John Fullbright announces new album

The Liar will be out September 30 via Blue Dirt Records and Thirty Tigers. Courtesy photo, used with permission.

Since his critically acclaimed album Songs, the public at large has not heard much from John Fullbright. Eight years seems unthinkable for someone with so much hype—including a GRAMMY nod, an Americana Music Association Emerging Artist nomination and awards from ASCAP and the Oklahoma Music Hall of Fame—surrounding his early career. On September 30, Fullbright is set to end the dry spell with the release of his new LP, The Liar, opening up his newfound trust in musical collaboration for the world to hear. (John Fullbright, 2022)

Fullbright released the first taste of The Liar with the album’s ever-developing second track. “Paranoid Heart” starts out as a plaintive little folk song and explodes into a memorable, Petty-esque rocker bolstered by drummer Paddy Ryan and Jesse Aycock’s just-unhinged-enough slide guitar solo. “Paranoid Heart” is an indicator of what is to come from Fullbright’s newly minted, community-driven output. Fans can hear “Paranoid Heart” now and pre-order or pre-save The Liar ahead of its September 30 release via Blue Dirt Records and Thirty Tigers.

The Liar was recorded at Steve and Charlene Ripley’s farm-to-studio compound in northeastern Oklahoma. After Steve’s passing, Charlene flirted with the idea of selling the studio property, so Fullbright quickly mobilized to make sure he was able to record there before it changed hands. He threw together a band made up of, as Fullbright calls them, “the usual suspects.” Anyone vaguely familiar with Oklahoma music will recognize the roster, which includes Jesse Aycock, Aaron Boehler, Paul Wilkes, Stephen Lee, and Paddy Ryan, all of whom are in more bands than seems possible. Along with a few more friends stopping in to lay down takes, they finished the songs and tracked the album with engineer Jason Weinheimer in a whirlwind four days. 

The grab-and-go momentum landed Fullbright in the studio with some old songs (“Unlocked Doors” also appeared in 2009’s Live at the Blue Door), some new, and some unfinished, making his newfound trust in musical collaboration essential to the arrangements and reflected fully on the final album. The Liar, as a result, utilizes emotional and instrumental dynamics in ways Fullbright has not allowed himself to fully explore before. There is a noticeable slack here, an indulgent instrumental break there, and the general feeling that the tight-lipped John Fullbright who agonized over the writing process and then hesitated to talk about the meanings behind his songs in the past has eased up.

The Liar track list:
1. Bearden, 1645
2. Paranoid Heart
3. Stars
4. The Liar
5. Unlocked Doors
6. Where We Belong
7. Social Skills
8. Lucky
9. Blameless
10. Poster Child
11. Safe To Say
12. Gasoline

Catch John Fullbright on tour:
August 26 – Muskogee, OK – Hatbox Field
August 27 – Enid, OK – Park Street Palooza
September 3 – Martinsville, OH – Nowhere Else Festival
September 8 – Tahlequah, OK – Diamond Head Resort
September 25 – Glen Ellen, CA – Jack London State Park
September 30 – Oklahoma City, OK – Blue Door
October 1 – Oklahoma City, OK – Blue Door
October 2 – Tulsa, OK – Fassler Hall
October 8 – Austin, TX – C-Boys Heart & Soul
October 9 – The Woodlands, TX – Dosey Doe
October 13 – Kansas, OK – Bushyhead Farm Fall Festival
October 23 – Pittsburgh, KS – Mountain Stage

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David Beck’s Texas troubadour-Indie mashup shines on upcoming album Bloom & Fade

David Beck’s new album Bloom & Fade will be out September 30, 2022. Courtesy photo, used with permission.

When it came time to take his new collection of songs into the studio, noted bassist, songwriter, producer, and recording artist David Beck started the process with a simple, albeit off-the-wall, question that led the entire project into a new, adventurous atmosphere. “I’d discovered this idea with my buddy Ryan Quiet when I was producing his single,” says Beck. “We talked about these hypothetical situations—what if Dwight Yoakam did a record that was produced by The War On Drugs? What if Robert Earl Keen-like stories were seen through a Coldplay soundscape lens?” Having an affinity for both Texas storytellers like Keen, Guy Clark, and Rodney Crowell and the modern indie rock of Coldplay, The War on Drugs, and Big Thief, Beck’s upcoming album Bloom & Fade creates a cinematic world built around endearing storytelling and a soft, airy sonic palette. While Keen and Coldplay may seem like polar opposites of the musical spectrum, finding the connective tissue between those two worlds gave Beck additional perspective for Bloom & Fade’s pensive, visceral reflective nature. (David Beck, 2022)

BrooklynVegan premiered the first single off of Bloom & Fade, “Miner’s Song” hailing the first single stating “ it embraces country tradition but fits in with modern indie rock too.” “This song is about acquiring burdens and living through them, the pushing on from hard times to good. It took on an old west vibe, which happens when you get two boys from Texas in the same room,” Beck says of the song which was written with Conner Arthur of The Droptines. While the lyrics do occasionally mention ponies, the sonic characteristics of the song are more akin to the melodic indie rock of yesteryear; pumping bass and drums under a soaring instrumental hook.

Fans can stream or purchase “Miner’s Song,” and pre-order or pre-save Bloom & Fade ahead of its September 30 release.

Bloom & Fade plays out like a patchwork quilt where each scrap of fabric is another story inspired by cherished love tales, heart-worn narratives, familiar helping hands, and words of wisdom passed down from one generation to the next. Nestled within, Beck melds contemplative, self-discovery, and the occasional Hill Country haiku for splendid moments that stimulate and reassure. 

Throughout his illustrious career, artist David Beck has been a daydreamer. Reared in the Texas Hill Country, Beck was raised by a musical family who continuously encouraged and reassured his fearless pursuit of creativity as a songwriter, noted bass player, and emerging producer. From his days as co-front man of the dynamic and electrifying alt-country outfit Sons of Fathers to his Tex-Mex border-blending Tejano crew David Beck’s Tejano Weekend, Beck’s diverse range and imaginative style have been prevailing characteristics. A gifted storyteller, Beck’s introspective lyrics and infectious melodies feel right at home on a burgeoning San Antonio boardwalk as they do a crowded honky tonk night, or riveting summer festival stage.

Over the past decade, the multifaceted Beck has repeatedly delivered albums that have been praised by critics and a devout fanbase. Armed with a bold, organic, and rootsy brand of Americana music, Sons of Fathers saw Beck and company play at renowned establishments such as The Grand Ole Opry, Gruene Hall, Bonnaroo, and Austin City Limits. David Beck’s Tejano Weekend has garnered approval from acclaimed legends such as David Lee Garza for their authenticity and sincerity. As a budding producer and engineer, the Tall Texan has worked with the likes of Eric Burton of Black Pumas, The Droptines, and Pake Rossi. His latest solo efforts, the cosmic storyteller Bloom & Fade, mirrors his artistic mantra and spirit and honors the familial past with Texas singer-songwriter precision and a robust sonic palette that shimmers and radiates.

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Planet Bluegrass announces Mabon, an autumn equinox concert series

Tickets are now on sale for Mabon, taking place September 16 – 18 in Lyons, Colorado. Courtesy photo, used with permission.

Planet Bluegrass, organizers of Rockygrass, Lyons Folks Fest, and the famed Telluride Bluegrass Festival—which has coincided with the summer solstice for 5 decades—are pleased to announce Mabon, a new concert series programmed in conjunction with longtime Planet Bluegrass fan-favorite, Watchhouse. Mabon will take place September 16-18 in Lyons, Colorado, at the Planet Bluegrass Ranch during the Autumn equinox. Tickets are on-sale now. (Planet Bluegrass, 2022) 

The series kicks off on Friday, September 16 with Regina Spektor and a special duo set from hosts Andrew Marlin and Emily Frantz—aka Watchhouse. Saturday, September 17 continues with a could-only-be-at-Planet-Bluegrass billing of Emmylou Harris with Watchhouse as her backing band and sets from Thee Sacred Souls, Big Richard, and a performance from one half of Watchhouse, Andrew Marlin with his instrumental string band. Sunday will kick off with Yasmin Williams and fans will ease into the fall season and afternoon with Waxahatchee and The Lil’ Smokies. The weekend will be bookended by a final, full band Watchhouse set. 

“We are so excited to be curating this series with Watchhouse!,” says Grace Barrett, Planet Bluegrass’ director of partnerships and communications. “They are dear friends whose music has inspired us for years. The Planet Bluegrass calendar really functions around the sun, and we can’t think of a better way to say ‘so long’ to summer.” 

Frantz and Marlin share in that enthusiasm. They add, “We’ve been lucky enough to play so many festivals and events and have always loved the ones hosted by Planet Bluegrass. We haven’t been able to sit in on the curation side until now and we’re so grateful for the opportunity to reach out to artists whose songs have meant a lot to us over the years, or just recently. Autumn solstice feels like the perfect time to cozy up and sink into some feely songs together.” 

For over 30 years, Planet Bluegrass has been redefining the musical festival by creating exceptional experiences that protect the planet through environmental leadership and a strong community. Fiercely and decidedly independent, their three festivals make a unique musical mark: each takes place in breathtaking natural Colorado environments, each features the world’s finest musicians and songwriters, and each embraces a “Leave No Trace” ethic that defines Planet Bluegrass as a leader in Sustainable Festivation. Planet Bluegrass presents Telluride Bluegrass, Rockygrass, Rocky Mountain Folks Festival, all bucket list musical gatherings for artists and fans alike. Planet Bluegrass is invested in the next generation of songwriters and musicians as evidenced by Rockygrass Academy and Song School. 

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Orders From Above is a grim reminder of dark times

Orders From Above starring Richard Cotter and Peter J. Donnelly. Courtesy photo, used with permission.

Vir Srinivas’ writing and directorial debut, Orders From Above has picked up awards or nominations at four world festivals, including Cannes and Mannheim. It is available on iTunes and all major digital platforms including YouTube, Vudu, Apple TV, and Amazon Prime Video. The 87-minute film is based on the interrogation of Nazi war criminal Adolf Eichmann by Israeli police. (Gravitas Ventures, 2022)

Orders From Above – Winner of Best Historical Film at Cannes World Film Festival. Fifteen years after the end of World War II, Israeli police officer Avner Less interrogates Nazi war criminal Adolf Eichmann, one of the architects of the Final Solution. Adolf Eichmann is finally captured and brought to Israel to stand trial, but without enough evidence to prosecute him, Avner Less needs a confession from him. Directed by Vir Srinivas, with Richard Cotter, Peter J. Donnelly, Darrell Hoffman, and Emmanuel Drakakis.

Orders From Above is based on real events and is set almost entirely in one sparse motel room as Police Captain Avner conducts several interviews with Adolf Eichmann, the mastermind of the Holocaust. Eichmann has finally been captured and brought to Israel to stand trial for the events that took place between 1933 and 1945. Without enough evidence to prosecute him, Police Captain Avner Less must extract a confession to give him a fair trial. For Eichmann’s own safety and to avoid a lynch mob, the interviews take place in an undisclosed location.

Eichmann gives his background, including how easily he fell into the SS, the Schutzstaffel, or Protection Squads, whose final solution included eliminating all enemies of the 3rd Reich. He claims all he did was deport Jews from Hungary and nothing else and that he never had anything to do with giving orders, he only reported what was going on. He makes it a point to stress that he only had a passive role and that he was only a small cog in a big machine, basically an ancillary role and that he was only following orders. When they are no closer to getting a confession, his boss orders Captain Less to fabricate the transcripts but he refuses because unlike Eichmann, he will not blindly follow orders. In a last desperate effort, Captain Less shows Eichmann documentary footage of the mass burials at the extermination camps but all he does is reiterate that he showed unconditional obedience and kept repeating “I obeyed.” He does, though, offer to hang himself in public as an example and states that “the only crime I’m guilty of is apathy.” In the end, Eichmann is convicted on 15 criminal charges, including crimes against the Jewish people and he was hanged the following year. This was the only time Israel has carried out a death sentence.

Since most of the action takes place in a motel room, Orders From Above seems more like a play than a full length feature movie. With the memory of World War II being so far in the past, it serves as an excellent reminder of what happens when one group of people sees others as less than human. The film is in black and white, which gives it the appearance of a genuine historical document. Being that it is mostly dialogue driven, it might be hard for some viewers to remain interested, especially given the heavy subject matter. It should be noted that it contains explicit descriptions and footage, specifically at the end when Eichmann is forced to watch the footage of the horrors of the Holocaust. It might be difficult to watch for some and though it may not bring new information to the conversation, it is an educational tool and reminder of man’s inhumanity to man. Excellent performances by both leading men, especially Peter J. Donnelly as the emotionless, generally unapologetic Adolf Eichmann.

*Thank you to October Coast for an advance screening. The views and opinions expressed here belong solely to the author.

Courtesy photo, used with permission.

New music release: Another World

Another World is a guitar-driven foray into the world of hard rock music. Courtesy photo, used with permission.

New Jersey rocker Chris Luciani, founder, and leader of the hard rock band Lucidity, and his label Precision Records have formally announced the release of a brand new solo side-project for the artist. Another World is the eponymous debut single from his solo album of the same name which is now available for purchase. An inquisitive composition that not only externally asks the age-old question of, “Is there really anyone out there?” but also the self-doubting inner conundrum of, “Is there really anyone in here?” Some of the conclusions Luciani arrives at are sure to unsettle quite a few who hear this song. (Mia Mind Music, 2022)

Another World is a guitar-driven foray into the world of hard rock music. Chris works with a flesh and blood ensemble of live musicians who come together to help him forge molten lyrics and metal riffs together to allow the artist to get the heavy edge into the track and take it into the realm of mainstream active rock.

Artist: Chris Luciani
Release: Another World
Genre: Hard Rock
Label: Precision Records

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Adrienne King stars in Dead Girl in Apartment 03

Adrienne King, the original final girl in horror classic Friday the 13th, returns to the horror arena for Dead Girl in Apartment 03. Courtesy photo, used with permission.

Adrienne King, the original final girl in horror classic Friday the 13th, returns to the horror arena for Dead Girl in Apartment 03. Dead Girl in Apartment 03 premiered August 9 on digital platforms and is coming to special edition Blu-ray and DVD on November 22 from Wild Eye Releasing.  It is available to stream on Amazon Prime Video, Vudu, and AppleTV. (Wild Eye Releasing, 2022)

Dead Girl in Apartment 03 – After recently moving to New York City, a young woman is horrified to discover that her roommate has died in their apartment under mysterious circumstances. After her body is taken away by the police, Laura soon feels an unsettling presence in the apartment and paranormal signs that she will soon be the next victim. With the help of a pair of NYC detectives, Laura must uncover the secret behind her roommate’s death before it is too late. Laura Dooling (Blu Bloods), and Michael Schantz (City on a Hill) also star in the film, the latest from cult auteur Kurtis Spieler (cult classic New York Ninja).

Courtesy photo, used with permission.

Upcoming movie release: Wicked Ones

Wicked Ones will premiere on Video On Demand this September 13, 2022. Courtesy photo, used with permission.

From Wild Eye Releasing and director Tory Jones, and starring Halloween’s Dale Miller, beware Wicked Ones this September. Morgan Pyle, Chris Hahn, and Lucas Dunaway star in a frighteningly fun mesh of Friday the 13th and The Strangers, Wicked Ones premieres on Video On Demand on September 13 followed be a Special Edition Blu-ray on November 8, 2022. (Wild Eye Releasing, 2022)

Wicked Ones – Evil multiplies in this follow up to 2017’s sleeper hit The Wicked One. Set a decade after the events in the first film, survivors Adam and Alex return to Carpenter Falls with their three children – only to be thrust into another confrontation with The Wicked One and two crazed copy cat killers.

Courtesy photo, used with permission.

New horror movie release: I Dream of a Psychopomp

I Dream of a Psychopomp will be on digital on August 19 and on the Kings of Horror Channel on August 26, 2022. Courtesy photo, used with permission.

Danny Villanueva Jr.‘s supernatural drama I Dream of a Psychopomp premiered on Terror Films channel on August 12 and it will be available on digital August 19 and on the Kings of Horror Channel August 26. Jillian Lebling (Bridge of Spies, The Blacklist), Elohim Peña, Ben Shaul, Peter Knox, Steven Alonte, Kulani Kai, N. Meridian, and Fiona Rose star. (Terror Films Channel, 2022)

I Dream of a Psychopomp – A grieving widower haunted by the distressed ghost of his recently deceased wife is visited in his dreams by a psychopomp, a spirit guide of a living person’s soul, who teaches him about the spirit world and soul guiding through stories of death and the supernatural.

“Creating this film was a way to familiarize myself with death in order to ease some of its force when it knocks. Throughout the editing process, I was the primary caregiver of my dying mother who passed away from stage 4 lung cancer on Memorial Day of 2020. She was such a loving person and truly my best friend. I found my exposure to the subject of death and understanding why it is what it is through creating this film to be helpful through the grieving process. Death has become a taboo subject in American culture. We often avoid conversations about it until it arrives, and when it does, we whisper. I think if we talk more about it, we’ll better understand it, and it can be less devastating when it comes. In a time where we are collectively grieving from the many lives lost during the pandemic, I believe this film is especially relevant today.” – Danny Villanueva, Jr.

Courtesy photo, used with permission.

Soulful vocal powerhouse Ali McGuirk shares single from new album

‘All Back’ is Ali McGuirk’s prayer for hope and resilience from upcoming album Til It’s Gone due out September 16 via Signature Sounds. Courtesy photo, used with permission.

While soulful songsmith Ali McGuirk loves to dip into a multitude of genres and sub-genres, her upcoming album Til It’s Gone never gets too far away from from its rhythm and blues essence; a well that many artists have drawn from over the years, but few deliver with such a spellbinding conviction as McGuirk. Acting as co-producer along with celebrated folk-blues songwriter Jonah Tolchin, McGuirk let the songs of Til It’s Gone wander from shadowy emotional spaces to big, bad guitar workouts to delicate little confessions. But her bold and buttery voice carries each song to the next until the album’s end. The easy-grooving “All Back” is the first single from Til It’s Gone—out September 16 via Signature Sounds. (Ali McGuirk, 2022)

Fans can watch the music video for “All Back” now and pre-order or pre-save Til It’s Gone ahead of its September release. On the recommendation of producer Jonah Tolchin, McGuirk traveled from her adopted home of Burlington, Vermont, to the Los Angeles neighborhood of Silver Lake to track much of Til It’s Gone. A sublime set of songs that pairs McGuirk’s trademark soul sound with rootsy turns and raw rock ‘n’ roll detours, the album began to bloom at the L.A. sessions. McGuirk remembers describing to Tolchin the vibe she envisioned for the record. She mentioned something about it being akin to the cool fusion of styles that Little Feat achieved in the ’70s—that funky, twangy, jazzy and thoroughly-authentic feel. Tolchin suggested they just call up legendary Little Feat guitarist/mandolinist Fred Tackett and get him to lay down a few parts. The nine tracks—songs that run from intimate introspection to wider meditations on oppression and justice—succeed because McGuirk has composed dynamic, hypnotic frames for her vocals. Til It’s Gone also features key contributions from McGuirk’s Boston bandmates such as guitar ace Jeffrey Lockhart. 

Catch Ali McGuirk on tour:
September16 – Nashville, TN – Five Spot (AMERICANAFEST)
September17 – Easthampton, MA – Arcadia Music Festival
October1 – Albany, NY – The Linda
October2 – Portsmouth, NH – The Press Room
October5 – Lancaster, PA – Tellus360
October6 – Brooklyn, NY – The Bell House
October7 – Somerville, MA – The Crystal Ballroom at the Somerville
October8 – New Haven, CT – Cafe Nine
October14 – Burlington, VT – Higher Ground Lounge
October19 – Syracuse, NY – 443 Listening Room
October22 – Rochester, NY – The Abilene
October23 – Buffalo, NY – Sportsmen’s Tavern
October29 – Portland, ME – One Longfellow Square

Growing up just outside Boston, Ali McGuirk does not remember a time when she did not want to be a singer. In her teenage years, she found inspiration from vocalists like Lauryn Hill and Aretha Franklin, eventually gravitating towards powerhouses like Sarah Vaughan and Abbey Lincoln in college. After a couple decades of absorbing ’90s r&b,’70s singer-songwriters, and classic soul and jazz of every era, McGuirk found her own aesthetic: earthy, pure, propelled by a voice capable of whispering dark truths or belting out big hooks on her originals. Boston responded with a wave of love. The Boston Globe named her an “artist to hear.” She racked up nominations and wins at both the Boston Music Awards and New England Music Awards. Her standing-room-only residency at Somerville’s Bull McCabe’s Pub delivered electric performances.

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Lilly Winwood finds clarity in turbulence on new album Talking Walls

Lilly Winwood’s new album Talking Walls will be out August 25, 2022. Courtesy photo, used with permission.

Leading up to the writing of her new album, Talking Walls, singer, songwriter, and guitarist Lilly Winwood had all but resigned herself from continuing her music career. Burned out after her last album cycle and in the midst of a pandemic, Winwood took a job to pay the bills—but she could not stop writing. She knew she was on the cusp of something important. When Winwood decided to get sober, the floodgates opened. Talking Walls captures that tumultuous period, with Winwood literally “talking to the walls” as she looked inward with new purpose. Penned over long sleepless nights, with clear eyes and a willingness to ask tough questions, each song takes a different tack into the introspective wind, backed by a minimalist-roots sound. The now East Nashville-based artist (and daughter of Grammy-winning British rocker Steve Winwood) simply wrote her story and brought it to her band at Nashville’s Trace Horse studio—no producer needed. (Lilly Winwood, 2022)

The Boot premiered “Brighter Days,” a swaggering, pedal-steel laden track showcasing Lilly’s soulful voice and the simple, organic feel that the band landed on in the studio. Praising the first single, The Boot said, “Americana standout Lilly Winwood is ready to soak up the moment.” Fans can listen to “Brighter Days,” check out the official video for Winwood’s previously released single, “Sleep Issues,” and pre-order or pre-save Talking Walls ahead of its August 25 release. Winwood will be joining singer/songwriter Jackie Greene for a selection of late summer dates and will also be joining singer/songwriter Todd Snider for a selection of early fall dates.

Talking Walls track list:
Sleep Issues
Good Old Days
Keep it Spinning
Long Haul
Airplane
A Paper Trail of Broken Hearts
Brighter Days
Idastoned
Laundry Day

Catch Lilly Winwood on tour:
September7 – Rocky Mount, VA – Harvester Performance Center*
September9 – Norfolk, CT – Infinity Hall Norfolk*
September10 – Fall River, MA – Narrows Center for the Arts*
September11 – Hartford, CT – Infinity Hall Hartford*
September13 – Albany, NY – The Egg – Swyer Theatre*
September15 – Fairfield, CT – StageOne*
September16 – Natick, MA – Center for Arts In Natick*
September17 – Sellersville, PA – Sellersville Theatre*
September18 – Wilmington, DE – The Queen*
October 13 – Sarasota, FL – Big Top Brewing Company
October 14 – Bradenton, FL – Big Top Brewing Company
October 20 – Rochester, NY – Abilene Bar & Lounge
October 21 – New York, NY – The Bitter End
* = opening for Todd Snider

The daughter of Grammy winning British rocker Steve Winwood, Lilly grew up splitting time between the U.K. and Nashville’s neon-lit streets. Back then music was ever present, she says, and whether performing with her older brother, writing teenaged odes to young love or just soaking in her father’s work, it gave Winwood a unique creative perspective – one that felt more in line with Nashville than London. Moving to Music City for good at 18, Winwood soon gravitated to the alternative-minded enclave of East Nashville, and after forming creative partnerships with locals like Boo Ray and Don Gallardo, released her Silver Stage EP in 2017. Time Well Spent followed in 2021, backed by East Nashville household names Alex Munoz and Allen Thompson, earning accolades from tastemakers like Rolling Stone Country as she solidified a go-your-own-way sense of earthy pop.

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