To Die Alone will be available on all major digital platforms on March 25. Courtesy photo, used with permission.
Survivalist thrillers create high-stakes scenarios where characters must overcome extreme challenges to stay alive. These films often explore themes of resilience, resourcefulness, and human instinct, making them both thrilling and thought-provoking. Whether set in the wilderness, post-apocalyptic landscapes, or disaster-stricken environments, these movies keep viewers on edge with intense action, suspenseful storytelling, and psychological depth. The appeal lies in the raw tension and the characters’ fight against overwhelming odds, allowing audiences to experience danger vicariously while contemplating their own survival instincts in similar situations. These films offer both adrenaline and emotional depth.
If you like these types of movies, there’s a new one coming out next week: To Die Alone.
Following its world premiere at the San Francisco Independent Film Festival and its Audience Award win for Best Narrative Feature, the survival thriller To Die Alone will be available on all major digital platforms starting March 25.
Directed by Austin Smagalski Produced by Connie Jo Sechrist, Austin Smagalski Starring James Tang and Lisa Jacqueline Starrett
In this gripping survival thriller, after suffering a devastating injury while hiking the remote Pacific Crest Trail, Irving must navigate the treacherous wilderness alone, battling not only physical pain but her own inner demons. With only a stranger named Ford to help her, she faces her deepest fears to survive.
To Die Alone movie still. Courtesy photo, used with permission.
311 announces new tour and the 30th anniversary re-issue of their iconic self titled Blue Album. Photo: Brian Bowen Smith, used with permission.
311 is an alternative rock band known for their signature blend of rock, reggae, and funk influences. With a devoted fan following and a legacy spanning three decades, the band continues to innovate and bring fresh energy to the music scene. Formed in 1990 in Omaha, Nebraska, 311 features Nick Hexum (vocals/guitar), Chad Sexton (drums), Tim Mahoney (guitar), SA Martinez (vocals/dj), and P-Nut (bass). 33 years later, the band is still regarded as one of the most entertaining and dynamic live bands in the U.S. 311’s celebrated live shows and touring schedule have earned them a vast and dedicated following nationwide. (Big Picture Media, 2025)
Following the release of their long awaited 14th studio album Full Bloom, the Grammy nominated, platinum certified rock band is gearing up for an exciting 2025. This year marks their fifth appearance at the revival of Van’s Warped Tour, set for July 26–27. Additionally, the band will headline major festivals, including Pointfest in St. Louis, Point Break Festival in Virginia, and the recently announced Minnesota Yacht Club Festival.
Upcoming 311 Dates March 21 – The Fillmore – New Orleans, LA March 22 – The Moon – Tallahassee, FL March 24 – House of Blues Orlando – Orlando, FL March 26-31 – 311 Caribbean Cruise – Miami, FL May 17 – Pointfest – St. Louis, MO June 22 – Point Break Festival – Virginia Beach, VA July 20 – Minnesota Yacht Club Festival – St. Paul, MN July 26-27 – Van’s Warped Tour – Long Beach, CA
On the heels of the release of Full Bloom, the group was recently crowned one of NPR Tiny Desk’s Best Performances of 2024 and continues to thrive after more than three decades on the road. From performing at halftime during the Las Vegas Raiders’ final home game to a run of recently announced US dates, 311 continues to redefine what it means to be one of the longest-running touring bands.
311 commemorated their legacy with the announcement of a 30th anniversary reissue of their iconic self titled Blue Album out July 11. The Blue Album reissue will feature a 2-LP set with seven bonus tracks and will be available in two color variants – a direct to fan exclusive citrine shade and retail release blue smoke color via Legacy Recordings, the catalog division of Sony Music Entertainment. The strictly limited package is the latest in the band’s series of 30th Anniversary “Pearlized” special editions, and also includes an embossed gatefold sleeve with exclusive art. The reissue is 21 tracks on 2 LPs and brings together every song that was recorded by the band during the Blue Album sessions, and marks the first time the bonus songs have ever been released on LP.
Blue Smoke + Citrine Vinyl Variant. Courtesy photo, used with permission.
Kadavar releases ‘Hysteria’ single and music video. Courtesy photo, used with permission.
Berlin, Germany – Berlin based rock bandKadavar has shared the second single from their forthcoming new album I Just Want To Be A Sound out May 16 via Clouds Hill. (Big Picture Media, 2025)
“Hysteria” – with its pulsing, dark rhythm brings the listener into a hypnotic state of mind. Its lyrics explore themes of mental and physical disarray, portraying a sense of confusion, overstimulation, and self-destruction. The repeated refrain of “Hysteria” adds to the overwhelming, frantic atmosphere, spiraling under pressure.
Listen to “Hysteria” here. Pre-order the album at this link.
“We wrote this song down from the feeling of words losing their meaning, when even a stream of consciousness can’t keep up to make sense of the inner chaos,” says the band. “As a state mixed with constant overstimulation and terrifying news, it might just fit this time we’re living in.”
“Hysteria” follows the single “I Just Want To Be A Sound” – the title track of Kadavar’s new album – released last month upon the album’s announcement. The song was added to top playlists with Spotify, Apple, Deezer and TIDAL, gaining traction on lists like Metal Injection’s Top Tracks of the Week, Fresh Noise, New In Rock, Hot New Rock, and more.
‘I Just Want To Be A Sound’ is a manifesto for freedom, transformation and radical presence. An album that repeatedly abandons itself in order to reincarnate in new forms. Rock anthem, ballad, pop song, epic and earthly alternate seamlessly and virtuously. Free and full of momentum.
Now a four-piece led by founders Lupus Lindemann and Tiger Bartelt, and rounded out by guitarist Jascha Kreft and bassist Simon ‘Dragon’ Bouteloup, the declaration “I Just Want To Be A Sound” came from Bouteloup. When Lindemann Bartelt asked him in 2013, shortly after Lindemann and Barlet joined the band, why he didn’t have any social media accounts, he replied: “I just want to be a sound.” A sentence that stuck – and that sums up the band’s self-image.
What was casually formulated at the time has developed into a leitmotif over the band’s 15-year history: an uncompromising claim that demands nothing less than to be completely absorbed in the sound without being distracted by outward appearances. A principle to which Kadavar has remained true since their formation in 2010 and which finds its strongest development to date with this album.
“I Just Want To Be A Sound” is more than a song to us – it’s the essence of Kadavar: A relentless yearning for freedom and the unshakable urge to live through music. We poured everything into it – our lives, our spirit, our truth,” says the band in a joint statement.
Kadavar also announces a string of special album release shows that will take place in London, France and Berlin. Dates and ticket links below:
May 13 – London, UK – Rough Trade East // TICKETS May 14 – Paris, France – Supersonic // TICKETS May 15 – Berlin, Germany – Urban Spree, presented by Rough Trade Europe // TICKETS
The band is confirmed for this year’s Austin Psych Fest along with artists like Dinosaur Jr, Explosions In The Sky, Kim Gordon, Yo La Tengo and more. The festival will take place April 25-27 in Austin, TX. Tickets are available online.
Change has always been a constant for Kadavar. What remains unchanged is their raw power. Wherever they go, you can feel the intensity – in their songwriting, their dedication, their performances. In the sound! This is the transfer that makes Kadavar incomparable. They explore the potential of music, even in quiet nuances, while always retaining the power of their rock roots. Having grown as a band, they have fulfilled their mission of being completely immersed in their sound.
Texas country artist Garrett Bradford releases Honkiest of Tonkers Part 1 – out now. Photo: WT Fletcher, used with permission.
Nashville, Tennessee – Texas country artist Garrett Bradford has officially released Honkiest of Tonkers – Part 1, the highly anticipated first installment of his two-part album. Out now via H.O.T. Records and available on all streaming platforms (Amazon Music,Apple Music, Spotify, and more), the album delivers a collection of boot-stomping honky-tonk anthems and dynamic tracks showcasing Bradford’s signature grit and deep Texas roots. The second installment, Honkiest of Tonkers – Part 2, is set to arrive on April 11, 2025. (Aristo PR, 2025)
Fans got an early taste of the album with lead singles “Watching You Burn,”“Do You (I Do),” and “Bad Girl Good.” Part 2 will follow a similar rollout, featuring “She Loves Horses” (March 21) and “Firefly” (April 4) ahead of its full release.
This is shaping up to be a pivotal year for Bradford, with his music gaining traction across major platforms. His single “Watching You Burn” landed on playlists, including Spotify’s All New Country, CMT’s Roundup, and ACM’s Fresh New Finds. Meanwhile, “Do You (I Do)” was featured on Apple Music’s New in Country playlist. Additionally, Country Evolution named Bradford to their Artists to Watch in 2025 list, further cementing his status as one of country music’s most exciting rising stars.
Bradford’s music has also caught the attention of critics, earning high praise for its traditional honky-tonk grit: “Pure, classically old-fashioned, 100% hardcore Texas honky tonk. Over the years, I’ve heard a lot of this type of music and trust me; this is stellar honky tonk country where the singer/songwriter has lived every word and note … Bradford is the real deal.” – The Rocking Magpie
Raised on a ranch in Weatherford, Texas, and deeply connected to the Western and rodeo lifestyle, Garrett’s music is infused with authenticity and a genuine understanding of the cowboy way of life. His background in ranching, rodeo, and bucking stock, combined with his natural talent as a songwriter and performer, makes him a true storyteller who captures the heart and soul of the West in every song.
Bradford burst onto the Texas music scene in 2020 with his debut EP. His breakout single, This Way of Life, was featured on the hit TV series Yellowstone(Season 3, Episode 9), catapulting him into the spotlight. The track became the most Shazammed country song in the U.S. the day after its airing, climbing to #32 on the iTunes Country Top 40 Chart.
Taylor Sheridan, the acclaimed writer, producer, and director behind Yellowstone and its prequels (1883, 1923), as well as Landman and Lioness, played a pivotal role in inspiring Garrett’s music career. Sheridan’s mentorship and belief in Bradford’s authentic storytelling helped reignite his passion and opened doors for his music to reach a wider audience.
In 2023, Bradford was recognized as the songwriting winner of Texas Songwriter U, a prestigious program hosted by Jack Ingram, Liz Rose, and BMI. With over 60,000 monthly streams and a loyal fanbase, Bradford has solidified his place in the world of Texas country music, performing more than 600 shows and keeping dance floors packed across the state.
His ability to blend authentic Texas grit with compelling lyrics and dynamic performances positions Honkiest of Tonkers as a standout project that true country fans can appreciate.
Honkiest of Tonkers – Part 1
Honkiest of Tonkers (Garrett Bradford)
Bad Girl Good (Garrett Bradford, Greg Manuel Sr.)
Keep On Drivin’ (Garrett Bradford, Jami Grooms)
Do You (I Do) (Garrett Bradford, Greg Manuel Sr.)
Watching You Burn (Garrett Bradford, Logan Jarvis, Greg Manuel Sr., Greg Manuel Jr.)
50 In The Fast Lane (Garrett Bradford)
Peterbilt Pipe Dream (Garrett Bradford)
Bulletproof (Garrett Bradford, Greg Manuel Sr., Greg Manuel Jr., Kristina Van Dyne, Yale Van Dyne)
Honky Tonk Devil (Garrett Bradford, Greg Manuel Sr.)
Die Alone will be released in the UK on March 10. Courtesy photo, used with permission.
Zombie movies have captivated audiences for decades, blending horror, action, and social commentary. Their appeal lies in the thrilling survival scenarios, intense suspense, and gruesome effects that keep viewers on edge. These films often reflect societal fears, from pandemics to societal collapse, making them both entertaining and thought-provoking. Classics like Night of the Living Dead and modern hits like Train to Busan showcase human resilience and moral dilemmas in apocalyptic settings. Fans enjoy the adrenaline rush, the eerie atmosphere, and the chance to imagine how they would survive a zombie outbreak, making the genre a lasting favorite in horror cinema.
For zombie movie lovers, there’s the recent new movie Die Alone. It’s a Canadian horror thriller that was released in September of last year. It focuses more on the protagonist’s emotional journey and mystery than the usual zombie gore and violence. The film had its European premiere at Sitges last year. Die Alone will be released in the UK & Ireland on Digital Download, DVD and Blu-ray from March 10.
In the US, it’s available on Tubi,Amazon Video, YouTube, Google Play, Fandango at Home, and Apple TV.
London UK: Lightbulb Film Distribution is pleased to share the poster and trailer for new post-apocalyptic thriller, Die Alone. (Strike Media, 2025)
Die Alone – In a post-apocalyptic world, a young man with amnesia joins forces with a hardened survivalist during a zombie outbreak, as they set out to find his missing girlfriend. It stars Carrie-Anne Moss, Douglas Smith, and Frank Grillo.
“We are delighted to be bringing Die Alone to audiences in the UK & Ireland. Inspired by films like 28 Days Later, it’s a thrill-ride from start to finish.” – Commercial Director, Matthew Kreuzer
Release date: March 10 Directed by: Lowell Dean Formats: Digital, DVD, & Blu-Ray Run Time: 90 mins.
Die Alone production still. Courtesy photo, used with permission.
Arkansas’s country-rock troubadour JD Clayton announces anticipated sophomore LP, Blue Sky Sundays. Photo: David McClister, used with permission.
Fort Smith, AR – In addition to the release of his new single “Dirt Roads of Red,” JD Clayton has announced his highly anticipated sophomore album, Blue Sky Sundays. Due out on February 28 on Rounder Records, Blue Sky Sundays finds Clayton taking the helm as producer in the studio with his touring band to capture the vitality and grit of his crowd-thrilling live show. (IV PR, 2025)
“One morning I was playing golf with a buddy from Georgia down at McCabe Golf Course in Nashville when he turned to me and said that there should be a song about wishing that the streets of gold in Heaven could be streets of Red, referring to the red clay down in Georgia,” remembers Arkansan singer-songwriter JD Clayton.
Wheels turning, Clayton went home, picked up his guitar, and finished writing “Dirt Roads of Red” in under an hour. “Now, being an Arkansas kid, I could never bring myself to write a song about Georgia. Thankfully, my favorite state, Colorado, also has a high concentration of iron deposits in its soil.”
With a halftime drum beat and a striding, bluesy piano, “Dirt Roads of Red” has an appropriately slinky vibe. “It feels inherently southern to me and has a super cool groove,” says Clayton. That feeling gets amplified with a slide guitar solo before the song’s final chorus: “Good God almighty I beg you please / Just before I’m dead / Turn them streets of gold to dirt roads of red.”
Clayton’s first few lines set up the whole song and come from some personal experience. “It turned out to be a really special track to me because my dad is a pastor and I love the interaction the boy has with his pastor in the first verse of the song,” he says. Typical with the music Clayton has released throughout his budding career, his soulful delivery and funky-leaning instrumentation help frame the story he’s telling in a way all his own.
Fans can stream or purchase “Dirt Roads of Red,” and pre-order or pre-saveBlue Sky Sundays ahead of its February 28 release. For tour dates and ticket information, please visit JD Clayton online.
Blue Sky Sundays tracklist: Let You Down – (JD Clayton) Dirt Roads of Red – (JD Clayton) Madelene – (JD Clayton) Slow & Steady – (JD Clayton) Arkansas Kid – (Al Kooper, Ronnie Van Zant, Robert Burns) Give Me One Reason – (Tracy Chapman) High Hopes & Low Expectations- (JD Clayton, Kendell Marvel) Dance Another Dance- (JD Clayton) Goodnight- (JD Clayton)
A native son of Arkansas, JD Clayton delivers a timeless form of country rock that’s wholly the product of his environment: down-to-earth, deliberately unhurried, touched with a carefree ease that’s undeniably infectious. Over the past few years alone, he’s brought his crowd-thrilling show to tours with the likes of Dwight Yoakam, Old Crow Medicine Show, and Parker McCollum, in addition to performing at major festivals such as Bonnaroo and Dreamy Draw and opening for artists like Hank Williams Jr., Brent Cobb, and Ashley McBryde.
As a kid growing up in Fort Smith, Clayton got his start playing guitar and later took up piano, drums, banjo, harmonica, and ukulele. He released the debut EP Smoke Out the Fire while still in college. After grinding it out in Nashville for several years, he returned to his hometown and immersed himself in creating an adventurous new album that soon led to his signing with Rounder Records. With equal parts soulful self-reflection and wildly colorful storytelling, Blue Sky Sundays immediately transports the audience into a world that moves at its own exhilarating rhythm—and ultimately reveals an artist of hard-won character and singular authenticity.
The Seldom Scene gives fans a new take on a long-beloved Bob Dylan Song. Photo: Jeromie Stephens, used with permission.
Bethesda, MD -This month, The Seldom Scene released their delicate and masterful version of the timeless classic “Farewell, Angelina.” Written by Bob Dylan for his widely-lauded album Bringing It All Back Home (1965) and famously recorded by Joan Baez, the haunting waltz is still being resurrected six decades later. And not just by US-based songwriters like Jeff Buckley and John Mellencamp—the song has been carried through France and Italy (“Adieu, Angelina,” “Addio Angelina”), India, Sweden, and beyond. The Seldom Scene’s elegiac interpretation glides through intimate conversation between words and strings. (IV PR, 2025)
“This song, written in 1964, is another gem by Bob Dylan,” says Seldom Scene bassist Ronnie Simpkins, whose daughter insisted the band give the song their own treatment. “I’m glad we listened!” he laughs. Basing their arrangement more on Mellencamp’s 1997 Rough Harvest version than the original, the 53-year-running quartet originally from Bethesda, Maryland, gives “Farewell, Angelina” space to breathe and blossom. The track opens with Ron Stewart deftly picking the guitar in duet with Bluegrass Hall of Famer Dudley Connell’s rich, soft voice. One by one, dobro, fiddle, mandolin, and acoustic bass add subtle new layers to the story without overtly announcing themselves. The Seldom Scene’s poignant arrangement gives depth and texture to the song’s surreal poetry.
“Farewell, Angelina” is the latest single from the Seldom Scene’s forthcoming album, Remains to Be Scene—out March 14 on Smithsonian Folkways. Continuing their long-running legacy of pulling gems from outside of and within the bluegrass canon and reimagining them in what is now the Seldom Scene’s signature style, Remains to Be Scene features an interpretation of Jim Croce’s “A Good Time Man Like Me Ain’t Got No Business (Singin’ the Blues),” a pair of songs by Bob Dylan: “Walking Down the Line” and, of course, “Farewell Angelina,” while also revisiting a fan-favorite, “White Line,” from the iconic Live at the Cellar Door album and paying tribute to their inspirations, Flatt & Scruggs, with “Hard Travelin’.”
Americana UK shared an early listen. Today, fans can stream or purchase “Farewell, Angelina” and pre-order or pre-save Remains to Be Scene ahead of its March release here.
Remains to Be Scene tracklist: Last of the Steam-Powered Trains Crossroads A Good Time Man Like Me Ain’t Got No Business (Singin’ the Blues) Hard Travelin’ Farewell Angelina Walking Down the Line Lonesome Day I Could Cry White Line Show Me the Way to Go Home The Story of My Life
Self-produced with engineering and mixing by Jim Robeson at his studio The Bar in Rockville, Maryland, Remains to Be Scene caps the end of an era for the group in many ways. The album is dedicated to the memory of Bluegrass Hall of Famer and Seldom Scene cofounder Ben Eldridge, who retired from the group in 2014. But Eldridge remained a major presence and friend to the band, penning heartfelt liner notes for this album before his passing in April 2024.
Also notable is that Remains to Be Scene marks the final album for Dudley Connell, another Bluegrass Hall of Famer as a member of the Johnson Mountain Boys. Connell wrapped up a Seldom Scene tenure of nearly three decades on guitar and vocals with his retirement at the end of 2024. “Twenty-nine years, dude, that’s a long, long time,” Connell says with a laugh. “No regrets, I’ve loved every minute of it, and it’s been a real joy working with these guys for so long. But I want to get out while I still have my mobility and can travel, walk my dog, things like that.”
The Seldom Scene has mostly stayed close to home in the greater Washington, D.C. vicinity for most of its 53 years of existence. Even as the progressive bluegrass quintet’s lineup has turned over multiple times from those early days, The Scene has maintained an admirably high standard of musicality and artistry, on record as well as onstage at live-residency venues like The Birchmere in Alexandria, Virginia.
The band makes old songs sound brand new while putting a bluegrass spin on some of the least-likely cover songs in the genre. Those virtues are all in place on Remains to Be Scene, their 24th album, released on Smithsonian Folkways, on which they cover everybody from Bob Dylan to The Kinks with customary flair. The album is also another milestone effort for the Scene — the first since the passing of co-founder Ben Eldridge (who penned liner notes before his death in April 2024) as well as the last for longtime Scene member Dudley Connell, who is retiring after 29 years in the band. As usual, the rest of the Scene is taking those departures in stride. One way or another, The Seldom Scene will go on.
I Heart Willie, a sinister ‘Steamboat Willie’ reimagining sails into theaters for one night only. Courtesy photo, used with permission.
Slasher movies, defined by graphic violence and iconic killers, have a unique appeal to audiences through their intense mix of fear and thrill. These films often focus on a masked antagonist who stalks and murders victims, creating an atmosphere of suspense. The anticipation of the next attack, combined with the catharsis of witnessing characters’ survival or demise, taps into primal emotions. Slasher films also play with the audience’s expectations, blending horror with dark humor and occasionally offering social commentary. For many, the genre provides a controlled escape, where viewers face fear in a safe, fictional environment, making the experience both exciting and entertaining.
Exciting news for slasher film fans:
Hewes Pictures is excited to announce the special One Night Only®, release of I Heart Willie, a Steamboat Willie-inspired horror/slasher, coming exclusively to theaters across North America for One Night Only®, February 26th, 2025. Directed by Alejandro G. Alegre, this chilling origin story presents genre fans with a sinister reimagining of one of the most iconic cartoon characters in history, along with one of the most horrifying love stories of the year. (Gold Dust PR, 2025)
The One Night Only® cinema event will be distributed in the United States and Canada by Rubey Entertainment, LLC. Tickets and showtimes are available online.
Synopsis: Popular YouTubers Daniel and Nico are invited to investigate a haunted property drawn by rumors of a malevolent force. The legend centers around a boy born with deformities, resembling a human-mouse hybrid, who inspired Walt Disney’s Steamboat Willie. Abused and isolated, the boy, now known as Willie, crafts a bodysuit from the skins of trespassers. Over the years, his gruesome legacy fades into folklore—until a series of disappearances sparks renewed interest. As Daniel and Nico set up for a night of thrills, they unknowingly step into a deadly game of survival.
Produced by longtime collaborators Princeton Holt (2050) and David Vaughn (American Rust),the filmwas written by Vaughn, who also stars as Willie. I Heart Willie also features performances by Maya Luna, Micho Camacho, Sergio Rogalto, and Daniela Porras.
“We’re thrilled to bring I Heart Willie to audiences everywhere,” says executive producer Princeton Holt. “This film was made with the fans in mind, and we can’t wait for it to be an unforgettable experience—packed with scares, thrills, and a great time for everyone. We are confident I Heart Willie will become a cult classic, leaving fans talking long after the credits roll. By the way, speaking of end credits, don’t leave to early, or you might miss something.”
I Heart Willie was filmed 100% on location in Michoacán, Mexico, with local producers Liz Sanchez and Arturo Renteria bringing their unique perspectives to the project. The cast and crew, consisting largely of Mexico City residents, worked tirelessly to bring this dark tale to life. The film premiered to a sold-out audience at the Morbido Film Fest in Mexico City, receiving an encore screening due to overwhelming demand. I Heart Willie went on to win Best Actress, Best Actor, and Best Director at various film festivals.
Alex Cuba releases his new single right before his new US tour. Courtesy photo, used with permission.
Los Angeles, CA. – ®Grammy Award-winning artist, Alex Cuba releases brand new music in time for Valentine’s Day and coinciding with the launch of a tour of the United States. The Cuban/Canadian singer-songwriter announces the release of the first single for his upcoming 2025 album. (Vesper Public Relations, 2025)
“El Día Más Triste” is about transforming hurt into understanding. Feelings of love are joyous, wondrous events in our lives, spontaneous and beautiful. Its shadow side, those moments of betrayal, hurt and emptiness are no less important in how they create growth and urgency in our lives. “El Día Más Triste” shows the depth of sorrow, the pain of a ruptured relationship, and the process of rumination and inner conflict surrounding the confusion. “Es Amor” (it’s love) Alex remarks in the chorus at the conclusion of his self-reflection. An equally poignant part of our Valentine’s Day celebration is that side of love, that when it is missing, leaves a hole in our hearts.
The video was filmed in Miami with Cuban director Yeandro Tamayo. Warm intimacy invites the viewer into his healing journey through sad moments.
Alex Cuba’s U.S. Tour — No More Empty Words —At the heart of his ability to charm anything that breathes is Alex’s mastery of a deeper, more important language. The dude speaks joy. And it doesn’t’ matter if it’s Tito Puente joy or Stevie Wonder joy; it’s contagious. It shines through songs he’s co-written with Nelly Furtado and Jason Mraz. It’s the north star of his compositions.
Wherever his songs start their journey–in the land of lust, deep affection, or even melancholy–they know where they’re headed. Their path leads to a deep, shimmering gladness that everyone wishes was their native tongue. It’s this undeniable exuberance, expressed with masterful musicianship that has catapulted Alex to the highest levels of global critical acclaim. It’s what led this fiercely independent artist to 2 Juno awards, 4 Latin Grammys, and a 2022 Grammy for Best Latin Pop Album.
Just like his songs elicit “la-la-las” from audiences without a translator, they woo critics without a middleman. The magic he makes with melody and rhythm can’t be held back. Because in the end, whether in times of trouble or celebration, people everywhere want to go where Alex’s songs are going, to an unconditional sense of home, belonging, and bliss.
U.S. TOUR DATES February 11/12 – Seattle, WA, Jazz Alley February 14 – Corvallis, OR February 15 – Portland, OR, Old Church February 18 – Beverly Hills, CA, Vibrato February 20 – Oakland, CA, Yoshi’s March 21 – Mamaroneck, NY, Emelin Theatre March 22 – Queens, NY, Kupferberg Centre for the Arts March 23 – Baltimore, MD, Creative Alliance March 26 – Orlando, FL, Judson’s Live March 28 – Gainesville, FL, University of Florida March 29 – Fort Myers, FL, Alliance for the Arts March 30 – Memphis, TN, Buckman Center for the Arts April 2 – Decatur, GA, Eddies Attic April 3 – Birmingham, AL, Alys Stephens Center April 4 – La Grange, GA, Purelife Studios April 5 – Cary, NC, Cary Arts Center
Though raised in Artemisa, an hour outside of Havana, Alex Cuba’s artistry is as far-flung as the place he has settled and lived for over fifteen years: Smithers, BC, 14 hours north of Vancouver. His music at once incorporates his roots and is a unique amalgam of styles, having collaborated with artists ranging from Jason Mraz to Ron Sexsmith and Nelly Furtado; and bringing together melodies, pop-soul hooks, and rock chords in songs that may seem to bear little resemblance to traditional Cuban form.
A forward-thinking, indie-minded artist, Alex has amassed a steadily growing following among critics and fans. He has over 20 awards and nominations to his name, including four Latin Grammys, two Juno Awards, and, in 2022, his first Grammy Award from a total of four career Grammy nominations.
Alex carries his Cuba within, incorporating subtle jazz influences gained from his early years as a bass player in Cuba. His tasteful, sophisticated chords and lyrics express his poetry in an undeniably Cuban way. His growing body of work defines a unique musical place in the Latin diaspora.
Media Accolades: “…Best performance – Alex Cuba.” – National Post “Staying true to his Spanish language Folk-Funk-Rock hybrid has paid off.” – Billboard “Wicked guitar, undeniably soulful vocals. His package is simple and he wears it well” – popmatters.com “He’s like Marvin Gaye singing soul to a new generation” – Boston Globe “A master at conveying emotions through songs.” – Vancouver Sun “(Alex) Cuba is a groundbreaking figure, which may say something about the process of giving roots music a cosmopolitan polish” – Nashville Scene “Sublime is, a consummately crafted and beautiful offering” – Sounds and Colours
‘Listen to Your Sister’ by Neena Viel. Photo: Barnes & Noble
Neena Viel is a horror writer who lives in a cabin in the Washingtonian woods with her husband and the best dog on the planet. Her passion for philanthropy (almost) rivals her love for ghost stories. For fans of Jordan Peele’s films, Stranger Things, and The Other Black Girl, “Listen To Your Sister”is a laugh-out-loud, deeply terrifying, and big-hearted speculative horror novel from electrifying debut talent Neena Viel. (Barnes & Noble, 2025)
“Listen To Your Sister” – Twenty-five year old Calla Williams is struggling since becoming guardian to her brother, Jamie. Calla is overwhelmed and tired of being the one who makes sacrifices to keep the family together. Jamie, full of good-natured sixteen-year-old recklessness, is usually off fighting for what matters to him or getting into mischief, often at the same time. Dre, their brother, promised he would help raise Jamie–but now the ink is dry on the paperwork and in classic middle-child fashion, he’s off doing his own thing. And through it all, The Nightmare never stops haunting Calla: recurring images of her brothers dying that she is powerless to stop.
When Jamie’s actions at a protest spiral out of control, the siblings must go on the run. Taking refuge in a remote cabin that looks like it belongs on a slasher movie poster rather than an AirBNB, the siblings now face a new threat where their lives–and reality–hang in the balance. Their sister always warned them about her nightmares. They really should have listened.
“A knockout debut.” -Ashley Winstead
“Incredibly original and seriously scary.” – Nick Medina
“A brilliant fever-dream of a novel that effortlessly dances between horror, literary, and family saga—sure to appeal to fans of Grady Hendrix, Tananarive Due, Mona Awad, and Stephen King.” – Maria Dong
SA Examiner 