Discover the Dark Secrets of The Baby in the Basket: A New Gothic Horror Movie

The Baby in the Basket is the chilling new gothic horror movie starring Amber Doig-Thorne. Courtesy photo, used with permission.

Gothic horror movies captivate audiences with their eerie atmosphere, dark settings, and psychological tension. Set in crumbling mansions, foggy landscapes, or ancient castles, these films evoke a sense of dread and mystery. Themes of isolation, madness, and the supernatural are often explored, blending the fear of the unknown with the human psyche’s darkest corners. The use of vivid imagery, such as shadowy figures and mysterious creatures, intensifies the feeling of vulnerability. Audiences are drawn to gothic horror for its ability to transport them into a world where fear lingers in every corner, offering a thrilling escape into the macabre.

Shepka Productions, in partnership with Flickering Myth, are delighted to announce the release of new chilling, gothic horror The Baby in the Basket. The feature will be available on Digital in the UK and USA, and on DVD (UK only) from February 17th. (Strike Media, 2025)

The Baby in the Basket features a stellar cast of horror favorites including Amber Doig-Thorne (Winnie the Pooh: Blood and Honey), Michaela Longden (How to Kill Monsters), Elle O’Hara (Cara), Lisa Riesner (No Dogs Allowed) and Nathan Shepka (Dead Before They Wake). Also starring veteran British talent Annabelle Lanyon (Legend), with Maryam d’Abo (The Living Daylights) and Paul Barber (The Full Monty).

It’s 1944 and World War Two rages on. The sisters of St. Augustine’s, a convent on a remote Scottish island, are preparing for an incoming storm. One night a cloaked figure leaves a baby in a basket and disappears, never to be seen again.

The nuns take in the boy, and agree to look after him until the storm passes when they will take the child to the mainland for permanent care. However, after a night under their watch, unsettling things begin to happen with the newest addition to the convent. Sister Agnes (Amber Doig-Thorne) suspects the child is the spawn of Satan, causing her to be locked away for fear that she’s been driven mad by the isolation.

But increasingly strange occurrences lead the sisters to question their faith and everything they believe, they wonder has Sister Agnes fallen victim to the desolation of the remote island setting or was there really weight in her suspicions?

The Baby in the Basket is directed by Nathan Shepka and Andy Crane from a script written by Tom Jolliffe (Cinderella’s Revenge, Renegades). The film is produced by Shepka Productions, Flickering Myth, and Hidden Ridge Productions, in association with Jolliffe Productions and Nerdly UK.

The Baby in the Basket will be available to own or rent on digital download in the UK and US and to own on DVD (for the UK only) from 17th February.

Pre-order your UK copy of the DVD on Amazon or HMV.

The Baby in the Basket still. Courtesy photo, used with permission.
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Groovy Vibes and Twangy Tunes: Joel Timmons’ Psychedelic Surf Country

Joel Timmons takes bad dreams and turns them into rock and roll with new single End of the Empire from his forthcoming new album Psychedelic Surf Country. Photo: Joel Timmons

Charleston, SC – Joel Timmons is a dynamic songwriter, musician, and journeyman. Growing up on Sullivan’s Island, South Carolina, Timmons developed a deep connection to both music and the ocean, influences that permeate his artistic work. His early years were marked by a passion for surfing and a love for music, cultivated in part by his mother, a photographer and park ranger at Fort Moultrie, a vibrant local arts scene, and a close community of aspiring young musicians. The lead vocalist and guitarist for Sol Driven Train, founded by Timmons and his friends during college in 2000, Timmons also plays guitar with Maya de Vitry and makes music with his life-partner and wife, Shelby Means, under the name Sally & George. Psychedelic Surf Country, out February 7, marks the long-time collaborator’s first solo-work. (IV PR, 2025)

Within the patchwork of Joel Timmons’ debut solo album, Psychedelic Surf Country, lies a kaleidoscopic view of the career sideman and band leader’s striking self-awareness. Both in lyricism and musicality, Timmons has adopted an easy-going and reflective view of the world, creating unencumbered and accessible songs from even the most left-field subjects like lighting old Christmas trees ablaze, the highway patrol K9 who paid his band a visit between tour stops, and the tight jeans and Stetson hats that took over his former neighborhood. But it’s in the heavier subject matter, like his latest single, End of the Empire, where Timmons’ upbeat musical attitude shines.

“My wife, Shelby Means, started writing this song on a small boat in the Virgin Islands while surfers rode waves across a nearby reef,” remembers Timmons. It sounds picturesque, but the initial idea brought about an undercurrent of influence from a wildly different place. “My recurring dreams of doom and nightmares of being hunted by an unknown predator—as well as a sense of apocalyptic loss—figured into the co-write.” Ethereal and dreamy from the onset, End of the Empire floats between images of inescapable crashing waves and desperate hiding, looking for escape, but it might take listeners a couple of passes to recognize these as the song itself feels uplifting and borderline anthemic; a testament to Timmons’ positive spin. With the help of Psychedelic Surf Country producer Maya de Vitry, End of the Empire turns into a huge wash of harmonies and a wall of rhythm section. “The recording ended up being a rocker,” says Timmons, “and the guitar is howling.”

Fans can stream and purchase End of the Empire, check out the premiere on Glide Magazine, listen to Timmons’ previously-released singles, The Swimming Song, Guitars, Guns, and Pickup Trucks, Turbo, and The Bullfighter featuring Shovels & Rope’s Cary Ann Hearst, at their respective links, and pre-order or pre-save Psychedelic Surf Country ahead of its February 7th release.

Psychedelic Surf Country tracklist:
Just A Man
Turbo
The Bullfighter
Guitars, Guns, and Pickup Trucks
Edge of the Empire
Cottage by the Sea
Say It To My Face
The Swimming Song
East Nashville Cowboy
Here We Are
Tryin’

Catch Joel Timmons on Tour:
2/8 – Charleston Pour House – Charleston SC
2/12 – Analog at Hutton Hotel – Nashville TN
2/15 – House Concert – Charleston SC ^
2/28-3/2 – Green Parrot Bar – Key West, FL *
3/15 – Charleston Pour House – Charleston SC *
3/19 – Tractor Tavern – Seattle, WA +
3/20 – Showdown – Portland, OR (co-bill w/ Love, Dean) +
3/22 – The Talent Club – Ashland, OR +
3/26 – The ’58 @ Eastside Bowl – Nashville, TN
4/24 – Parlor Room – Northampton, MA +
5/4 – Sundays on the River – Asheville, NC +
5/23-5/25 – Rooster Walk Festival – Martinsville VA *
5/30 – Party At the Point – Mt Pleasant SC *

  • = with Sol Driven Train
    ^ = with Sally & George
  • = with Maya De Vitry

‘Son of Birmingham’: Randall Woodfin’s Powerful New Release

‘Son of Birmingham: A Memoir’ by Mayor Randall Woodfin. Photo: Barnes & Noble.

Birmingham, AL “Son of Birmingham,” the highly anticipated memoir by Birmingham’s youngest modern-day mayor, Randall Woodfin, is available now. This gripping narrative weaves together Mayor Woodfin’s life story with his bold vision for a more equitable future, offering an intimate look at the man reshaping the urban South. (Iron City Communications, 2025)

Through candid storytelling, Woodfin shares how his roots in Birmingham, the lessons from Morehouse College, and the beats of Southern hip-hop shaped his journey. From bagging groceries as a teenager to addressing systemic challenges as mayor, “Son of Birmingham” is a call-to-action for servant leadership, resilience, and unity.

Randall Woodfin was born and raised in Birmingham, Alabama. After earning his degree at Morehouse College and later his law degree at Samford University, he returned home to serve his community. Elected mayor in 2017, Woodfin has been nationally recognized for his progressive leadership, including a keynote speech at the 2020 Democratic National Convention.

Key Topics in the Book

  • The journey from grocery store clerk to mayor
  • Southern hip-hop’s influence on leadership and grit
  • Declaring gun violence a public health crisis
  • Building unity across Birmingham’s 99 neighborhoods
  • Leading Birmingham through pivotal moments in history

Don’t miss this unforgettable story of hope, resilience, and the power of leadership.

Praise for Son of Birmingham

“Being from the South, I know the power of legacy and tradition. Mayor Randall Woodfin embodies that. Son of Birmingham is a love letter to Southernplayalisticadillacmuzik, and I’m honored he accredits inspiration to Outkast.” – Antwan “Big Boi” Patton, Grammy-winning member of Outkast

“A love letter to Birmingham and the resilience of its people. Woodfin combines modern hope with timeless wisdom.” – Geoffrey Canada, President of the Harlem Children’s Zone

“Woodfin’s journey fills my heart with hope. His leadership is a blueprint for justice and inclusion.” – Medaria Arradondo, former Minneapolis Police Chief

“Son of Birmingham captures the story of a city in transformation and the leader guiding its evolution. This memoir is a must-read for anyone who believes in the power of change.” – Wes Moore, Governor of Maryland

“If Alabama has a chance to overcome its past and reach its potential, it will be because of leaders like Randall Woodfin. Son of Birmingham is a moving memoir of perseverance and progress.” – Roy Wood Jr., Comedian and Journalist

Thrills, Chills, and Heart-Stopping Moments: Experience Never Have I Ever

The thriller Never Have I Ever is now available for streaming. Courtesy photo, used with permission.

When it comes to movies, thrillers captivate moviegoers by blending suspense, mystery, and intense emotional conflict. These films often explore the complexities of the human mind, where perception and reality blur, leaving audiences on edge. The tension stems from characters’ internal struggles, psychological manipulation, and unexpected twists, which keep viewers guessing and engaged. Rather than relying on gore or action, these thrillers build fear through atmosphere, ambiguity, and mind games, tapping into universal anxieties. The appeal lies in the challenge they present, including trying to outwit the story, questioning what’s real, and experiencing a sense of unease long after the credits roll.

Now available for streaming on Fandango at Home is Never Have I Ever.

Directed by Damon Rickard, it stars Andrew Lee Potts, Beatrice Fletcher, and Amber Doig-Thorne. (One Tree Entertainment, 2025)

Never Have I Ever – Sam is already having a bad day but an incident from Sam’s youth resurfaces in ways he couldn’t imagine and starts a series of events that send his life spiraling out of control and embroiling him in an escalating game of cat and mouse.

He is having a terrible day. He is late delivering a screenplay and the threat of being forced to repay his advance looms ominously over him as he simply doesn’t have the money left. But his day goes from bad to worse when a variety of strange things start happening. From simply losing his wallet to seemingly having multiple break-ins to his home. Then a chance encounter whilst drowning his sorrows sends his day in directions he couldn’t possibly have anticipated.

Still from Never Have I Ever. Courtesy photo, used with permission.

Last Leg of the Human Table: Cloakroom’s Masterpiece of Introspection and Atmosphere

Cloakroom, L-R Doyle Martin (Lyrics, Guitar), Tim Remis (Drums), Bobby Markos (Bass), announces new album on Closed Casket and shares ‘Bad Larry’ video and single. Photo: Vin Romero, used with permission.

For Cloakroom, an American shoegaze band from Northwest Indiana, the world of modernity is in polycrisis and America has lost its soul. Narrative fetishism is all too usual of a literary mechanism for Cloakroom. If you listen closely you can hear the concern; not just for the teetering social structure but for what it means to be human and the high cost of the human experience. (another side, 2025)

The Indiana three return next month with their next studio album, Last Leg of the Human Table – the follow up to 2022’s post-apocalyptic space western Dissolution Wave, and label debut for Closed Casket Activities. Each song showcases Cloakroom’s genre-bending capabilities and seemingly vast array of influences; whether it be the sampling of the post-disco Detroit group Was (Not Was) or the lifted NASA recording of the humming of Saturn’s rings. Recorded in December of 2023 at Electrical Audio in Chicago and Rec Room Recording in Des Plaines, Illinois, engineer Zac Montez (Whirr, Turnover) aided in smoothing out the rough and turning up the quiet.

Last Leg of the Human Table sees its release on February 28 via Closed Casket. Fans can pre-order/pre-save here.

Pop, shoegaze, doom, post-punk, folk only scratch the surface on Cloakroom’s shortest yet most essential release to date. Its title Last Leg of the Human Table may sound sardonic in its nature, but this group has always found some wonder in the scurrying chaos of modern life. In 37 minutes, the album imbues a sense of responsibility to the listener as if one leg were to falter, the whole table will fall. 

Cloakroom shares the lead single and video “Bad Larry.” Lyricist and guitarist Doyle Martin explains, “It was written about a fabled character out of folklore like ‘Diamond Joe’ composed by Baldwin ‘Butch’ Hawes.. if that’s who even wrote that song first. Bad Larry roams free and wants for nothing; living a life of experience and lives by his own rules and dying on his own terms; a life to vilify or envy.” 

After wrapping an extensive North American tour with Full of Hell last month, Cloakroom has announced a special Chicago album release show happening April 12 at Empty Bottle. More dates and news to come.

Last Leg of the Human Table tracklist:
01 – The Pilot
02 – Ester Wind
03 – On Joy and Unbelieving
04 – Unbelonging
05 – The Lights Are On
06 – Bad Larry
07 – The Story of the Egg
08 – On Joy and Undeserving
09 – Cloverlooper
10 – Turbine Song

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Skeleten Unleashes His Boldest Sound Yet with ‘Let It Grow’—A Glimpse into Mentalized

Skeleten shares ‘Let It Grow’ single from new album Mentalized, out on February 7, 2025. Courtesy photo, used with permission.

Eora/Sydney-based artist Skeleten (aka Russell Fitzgibbon) unveils his final single “Let It Grow” from his forthcoming second album, Mentalized, out February 7 via 2MR / Astral People Recordings. (another side, 2025)

Amidst a record absorbed in the ways we’re disconnected from ourselves every day – “mentalized for better or worse” – “Let It Grow” immerses in a dissociative surrender. Over a sensual synth line, Skeleten breathes life into the inexplicable weight of intimate connection. It’s a submission to that feeling of an “it” that cannot be denied. The song hangs heavy in the air, unmoving like the heat of an overpacked club, and the only way out is up.

“‘Let It Grow’ was so natural it just kinda started existing without me even realising it. Which I guess is the whole vibe of the song. Surrender and acceptance??”- Skeleten

“Let It Grow” completes a lineup of adored singles “Deep Scene”, “Love Enemy”, “Viagra,” and “Bodys Chorus” alongside respective remixes by Axel Boman and Spray, in laying the foundations for Mentalized. The releases have earned tastemaker nods from Pitchfork, Stereogum, Paste, Brooklyn Vegan, KEXP, KCRW, BBC 6Music, FBi Radio, Apple Music’s ‘Best of 2024’ playlists, and more.

This month Skeleten will complete a 3-month residency at Sydney’s Pleasure Club, spotlighting local talent across the city’s different scenes, alongside Skeleten and his full live band. Having already united acts like Hugh B and the Modern Pop Ensemble, Dylan Atlantis, Scruffs. and Killian, stay tuned via Skeleten’s socials for the final surprise announcement. Skeleten will also perform at Golden Plains Festival in March, alongside esteemed artists PJ Harvey, Fontaines D.C, Kneecap and more.

Mentalized tracklist:
1 – These People
2 – Love Enemy
3 – Bodys Chorus
4 – Crack In The Shell
5 – Deep Scene
6 – Raw
7 – Let It Grow
8 – Viagra
9 – Ravers Dream
10 – Mindreader

Skeleten Live Dates:
Mar 8 – 10, 2025: Golden Plains Festival, Meredith Supernatural Amphitheatre, VIC

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‘Dead Before They Wake’: A Thrilling Ride into the Dark Unknown

Dead Before They Wake will be available to rent or own in the UK from 27th January. Courtesy photo, used with permission.

Topical thrillers take current events, real-world issues, or contemporary themes to create fast-paced, suspenseful narratives. Their appeal lies in their relevance, making them feel immediate and relatable. By incorporating elements such as political intrigue, technological threats, or social tensions, these stories tap into the anxieties and curiosities of today’s world. Viewers are often drawn to the sense of urgency and the high stakes, feeling a personal connection to the situations depicted. Topical thrillers offer not just entertainment, but also an opportunity to reflect on the challenges and risks facing society, heightening emotional engagement and anticipation.

London – Shepka Productions have announced the UK release of the brutal, topical thriller, Dead Before They Wake. The feature will be available to rent or own on Digital Platforms in the UK from January 27th and is available to download in the US now. (Strike Media, 2025)

Based on true events, the film follows nightclub bouncer Alex who is hired by a retired lawyer to track down a missing teenage girl, suspected of being snared by a trafficking ring, and to bring her home no matter what it takes.

Dead Before They Wake stars Nathan Shepka (Lock & Load, The Baby in the Basket), Grace Cordell (Cara), Manjot Sumal (The Last Bus, hit BBC sitcom Scot Squad), Kareem Nasif (The Job). Also starring Dr Who legend Sylvester McCoy (The Hobbit trilogy, The Munsters), and Patrick Bergin (Sleeping With the Enemy, Patriot Games).

“We wanted to base the film on real events and researched how UK sex trafficking gangs operate to give the film a grounded sense of reality. It is important to highlight what goes on every day and can often by ignored by the mainstream. We don’t feel any studio would have taken on the story in this way, it is likely to be a divisive and controversial portrayal. Ultimately there still has to be a pay-off for the audience; the film culminates in a brutal revenge-driven showdown.” – Producer Nathan Shepka

Dead Before They Wake is directed by Andy Crane and Nathan Shepka. The film features an original score by Academy Award winning composer Joseph Renzetti and is produced by Nathan Shepka.

Dead Before They Wake had its US release on 7th January: Apple TV, Fandango at Home, Google Play, Amazon Prime Video.

It will be available to own or rent on digital download in the UK from 27th January.

Dead Before They Wake. Courtesy photo, used with permission.

Honoring John Hartford: Tribute Album Brings Classic Fiddle Tunes to Life in Volume 2

Julia Belle: The John Hartford Fiddle Tune Project Vol 2 features the most beloved female artists in the Hartford-inspired bluegrass scene. Courtesy photo, used with permission.

Nashville, TN – In the twenty-three years since Bluegrass and Americana titan John Hartford’s passing, the witty, vibrant tunes of the Grammy-winning, river and steamboat-obsessed, flatfoot dancing legend have taken on a life of their own, creating an entire sub-genre of the American music canon. That’s thanks to not only Hartford’s pure, funny, and virtuosic catalog, but also to the family and friends attending to the late banjo and fiddle player’s legacy. In the past few years alone, Hartford’s daughter, Katie Harford Hogue, and modern-day fiddle great Matt Combs compiled a never-before-seen collection of unrecorded music in a book entitled “John Hartford’s Mammoth Collection of Fiddle Tunes” which quickly turned into a star-studded album, The John Hartford Fiddle Tune Project Vol 1. (IV PR, 2024)

Today, Hartford’s legacy takes another step into the future with the announcement of Julia Belle: The John Hartford Fiddle Tune Project Volume 2. Again co-produced by Hogue, along with Sharon Gilchrist and Megan Lynch Chowning, Volume 2 celebrates some of the most beloved female artists in the Hartford-inspired bluegrass scene: Rachel Baiman, Phoebe Hunt, Ginger Boatwright, Brittany Haas, Deanie Richardson, Allison de Groot, Della Mae, The Price Sisters, Uncle Earl, and many more.

“The feeling of working on an all-female project is unparalleled. It felt powerful and developed a real sense of togetherness and community.” – Della Mae’s IBMA Award-winning bassist and vocalist, Vickie Vaughn

Volume 2 contains thirteen new Hartford instrumental fiddle tunes and five “legacy” covers of beloved John Hartford songs, all of which take on new life under the hands—and voices—of some of the finest musicians around today. “What is so incredible is that you hear these tunes played in so many different ways, and Dad comes through on every one of them,” says Hogue. “It’s like his DNA is in the songs.” Today, with the announcement of Volume 2, one of Hartford’s most beloved songs, “Steam Powered Aereo Plane,” was released, much to the pleasure of the Goodle Family, the official-ish collective of Hartford fans worldwide. 

Fronted by legendary country vocalist Kathy Mattea, the cast behind “Steam Powered Aereo Plane” delivers a mellow, true-to-the-original version of the song originally released on Hartford’s 1971 album of a slightly altered name, Aereo-Plain. Alison Brown, who produced the single, leads into the first verse on banjo accompanied by none other than Sierra Hull on guitar. Gradually Missy Raines brings in the bass and Larkin Poe’s Megan Lovell and the latest Punch Brothers band member Brittany Haas add their dobro and fiddle flourishments, respectively. The result is four straight minutes of pure John Hartford ethos, brought into the present day by a lineup of some of the most respected and accomplished musicians of their time—all of whom credit Hartford as an iconic influence in their musical lives. 

Fans can stream or purchase “Steam Powered Aereo Plane” and pre-order or pre-save Julia Belle: The John Hartford Fiddle Tune Project Vol 2 ahead of its February 28 release. 

For fans who can’t get enough Hartford, the Hartford family has rallied their efforts around the Goodle Family Patreon page: a subscription-driven home base for all things John Hartford. Whether it be archival releases, updates on the Fiddle Tune Project, orin-person/livestream fan meetups—like the upcoming installment of Mammoth Marathon Mondays.

Julia Belle: The John Hartford Fiddle Tune Project Vol 2 tracklist:
Irish Familiarity
The Julia Belle Swain
Grant Marsh & Joseph La Barge/Little Pig/Entertainment Tonight (medley)
Spirit of the South
Availability
I’m Still Here
Kenny and Mac
Merry Christmas
Learning To Smile All Over Again
Royal Box Waltz
Takes Her Clothes Off
Gasoline Alley No. 1
No End of Love
Living Up Stairs
Not Soft Enough
Don’t Throw Her Down
Steam Powered Aereo Plane
Champagne Blues

One of the most respected musicians in Nashville history, John Hartford is considered a cornerstone of the newgrass movement due to his 1971 masterpiece, ​Aereo-Plain​. He won a career four Grammy Awards, including two for his 1967 recording of “Gentle on My Mind,” a third for his 1976 album Mark Twang, and a fourth for his contributions to the O Brother, Where Art Thou? soundtrack in 2000. He was posthumously inducted into the International Bluegrass Music Hall of Fame in 2010, was awarded the Americana Music Association President’s Award in 2005, and the Folk Alliance “Spirit of Folk” award in 2011.

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‘Before the End’: The Search for Jim Morrison’s True Story Beyond the Legend

The global release of Z-Machine’s independent 3-part docuseries ‘Before the End: Searching for Jim Morrison’ is set for January 13, 2025. Courtesy photo, used with permission.

Jim Morrison, the enigmatic lead singer and lyricist of The Doors, remains one of rock music’s most iconic figures. Born in 1943, Morrison’s blend of poetic, often mystical lyrics and raw, charismatic stage presence helped define the counterculture of the 1960s. His exploration of existential themes, love, and rebellion resonated with a generation grappling with societal upheaval. Though his life was tragically short—he died in 1971 at just 27—his influence endures through songs like “Light My Fire” and “Riders on the Storm.” Morrison’s legacy as a rock legend and cultural symbol continues to captivate new generations of listeners.

(LOS ANGELES, CA) Z-Machine has announced release details for its independent 3-part docuseries, Before the End: Searching for Jim Morrison. The first of its kind “documystery” series clocks in at a total of 3.5-hours and will make its global TVOD/Digital release on January 13, 2025, following Morrison’s 81st birthday, available on all the major platforms of Amazon Prime Video, AppleTV, Google Play, and YouTube TV, with more to follow. (Cinematic Red PR, 2024)

A dozen years in the making, Before the End’s cryptic tagline encapsulates its investigative approach: “One Man. Countless Myths. And in between lies the truth.” Z-Machine founder, Jeff Finn, drew from 38 years of personal research into the gray areas of Jim Morrison’s humanity to distinguish between persona and person. Finn’s extraordinary detail work breaks the decades long closed seal on the traumatic formative years that forged a brief hellacious life, through Morrison’s controversial career as lead singer of legendary 1960s rock band, The Doors, to his reported 1971 death by “heart failure” in Paris at age 27. Morrison’s ostensible demise, technically an unsolved cold case, formed its own rabbit hole of reasonable doubt, which inspired Finn to consult with private investigators and forensic analysts.

Before the End transcends “rock doc” in the same sense that Jim Morrison was more than a rock star. A 1965 graduate of UCLA’s film school, he achieved much beyond music during his abbreviated time in the spotlight, including self-publication of three books of poetry, producing, directing, and acting in an experimental film, and enduring a railroaded obscenity trial in defense of artistic freedom of expression. Morrison’s legacy has since been muddled by a half-century of PR spin, character assassination, urban legend, and crass commercialism, all of which have defanged his once-fierce anti-authoritarian stance.

Jim Morrison was many things: cult figure, teen idol, goth/punk forebear, and political fugitive. Living the role of haunted visionary, he said, “When you make your peace with authority, you become authority.” Given the US’s current zeitgeist of threatened dictatorship and crumbling democracy, Finn believes the timeless message of the young poet who infamously killed his navy admiral father in song is even more vital in toxic-masculine 2024 than in free-love 1967, and he hopes Gen Z will unlock an empathic connection to the complex Morrison, like it has with the Menendez Brothers. “There’s the ‘truth,’” Finn says, “and there’s the real truth. Before the End is for Morrison fans, like me, who are tired of the ‘official’ story.’” He quotes a meme aimed at self-appointed experts and closed-minded gaslighters: “Conspiracy Theorist: Nothing more than a derogatory title used to dismiss a Critical Thinker.”

Featuring unprecedented content, from shocking corroboration about Morrison’s early life, to harrowing revelations about his stardom, and fresh evidence that contradicts his professed death, Before the End: Searching for Jim Morrison is proudly unauthorized because it “seeks the unvarnished truth.” The documystery reverse-engineers long-controlled narratives while it explores the notion of Morrison the nonconformist as neurodivergent, and deconstructs – through on-camera interviews with family, friends, lovers, classmates, and associates – key distinctions between Jim Morrison, “rock god,” and James Douglas Morrison, introverted outsider.

Among those interviewed and/or featured are Morrison’s cousins, Ellen Edwards and David Backer, lovers, Anne Moore, Gayle Enochs, Judy Huddleston, and Suzanne Roady-Ross, friends, Mirandi Babitz and Salli Stevenson, Elektra Records founder, Jac Holzman, The Doors booking agent, Todd Schiffman, The Doors roadie, Gareth Blyth, screenwriter, Randall Jahnson, rock critics, Ellen Sander and Richard Meltzer, UCLA classmates, Philip Oleno and Richard Blackburn, UCLA roommate, Ron Cohen, UCLA professor, Dick Adams, Florida State University roommates, Bryan Gates and John McQueen, FSU professor, Ralph Turner, Alameda High School swim coach, Ash Jones, childhood friend, Jeff Morehouse, Paris-era acquaintances, Philippe Dalecky and Gilles Yepremian, and exclusives via Jim’s brother, Andy Morrison, Robyn Wurtele, Morrison’s enigmatic Paris-era assistant, and “Mr. X,” a mind-blowing anonymous source.

Z-Machine is a truly independent production company helmed by writer and filmmaker, Jeff Finn, whose tie-in book, “127 Fascination: Jim Morrison Decoded,” is forthcoming.

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‘The Nail Beside The Door’: The Soulful New Single from E.W. Harris’ new album

Alt-folk singer/songwriter E.W. Harris unveils new single and announces new EP Machine Living in Relief. Courtesy photo, used with permission.

(New York, NY) With the release of the new single, “The Nail Beside The Door,” alt-folk singer/songwriter E.W. Harris announces the forthcoming EP, Machine Living in Relief, due out this year. An ambitious collection of songs born out of a last call challenge to make a completely acoustic record about robots and AIs, Machine Living in Relief is the latest in a five-album series set inside Harris’s self-styled “romantic dystopia” Rocket City. (One in a Million Media, 2024)

If one weren’t already familiar with Harris’s more traditionalist background, the chummy strum of his guitalele reaches out and shakes your hand by way of friendly introduction. He also incorporates a number of unusual instruments (cedar flute, a broken autoharp), outside-the-box toys (Speak-n-Spell, Mr. Robot, Magic Wand Reader), and MacGyvered percussion hacks (can full of rice, “suitcase that I hit with a roll of duct tape”) throughout these folkways-meets-the-spaceways tracks. Call it asteroid field recording.

In a strange bit of real-time lore that feels like it could only happen to Harris, one of his cousins walked up to him mid-set a few years back and handed him a banjo, offering only the briefest explanation – “Here man, I’m not gonna learn this and I thought you might use it” – before promptly leaving the gig. The result, some months later as Harris tinkered with the unfamiliar instrument under lockdown, was this album’s lead single, “The Nail Beside the Door.” “Written from the perspective of a prisoner who becomes emotionally dependent on an AI companion,” it effectively sets out to explore the ideas behind the album opener from the other side, with all the profound, maddening aloneness of COVID isolation bleeding through the character loud and clear.

Courtesy photo, used with permission.

Though perhaps best known for his event horizon synths, spaghettified guitar effects, and above all, his overwhelming, spacetime singularity of a voice, Harris’s career began, some 25 years ago, in a much more earthbound vein, with the train trestle roots-rock of Luminous and the cable knit jazz-folk of The Eric Harris Group.

Through subsequent releases and relentless touring Harris steadily populated his teeming retropolis with comet-hopping hobos and android vagabonds of every stripe, worldbuilding his future from the ground up until it finally skyscraped against the present, with Machine Living in Relief, and the fateful fortune of that half-remembered night at the bar.

If Machine Living in Relief is truly the result of some apocryphal gauntlet throw issued at last call, Harris has met it in spades. Both a natural outgrowth of what came before, and a tantalizing peek at what might be soon to come, it pushes all the right buttons – even when those buttons are connected to the characters themselves – and leaves you contemplating your place within our brave new world of hyperconnected loneliness and transhuman striving.

“If the heart pumps a turbine that generates power to the computer half of the cyborg brain, what is the value of the parts? Is addiction just a modality of being a divided whole? If time is not linear, in remembering our past mistakes do we actually return to those moments? It’s a damn good thing songs don’t need to answer questions.” – E. W. Harris