Norteño Night at the Briscoe’s next Sips and Sounds of the West

Briscoe’s Sips and Sounds of the West hosts Los Callejeros De San Anto on October 24, 2021. Photo: Briscoe Western Art Museum, used with permission.

From the banks of the River Walk, travel to Northern Mexico as you enjoy a night of music under the stars at the Briscoe’s “Sips and Sounds of the West” Norteño Night on October 24. Celebrating all things vaquero in honor of Hispanic heritage and the Briscoe’s fantastic fall exhibition, Vaqueros de la Cruz del Diablo: Contemporary Photography of the Northern Mexican Cowboy, the Briscoe’s Sips and Sounds series will spotlight Norteño music with band Los Callejeros De San Anto in the museum’s McNutt Sculpture Garden at 6p.m. The ticketed event is a night of music, drinks and tacos under the stars. (Briscoe Western Art Museum, 2021)

Launched by Piñata Protest front man Alvaro Del Norte with bandmates Jose Morales on bajo sexton, bassist Richie Brown and Chris Ramirez on drums, Los Callejeros De San Anto blends well known influences of Conjunto and Norteño into the perfect Tex-Mex street band and is “abuela approved.” Sips and Sounds of the West: Norteño Night tickets are $15 for museum members and $25 for non-members. Each ticket includes two complimentary beer tickets. Food Truck fare is available for purchase from Dona Kika’s Tacos & Gorditas.

Norteño music is native to the Mexican state of Sonora, the birthplace of the modern cowboy featured in Vaqueros de la Cruz del Diablo. Making its United States debut at the Briscoe, the exhibition details a legacy with profound influence on the American West. With almost sixty images that span more than twenty years of the lives of the vaqueros, Vaqueros de la Cruz del Diablo features celebrated photographer Werner Segarra inviting audiences to peer into the world of the Norteño Cowboys, not as a casual tourist, but as an intimate observer. The exhibition is open to the public through January 24, 2022, and is included with museum admission.

Courtesy photo, used with permission

The Briscoe’s Sips and Sounds of the West series highlights the soundtrack of the West through live music while surrounded by the beauty of the garden’s fantastic bronze sculptures and lush greenery. The museum’s McNutt Sculpture Garden is an oasis featuring a beautiful courtyard surrounded by bronze sculptures depicting iconic figures of the American West. The sculpture garden offers the perfect respite during any River Walk visit, with tables, chairs and benches to rest and enjoy the view. With the lights of downtown in the background and stars overhead, the garden becomes magical at night, making it the perfect spot for a date night or a night out with friends.

Preserving and presenting the art, history and culture of the American West through engaging exhibitions, educational programs and public events reflective of the region’s rich traditions and shared heritage, the Briscoe Western Art Museum is located on the San Antonio River Walk at 210 W. Market Street in the beautifully restored 1930s former San Antonio Public Library building. Named in honor of the late Texas Gov. Dolph Briscoe Jr. and his wife, Janey Slaughter Briscoe, the museum includes the three-story Jack Guenther Pavilion, used for event rentals and programs, and the outdoor McNutt Sculpture Garden.

Agarita announces new season with six free concerts

Image from Postcards From The Border series. Photo: Joel Salcido, used with permission.

Agarita is “bringing the music to you” with the announcement of its new 2021-22 concert season offering six free community concerts across San Antonio expanding its reach, further exploring its relationship between music and art. (Agarita, 2021)

An innovative chamber ensemble dedicated to producing bold, collaborative musical events, Agarita offers a new way to experience classical and contemporary music. Rooted in San Antonio and founded by Daniel Anastasio (piano), Marisa Bushman (viola), Ignacio Gallego (cello), and Sarah Silver Manzke (violin), Agarita nourishes the local community through artistic collaborations, community engagement, and free, adventurous programming.

On August 24, Agarita created an American Impressionism experience at San Antonio Museum of Art. The season continues with a hosted fall event at Carver Community Cultural Center, telling a more genuine story of our Texas border with Mexico featuring Joel Salcido Ruiz, photographer and Oscar Cásares, writer. The season will end in June with a unique performance of J.S. Bach’s masterpiece The Goldberg Variations in the Chapel of the Incarnate Word.

Collaborators for the new season also include a unique concert experience inspired by the art and process of renowned local glass-blower Gini Garcia and an innovative, electronic musical work for Agarita that interacts with the sounds and flow of San Antonio’s rivers with artist and composer Nadia Botello.

“Agarita continues to share an immense drive, passion, and willingness to unite the arts and empower artists in San Antonio. By offering these six unique, free concert experiences, we hope to continue to uplift the community with inspiring art and music during this challenging and ever evolving time.” – Marisa Bushman, viola and Agarita co-president.

Postcards from the Border
Date: Friday, October 15, 2021
Time: 7:30p.m. – 8:45p.m.
Location: Carver Community Cultural Center, 226 N Hackberry, San Antonio, TX 78202
Collaborator: Joel Salcido Ruiz, photographer; Oscar Cásares, writer
Description: Inspired to tell a more genuine story of our Texas border with Mexico, photographer Joel Salcido and writer Oscar Cásares traveled the length of the Rio Grande River, resulting in the series “Postcards From The Border,” which appeared in Texas Monthly. Agarita will pair music to these beautiful and poignant images, narrated by Oscar Cásares. This concert is FREE and open to the public.

Agarita Celebrates SAMA’s 40th
Date: Sunday, December 12, 2021
Time: 11a.m. – 12:15p.m.
Location: San Antonio Museum of Art, 200 West Jones Ave, San Antonio, TX 78215
Collaborator: Highlights of SAMA’s permanent collection
Description: Agarita returns to the San Antonio Museum of Art for a concert celebrating the museum’s 40th anniversary. Musical selections will reflect artworks on display in the special exhibit. This concert is FREE and open to the public.

Agarita + Gini Garcia, Glass Artist
Date: Saturday, February 5, 2022
Time: 7p.m. – 8:15p.m.
Location: TBD
Collaborator: Gini Garcia, glass artist
Description: The art of glass-blowing is one of spontaneous, improvisatory process met with intricate design and planning. Join Agarita’s collaboration with renowned local glass-blower Gini Garcia for a concert inspired by her art and process. This concert is FREE and open to the public.

Agarita + Nadia Botello, Composer
Date: Friday, May 6, 2022
Time: 7:30p.m.
Location: TBD
Collaborator: Nadia Botello, composer
Description: Composer Nadia Botello creates an innovative, electronic musical work for Agarita that interacts with the sounds and flow of San Antonio’s rivers. Immerse yourself in this ear-opening, hydrating program. This concert is FREE and open to the public.

Variations on The Goldberg Variations
Date: Saturday, June 18, 2022
Time: 7:30p.m. – 9p.m.
Location: The Chapel of the Incarnate Word, 4503 Broadway, San Antonio, TX 78209
Description: For a unique performance of J.S. Bach’s masterpiece The Goldberg Variations in the Chapel of the Incarnate Word, Agarita will mix Dmitry Sitkovesky’s String Trio arrangement with Bach’s original harpsichord instrumentation. This concert is FREE and open to the public.

Agarita was recently named San Antonio Magazine’s Best of the City 2021: Culture winner for its collaboration with area partners. It collaborates with local artists of various genres to weave cross-artistic narratives for each concert. Agarita’s past collaborations have included the McNay Art Museum’s Pop América exhibit, lighting artist Chuck Drew, Cameron Beauchamp from the Grammy Award-winning vocal group Roomful of Teeth, chef Elizabeth Johnson and Pharm Table restaurant, poet Laura Van Prooyen, sculptor Danville Chadbourne, educational arts institution SAY Sí, and the Luminaria Contemporary Arts Festival for a concert inside San Antonio’s historic Mission San José.

As a nonprofit organization, Agarita believes that the arts should be accessible to everyone in its community. Agarita presents free public concerts, performs at local schools, and offers opportunities for other artists through its collaborations.

Smoke & Embers: The Art of Vaquero BBQ with pit master Adrian Davila at the Briscoe

Smoke & Embers: The Art of Vaquero BBQ is this Thursday, October 7 at the Briscoe. Photo: Briscoe Western Art Museum, used with permission.

There is no doubt that good Texas barbecue is a masterpiece to be admired, but is your barbecue museum-worthy? Join the Briscoe Western Art Museum for “Smoke & Embers: The Art of Vaquero BBQ” as acclaimed pit master, author, and chef Adrian Davila leads an in-depth, hands-on demonstration of the history and techniques behind the cuisine that once kept vaqueros and cowboys fed. (Briscoe Western Art Museum, 2021)

“Smoke & Embers: The Art of Vaquero BBQ” is this Thursday, October 7, from 6:30p.m. – 8:30p.m. Third generation pit master Davila will guide guests through perfecting Texas barbecue on the pit in the Briscoe’s McNutt Sculpture Garden, discussing and exploring barbecue and traditional vaquero cooking methods on the range.

The evening is a perfect side to complement the Briscoe’s fall exhibition, Vaqueros de la Cruz del Diablo: Contemporary Photography of the Northern Mexican Cowboy. Making its United States debut at the Briscoe, Vaqueros de la Cruz del Diablo features celebrated photographer Werner Segarra inviting audiences to peer into the world of the Norteño Cowboys from Sonora, Mexico – not as a casual tourist, but as an intimate observer. With almost sixty images spanning more than twenty years of the lives of the vaqueros, Segarra’s images highlight the expansive landscape, their daily work, and the intimacy of their homes, not merely documenting the vaquero, but celebrating his subjects and their way of life. The exhibition opened to the public September 25, 2021 and will run through Monday January 24, 2022.

The Art of Vaquero BBQ is $55 for museum members and $65 for non-members. In addition to the barbecue presentation and hands-on pit demonstration, the evening includes a three-course tasting to enjoy with wine and beer, and Davila’s special Dry Rub to take home. Space is limited on a first-come, first-served basis and tickets must be purchased in advance.

A world-recognized barbecue pit master and author, Davila is a third-generation pit master, chef and restaurateur at his family’s acclaimed Davila’s BBQ in Seguin. Davila has been featured as a guest chef on Food Network’s “The Kitchen” and “Barbecue Beatdown,” and at restaurants La Fama Barbecue and The Ugly American, in Bogota, Colombia. His book, “Cowboy Barbecue: Fire & Smoke from the Original Texas Vaqueros,” celebrates traditions of Latin America and Texas, taking inspiration from the vaquero lifestyle and his own family history, goes beyond standard grilling and offering techniques for smoking, cooking directly on the embers, underground, on a spit, and more. The book will be available for purchase and Davila will be signing copies during the event.

Davila’s BBQ’s special dry rub is available in more than two hundred H-E-B stores across Texas after Davila was named a finalist in the grocery chain’s Quest for Texas Best competition. Invented by Davila’s grandfather, the dry rub is used on all of Davila’s BBQ’s meats, including lamb, pork, brisket, and chicken. In addition to taking home Davila’s BBQ’s rub, there will be a raffle during the event and the prizes will include a Davila’s Decadent Dinner for four at the restaurant that includes a behind-the-scenes pit tour, two bottles of Davila’s BBQ sauces and a $25 gift certificate for a return visit. The dinner is a complete meal for four hungry people, featuring a wide array of menu items and a few off-menu items for everyone to enjoy.

The Briscoe Western Art Museum: Preserving and presenting the art, history and culture of the American West through engaging exhibitions, educational programs and public events reflective of the region’s rich traditions and shared heritage, the Briscoe Western Art Museum is located on the San Antonio River Walk at 210 W. Market Street in the beautifully restored 1930s former San Antonio Public Library building. Named in honor of the late Texas Gov. Dolph Briscoe Jr. and his wife, Janey Slaughter Briscoe, the museum includes the three-story Jack Guenther Pavilion, used for event rentals and programs, and the outdoor McNutt Sculpture Garden.

Adrian Davila. Photo: Briscoe Western Art Museum, used with permission.
Photo: Briscoe Western Art Museum, used with permission.

San Antonio Museum of Art celebrates the fall season

San Antonio Museum of Art celebrates the fall season with in-person and virtual events. Photo: San Antonio Museum of Art, used with permission.

In celebration of the season, the San Antonio Museum of Art (SAMA) is excited to announce their lineup of fall events, including online lectures, live performances, and trick-or-treating through the galleries. Starting on Saturday, September 28 from 6p.m. – 7p.m. one of the nation’s most acclaimed photographers, LaToya Ruby, will lead an online lecture “Using Photography for Social Change,” highlighting how art is a powerful tool for social transformation. Tickets are available online and are $5 for members and $10 for non-members. Check online to learn more about SAMA’s fall events. (San Antonio Museum of Art, 2021)

San Antonians can learn more about their city’s deep brewing history on Friday, October 8, from 6p.m. – 7p.m. during the online lecture “Brewing History is American History” with Theresa McCulla, PhD, Curator of the American Brewing History Initiative at the Smithsonian Institution’s National Museum of American History. This talk will explore the role of beer in histories of technological innovation, immigration, and culture in San Antonio. Tickets are on sale here for $5 for members and $10 for non-members.

On Tuesday, October 12, San Antonio-based artist Jose Villalobos will perform in SAMA’s West Courtyard from 6p.m. – 6:30p.m. as part of the 2021 Texas Biennial. Having exhibited and performed nationwide, Villalobos’ San Antonio display reconciles the identity challenges in his life. Admission to the in-person artist performance is free.

Families can also enjoy trick-or-treating throughout the museum on Sunday, October 31 from 10a.m. – 5p.m. Visitors are encouraged to come dressed in their Halloween costumes as they explore the museum’s galleries. Swords, scepters, weapons, wands, and full-face masks will not be permitted.

The San Antonio Museum of Art serves as a forum to explore and connect with art that spans the world’s geographies, artistic periods, genres, and cultures. Its collection contains nearly 30,000 works representing 5,000 years of history. Housed in the historic former Lone Star Brewery on the Museum Reach of San Antonio’s River Walk, the San Antonio Museum of Art is committed to promoting the rich cultural heritage and life of the city. The Museum hosts hundreds of events and public programs each year, including concerts, performances, tours, lectures, symposia, and interactive experiences. As an active civic leader, the Museum is dedicated to enriching the cultural life of the city and the region, and to supporting its creative community.

Briscoe Western Art Museum’s fall exhibit: Vaqueros de la Cruz del Diablo

La sabanía del peñasco blanco, Huásabas, 2012 Digital photograph on photographic paper. Photo: Werner Segarra, used with permission. Part of Vaqueros de la Cruz del Diablo, fall exhibit at the Briscoe.

The Briscoe Western Art Museum will transport everyone to the birthplace of the modern cowboy during its fall exhibition, Vaqueros de la Cruz del Diablo: Contemporary Photography of the Northern Mexican Cowboy. Making its United States debut at the Briscoe, Vaqueros de la Cruz del Diablo features celebrated photographer Werner Segarra inviting audiences to peer into the world of the Norteño Cowboys from Sonora, Mexico – not as a casual tourist, but as an intimate observer. A series of opening events that includes a documentary, artist’s lecture, and tours spans September 23-26. Following a preview party on September 24, the exhibition opens to the public September 25, 2021 – January 24, 2022. (Briscoe Western Art Museum, 2021)

With almost sixty images that span more than twenty years of the lives of the vaqueros, Segarra showcases the expansive landscape, their daily work, and the intimacy of their homes, not merely documenting the vaquero, but bringing forward through his images both meaning and a celebration of his subjects and their way of life. Vaqueros de la Cruz del Diablo takes you into the little-known culture of the cowboys of Sonora, Mexico, sharing aspects of their daily lives through the eyes and lens of Segarra. The photographs share the unique, passionate and strenuous life that these vaqueros lead. The exhibition is accompanied by Norteño music especially created by Leo Lopez. Video clips woven throughout the exhibition further illustrate the stories.

A professional photographer for more than thirty years, Segarra has participated in numerous group and individual exhibitions in various international galleries and museums. Vaqueros de la Cruz del Diablo showcases the lives and people Segarra has encountered by immersing himself in the Mexican cowboy world. Inspiration for Segarra’s work comes from personal experience after living in various countries around the world during his childhood and adolescence. Knowledge acquired throughout those years cultivated Segarra’s artistic sensitivity and respect for native cultures. The most significant encounter and inspiration for this exhibition was a student exchange that took him to northern Mexico. That experience captivated and motivated him to transmit his love and respect for this culture and share it with the rest of the world.

Exhibition opening events include:

“The Making Of” Vaqueros – Documentary Screening with Werner Segarra and Ellen Riojas Clark
Thursday, September 23 from 6p.m to 8p.m.
Instituto Cultural de Mexico.

Join the Briscoe at the Instituto Cultural de Mexico for a documentary screening and conversation with distinguished guest Ellen Riojas Clark, Ph. D., Professor Emerita in the Department of Bicultural Studies at University of Texas at San Antonio, and Werner Segarra, photographer of Vaqueros de la Cruz del Diablo: Contemporary Photography of the Northern Mexican Cowboy. A highly respected scholar, Dr. Clark’s received three National Endowment for the Humanities grants focused on Mexican American and Latino literature and culture research examines ethnic and cultural identity and cultural studies topics and is executive producer for the “Latino Artist Speaks: Exploring Who I Am” series. The event is free and open to the public.

Exclusive Preview Party: Vaqueros de la Cruz del Diablo
Friday, September 24, from 6:30p.m. to 8:30p.m.
The Jack Guenther Pavilion at the Briscoe Western Art Museum

Join photographer Werner Segarra and Briscoe CEO and President Michael Duchemin, Ph.D., for the first look at Vaqueros de la Cruz del Diablo: Contemporary Photography of the Northern Mexican Cowboy. The event includes complimentary valet, beer, wine, specialty cocktails, and light bites. Free for Briscoe members and $25 for future members, RSVP or purchase tickets by September 20. Tickets are also available by calling 210.299.4499.

Artist Lecture: Vaqueros de la Cruz del Diablo with Werner Segarra and John Philip Santos
Briscoe Western Art Museum
Saturday, September 25, from 1p.m. to 3p.m.

Listen in as Werner Segarra and guest moderator John Philip Santos take a closer look at how the videos and photographs of Vaqueros de la Cruz del Diablo were created and what inspired Segarra to pursue the subject. Following the lecture, Segarra will sign copies of his book, “Vaqueros de la Cruz del Diablo,” available at the Museum Store. The lecture and signing are free with museum admission.

A member of the board of directors of the Briscoe Western Art Museum, John Philip Santos serves as a University Distinguished Scholar in Mestizo Cultural Studies to the Honors College at the University of Texas at San Antonio. He is the author of the acclaimed book, “Places Left Unfinished at the Time of Creation,” as well as “The Farthest Home Is in an Empire of Fire.” Santos has created an international forum for exploring mestizo cultural identity, or mestizaje, at UTSA and As an Emmy-nominated television producer, he has produced more than forty broadcast documentaries and news programs on cultural themes in sixteen countries for CBS and PBS.

Vaqueros de la Cruz del Diablo Artist Tour with Werner Segarra
Briscoe Western Art Museum
Sunday, September 26, from 1p.m. to 3p.m.

Join photographer Werner Segarra for a guided tour through Vaqueros de la Cruz del Diablo. Peer into the world of the Northern Mexican vaquero as an intimate observer and discover how Segarra was able to capture the life of the vaquero and a way of life that is on the brink of disappearing. Free with museum admission.

Vaqueros de la Cruz del Diablo is supported in part by the Elizabeth Huth Coates Charitable Foundation of 1992, the Betty Stieren Kelso Foundation, and the Texas Commission on the Arts, with special consideration to the Wyatt Family Foundation.

Preserving and presenting the art, history and culture of the American West through engaging exhibitions, educational programs and public events reflective of the region’s rich traditions and shared heritage, the Briscoe Western Art Museum is located on the San Antonio River Walk at 210 W. Market Street in the beautifully restored 1930s former San Antonio Public Library building. Named in honor of the late Texas Gov. Dolph Briscoe Jr. and his wife, Janey Slaughter Briscoe, the museum includes the three-story Jack Guenther Pavilion, used for event rentals and programs, and the outdoor McNutt Sculpture Garden. 

 

The DoSeum announces 2021 Artists in Residence and holiday exhibit

The DoSeum’s holiday exhibit is DoSeum Express: Tiny Trains and Trolleys. Photo: google

The DoSeum is proud to announce an exciting group of artists selected as part of its fifth annual Artist-in-Residence (AIR) program. For this year’s Artist-in-Residence exhibition, The DoSeum sought artists who traditionally work in miniature and who could bring an artistic touch to the holiday exhibit DoSeum Express: Tiny Trains and Trolleys. “We are thrilled to work with these talented artists to launch a new holiday tradition for San Antonio Families” says Dan Menelly, DoSeum CEO, “The miniature worlds created by these artists for DoSeum Express: Tiny Trains and Trolleys are imaginative, playful, and incredibly creative, we cannot wait to share them with our visitors.” (The DoSeum, 2021)

The 2021 DoSeum Artists-in-Residence are:

  • Daniel Rivera, who creates miniature worlds that provide the viewer with a sense of amusement and exploration while expressing complex subjects rendered in a miniature scale.
  • Kallie Cheves’ work involves photographic installations that hold deep roots in surrealism. Cheves also writes and illustrates children’s picture books using hand-cut paper miniature creatures. She enjoys weaving science with myth and lore to encourage social-emotional conversations between children and their caregivers. 
  • Linda Vivenza began sharing small-scale dollhouse scenarios with running humorous and quotable narratives in 2013, primarily for the development of large-scale photos. Her life-like miniature displays capture interactions, which move people together to share common, funny moments in real life.  
  • Randall Rudd was once an actual child himself and has fostered his interest in all things mechanical and miniature since inventing a working phonograph with Tinker Toys at age  Aside from being a university professor, Rudd also delights in model railroading and creating automata (performing sculpture) for various museums. 
  • Robert Wurzbach and Emily Kinder are a brother and sister team joining forces to create a special miniature world for The  Kinder’s interest in miniatures began 10 years ago with the creation of Putz houses. She was intrigued by the concept of a tiny world of cardboard houses. From there a new creative world arose. Wurzbach’s interest in miniatures began as a child watching his mother and Grandmother make small decorations and desserts for every season. His favorite was the decorative peek-a-boo sugar Easter eggs.

This year’s artists-in-residence will apply their imagination, creativity, and out-of-the-box ideas to create distinct miniature sceneries children can view through pop-up bubbles and cameras. The exhibit is set to become a new holiday tradition for San Antonio families and will feature public workshops where AIR artists will share their art practice with children. DoSeum Express: Tiny Trails and Trolleys opens on November 6, 2021, and on view through January 2, 2022.

“We are thrilled to work with these immensely talented artists to create a new holiday tradition for The DoSeum and San Antonio. We cannot wait to present these fantastical miniature sceneries in our gallery and offer a truly creative and unique new holiday experience.” – Meredith Doby, Vice President of Exhibits for The DoSeum

The DoSeum is much more than a children’s museum. It is a place where interactive fun and hands-on learning come together—a place where minds are always at play. The DoSeum offers exhibits, programs, camps, classes, and field trips designed for all learners, encouraging young minds to explore the joy of learning through connections to STEM, the arts, and literacy. Originally founded as San Antonio Children’s Museum, The DoSeum has grown over the past 25 years to become a premier leader in informal education, while still staying true to the mission of connecting families and transforming communities. The DoSeum is a 501 c3-non-profit organization.

San Antonio Museum of Art unveils three completed community murals

Artist Sandra Gonzalez’ mural at Tony G’s Soul Food. Photo: San Antonio Museum of Art, used with permission.

On Friday, the San Antonio Museum of Art (SAMA) unveiled one of three community murals during a press conference at Tony G’s Soul Food. Three local artists completed the mural series as part of a generous grant awarded to SAMA by the Art Bridges Foundation earlier this year. The purpose of the three community-inspired murals is to celebrate the vibrancy and people of San Antonio. The murals are now on display at Tony G’s Soul Food (915 S. Hackberry), Wicho’s Mexican Deli (1110 N. Zarzamora St.), and SAMA (200 W. Jones). (San Antonio Museum of Art, 2021)

Designed by artists Suzy González, Victor Zarazua, and Sandra Gonzalez, and in partnership with San Anto Cultural Arts, the initiative celebrates the importance of community through the arts, connecting San Antonio’s culturally diverse neighborhoods and their traditions through a creative framework.

Artist Suzy González created the mural installed on-campus at SAMA. Painted on wood panels that were then drilled into the brick wall, the mural features the Yanaguana river surrounded by local artists, poets, and musicians that progress the community.

Artist Victor Zarazua represents San Antonio’s Westside at Wicho’s Mexican Deli. Victor planned his mural to be include several types of paint, including spray paint. His design represents the landscape in the area.

Artist Sandra Gonzalez created San Antonio’s Eastside mural at Tony G’s Soul Food. Sandra created her mural, which features portraits of Miles Davis and Etta James, using polytab. During a community painting day, volunteers participated in the mural creation.

Judge Nelson Wolff, Councilman Jalen McKee-Rodriguez, Commissioner Rebecca Clay-Flores, and Judge William “Cruz” Shaw attended the press conference and each shared remarks on the impact of art on our community and the hope that murals will continue to populate the Alamo city. 

The San Antonio Museum of Art serves as a forum to explore and connect with art that spans the world’s geographies, artistic periods, genres, and cultures. Its collection contains 30,000 works representing 5,000 years of history. Housed in the historic Lone Star Brewery on the Museum Reach of San Antonio’s River Walk, the San Antonio Museum of Art is committed to promoting the rich cultural heritage and life of the city. The Museum hosts hundreds of events and public programs each year, including concerts, performances, tours, lectures, symposia, and interactive experiences. As an active civic leader, the Museum enriches the cultural life of the city and the region and to supports its creative community.

Art Bridges is the vision of philanthropist and arts patron Alice Walton. Art Bridges has been creating and supporting programs that expand access to American art in all regions across the nation. The foundation strives to bring great works of American art out of storage and into communities. Art Bridges partners with a growing network of 150 museums of all sizes and locations, providing financial and strategic support for exhibition development, collection loans and programs designed to engage new audiences. Art Bridges funds projects that inspire deeper relationships between arts organizations and their communities, develop expanded relationships built on inclusivity and respect, and encourage meaningful personal connections that lead to stronger, more vibrant cities and towns.

New installations and blockbuster programs at the Briscoe Western Art Museum

The Briscoe Western Art Museum’s New Works Gallery. Photo: Briscoe Western Art Museum, used with permission.

Whether it is chatting with the Duke’s Daughter, kicking back to watch an iconic movie, seeing art that highlights the true diversity of the West, or checking out the real spurs that helped shape San Antonio and the West, the Briscoe Western Art Museum’s blockbuster summer fun continues. (Briscoe Western Art Museum, 2021)

Head to the Briscoe Western Art Museum to enjoy:

A Conversation with The Duke’s Daughter
Join the Briscoe as John Wayne’s daughter, Aissa Wayne, shares memories of her father with guest curator Andrew Patrick Nelson. Then take advantage of the last chance to see the Briscoe’s blockbuster Still in the Saddle: A New History of Hollywood Westerns exhibit and a unique opportunity for a guided tour with Nelson and Aissa Wayne. The program begins at 2p.m. with a Q&A, followed by the guided tours at 3p.m. on September 4. Wayne, daughter of John and Pilar Wayne, appeared in four of her father’s films as a child, “The Alamo,” “The Comancheros,” “McClintock,” and “Donavon’s Reef,” as she regularly traveled to her father’s movie sets during his career. She wrote a memoir of her life with the Duke, “John Wayne, My Father,” and is a retired criminal and family law attorney.

See the Spurs at the Briscoe
Of all the gear that cattle drovers carried with them, few pieces of equipment were as notable and personal as the spurs of Spanish and Mexican vaqueros and American cowboys. The Briscoe’s display highlights the variety of spurs seen on the major cattle trails of the 19th century. From the functional design of Texas cowboys to the elaborate silver inlays of California vaqueros, the collection highlights the finest spur makers of the late 19th and early 20th centuries. The placement of each spur approximates where each maker lived with an example of the work he forged.

Sharing the True History of the West: “Frank Chisum – Wild West Icon”
The Briscoe is proud to share a bold new addition to its collection, Kim Wiggins’ “Frank Chisum – Wild West Icon.” Wiggins’ fifth piece in his Goodnight-Loving Trail series documenting the first major cattle drives in American history, it portrays black cowboy Frank Chisum roping a stallion out of a large box canyon. A slave until 1860 when cattle king John Chisum paid $400 for his freedom, Frank Chisum gained acclaim during the second great American cattle drive. He assisted in wrangling about 3,000 cattle from Texas to New Mexico. “Frank Chisum – Wild West Icon” is a gift from the Jack and Valerie Guenther Foundation and is on display on the Briscoe’s third floor.

Showcasing the Missions: New Works Gallery
The Briscoes’ New Works Gallery continually rotates new works, giving everyone an opportunity to enjoy the museum’s collection as it expands. The current selection of works features paintings by Enrique “Kiko” Guerra that show the five San Antonio missions in their full splendor, while the complimenting stereographs—two almost identical photographs that, when viewed side-by-side, create the illusion of a three-dimensional image—show how the missions looked in the 1860s after a century of disrepair and modification. E.M. Hennings’ painting “Spanish Occupation of Texas,” reflects how daily life for indigenous people under Catholic rule must have looked. Crowning the gallery is Jean-Marie Alfred Paris’ “The Siege of Puebla, 1902,” depicting the short-lived French victory outside of Puebla in an otherwise crushing defeat that saw the final withdraw of European military forces from North America.

Adding Vision to the Sculpture Garden
The latest addition to the museum’s stunning sculpture collection, “Hunters Vision,” 1989, bronze relief with brown patina, ed. 2/6, 51” x 66” x 31 ½,” is on view in the McNutt Sculpture Garden. On loan from the Jack and Valerie Guenther Foundation, “Hunters Vision” is the third piece from Allan Houser (1914-1994) displayed in the garden. A member of the Chiricahua Apache tribe, hunter-gatherers who roamed from New Mexico to northern Mexico, Houser’s “Dance of the Eagle” and “Buffalo Dance Relief” greet visitors to the Briscoe’s McNutt Sculpture Garden.

Summer Film Series Features Cool, Classic Cowboys on the Silver Screen
Escape the heat with an afternoon at the movies. The Briscoe’s popular Summer Film Series features an iconic Western film. Briscoe guest curator Dr. Andrew Patrick Nelson will introduce the movie and explain how it relates to Still in the Saddle: A New History of the Hollywood Western, the Briscoe’s fantastic summer exhibition. The movies are free with museum admission. Popcorn, candy, and food truck grub are available to enjoy in the museum’s draft house-style theater, along with free beer courtesy of Ranger Creek Brewing.

o “The Long Riders”
Sunday, August 22, 1p.m.

Grab your brother and watch real-life brothers portray the Jesse James gang in a sympathetic portrayal of the brothers who begin their legendary bank raids because of revenge. Brothers James and Stacy Keach star as Jesse and Frank James; David, Keith and Robert Carradine play Cole, Jim, and Bob Younger; Dennis and Randy Quaid play Ed and Clell Miller, and Christopher and Nicholas Guest play Charlie and Bob Ford.

o “The Shootist”
Sunday, September 5, 1p.m.

Close out the summer with John Wayne in his final film role in 1976’s “The Shootist.” Wayne portrays a dying gunfighter who spends his last days looking for a way to die with minimum pain and maximum dignity. Still in the Saddle closes on Labor Day and this last film of the summer series is a fantastic way for a fantastic exhibition to ride off into the sunset.

Locals Day: August 15, 10a.m. – 5p.m.
The Briscoe welcomes its neighbors to head West by hosting a Local’s Day the third Sunday of each month. All residents of San Antonio and Bexar County receive 50 percent off general admission on August 15. As always, children twelve and under receive free admission, as do active-duty members of the military, making the Briscoe a terrific spot for families to enjoy.

Preserving and presenting the art, history, and culture of the American West through engaging exhibitions, educational programs, and public events reflective of the region’s rich traditions and shared heritage, the Briscoe Western Art Museum is located on the San Antonio River Walk at 210 W. Market Street in the beautifully restored 1930s former San Antonio Public Library building. Named in honor of the late Texas Gov. Dolph Briscoe Jr. and his wife, Janey Slaughter Briscoe, the museum includes the three-story Jack Guenther Pavilion, used for event rentals and programs, and the outdoor McNutt Sculpture Garden.

San Antonio Museum of Art announces fall exhibition

Lady Arundel restoration. Photo: San Antonio Museum of Art, used with permission.

Over the course of its 40-year history, the San Antonio Museum of Art (SAMA) has developed an expansive 30,000-object collection that represents human creation and experience from across thousands of years and from cultures spread across six continents. In its upcoming exhibition, 40 Years, 40 Stories: Treasures and New Discoveries from SAMA’s Collection, SAMA will present works from the collection that are currently held in storage and that have been selected by members of the Museum’s curatorial team as works of particular personal interest, inspiration, and fascination. Many of the 40 objects chosen for the show have been off view for numerous years, while others are being presented for the first time. In other instances, artworks capture little-known or under-studied artistic and cultural narratives. Together, the works engage audiences anew with SAMA’s broad-ranging holdings and highlight the depth, range, and dynamism of the collection. 40 Years, 40 Stories will be on view from October 16, 2021–January 2, 2022. (San Antonio Museum of Art, 2021)

Among the highlights in the exhibition is the reinstallation of the monumental painting Mary, Lady Arundell of Wardour (1767) by the famed English painter Sir Joshua Reynolds. The full-length portrait was acquired by SAMA in 1981 and held a prominent position in its European decorative arts gallery for many years. In 2016, the painting was sent to the Museum of Fine Arts, Houston for a multi-year conservation project, which was completed this year. The newly conserved painting reveals a new depth of detail and color within Reynolds’ composition. The removal of old, discolored layers of retouching and varnish has given the portrait a fresher and more balanced look. Another work in the exhibition that is being presented following recent conservation is the late 17th- to early 18th-century Chinese handscroll, Peach Blossom Spring. The work depicts the tale of a fisherman who discovers a utopian community. The handscroll, which has been in storage for many years, was repaired and remounted, so that it can be safely unrolled for viewing.

40 Years, 40 Stories also presents for the first time several new acquisitions, including an exquisitely carved Islamic amulet that was acquired in 2013. The amulet is inscribed with 63 Names of God and a verse from the Qur’an, and was intended to invoke divine protection. The exhibition will also feature a recently acquired Petrosphere, a massive stone sphere that weighs more than 600 pounds and was produced by the ancient inhabitants of Costa Rica. Found in groups, these spheres demarcated features of the landscape for communities in the Diquís region, though their precise meaning is not yet understood. The exhibition will also be the first occasion to show Celia Eberle’s sculptural installation Moss Grotto (2016) at SAMA. Recently acquired in 2019, this monumental work invites contemplation of the inevitability of Nature and of human loss.

Other objects in the exhibition include embroidered textiles made by Salvadoran refugees who fled their country’s civil war in the 1980s that have never previously been shown; a mosaic depicting a Nereid that was thought to be an ancient Roman work but was later discovered to be a 20th-century copy after a floor in the Baths of the Seven Sages, Ostia; a richly carved Yoruba veranda post; and a painted portrait of Pola Negri, a femme fatale of 1920s and 30s Hollywood who retired to San Antonio and left her glamorous portrait to the Museum.

Works in 40 Years, 40 Stories will be organized loosely by subject, function, and aesthetic resonance, capturing the ways in which seemingly disparate objects relate to and connect in dialogue together. The exhibition is curated by Powers, with objects selected by members of SAMA’s curatorial, collections, and education teams.

40 Years, 40 Stories is generously supported by the Sue Denman Memorial Exhibition Fund, the Helen and Everett Jones Exhibition Fund, the Amy Shelton McNutt Exhibition Fund, and the Daniel Sullivan Exhibition Fund.

“All of the artworks featured in the exhibition have a story to tell about culture, community, and history. The exhibition provides an exciting range of creative and technical innovation through time and captures the ways in which material culture has always been and continues to be essential to both constructing and understanding the world in which we live. At the same time, re-examining our collection felt like the perfect way to celebrate the Museum’s 40th anniversary. It’s an opportunity to explore how the collection has evolved and is also instructive as we continue to bring works into our holdings that capture the diversity of artistic production across time, geography, and media.” – Jessica Powers, Interim Chief Curator and The Gilbert M. Denman, Jr. Curator of Art of the Ancient Mediterranean World.

The San Antonio Museum of Art serves as a forum to explore and connect with art that spans the world’s geographies, artistic periods, genres, and cultures. Its collection contains nearly 30,000 works representing 5,000 years of history. Housed in the historic Lone Star Brewery on the Museum Reach of San Antonio’s River Walk, the San Antonio Museum of Art is committed to promoting the rich cultural heritage and life of the city. The Museum hosts hundreds of events and public programs each year, including concerts, performances, tours, lectures, symposia, and interactive experiences. As an active civic leader, the Museum is dedicated to enriching the cultural life of the city and the region, and to supporting its creative community.

 

San Antonio Museum of Art and UTSA present Maya artworks on public view

Detail of jaguar and coatimundi way on Cylinder Vase with Animal Figures, Belize, AD 650-750, earthenware and mineral paint. Photo: The Mopan Valley Archaeology Project, Bernadette Cap, used with permission.

Nature, Power, and Maya Royals, an exhibition of thirty-four artworks and objects discovered by the University of Texas at San Antonio (UTSA) researchers in two royal Maya burials at the ancient city of Buenavista del Cayo, Belize, is now on view at the San Antonio Museum of Art (SAMA). This exhibition is the first time the selection of works will appear for public viewing. This exhibition is an exciting collaboration between UTSA, SAMA, and the Belize Institute of Archaeology. (San Antonio Museum of Art, 2021)

Nature, Power, and Maya Royals: Recent Discoveries from the Site of Buenavista del Cayo, Belize will be on view through February 27, 2022. It was organized by the San Antonio Museum of Art in collaboration with the Belize National Institute of Culture and History’s Institute of Archaeology and scholars in the University of Texas at San Antonio Department of Anthropology. It is supported by the Gloria Galt Endowment Fund, Andrew W. Mellon Foundation, and UTSA Maya Archaeology Excellence Endowment. The UTSA excavations that recovered the objects were conducted with the permission of the Belize Institute of Archaeology and funding from the Alphawood Foundation and Termini Endowment for Maya Archaeology.  

In 2014 and 2019, a team of UTSA archaeologists led by Jason Yaeger, President’s Endowed Professor of Anthropology at UTSA and Senior Associate Dean of the College of Liberal and Fine Arts found finely painted ceramic vessels that display kings and symbols of authority as well as shell pendants, earrings, and bracelets worn by a king. “The objects in the exhibition are priceless to us and to the government of Belize for what they tell us about the ancient Maya. This show presents a wonderful opportunity to grow connections with institutions across San Antonio and Belize,” Yaeger said. 

The discovery is particularly extraordinary because looters had previously trenched the building in which one of the royal burials was located, missing it by just a few inches. Finding the site and objects following the looters’ destructive actions is incredibly lucky and makes the discovery particularly special. “We are delighted to share these beautiful and precious artworks. Visitors will also be able to view images taken during our excavation in Belize. The recovery of the objects such as these from known, well documented locations provides essential information for interpreting similar Maya art held by museums,” said Bernadette Cap, Andrew W. Mellon Curatorial Postdoctoral Fellow at SAMA and curator of the exhibition. 

The artworks date between AD 450 and 800, a period when Maya kings and queens reigned over large populations and lived in elaborately designed cities. The exhibition highlights how two Maya rulers commissioned artwork that featured commanding iconography to express and legitimate their power. For example, a common theme in rulers’ art was the portrayal of jaguar pelts worn as clothing and used as decorative elements of royal palaces. The Maya admired the jaguar for its strength and skills as an apex predator, and rulers retained exclusive rights over jaguar imagery and products.

One of the most outstanding pieces in the exhibition is a large, elaborately carved pendant made of marine shell. Incised Maya glyphs appear on it and have been deciphered to read, “This is the pendant of Naah Uti’ K’ab, king of Komkom.” The discovery of the pendant confirms that the buried individual is a king. Given the context of recovery, Komkom is likely the original name of the site we now call Buenavista del Cayo. Maya texts at nearby sites state that Komkom had been attacked and conquered in the AD 600s and 700s. The shell pendant dates to around AD 450, however, and thus provides the earliest reference to the site of Komkom.

The San Antonio Museum of Art serves as a forum to explore and connect with art that spans the world’s geographies, artistic periods, genres, and cultures. Its collection contains nearly 30,000 works representing 5,000 years of history. Housed in the historic Lone Star Brewery on the Museum Reach of San Antonio’s River Walk, the San Antonio Museum of Art is committed to promoting the rich cultural heritage and life of the city. The Museum hosts hundreds of events and public programs each year, including concerts, performances, tours, lectures, symposia, and interactive experiences. As an active civic leader, the Museum is dedicated to enriching the cultural life of the city and the region, and to supporting its creative community. 

The University of Texas at San Antonio (UTSA) is a Hispanic Serving University specializing in cyber, health, fundamental futures, and social-economic development. With more than 34,000 students, it is the largest university in the San Antonio metropolitan region. UTSA advances knowledge through research and discovery, teaching and learning, community engagement and public service. The university embraces multicultural traditions and serves as a center for intellectual and creative resources as well as a catalyst for socioeconomic development and the commercialization of intellectual property—for Texas, the nation and the world.