Television adaptation: ‘The Old Man’ by Thomas Perry

The television adaptation of Thomas Perry’s ‘The Old Man’ is on FX and streaming on Hulu. Photo: amazon

Thomas Perry is the author of 23 novels including the Jane Whitefield series, “Death Benefits,” and “Pursuit,” the first recipient of the Gumshoe Award for best novel. He won the Edgar for “The Butcher’s Boy” and “Metzger’s Dog” was a New York Times Notable Book. The Independent Mystery Bookseller’s Association included “Vanishing Act” in its “100 Favorite Mysteries of the 20th Century” and “Nightlife” was a New York Times bestseller. “Metzger’s Dog” was voted one of NPR’s 100 Killer Thrillers–Best Thrillers Ever. His novel “The Old Man” is now an original series from FX starring Jeff Bridges, John Lithgow, and Amy Brenneman and revolves around a retired intelligence officer living off the grid who gets caught in “[a] harrowing hunt-and-hide adventure” (The New York Times). It consists of seven episodes and is available for streaming on Hulu. (amazon, 2022)

“The Old Man” – To all appearances, Dan Chase is a harmless retiree in Vermont with two big mutts and a grown daughter he keeps in touch with by phone. But most sixty-year-old widowers don’t have multiple driver’s licenses, savings stockpiled in banks across the country, or two Beretta Nanos stashed in the spare bedroom closet. Most have not spent decades on the run. Thirty-five years ago, as a young army intelligence hotshot, Chase was sent to Libya to covertly assist a rebel army. When the plan turned sour, Chase acted according to his conscience—and triggered consequences he never could have anticipated. To this day, someone still wants him dead. And just when he thought he was finally safe, Chase is confronted with the history he spent much of his life trying to escape.

I have not read the book so I cannot compare the book to the series, but after watching the first four episodes on Hulu, I want to see where it leads. I am not a big fan of serials because it just seems like a really long movie that takes forever to resolve and halfway through I tend to lose interest. In this case, the story of a retired intelligence officer drew me in. Admittedly, the pacing can be slow and the constant flashbacks can be tiring, but it does have its plot twists to keep it interesting. Will Harper eventually catch up to Chase? How many people will Chase have to kill to evade one contract killer after another? Good question, I guess I will have to watch the rest of the episodes to find out. All I know is that if anything happens to those dogs, I am definitely out. 

The Black Phone is an edge of your seat psychological thriller

The Black Phone is the movie adaptation of Joe Hill’s short story from ’20th Century Ghosts. Photo: google

Joe Hill is the #1 New York Times bestselling author of the novels “The Fireman,” “NOS4A2,” “Horns,” and “Heart-Shaped Box;” “Strange Weather,” a collection of novellas; and the acclaimed story collections “Full Throttle” and “20th Century Ghosts.” The Black Phone is a short story in his “20th Century Ghosts” collection and has been adapted into a major motion picture from Universal Pictures and Blumhouse Productions starring Ethan Hawke.

The Black Phone – Jack Finney is thirteen, alone, and in desperate trouble. For two years now, someone has been stalking the boys of Galesberg, stealing them away, never to be seen again. And now, Finney finds himself in danger of joining them: locked in a psychopath’s basement, a place stained with the blood of half a dozen murdered children. With him in his subterranean cell is an antique phone, long since disconnected but it rings at night anyway, with calls from the killer’s previous victims. And they are dead set on making sure that what happened to them does not happen to Finney. The movie is 1 hr. 42 min. long, is rated R and classified as horror/thriller.

I have not read many of Joe Hill’s works, just ‘NOS4A2,’ but I have seen the series NOS4A2 and the movie Horns, both are excellent. After watching The Black Phone movie on opening weekend I was curious how it compares to the original short story on “20th Century Ghosts.” I checked the book out of the library because it seemed quicker than going out to buy it or ordering it on amazon. I read it in one seating, it is, after all, a short story, no more than 30 pages long.

The movie is short, less than two hours long, and that is the way I like it. It does not go into detail with an origin story, the reason why the ‘Grabber’ is the creepy killer that he is and that is quite alright with me. It is mislabeled as a horror movie because it is not scary at all but it is a psychological suspense/thriller. There are plenty of jump scares and suspenseful moments and yes, it is hard not to compare it to IT with the balloons, the mostly young cast, the retro setting, and the yellow raincoat the sister wears. While it may have a predictable ending, it does have a false ending, where just when you think it is over…..it surprises you. Yes, it is unnerving to see children in peril but in the end, Finney takes a schoolmate’s advice “Sometimes you have to stand up for yourself.” All’s well that ends well. It gets high marks for Ethan Hawke’s performance and how about those creepy masks. I came to the conclusion that the reason the father is an abusive alcoholic is because he is still grieving his wife, who committed suicide because of the visions she was having, just like the daughter and he was scared that she would end up the same way. It is creepy, haunting, and suspenseful but it also focuses on the familial bonds between brother and sister and in the end the father is repentant. Did I need to know why the Grabber is a demented killer? Probably not. I would definitely watch it again. Need a movie recommendation for the long Fourth of July weekend? Check out The Black Phone, it is well worth a trip to the movie theater. 

The short story focuses on when Finney gests kidnapped and his trying to escape. The Grabber is obese and does not wear masks. He kills his brother just when we think he is going to save Finney, just like in the movie. It does not mention a sister or father for Finney or even anything to do with school, but both the movie and the story have the same redemptive ending. I would say that the movie is faithful to the short story version when it comes to Finney’s harrowing experience with the Grabber and that is all that matters. 

Photo: Sandra Cruz

New movie release: Fall

Fall will be released in theaters only on August 12, 2022. Photo: Lionsgate, used with permission.

In today’s movie news: Lionsgate Films and Capstone Global present Fall, dropping in theaters only on Friday August 12, 2022. Starring Grace Caroline Currey, Virginia Gardner, and Jeffrey Dean Morgan. Directed by Scott Mann and written by Scott Mann and Jonathan Frank, this thriller is not yet rated and runs 107 minutes long. It is produced by Christian Mercuri, James Harris, Mark Lane, and Scott Mann. (Lionsgate, 2022)

Fall – For best friends Becky (Grace Caroline Currey) and Hunter (Virginia Gardner), life is all about conquering fears and pushing limits. But after they climb 2,000 feet to the top of a remote, abandoned radio tower, they find themselves stranded with no way down. Now Becky and Hunter’s expert climbing skills will be put to the ultimate test as they desperately fight to survive the elements, a lack of supplies, and vertigo-inducing heights in this adrenaline-fueled thriller co-starring Jeffrey Dean Morgan.

Don’t look down. FALL – dropping in theaters soon.
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Teddy and the Rough Riders’ new single from upcoming new album

Teddy and the Rough Riders skip town to start a farm on groovy new single ‘Livin in the Woods.’ Their new LP, Teddy and the Rough Riders, will be out July 1, 2022. Courtesy photo, used with permission.

Teddy and The Rough Riders is probably your favorite country band’s favorite country band. With a sound that sits somewhere in the middle of “down-home” and “far out,” the Nashville-born-and-bred band proudly and prolifically drops retro-sounding, feel-good songs that would fit right in on a Grand Ole Opry radio broadcast or a late-night slot at Bonnaroo. Masked alt-country darling Orville Peck decided to take Teddy and The Rough Riders on a nationwide tour this year that included a stop at the band’s hometown Ryman Auditorium—a bucket list venue for performers from around the world—and current queen of the country underground, Margo Price, loves the band so much she decided to produce their upcoming LP, Teddy and The Rough Riders. On July 1, via Appalachia Record Co., that great uniting can begin with the release of the Price-produced LP Teddy and The Rough Riders. (Teddy and The Rough Riders, 2022)

The band recently released their first preview of the album with “Livin in the Woods,” a grand idea of leaving town and disappearing into the woods to start a farm with friends. The track premiered with The Boot who hailed the band and called the trio, “a must watch act to watch in 2022.” Fans can hear for themselves by checking out “Livin in the Woods” now at this link. Teddy and The Rough Riders can be digitally pre-ordered or pre-saved ahead of its July 1st release right here and physical pre-orders, including vinyl, can be found here. 

Up until the sessions for Teddy and the Rough Riders in 2019, the band—Jack Quiggins (vocals, guitar), Ryan Jennings (vocals, bass), Nic Swafford (drums), and Luke Schneider (pedal steel)—had mostly recorded at home. This was their first big studio effort with a producer, engineer, session players, and the goal of an audible fidelity change. After narrowing down their best demos, the band recruited Margo Price to produce because of her creative vision and “let’s roll” Neil Young-inspired recording philosophy. They rented out Club Roar, brought in engineer-producer Jake Davis and spent a few days holed up in the studio to capture the magic of the session. What resulted from those days of close collaboration in the studio on the final version of the album, mixed by Davis and mastered by John Baldwin, is some of the most original country rock to come from Nashville in a while.

In the years leading up to their new self-titled LP, Teddy and The Rough Riders have released a home-recorded EP and LP, and several singles, including a 7” record from Third Man Records. They have shared bills with artists such as Margo Price, Jeff the Brotherhood, and Soccer Mommy, and have been the backing band in most of Emily Nenni’s recordings and live shows. Musical collaborators include Skyway Man, Erin Rae, Sean Thompson, and David Leonard, among others. After years of touring, playing bars and recording a prolific back catalog of work, Teddy and The Rough Riders first “big studio” effort, produced by Margo Price, will be released on July 1 via Appalachia Record Co.

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Television adaptation: ‘The Terminal List’ by Jack Carr

The television adaptation of ‘The Terminal List’ premieres on Amazon Prime Video on July 1, 2022. Photo: amazon

Jack Carr is a #1 New York Times bestselling author and former Navy SEAL. He is the author of “The Terminal List,” “True Believer,” “Savage Son,” “The Devil’s Hand,” and “In the Blood.” He is also the host of the Danger Close Podcast. In his debut novel “The Terminal List,” a Navy SEAL has nothing left to live for and everything to kill for after he discovers that the American government is behind the deaths of his team in this ripped-from-the-headlines political thriller. It has been adapted into an action thriller television series and will premiere on Amazon Prime Video on Friday, July 1, 2022. It stars Chris Pratt and consists of eight episodes. (amazon, 2022)

“The Terminal List” – On his last combat deployment, Lieutenant Commander James Reece’s entire team was killed in a catastrophic ambush. When those dearest to him are murdered on the day of his homecoming, Reece discovers that this was not an act of war by a foreign enemy but a conspiracy that runs to the highest levels of government. Now, with no family and free from the military’s command structure, Reece applies the lessons that he learned in over a decade of constant warfare toward avenging the deaths of his family and teammates. With breathless pacing and relentless suspense, Reece ruthlessly targets his enemies in the upper echelons of power without regard for the laws of combat or the rule of law.

Guadalupe Cultural Arts Center announces Groupo Animo 2022 summer theater camp

Grupo Animo members Class of 2019: ‘Youth Nation Network.’ Photo: Guadalupe Cultural Arts Center, used with permission.

The Guadalupe Cultural Arts Center announces Grupo Animo 2022, a summer theater camp for students between the ages of 13 and 18 years old. This three-week theatrical camp is at no cost to students and will take place at the historic Guadalupe Theater, 1301 Guadalupe St, from July 5 to 22, 2022. Camp will take place Monday through Friday from 1p.m. to 5p.m. Its summer program will culminate with a student showcase created and performed by Grupo Animo company members on Saturday, July 23 at 7p.m. (Guadalupe Cultural Arts Center, 2022)  

Grupo Animo is the Guadalupe Cultural Arts Center’s resident youth theater company consisting of youth (ages 13-18) members from all backgrounds and areas of San Antonio and beyond. Under the mentorship of professional teaching artists and directors, Grupo Animo’s company members are guided through a three-week summer theater experience, allowing youth a platform to make their voices heard through thought-provoking, engaging, and culturally relevant, performance-based Teatro.  

“It is critical, even more so now in light of recent events in Uvalde, that students are taught to use their natural talents to creatively express themselves, working cooperatively to share their thoughts and feelings about the world they live in. We strive to provide a safe space for our members to feel comfortable no matter what race, sex, economic background, or sexual orientation. Lastly, we understand that through Chicano, Latino, and Native American arts and culture, we can revolutionize how we imagine the world.”  – Jorge Piña, Guadalupe Theater Manager.

Founded in 1993, Grupo Animo’s mission is to use teatro/theatre to instill an understanding of the value of culture, creativity, and community. Grupo Animo’s goal at the end of the program is to have taught students basic history and practice of teatro/theatre, acting, teamwork, poetry, creative writing, movement, and videography.

Guidance explores the reality of human behavior

Francesco Chen and Yu Chieh Chiu in Neysan Sobhani’s GUIDANCE. Photo, Good Deed Entertainment, used with permission.

The movie Guidance, directed by Neysan Sobhani and starring Sun Jia (Han Miao), Harry Song (Mai Zi Xuan) and Francesco Chen (Su Jie) was released in the US on VOD June 17 on all major platforms including Apple TV/iTunes, Amazon, Google Play, Vudu, XFinity Cable, and more. (Good Deed Entertainment, 2022)

Guidance – In the not-too-distant future, humanity slowly rebuilds itself a decade after The Great War. Believing that the ability to lie is the root cause of the devastating conflict, a tech entrepreneur creates a pill containing a nanotechnology app known as “Guidance” that allegedly will make everyone more enlightened. Once swallowed, an A.I. “installs” in the person’s nervous system and aids their ability to detect deception in other people among other enhancements. A young couple goes on a weekend retreat to the countryside and they begin to use Guidance. However, recent events have potentially compromised their trust in one another. With the tech in their bodies, the couple tries to subvert Guidance in the hopes of saving their relationship before it is too late.

This movie puts forth and examines the hypothetical question: can humanity truly ever be ready for absolute honesty? It sounds like an admirable quality for a society to have, especially one that is rebuilding after a war, but in reality, sometimes little white lies are necessary. Giving people the capability to detect deception in others is worthless if humanity itself does not wish to change. Even when the technology exists, people will still try to circumnavigate the system, similar to how some people can beat a lie detector. That is exactly what happens in this movie. As the young couple who initially try it discover, the quest for full honesty did more harm than a lie would have and their relationship remains on shaky ground. They were the initial Guidance testers and eventually it was also made available to the general public who apparently come to the same conclusion. To answer my initial question: it goes without saying that humanity is not ready for the repercussions of absolute honesty. It is mostly dialogue driven and the production value is excellent, particularly the visuals. Guidance is an excellent movie and like most science fiction movies, it explores the ethics of morality and controlling human behavior.

China, 2021, 93 minutes, in Mandarin Chinese with English subtitles

*Thank you to Emma Griffiths PR for an advance screening.*

Photo: Good Deed Entertainment, used with permission.

New horror movie: The Bloody Man

The Bloody Man will premiere on digital on July 12 before releasing on physical formats later. Photo: google

Wild Eye Releasing has acquired the rights to director Daniel Benedict’s The Bloody Man, a supernatural horror film reuniting A Nightmare On Elm Street 4 : The Dream Master stars Lisa Wilcox and Tuesday Knight. (Wild Eye Releasing, 2022)

Penned by Daniel and Casi Benedict, and produced by Red Serial Films, the film tells of a young boy who, after the death of his mother, becomes obsessed with a comic book she gave him that ultimately summons the ancient monster found in its pages.

Mercedez Varble, Dan Eardley, Jason Crowe, Roni Jonah and KateLynn E. Newberry join Wilcox and Knight in the film, which is said to encompass high-end production values and plays like a cocktail of A Nightmare On Elm Street, The Goonies, and Stranger Things. Wild Eye will premiere the film on digital on July 12 before releasing on physical formats later.

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Karmalink’s theatrical and video on demand release in US and Canada

Karmalink will be released in the US in major city theaters and on video on demand in the US and Canada on Friday July 15, 2022. Courtesy photo, used with permission.

Conceived as a way to interrogate processes of neo-colonialism, and highlighting the alienating effects of technological progress, Jake Wachtel’s Karmalink is a mind-bending tale of reincarnation, artificial consciousness, and the search for enlightenment. (Good Deed Entertainment, 2022)

In near-future Phnom Penh, the rich and privileged are augmented with nanotech and new skyscrapers crowd the skyline. In Tralop Bek, a tight-knit community threatened with forced eviction, 13-year-old Leng Heng is having vivid dreams of his past lives. He and his friends are convinced they are meant to find a buried Buddhist statue to save their homes, and they seek out help from a street-smart girl in the neighborhood, Srey Leak. Together they follow clues across town and into the past, uncovering a link with a genius neuroscientist on a quest for digital nirvana. As Leng Heng’s dreams converge on the present, his very sense of identity begins to unravel. When it becomes clear that the stakes are higher than they imagined, the two friends must decide how far they are willing to go to find their treasure and the truth.

American-born filmmaker Jake Wachtel began his career making short documentaries for nonprofits and social impact ventures working in the global south. His work has been featured on NYTimes.com, Wired, NPR, and MSNBC. In 2015, he moved to Cambodia to teach a year-long class in filmmaking to children as a part of the Filmmakers Without Borders initiative. His Phnom Penh-set short film The Foreigner Here premiered at the Cambodian International Film Festival, and he has gone on to collaborate with many of the growing new wave of young Cambodian filmmakers. He also served as on-set editor for Jimmy Henderson’s Cambodian-Chinese coproduction The Prey. Phnom Penh became his home base for several years as he developed his first feature Karmalink—Cambodia’s first sci-fi movie—set in the community where he taught and produced with a majority Cambodian cast and crew, including his former students.

Director: Jake Wachtel Starring: Srey Leak Chhith, Leng Heng Prak, Sahajak Boonthanakit, Cindy Sirinya Bishop, Rous Mony, and Sveng Socheata. 

Cambodia, 2021, 102 minutes, in Khmer with English subtitles

***OFFICIAL SELECTION: VENICE FILM CRITICS’ WEEK (OPENING NIGHT FILM), AUSTIN FILM FESTIVAL, GLASGOW FILM FESTIVAL, and many more.***

Karmalink will be released in the US Theatrically in major cities and on VOD in the US and Canada on Friday, July 15, 2022.

Theaters include:
Lumiere Music Hall – Los Angeles, CA
Rialto Lakeside Elmwood – Berkeley, CA
Rialto Lakeside Sonoma – Sebastopol, CA
SIFF Film Center – Seattle, WA

VOD Platforms include:
US: Apple TV/iTunes, Amazon, Google Play, Vudu, XFinity Cable, and more.
Canada: Apple TV/iTunes, Google Play.

Good Deed Entertainment (GDE) is an Ohio based independent studio dedicated to producing, financing, and distributing quality entertainment for under-served audiences. Its distribution slate includes recent releases Summertime, Ma Belle, My Beauty, and Lucky Grandma, in addition to the Academy Award nominated, Loving Vincent, and Spirit Award nominated, To Dust.

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Forrest McCurren’s debut album Oh Me, Oh My

For fans of Hayes Carll, Willie Nelson, and John Prine, Oh Me, Oh My will be out August 19, 2022. Photo: Forrest McCurren.

With a half-time back beat and a feel-good guitar twang, songwriter Forrest McCurren graciously marries a classic rock road song with a classic country love song on his new tune “Little Rock.” Sparked by how his messy motel room on the road was compared to the orderly and clean life he led back home, McCurren spun up this rocker that evokes the urgency of a road warrior like himself to make it on home, specifically to his wife Margaret—who sings and plays drums and fiddle on McCurren’s upcoming debut Oh Me, Oh My. The initial idea transformed into an ode to Margaret and getting home to her. (Forrest McCurren, 2022)

Last week, Wide Open Country premiered the music video for “Little Rock,” which follows Forrest and Margaret on a beautifully-shot mission from the fireworks store to the Piggly Wiggly and beyond. They noted, “You could consider Oh Me, Oh My a soundtrack to those moments of human connection that feel almost cosmic.” Fans can watch the “Little Rock” music video now at this link and stay up to date on all things Forrest and Oh Me, Oh My ahead of its August 19 release right here.

McCurren’s entertaining debut album Oh Me, Oh My showcases the energy of his live shows with songs that shimmer and rock with an ebullient warmth that is bound to reach into listeners’ hearts and souls and get them to reflect a little on the people and places that mean the most to them. He is always writing songs, but all the songs on this album are from a three-year period when McCurren was setting out on his own, between college and now. He is looking back at his life, looking at his life now, and looking forward to his life to come in the 10 songs on the album. “I was just setting out on my own,” McCurren laughs. “I spent a lot of time thinking about my grandparents, painting a picture of characters I knew growing up. In the songs there’s a sense of longing and place, and they evoke the transition from running wild as a kid to running wild as a man. The songs have a sense of movement and a sense of place and a sense of who I was gonna be.”

As soon as he learned three chords, McCurren started to write songs. In his early 20s he started accumulating songs. In his songwriting, he resembles Hemingway. “I always try to write one true sentence. Every song I have kept, the first line I wrote was the first line of the song. Words come first, then melodies get inspired by the words. I trust the quickness of the way I write. I am always jotting down rhymes. Songs have given me a way of understanding who I am and relating to people.”
Music is McCurren’s favorite ways to connect with people. “My songs show them a little bit of who I am and when I show them a little of me they share a little bit of them, too.” He does not write sad songs, but songs that move us and celebrate, as he says, the “luckiness of life.” As his debut album shows, McCurren excels at making those connection and at celebrating life. Forrest McCurren has a reverence for the songs, and he sings, plays, and writes with a heart for bringing people together.

Catch Forrest McCurren on tour:
June 23-26 – Slade, KY – Festival of the Red
October 6-8 – Eldon, MO – Lake Ozark Music Festival

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