Category: Movie reviews

Orders From Above is a grim reminder of dark times

Orders From Above starring Richard Cotter and Peter J. Donnelly. Courtesy photo, used with permission.

Vir Srinivas’ writing and directorial debut, Orders From Above has picked up awards or nominations at four world festivals, including Cannes and Mannheim. It is available on iTunes and all major digital platforms including YouTube, Vudu, Apple TV, and Amazon Prime Video. The 87-minute film is based on the interrogation of Nazi war criminal Adolf Eichmann by Israeli police. (Gravitas Ventures, 2022)

Orders From Above – Winner of Best Historical Film at Cannes World Film Festival. Fifteen years after the end of World War II, Israeli police officer Avner Less interrogates Nazi war criminal Adolf Eichmann, one of the architects of the Final Solution. Adolf Eichmann is finally captured and brought to Israel to stand trial, but without enough evidence to prosecute him, Avner Less needs a confession from him. Directed by Vir Srinivas, with Richard Cotter, Peter J. Donnelly, Darrell Hoffman, and Emmanuel Drakakis.

Orders From Above is based on real events and is set almost entirely in one sparse motel room as Police Captain Avner conducts several interviews with Adolf Eichmann, the mastermind of the Holocaust. Eichmann has finally been captured and brought to Israel to stand trial for the events that took place between 1933 and 1945. Without enough evidence to prosecute him, Police Captain Avner Less must extract a confession to give him a fair trial. For Eichmann’s own safety and to avoid a lynch mob, the interviews take place in an undisclosed location.

Eichmann gives his background, including how easily he fell into the SS, the Schutzstaffel, or Protection Squads, whose final solution included eliminating all enemies of the 3rd Reich. He claims all he did was deport Jews from Hungary and nothing else and that he never had anything to do with giving orders, he only reported what was going on. He makes it a point to stress that he only had a passive role and that he was only a small cog in a big machine, basically an ancillary role and that he was only following orders. When they are no closer to getting a confession, his boss orders Captain Less to fabricate the transcripts but he refuses because unlike Eichmann, he will not blindly follow orders. In a last desperate effort, Captain Less shows Eichmann documentary footage of the mass burials at the extermination camps but all he does is reiterate that he showed unconditional obedience and kept repeating “I obeyed.” He does, though, offer to hang himself in public as an example and states that “the only crime I’m guilty of is apathy.” In the end, Eichmann is convicted on 15 criminal charges, including crimes against the Jewish people and he was hanged the following year. This was the only time Israel has carried out a death sentence.

Since most of the action takes place in a motel room, Orders From Above seems more like a play than a full length feature movie. With the memory of World War II being so far in the past, it serves as an excellent reminder of what happens when one group of people sees others as less than human. The film is in black and white, which gives it the appearance of a genuine historical document. Being that it is mostly dialogue driven, it might be hard for some viewers to remain interested, especially given the heavy subject matter. It should be noted that it contains explicit descriptions and footage, specifically at the end when Eichmann is forced to watch the footage of the horrors of the Holocaust. It might be difficult to watch for some and though it may not bring new information to the conversation, it is an educational tool and reminder of man’s inhumanity to man. Excellent performances by both leading men, especially Peter J. Donnelly as the emotionless, generally unapologetic Adolf Eichmann.

*Thank you to October Coast for an advance screening. The views and opinions expressed here belong solely to the author.

Courtesy photo, used with permission.

The Ghost Lights is a suspenseful supernatural thriller

The Ghost Lights will be released on digital on August 26 followed by the Terror Films Channel September 2 and Kings of Horror on September 9, 2022. Courtesy photo, used with permission.

Coming this August from Terror Films is The Ghost Lights, a spine-chilling new science-fiction thriller about a journalist on the search for truth about extra-terrestrial life. The Ghost Lights will be released on digital on August 26 followed by the Terror Films Channel September 2 and Kings of Horror on September 9, 2022. (Terror Films, 2022)

The Ghost Lights – A journalist returns home after the death of her father and discovers a mysterious cassette tape describing strange disappearances and mysterious lights appearing in the skies of West Texas. In an effort to connect with the memory of her late father, she sets out on a cross-state road trip to discover the truth. Billy Blair (Jonah Hex), Katreeva Phillips, and John Francis McCullagh uncover an X-File in this summer’s most intriguing genre jaunt.

The Ghost Lights begins as a photographer is taking pictures outdoors and exploring the area. The action then fast forwards to the present as Alexandra, a journalist, returns home to Dallas for her father’s (Arthur Steve Bennett) funeral but as it turns out, she is too late because the funeral has already taken place. When she goes to her father’s house to look around, she finds a mysterious cassette tape and it turns out to be her father’s interview with a miner from the small town of Terlingua, Texas. It is set on October 15, 1978, and he is interviewing Mario Cuevas in the Wild Cactus Saloon. Mr. Cuevas has a story to tell about the ghost lights in Terlingua. He claims that people have been seeing these lights for years and they disappear if they get too close to the lights. Intrigued by the story and hoping to learn more about her father, Alexandra sets out on a road trip to Terlingua to see for herself and continue the story he began.

It is promoted as a horror story, but The Ghost Lights is much more than that. It is a drama about loss, guilt, and coping with a loved one’s death. Halfway through it turns into a suspense thriller because a mysterious man, supposedly a ‘man in black,’ begins chasing Alexandra because she might be getting close to the truth. Without giving too much away, on top of the original interview, there is another one that takes place in the present that hints at what really happened to her dad. In the end, she manages to reconnect with her dad as she originally intended. The cinematography is stunning and the soundtrack sets the appropriate mood throughout this suspenseful and haunting story. The interview scenes are in black and white, giving them a melancholy feel. Having personally been to Marfa and West Texas in general, this movie accurately portrays the atmosphere, mood, and general spookiness of the region. Overall, The Ghost Lights is part family drama, part science fiction movie about the possibility of extraterrestrial life and the government’s attempt to stifle any and all investigations. It explores the human condition through the universal themes of family, coping with tragedy, and the ongoing search for the truth.

*Thank you to October Coast for an advance screening.*

The Ghost Lights poster. Courtesy photo, used with permission.

The Black Phone is an edge of your seat psychological thriller

The Black Phone is the movie adaptation of Joe Hill’s short story from ’20th Century Ghosts. Photo: google

Joe Hill is the #1 New York Times bestselling author of the novels “The Fireman,” “NOS4A2,” “Horns,” and “Heart-Shaped Box;” “Strange Weather,” a collection of novellas; and the acclaimed story collections “Full Throttle” and “20th Century Ghosts.” The Black Phone is a short story in his “20th Century Ghosts” collection and has been adapted into a major motion picture from Universal Pictures and Blumhouse Productions starring Ethan Hawke.

The Black Phone – Jack Finney is thirteen, alone, and in desperate trouble. For two years now, someone has been stalking the boys of Galesberg, stealing them away, never to be seen again. And now, Finney finds himself in danger of joining them: locked in a psychopath’s basement, a place stained with the blood of half a dozen murdered children. With him in his subterranean cell is an antique phone, long since disconnected but it rings at night anyway, with calls from the killer’s previous victims. And they are dead set on making sure that what happened to them does not happen to Finney. The movie is 1 hr. 42 min. long, is rated R and classified as horror/thriller.

I have not read many of Joe Hill’s works, just ‘NOS4A2,’ but I have seen the series NOS4A2 and the movie Horns, both are excellent. After watching The Black Phone movie on opening weekend I was curious how it compares to the original short story on “20th Century Ghosts.” I checked the book out of the library because it seemed quicker than going out to buy it or ordering it on amazon. I read it in one seating, it is, after all, a short story, no more than 30 pages long.

The movie is short, less than two hours long, and that is the way I like it. It does not go into detail with an origin story, the reason why the ‘Grabber’ is the creepy killer that he is and that is quite alright with me. It is mislabeled as a horror movie because it is not scary at all but it is a psychological suspense/thriller. There are plenty of jump scares and suspenseful moments and yes, it is hard not to compare it to IT with the balloons, the mostly young cast, the retro setting, and the yellow raincoat the sister wears. While it may have a predictable ending, it does have a false ending, where just when you think it is over…..it surprises you. Yes, it is unnerving to see children in peril but in the end, Finney takes a schoolmate’s advice “Sometimes you have to stand up for yourself.” All’s well that ends well. It gets high marks for Ethan Hawke’s performance and how about those creepy masks. I came to the conclusion that the reason the father is an abusive alcoholic is because he is still grieving his wife, who committed suicide because of the visions she was having, just like the daughter and he was scared that she would end up the same way. It is creepy, haunting, and suspenseful but it also focuses on the familial bonds between brother and sister and in the end the father is repentant. Did I need to know why the Grabber is a demented killer? Probably not. I would definitely watch it again. Need a movie recommendation for the long Fourth of July weekend? Check out The Black Phone, it is well worth a trip to the movie theater. 

The short story focuses on when Finney gests kidnapped and his trying to escape. The Grabber is obese and does not wear masks. He kills his brother just when we think he is going to save Finney, just like in the movie. It does not mention a sister or father for Finney or even anything to do with school, but both the movie and the story have the same redemptive ending. I would say that the movie is faithful to the short story version when it comes to Finney’s harrowing experience with the Grabber and that is all that matters. 

Photo: Sandra Cruz

Guidance explores the reality of human behavior

Francesco Chen and Yu Chieh Chiu in Neysan Sobhani’s GUIDANCE. Photo, Good Deed Entertainment, used with permission.

The movie Guidance, directed by Neysan Sobhani and starring Sun Jia (Han Miao), Harry Song (Mai Zi Xuan) and Francesco Chen (Su Jie) was released in the US on VOD June 17 on all major platforms including Apple TV/iTunes, Amazon, Google Play, Vudu, XFinity Cable, and more. (Good Deed Entertainment, 2022)

Guidance – In the not-too-distant future, humanity slowly rebuilds itself a decade after The Great War. Believing that the ability to lie is the root cause of the devastating conflict, a tech entrepreneur creates a pill containing a nanotechnology app known as “Guidance” that allegedly will make everyone more enlightened. Once swallowed, an A.I. “installs” in the person’s nervous system and aids their ability to detect deception in other people among other enhancements. A young couple goes on a weekend retreat to the countryside and they begin to use Guidance. However, recent events have potentially compromised their trust in one another. With the tech in their bodies, the couple tries to subvert Guidance in the hopes of saving their relationship before it is too late.

This movie puts forth and examines the hypothetical question: can humanity truly ever be ready for absolute honesty? It sounds like an admirable quality for a society to have, especially one that is rebuilding after a war, but in reality, sometimes little white lies are necessary. Giving people the capability to detect deception in others is worthless if humanity itself does not wish to change. Even when the technology exists, people will still try to circumnavigate the system, similar to how some people can beat a lie detector. That is exactly what happens in this movie. As the young couple who initially try it discover, the quest for full honesty did more harm than a lie would have and their relationship remains on shaky ground. They were the initial Guidance testers and eventually it was also made available to the general public who apparently come to the same conclusion. To answer my initial question: it goes without saying that humanity is not ready for the repercussions of absolute honesty. It is mostly dialogue driven and the production value is excellent, particularly the visuals. Guidance is an excellent movie and like most science fiction movies, it explores the ethics of morality and controlling human behavior.

China, 2021, 93 minutes, in Mandarin Chinese with English subtitles

*Thank you to Emma Griffiths PR for an advance screening.*

Photo: Good Deed Entertainment, used with permission.

Award-winning NYC subway documentary End of the Line digital release

Times Square subway closed in Emmett Adler’s End of the Line. Photo: Gravitas Ventures, used with permission.

Award-winning filmmaker Emmett Adler’s feature documentary End of the Line is a character-driven political drama about the New York City subway crisis and a long overdue reckoning on infrastructure. End of the Line will be released on digital and video on demand platforms in the United States on Tuesday, June 14, 2022. (Gravitas Ventures, 2022)

Video on demand platforms include Apple/iTunes, Amazon, GooglePlay, Vudu, Microsoft, and more.

End of the Line – Establishing the vital economic importance and grandeur of New York City’s historic subway system, the film dives into its dire modern-day troubles picking up in the late 2010s when flooding, overcrowding, power failures, and derailments have become commonplace. After a particularly bad spate of disasters in the summer of 2017, New York Governor Andrew Cuomo proclaims a state of emergency and hires a new international wunderkind executive named Andy Byford to save the subways. Byford, an earnest Briton with an impressive resume, enters as a charismatic would-be hero. As the political turmoil behind the subway’s decline comes into sharp focus, scenes in barbershops, bodegas, and bakeries show the frustration and devastation among business owners and residents who are caught in the middle. 

Ultimately, the COVID-19 pandemic furthers this, and brings to light America’s need to shore up its infrastructure in cities across the country and the inequality struggles that are central to this debate. A heartfelt and scrupulous exploration, this film poses the question: what happens when the lifeline of a city goes flat? This film is dedicated to the heroic New York City transit workers who lost their lives to the COVID-19 pandemic.

Executive Producer: Emmett Adler, Ian Mayer
Producers: Emmett Adler, Ian Mayer; Co-Producer Mariah Wilson
Official selection: Doc NYC

Feature Documentary/ Not Yet Rated / Running Time: 65 Minutes

Emmett Adler is an Emmy-winning filmmaker who has taught art in Shenzhen, China, was once a chess champion in the state of Illinois and can juggle pins while walking on stilts. He has over a decade of experience as a freelance documentary and commercial film editor. In 2021, he made his directorial debut with the feature documentary End of the Line which premiered to sold out audiences at DOC NYC film festival. 

Gravitas Ventures is a leading all rights distributor of independent feature films and documentaries. Founded in 2006, Gravitas connects independent filmmakers and producers with distribution opportunities across the globe. Working with talented directors and producers, Gravitas Ventures has distributed thousands of films into over a hundred million homes in North America – over one billion homes worldwide.

Photo: Gravitas Ventures, used with permission
Gravitas Ventures

Movie review: Demigod

Demigod is coming to theaters and On Demand on Friday, October 15, 2021. Courtesy photo, used with permission.

Just in time for the Halloween season, Demigod, starring Rachel Nichols, Jeremy London, and Elena Sanchez opens nationwide in theaters and On Demand on Friday, October 15, 2021. Upon the death of her grandfather, a woman and her husband return to her birthplace in Germany’s Black Forest, only to find a terrifying secret awaits them. Directed by Miles Doleac. (Demigod, 2021)

After her grandfather dies, Robin (Rachel Nichols) and her husband Leo (Yohance Myles) travel to Germany to return to her childhood home in the Black Forest. She grew up there surrounded by the wonders of the forest and has memories of spending time with her grandfather. The more time she spends there, the clearer those memories become and they are not all pleasant ones. Soon after, a group of local witches captures the couple and they, along with other captured locals, become part of an ancient hunting ritual meant to appease Cernunnos. Cernunnos was an ancient Celtic god who represented nature, flora and fauna, and fertility. He is frequently depicted in Celtic art wearing stag antlers or horns and usually a torc around his neck.

Demigod is a horror movie composed mostly of suspenseful horror instead of the type of horror that scares people and haunts them after the movie is over. The Black Forest is the perfect location for this type of dark movie that centers around witches, a demigod, and winter solstice rituals. It also provides excellent cinematography that envelops the action and makes it come alive. Cernunnos’ dark red eyes stand out against the bleak background for dramatic purposes. Having a group of people struggling to survive reveals the strength of the human survival instinct and how far they are willing to go to protect a loved one. Prepare for a plot twist at the end.

Overall, Demigod is entertaining, suspenseful, and at times creepy. The violence is not too graphic, which might otherwise turn off more sensitive viewers. At only an hour and a half long, the story is short and to the point. There is some German dialogue with subtitles.

Digital platforms: iTunes, Amazon, Google Play, Vudu, Xbox/Microsoft, Comcast/Xfinity, and more.
Demigod, 2021
1 hr. 35 min.

*The author received an opportunity to pre-screen this movie for an honest review. The views and opinions expressed here belong solely to her.

Cernunnos. Courtesy photo, used with permission.