notion of Morrison the nonconformist as neurodivergent, and deconstructs – through on-camera interviews with family, friends, lovers, classmates, and associates – key distinctions between Jim Morrison, “rock god,” and James Douglas Morrison, introverted outsider.
Among those interviewed and/or featured are Morrison’s cousins, Ellen Edwards and David Backer, lovers, Anne Moore, Gayle Enochs, Judy Huddleston, and Suzanne Roady-Ross, friends, Mirandi Babitz and Salli Stevenson, Elektra Records founder, Jac Holzman, The Doors booking agent, Todd Schiffman, The Doors roadie, Gareth Blyth, screenwriter, Randall Jahnson, rock critics, Ellen Sander and Richard Meltzer, UCLA classmates, Philip Oleno and Richard Blackburn, UCLA roommate, Ron Cohen, UCLA professor, Dick Adams, Florida State University roommates, Bryan Gates and John McQueen, FSU professor, Ralph Turner, Alameda High School swim coach, Ash Jones, childhood friend, Jeff Morehouse, Paris-era acquaintances, Philippe Dalecky and Gilles Yepremian, and exclusives via Jim’s brother, Andy Morrison, Robyn Wurtele, Morrison’s enigmatic Paris-era assistant, and “Mr. X,” a mind-blowing anonymous source.
Z-Machine is a truly independent production company helmed by writer and filmmaker, Jeff Finn, whose tie-in book, “127 Fascination: Jim Morrison Decoded,” is forthcoming.
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Before the End: Searching for Jim Morrison release date
Alt-folk singer/songwriter E.W. Harris unveils new single and announces new EP Machine Living in Relief. Courtesy photo, used with permission.
(New York, NY) With the release of the new single, “The Nail Beside The Door,” alt-folk singer/songwriter E.W. Harris announces the forthcoming EP, Machine Living in Relief, due out this year. An ambitious collection of songs born out of a last call challenge to make a completely acoustic record about robots and AIs, Machine Living in Relief is the latest in a five-album series set inside Harris’s self-styled “romantic dystopia” Rocket City. (One in a Million Media, 2024)
If one weren’t already familiar with Harris’s more traditionalist background, the chummy strum of his guitalele reaches out and shakes your hand by way of friendly introduction. He also incorporates a number of unusual instruments (cedar flute, a broken autoharp), outside-the-box toys (Speak-n-Spell, Mr. Robot, Magic Wand Reader), and MacGyvered percussion hacks (can full of rice, “suitcase that I hit with a roll of duct tape”) throughout these folkways-meets-the-spaceways tracks. Call it asteroid field recording.
In a strange bit of real-time lore that feels like it could only happen to Harris, one of his cousins walked up to him mid-set a few years back and handed him a banjo, offering only the briefest explanation – “Here man, I’m not gonna learn this and I thought you might use it” – before promptly leaving the gig. The result, some months later as Harris tinkered with the unfamiliar instrument under lockdown, was this album’s lead single, “The Nail Beside the Door.” “Written from the perspective of a prisoner who becomes emotionally dependent on an AI companion,” it effectively sets out to explore the ideas behind the album opener from the other side, with all the profound, maddening aloneness of COVID isolation bleeding through the character loud and clear.
Courtesy photo, used with permission.
Though perhaps best known for his event horizon synths, spaghettified guitar effects, and above all, his overwhelming, spacetime singularity of a voice, Harris’s career began, some 25 years ago, in a much more earthbound vein, with the train trestle roots-rock of Luminous and the cable knit jazz-folk of The Eric Harris Group.
Through subsequent releases and relentless touring Harris steadily populated his teeming retropolis with comet-hopping hobos and android vagabonds of every stripe, worldbuilding his future from the ground up until it finally skyscraped against the present, with Machine Living in Relief, and the fateful fortune of that half-remembered night at the bar.
If Machine Living in Relief is truly the result of some apocryphal gauntlet throw issued at last call, Harris has met it in spades. Both a natural outgrowth of what came before, and a tantalizing peek at what might be soon to come, it pushes all the right buttons – even when those buttons are connected to the characters themselves – and leaves you contemplating your place within our brave new world of hyperconnected loneliness and transhuman striving.
“If the heart pumps a turbine that generates power to the computer half of the cyborg brain, what is the value of the parts? Is addiction just a modality of being a divided whole? If time is not linear, in remembering our past mistakes do we actually return to those moments? It’s a damn good thing songs don’t need to answer questions.” – E. W. Harris
SA Examiner 