Category: Music News

Tiffany Williams announces single ‘All Those Days of Drinking Dust’ from new album

Tiffany Williams pays homage to her family and every other long line of coal miners with stunning new song “All Those Days of Drinking Dust” from upcoming full-length debut All Those Days of Drinking Dust, out August 19, 2022. Courtesy photo, used with permission.

Singer-songwriter Tiffany Williams is the daughter, granddaughter, and great-granddaughter of eastern Kentucky coal miners, but the more she introduced herself to audiences that way at her live shows, the more she felt guilty about it. “I hadn’t done anything to deserve claiming that,” she says. What she meant is that she did not have to make the same sacrifices or take part in the back-breaking labor that they did, yet she was proudly sharing and identifying with that part of her culture and heritage. In actuality, Williams is an award-winning fiction writer and a self-described lexophile who has taught high school English and studied Appalachian speech and sociolinguistics in graduate school—not to mention working as a dialect coach on the set of “The Evening Hour,” which debuted at Sundance in 2020. She shares a stunning example of a sum of her lifetime of parts; the title track from her debut full-length album, All Those Days of Drinking Dust, due to be released August 19, 2022. (Tiffany Williams, 2022)

“All Those Days of Drinking Dust” was written, in a way, to purge Williams’ guilt about attaching herself to her forebearers’ hard-working Appalachian lineage, and what came from it is a hauntingly beautiful tribute to not only her family but to generations of families like hers; folks who spent their lives working beneath the mighty Appalachian mountains. Those mountains, as the song says, “are the only ones that watched us ripe and rot / and hold the bones of both our living and our dead”—the “ripe” and “rot” a reference to Shakespeare’s As You Like It. “From the first-line echo of the original coal miner’s daughter Loretta Lynn, this song pays homage to a succession of coal mining forebears and talks about living life in the shadow of the harrowing vocation—how it comes to bear on the body, the spirit, and the people making a home in fraught yet beloved coal country,” says Williams.

Americana Highways premiered “All Those Days of Drinking Dust,” writing, “Williams’ rich vocals hold sorrow and longing, and the album promises to be one of this year’s favorites.” Produced by legendary Lexington, Kentucky-based Duane Lundy, All Those Days of Drinking Dust will be released on August 19. Fans can pre-order or pre-save the album ahead of its release and listen to the album-opening title track. All Those Days of Drinking Dust represents a monumental convergence of each chapter of Williams’ life.

Williams and Lundy recruited an eclectic band of pickers from the Commonwealth that add energy and nuance to each track. Virtuoso cellist Ben Sollee lends a ghostly vibe to “The Sea,” while J. Tom Hnatow adds bass, acoustic guitar, electric guitar, and steel to other tracks throughout. There is percussion from Tripp Bratton; contributions on keys, acoustic, and electric guitars from Justin Craig; fiddle stylings from Ellie Miller; and Taylor Shuck on banjo. Fellow Kentuckian and noted New York Times best-selling novelist Silas House adds vocals to a lively duet. Lundy not only produced and contributed keys but also engineered and mixed the recording.

All Those Days of Drinking Dust track list:
1. All Those Days of Drinking Dust
2. Carletta
3. Harder Heart
4. Know Your Worth
5. The Sea
6. Wanted It To Be
7. When I Come Back Around
8. Don’t Give A Damn
9. No Bottom
10. The Waiting

1660904340

  days

  hours  minutes  seconds

until

All Those Days of Drinking Dust release date

Andrew Duhon paints picture of love and adventure on new album Emerald Blue

Emerald Blue will be out July 29, 2022 and features backing band Jano Rix, Myles Weeks, and Dan Walker; Engineered by GRAMMY-winner Trina Shoemaker at Dockside Studios. Courtesy photo, used with permission.

For an artist who grew up, in his words, “beside the turbulent, chocolate milk of the mouth of the Mississippi,” it is no wonder that Andrew Duhon was so awestricken by his time exploring the Pacific Northwest over the past few years. But it was when Duhon connected the shades of his unfamiliar surroundings with the depth of color in his partner’s eyes that sparked the writing of “Emerald Blue,” the title track of his upcoming album. (Andrew Duhon, 2022)

Holler. premiered the music video for “Emerald Blue,” writing, “…‘Emerald Blue’ sits happily at the crossroads of harmony-drenched pop, rustic Americana, Appalachian folk and about a half-dozen other styles, all meeting and mixing around the warmth of Duhon’s vocals; world-weary, stretched and full of soul.” Fans can watch the music video for “Emerald Blue”, check out previously-released singles “Everybody Colored Their Own Jesus” and “Castle On Irish Bayou,“ and pre-order or pre-save Emerald Blue ahead of its July 29.

Joined by Jano Rix on drums, percussion, and harmonies; Myles Weeks on upright and electric basses and harmonies; and Dan Walker on keys and accordion, Duhon headed into Maurice, Louisiana’s storied Dockside Studios with GRAMMY-award winning engineer and longtime collaborator of Andrew’s, Trina Shoemaker, to capture every inch of vibe and beauty and texture each song had to offer.

The tracks on Emerald Blue show serious time spent in listening mode—both to himself, and to the world around him. These are songs that come from a very particular time and place, when so many of us—often alone with our flaws and feelings, with few of our regular, dependable distractions—were forced to face hard truths. And yet, using the time-tested language of folk, of the blues, storytelling and soul-searching, voice and keys and strings, Andrew Duhon proves himself worthy of heroes like John Prine—who makes a fantasy cameo in “As Good As It Gets,” the album’s closer—by similarly crafting four-minute worlds in song, that feel purely timeless, as old or as young as the chronic condition of stumbling across Earth with a human heart. Emerald Blue shows us the vast worlds that can be discovered and traveled when we sit still, and the breathtaking vistas on view when we look within—or at the people right beside us. 

Catch Andrew Duhon on tour:
7.21 – Boulder, CO – The Barn – Benefit Concert
7.22 – Pallisade, CO – Pallisade Brewery
7.29 – Lafayette, LA – Grouse Room
7.30 – New Orleans, LA – One Eyed Jacks
7.31 – Mobile, AL – Callaghan’s
8.01 – Birmingham, AL – Dave’s Pub
8.02 – Decatur, GA – Eddie’s Attic
8.03 – Asheville, NC – The Grey Eagle
8.04 – Greenville, SC – Radio Room
8.05 – Charlotte, NC – The Evening Muse
8.07 – Raleigh, NC – Pour House Music Hall
8.10 – Port Townsend, WA – Wheeler Theater
8.11 – Seattle, WA – Tractor Tavern
8.12 – Portland, OR – Doug Fir
8.13 – Kingston, WA – Concerts in the Barn
8.14 – Nine Mile Falls, WA – Live at Andre’s
8.17 – New York, NY – Cafe Wha?
8.18 – Wayne, PA – 118 North

1659090180

  days

  hours  minutes  seconds

until

Emerald Blue release date

Bobby Cool breezes into the good times with easygoing single ‘Salt Life’

The single ‘Salt Life’ is from the upcoming LP Family Time, out July 29, 2022. For fans of Zac Brown Band, Jimmy Buffet, Chris Stapleton, and Corey Smith. Courtesy photo, used with permission.

Recording artist Bobby Cool’s new tune “Salt Life” kicks off with a bit of blue-collar perspective. But it is only a matter of time before the tides turn the song into an easy-going, smile-inducing ode to the upsides of close proximity to a large body of water. In the end, driven by lively harmonica counterpoint, Cool’s character is fully and happily committed to not worrying whether the grass is greener on the other side. With “Salt Life”—like the rest of his upcoming album Family Time—Cool blends bluegrass, Americana, and country into a rousing, good-time mix of genres. (Bobby Cool, 2022)

Fans can reel in Cool’s coastal mood for themselves by checking out “Salt Life”, check out the previously-released “American Dream,” and pre-order or pre-save Family Time ahead of its July 29 release right here.

At the end of February 2020, Cool and his producer Adam Haynes (bluegrass fiddler for The Grascals, Dailey & Vincent, and others) tracked 13 songs over the course of two days. Two weeks later, the world would shut down and a two-year journey would commence to release into the world what would finally become Family Time. On Family Time, Cool shares musical snapshots of small and large moments that define family life and captures intimately the grooves and creases, the craziness and the humor, the regrets, and the celebrations of living together in songs that resonate so deeply we feel as if he has written them just for us. In the end, it is clear that Bobby Cool revels in telling a good story as much as he does in trying to live one out. He sings songs that reach us wherever we find ourselves in our lives, touching us, healing us, and embracing us with music that fills our hearts and reminds us that life’s most important events happen on family time.

Family Time track list:

  1. American Dream
  2. Waffle House
  3. You In Mind
  4. Salt Life
  5. Waves of Grain
  6. My Love
  7. Crazy
  8. Stella
  9. Perry Street Blues
  10. Join The Party
  11. Battle of the Lion King
1659086100

  days

  hours  minutes  seconds

until

Family Time release date

New book release: ‘Heavy Metro: Access All Eras’ by Gene Ambo

‘Heavy Metro: Access All Eras’ is the new photography book by legendary rock photographer Gene Ambo. Courtesy photo, used with permission.

The incredible work of Chicago-based photographer Gene Ambo spans numerous genres over 40 years, many of which Gene spent shooting bands at the Metro–the most iconic venue in Chicago and one of the most important in the world. It is in this intimate setting of the Metro which holds a capacity of 1,100 and no “photographer pit,” that Gene found his photographic “voice” and began shooting the heavy and hard rocking bands he loves. One of the very first bands that Gene photographed in 1983, was Mötorhead. From there, he continued making history as one of the world’s most sought-after rock photographers with his work prominently featured on album and magazine covers, and numerous publications worldwide.

“Heavy Metro: Access All Eras” is Gene Ambo’s first book and spans his legendary career to date with a specific focus on rock, hard rock, heavy metal, punk, and hardcore capturing some of the most notable and rebellious bands of our time—before and after they became legends themselves. This visual journey and time-capsule of musicians who have graced the Metro stage also features both iconic and little-known shots of such famous and infamous musical acts including Metallica, Slayer, Ramones, Slash, Bad Brains, Megadeth, GBH, The Exploited, Mercyful Fate, SOD, Anthrax, Nirvana, Nick Cave, Babes in Toyland, Circle Jerks, Samhain, Cro-Mags, Trouble, Garbage, Ice T, Type O Negative, Hüsker Dü, Jane’s Addiction, Korn, Goo Goo Dolls, Celtic Frost, VoiVod, Chicago’s own Smashing Pumpkins, and many more.

A portion of all proceeds from “Heavy Metro: Access All Eras” will benefit #SaveOurStages which supports independent venues like the Metro who were hit hard by the pandemic.

“I was just lucky to be at the Metro in the beginning and to have met people who have really helped me out throughout my life, and I look at this book like I’m documenting time. ‘Access All Eras,’ like the book title says. Metro is my home base…for so many years. Between the Metro and Smart Bar, I have spent a lot of time there—many days AND nights. Literally!” – Gene Ambo

Gene Ambo is a world renowned, Chicago-based photographer whose career began in 1983 at Chicago’s legendary Metro music club where he began shooting bands he enjoyed with his father’s camera. He is celebrated for his stunning images of legendary, underground and emerging bands and musicians, including Metallica, Mötorhead, Madonna, Prince, Slayer and Broken Hope. “Heavy Metro: Access All Eras” is Gene’s first-ever photo book.

The Metro opened in 1982 under the guidance of owner Joe Shanahan. The first show Shanahan booked and promoted was R.E.M. and over the next 40 years, the venue would host concerts by Metallica, James Brown, Iggy Pop, Chris Cornell, George Clinton, Slayer, Joe Strummer, and Prince, among many others. Bob Dylan performed two shows at Metro to celebrate the club’s 15th anniversary.

Stygian Sky Media (SSM) creates books to stimulate imaginations. SSM books include trade paperbacks, traditional hardcovers, deluxe/limited editions, and groundbreaking original works in the genres of crime, thriller, horror-noir, dark fiction, and non-fiction titles including photo books, music, memoir, and more. SSM connects and creates works with authors from diverse backgrounds, from bestsellers to cult, bringing readers books they’ve never imagined.

Songwriter Peter Mulvey and SistaStrings announce new album

Singer-songwriter Peter Mulvey and rising stars SistaStrings have joined hands for a new studio album Love Is The Only Thing, due out on August 12, 2022. Photo: google

Singer-songwriter-guitarist Peter Mulvey and fellow Milwaukeeans, the in-demand dynamic duo SistaStrings have joined hands once again for a brand new studio album, Love Is The Only Thing, due out August 12 on Righteous Babe Records. A self-proclaimed anti-fascist record, Love Is The Only Thing keeps kindness and compassion in the foreground, following a similar musical path to Mulvey and SistaStrings’ Live at the Café Carpe, which was released in late 2020 and, like the new album, includes drummer Nathan Kilen rounding out the ensemble. Fans can pre-order or pre-save Love Is The Only Thing right now at this link and get refamiliarized with Mulvey and SistaStrings’ brilliant sound by checking out Live at the Café Carpe right here. (Peter Mulvey/SistaStrings, 2022)

SistaStrings—cellist-vocalist Monique Ross and violinist-vocalist Chauntee Ross—bring all the beautiful versatility of their cello and violin music—along with sibling-strong vocal harmonies—to Love Is The Only Thing. Classically trained string players who grew up singing in church, Monique and Chauntee were destined to defy conventions of genre and race alike, blending R&B, gospel, and classical sounds. Mulvey met the Rosses in 2016, and all three felt an instant kinship.

The bright light of family illuminates this record and all that went into making it. Its existence hinges on the way we take care of each other, from its fan-supported funding to the sanctuary of Café Carpe to the blood sisterhood of the Rosses to Mulvey’s newfound fatherhood. Making Love Is The Only Thing at such a tumultuous time in history reinforced Mulvey’s and SistaStrings’ role as activists just as much as musicians. “Finding refuge and rejuvenation in these songs with this group of musicians was healing and personally some sort of mission statement for why we even make music in the first place,” Chauntee remembers. Love Is The Only Thing explores loss, tension, and the love that sees us through it.

Love Is The Only Thing track list:
Shenandoah
Soft Animal
O My Dear (the Demagogue)
Old Men Drinking Seagram’s
You and (Everybody Else)
Early Summer of ‘21
Five Hundred Days
On the Eve of the Inaugural
Pray for Rain
February Too
Song for Michael Brown
Love Is the Only Thing

Catch Peter Mulvey on tour:
July 28 – Portsmouth, NH – Portsmouth Music Hall w/ Mark Erelli
July 29 – Brownfield, ME – Stone Mountain Arts Center w/ Mark Erelli
July 30 – Concord, NH – Capitol Center for the Arts w/ Mark Erelli
August 18 – Sandwich, NH – John Davidson’s Club Sandwich

Catch SistaStrings on tour:
August 5 – Milwaukee, WI – Fiserv Forum*
August 6 – Chicago, IL – Huntington Bank Pavilion at Northerly Island*
August 11 – Salt Lake City, UT – Vivent Arena*
August 18 – Columbia, MD – Merriweather Post Pavilion#
August 19 – Bethel, NY – Bethel Woods Center For the Arts#
August 20 – Philadelphia, PA – Mann Center For The Performing Arts#
August 24 – London, UK – Omeara^
September 9-10 – Morrison, CO – Red Rocks#
September 25 – Bridgeport, CT – Sound on Sound 2022*
October22 – New York, NY – Madison Square Garden*

*performing w/ Brandi Carlile
^performing w/ Allison Russell
#performing w/ Allison Russell and Brandi Carlile

1660307100

  days

  hours  minutes  seconds

until

Love Is The Only Thing release date

New album release: Sunny Sweeney’s Married Alone

Sunny Sweeney, with the help of Paul Cauthen, paints a beautiful picture of a hard reminder in “A Song Can’t Fix Everything” from upcoming album Married Alone, out September 23 via Thirty Tigers. Courtesy photo, used with permission.

Sunny Sweeney is a country and Americana artist from Texas, currently based in Nashville, TN. Her latest album is Married Alone, a raw, vulnerable exploration of loss, grief, and healing, recorded in Dallas, TX, and co-produced by fellow country artist Paul Cauthen and The Texas Gentlemen’s Beau Bedford. Sweeney debuted in 2006 with the acclaimed Heartbreaker’s Hall of Fame, which announced her as an important new voice in country and Americana songwriting. Sweeney continued to expand upon the traditional-leaning, forward-thinking sound of her earlier work with 2014’s Provoked and 2017’s Trophy, both of which earned Sweeney rave reviews across the country and roots communities. (Sunny Sweeney, 2022)

“A Song Can’t Fix Everything” is the first single from Sweeney’s upcoming album Married Alone—out on September 23 via Thirty Tigers. Produced by Cauthen and the Texas Gentlemen’s multi-hyphenate Beau Bedford, Married Alone is Sweeney’s finest work yet, bringing together confessional songwriting, image-rich narratives, and no shortage of sonic surprises for a loosely conceptual album about loss and healing. The album was recorded at Dallas’ Modern Electric Sound Recorders and mixed by the whole team with the help of Jeff Saenz—beloved Dallas-based producer and owner of Modern Electric—upon his unbelievable return to work after being electrocuted in a freak accident. Fans can listen to “A Song Can’t Fix Everything” now at this link and pre-order or pre-save Married Alone ahead of its release right here.

In addition to the release of Married Alone, Sweeney has a song featured in the upcoming film VENGEANCE, the directorial debut from writer and star B.J. Novak (The Office).

The full potential of the album really revealed itself, though, when a friend sent Sweeney a demo of what would become its title track, “Married Alone.” Though she was not a co-writer on the track, Sweeney felt her own story reflected in its lyrics. The song, which features a particularly emotional guest vocal from living country legend Vince Gill, charts the painful moments sometimes experienced in marriages that have run their course. A few months after securing the song and mining her own vault for a track list, Sweeney traveled to Dallas, TX, to record—alongside Cauthen and Bedford—what would become Married Alone.

Married Alone track listing:
Tie Me Up (Sunny Sweeney/Buddy Owens/Galen Griffin)
Easy As Hello (Sunny Sweeney/Lori McKenna/Heather Morgan)
Married Alone ft. Vince Gill (Hannah Blaylock/Josh Morningstar/Autumn McEntire)
Someday You’ll Call My Name (Sunny Sweeney/Brennen Leigh)
How’d I End Up Lonely Again (Sunny Sweeney/Channing Wilson/Josh Morningstar)
A Song Can’t Fix Everything ft. Paul Cauthen (Sunny Sweeney/Lori McKenna)
Want You To Miss Me (Sunny Sweeney/Caitlyn Smith)
Wasting One On You (Sunny Sweeney/Buddy Owens/Monty Holmes)
Fool Like Me (Waylon Payne/Kendell Marvel)
All I Don’t Need (Sunny Sweeney/Lori McKenna)
Leaving Is My Middle Name (Sunny Sweeney/ Buddy Owens/Galen Griffin/Scotch Taylor)
Still Here (Sunny Sweeney/Lori McKenna)

Catch Sunny Sweeney on tour:
7/15 – Springfield, MO – Southbound Bar & Grill
7/16 – Kahoka, MO – Clark County Fair
7/17 -Yorkville, IL – The Law Office Pub & Music Hall
7/20 – Berwyn, IL – Fitzgerald’s Night Club
7/21 – Milwaukee, WI – Shank Hall
7/22 – Minneapolis, MN – The Hook and Ladder Theater & Lounge
7/24 – Omaha, NE – Reverb Lounge
7/27 – Manitou Springs, CO – Lulu’s Downstairs
7/29 – Cheyenne, WY – The Outlaw Saloon
7/30 – Sheridan, WY – WYO Theater
7/31 – White Sulphur Springs, MT – Red Ants Pants Music Festival
8/2 – Rochester, NY – Abilene Bar & Lounge
8/5 – King Ferry, NY – Treleaven Wines

1663929480

  days

  hours  minutes  seconds

until

Married Alone release date

The Jacob Jolliff Band announces new release

The Jacob Jolliff Band’s new CD will be released August 5, 2022. Photo: Adam Sweeney, used with permission.

Known for his stunning cross-genre virtuosity and his collaborations with musicians from across the musical spectrum, acoustic musician Jacob Jolliff recently announced the release of his album The Jacob Jolliff Band via Adhyâropa Records. Featuring tight vocal harmonies as well as the customary instrumental fireworks of a collaborative ensemble made up of fellow young stars, this album marks a major milestone in Jolliff’s evolution and the arrival of an authority on bluegrass mandolin. The album goes on sale August 5 and pre-orders will be available starting July 8, 2022. (Adhyâropa Records, 2022)

Long known for his musical prowess with contemporary bluegrass ensembles Joy Kills Sorrow and Yonder Mountain String Band, as well as his collaborations with Alex Hargreaves, Michael Daves, Tony Trishka, and Grant Gordy, Jolliff is equally fascinated by many other genres, and puts that musical polyglotism into what he writes and arranges for the Jacob Jolliff Band. This album is an attempt to capture the stylistic diversity the JJB pours into their fiery live performances. “It’s important to me to have real traditional bluegrass tunes in our set, but when I’m making a setlist I always want to hear a shift from one mood to another, like a story. It helps keep an audience engaged, and keeps us on our toes.”

Jolliff grew up in a musical family near Portland, Oregon and played in a bluegrass gospel band led by his dad, who started him on mandolin at age seven. That soon blossomed into an exploration of multiple genres, along with a love of – and impressive devotion to – his instrument that continues unabated to this day. “I’m really inspired by musicians like John Coltrane,” he says, “because of his incredible work ethic. And because he was putting in those hours his playing changed so much to the point of being completely different from era to era. There was a sound he was chasing, but there’s no way you can dynamite your way through the mountain, it just comes down to sheer hours.”

Today, all that work is evident in a musical approach which is distinctly, inimitably his own. “Whatever I play, whether it’s instrumental bluegrass, vocal music, jazz, anything – I hope my personality will come through. I don’t know how it couldn’t!”

The direction of the music is in large part dictated by the collaborators Jolliff invited to join him on this album: Stash Wyslouch on guitar, John Mailander on fiddle, and Myles Sloniker on bass. They were specifically chosen for the ability to not only provide a counter to Jolliff’s own bluegrass playing, but their sympathy for other genres as well. “The musicians that I call on have a shared set of influences, bluegrass being a huge one for everyone,” he volunteers, “but from the bandleading I’ve done, the players I really admire are those that are able to balance projects in different genres and really invest in each one.”

Known as a frequent collaborator with old-time standard bearer Bruce Molsky as well as the leader of his own ensemble, Stash Wyslouch brings an eclectic energy to the proceedings. “There’s no one like Stash. He has one of the most interesting amalgamations of influence, with his shred metal high school background, and having studied jazz and classical, a lot of that comes out even when he plays bluegrass. One of the most fun things for me is to play traditional bluegrass with Stash and see the skeptical faces that he always wins over by the end of a set just through sheer force of will and genuineness.”

John Mailander (also a member of Bruce Hornsby and the Noisemakers) offers a moderating voice to the musical conversation, full of wit and elegance. “He’s just one of the most tasteful musicians I know. Everything he plays is transcribable. He also just has a really nice contrasting style to Stash and myself.”

Bassist Myles Sloniker has been the engine of the band since 2018: “I called him on a couple weeks’ notice to do a tour and he came in already knowing all of the arrangements. With just the two of us playing together you could see there was a special connection. Great singer too, and his solos arguably work the audience into a fury even more than Stash’s do!”

Single release dates:
July 11: ‘Outbound Plane’
July 25: ‘Large Garbage Barge’

Sponsored Post

The Jacob Jolliff Band’s new CD will be released on August 5, 2022. Photo: google
1659707220

  days

  hours  minutes  seconds

until

The Jacob Jolliff Band release date

Balcones Heights Jazz Festival returns

The Balcones Heights Jazz Festival will kick off its highly-anticipated 28th season on Friday, July 15, 2022. Courtesy photo, used with permission.

The Balcones Heights Jazz Festival will kick off its highly-anticipated 28th season on Friday, July 15, 2022 and continue with a second concert on Friday, July 29, 2022. Each performance will take place at the Amphitheater at Wonderland of the Americas. Headlining will be Rob Zinn and Jeff Ryan on July 15, 2022 with Tony Saunders opening. Peter White will headline on July 29, 2022 with local Johnny P & the Wiseguys opening. (Balcones Heights Jazz Festival, 2022)

“We are excited to feature live jazz concerts again this summer with two back-to-back July performances presenting a stellar line up of dynamic national and local artists at the beautiful, sparkling Wonderland Amphitheater.” – Director Economic Development & Public Affairs at City of Balcones Heights Lorenzo Nastasi

“Balcones Heights’ uniqueness is that we are dedicated to providing FREE family-friendly, high-quality music for all to enjoy. We are thrilled to welcome the sights and sounds of our signature jazz festival, bringing residents and visitors from all over South Texas to experience our city’s charm and hospitality over these two weekends.” – City of Balcones Heights Mayor Suzanne de Leon

The first opener on July 15 will be Billboard recording artist and bassist Tony Saunders. Saunders is an American bass and synthesizer player who has had an incredible multi-faceted career that has found him “vibin’” with everyone from Eric Clapton and David Crosby to Les McCann, Joe Sample, and Chaka Khan. He has been recognized as a two-time Emmy Award winning bassist, composer, and producer, and is also the son of legendary keyboardist, Merl Saunders

After his performance, headliners Rob Zinn and Jeff Ryan will kick off their show. Rob Zinn is a multi-faceted talent working as a veteran vocalist, trumpeter, and flugelhornist. He is internationally recognized as a smooth jazz artist and composer. In 2016, Zinn emerged as an independent smooth jazz artist and composer with the release of his debut album, “Yesterday Again,” showcasing a multitude of styles including funk, Latin, R&B, rock, pop and urban jazz.

Paired with Zinn will be one of contemporary jazz’s top emerging artists and saxophonists, Jeff Ryan. Ryan, an international sensation, has captivated thousands with his robust jazz sounds. “Double Up” was the first single released in May 2020 from his latest album “Duality.” It debuted as the number one “Most Added” on the Smooth Jazz Billboard. In 2020, Ryan was also named 2020 Billboard Smooth Jazz Artist of the Year. His second single from this album “Sentimental Soul” landed the number one spot on the Billboard Chart and was later named 2021 Billboard Song of the Year.

Opening the concert on July 29 is Johnny P & the Wiseguys, a velvety ensemble led by vocalist, songwriter, and trumpeter Johnny Panzarella. Johnny P is a New York native from a close-knit Italian family. The rat-pack style band plays original tunes as well as innovative musical arrangements of classic favorites. The Wiseguys are composed of multiple talented musicians featuring pianist Travis Davis, bassists Max Garcia Jr. and Doug Bennett, Roger Escobar on tenor sax, David Woodard on trombone, and drummers Johnathan Alexander and Jay “Jaybird” Buried Mitthauer.

Following is headliner and one of the jazz industry’s greatest icons, British-born, LA-based guitarist and smooth jazz artist Peter White. White first played for the Balcones Heights Jazz Festival in 2010 and returned in 2015. This is his third appearance in Balcones Heights. White is set to give a simmering performance to end the summer concert season. White’s lyricism and energy is unparalleled and sure to create a beautiful sound for his broad audiences. He has found huge success in his musical career winning multiple awards through four decades working as a multi-instrument musician, performer, and writer with other artists and solo on his own highly regarded albums.

In 2020, the Balcones Heights Jazz Festival evolved from a summer concert season to a year-long concert series, which was adopted pre-pandemic to spread concerts throughout the year. Since 1994, the Balcones Heights Jazz Festival has captivated jazz aficionados from in and around Texas with a free stellar line-up in the festival’s laid back and family-friendly atmosphere. Regulars or “jazz babies” grab their favorite spots along the edge of the sparkling reflecting pool and fountains of the city’s main hub, Wonderland of the Americas.

The Balcones Heights Jazz Festival is produced through a partnership of the City of Balcones Heights, Wonderland of the Americas, and iHeartMedia. David Muñoz is back again to host as he has at the Jazz Festival every year since the event’s inception. Muñoz, known as San Antonio’s very own “Jazzman,” is serving as emcee and co-producer of the festival. David also hosts “Smooth Jazz San Antonio” on KQXT/Q101.9 HD-2 and iHeart Radio App/Texas Central Region.

General admission to the festival is free and parking is free at Wonderland of the Americas, 4522 Fredericksburg Road, Balcones Heights, Texas. Wonderland of the Americas is located at the intersection of IH-10and Loop 410, just a few minutes from downtown San Antonio and minutes from the South Texas Medical Center.

Hillside seating around the Amphitheater is on a first-come, first-serve basis. Fans sometimes stake out their spots as early as the Monday preceding the Friday concert. Food and beverage vendors will be on-site. Attendees can also visit the Food Court inside Wonderland of the Americas. No coolers and outside food and beverages are allowed at the Amphitheater.

Singer-songwriter Andrew Combs covers Radiohead classic ‘High And Dry’

‘High and Dry’ is the first single from 3Sirens Presents: With Love Part 1 EP, due out July 8, 2022. Courtesy photo, used with permission.

Set to release July 8, independent East Nashville-based label and recording studio, 3Sirens, presents a compilation of 80s and 90s artist-chosen covers that make for the perfect summer soundtrack. 3Sirens Presents: With Love Part 1 adheres to the label’s mission statement: build community and celebrate great artists all while having a little fun. By doing just that, artists Andrew Combs, Dylan LeBlanc, Caitlin Rose, and more came together in mixing these tracks with the 3Sirens team. (3Sirens, 2022)

In conjunction with Glide Magazine, the label premiered the first track off the collaboration, Andrew Combs’ cover of the Radiohead classic “High and Dry.” Check out the premiere here. To pre-save the track click here and Part 1 here. Growing up with Radiohead, Combs shares he chose this track specifically because of the huge role the band played on his own introduction to making music. The soundtracks of Kid A and Amnesiac were just the beginning. Diving into the full Radiohead catalog, Combs credits the band as the reason he began recording his own music in high school. Inspired by their creativity, Combs expresses, “ I love when an artist/band is curious, and always exploring new territories in terms of sound, production, and song structure. I find Radiohead to be the best example of this in the modern age. ‘High and Dry’ is an amazing song – it is simple and to the point, but still so lush and beautiful. Those are the hardest songs to write.”

Creating a space for artists to express their creative freedom and record in an “easy peasy” process is exactly what The Grahams had in mind when they set out on the journey of starting a different kind of label and studio. With Love: Part 1 is a product of that vision flourishing.

Though born and raised in Dallas, Texas, Nashville-based singer-songwriter and artist Andrew Combs cannot say for certain he identifies with any one place in particular. Through years of drawing on ethereal and visceral beauty wherever he can find it, his work is more accurately a measured synthesis of a wide array of “places:” the literal and the figurative, those he has been to and others he has yet to see. His newest full-length album, Sundays (out August 19), is reflective of those varied places that inform Combs’ creative work.

3Sirens Presents: With Love Part 1 track list:
“Big Love” by Fleetwood Mac, performed by Dylan LeBlanc
“One Way Or Another” by Blondie, performed by Caitlin Rose
“High and Dry” by Radiohead, performed by Andrew Combs
“Somebody to Shove” by Soul Asylum, performed by Kevin Kinney
“Something So Strong” by Crowded House, performed by Derek Hoke
“Fade Into You” by Mazzy Star, performed by The Grahams

3Sirens is a gathering spot for creatives and dreamers, a social salon. A studio built with the premise that to be creative one must exist in a creative space. Of course the state of the art gear and the thoughtfully curated collection of vintage and specialty instruments abound but it goes beyond the material into something less tangible. Fitting, really, that such a space was dreamt up by lifelong lovers and dreamers, The Grahams, who themselves longed for a space to gather, to create art and play music, to collaborate, to stretch out and explore the “impossible,” to let the intangible and unexplainable just happen.

1657278780

  days

  hours  minutes  seconds

until

3Sirens Presents: With Love, Part 1 release date

Bobby Cool’s first single from upcoming LP Family Time

Bobby Cool’s Family Time will be out July 29, 2022. Photo: google

From an Athens, Georgia dive bar to Music City’s club scene and beyond, songwriter Bobby Cool has spent the ups and downs of the past 10+ years—like working as a janitor, radon inspector, and flooring salesman to make ends meet throughout the music industry’s shutdown in 2020 and 2021—collecting stories about life’s small moments and telling them in a way that makes listeners feel as if the tunes were written just for them. In the vein of Chris Stapleton, Tyler Childers, and Sturgill Simpson, Cool blends bluegrass, Americana, and country into a rousing, good-time mix of genres on his upcoming album Family Time, which will be out July 29, 2022. (Bobby Cool, 2022)

Cool’s way with words shines on his country-folk ballad “American Dream,” the album’s opener and the first listen shared with fans ahead of Family Time’s July 29 release date. Telling the story of an enlisted brother, free-spirit sister, and an ultimately ailing mother—all narrated by a road-dog musician—“American Dream” paints a quirky, fun, and at times devastating story of what it means to make a life in the land of the free. “It’s ultimately not about fortune or fame,” says Cool. “…but the freedom to choose your own path and live it out.” Americana Highways premiered the single with early praises who stated, “If you allow Bobby Cool to entertain you, you’ll find deep country with strong Southern rural roots in every note. Find nostalgia and hope and a story of family we can all relate to.” Fans can check out the lyric video for “American Dream” now at this ink and pre-order or pre-save Family Time ahead of release day.

At the end of February 2020, Cool and his producer Adam Haynes (bluegrass fiddler for The Grascals, Dailey & Vincent, and others) tracked 13 songs over the course of two days. Two weeks later, the world would shut down and a two-year journey would commence to release into the world what would finally become Family Time. On Family Time, Cool shares musical snapshots of small and large moments that define family life and captures intimately the grooves and creases, the craziness and the humor, the regrets, and the celebrations of living together in songs that resonate so deeply we feel as if he has written them just for us. He sings songs that reach us wherever we find ourselves in our lives, touching us, healing us, and embracing us with music that fills our hearts and reminds us that life’s most important events happen on family time.

1659088440

  days

  hours  minutes  seconds

until

Family Time release date