Tag: Book Reviews

The Cost of Conscience: Exploring Justice and Corruption in ‘The Middleman’

‘The Middleman’ is Mike Papantonio’s new thought-provoking legal thriller. Photo: Barnes & Noble

“The Middleman” by Mike Papantonio is a gripping legal thriller that explores the high-stakes world of whistleblowers, corruption, and corporate greed. Drawing heavily from real-world headlines, the novel weaves a fast-paced narrative that’s as timely as it is thrilling. Papantonio, a renowned trial lawyer, uses his insider knowledge of the justice system to craft a story that feels disturbingly authentic.

The plot centers around Amy Redmond, the president of EirePharma, the Redmond family business and a powerful Pharmacy Benefit Manager (PBM). EirePharma was recently taken over by the charismatic CEO Connor Devlin who she suspects of using racketeering practices—and perhaps murder—to raise the prices of insulin for his own profit that ultimately harms consumers.

Amy is engaged to Connor but she tentatively decides to become a whistleblower as she tries to gather evidence to make sure Connor pays for his crimes. Nicholas “Deke” Deketomis and his law firm have a reputation for taking on America’s Big Pharma, so when Deke’s college friend and Amy’s cousin Matt Redmond presents him with a case of possible fraud, he agrees to investigate the matter. Amy is caught in the middle of a deadly game of wills between a formidable gangster, who in the eyes of the public is a respected businessman, and a law firm that is determined to investigate and uncover Connor’s crimes.

As the stakes rise, the characters are drawn into a deadly game of cat-and-mouse, where truth comes at a steep price. Murder, manipulation, and lies blur the lines between right and wrong, keeping readers on edge until the final page. The narration is non-linear, providing the necessary character development to make them relatable. There is not much court drama and the language doesn’t include too much legal terminology; instead, it focuses on the intense relationship between Amy and Connor, as Amy tries to gather the necessary evidence to convict him and Connor’s use of mobster-like tactics to preserve his way of life. Papantonio doesn’t just tell a story—he delivers a wake-up call about the consequences of unchecked power and the courage it takes to stand against it.

Overall, “The Middleman” is a suspenseful blend of mystery and moral urgency. By exploring the themes of family, friendship, justice, and good vs. evil, it creates a compelling and thought-provoking story. With sharp dialogue and a plot full of twists, this book is recommended for fans of John Grisham or anyone intrigued by the dark intersections of law, politics, and corporate influence.

*The author of this blog received a copy for an honest review. The views and opinions expressed here belong solely to her.

Rating: 5 out of 5.

Related post: Mike Papantonio’s ‘The Middleman’: A Legal Thriller That Hits Close to Home

‘The Wait Until Sunday for Pan Dulce’: The Sweetest Children’s Book You’ll Read This Year

‘The Wait Until Sunday for Pan Dulce’ by Monica R. Velasquez teaches children the virtue of patience and sweet rewards. Photo: Barnes & Noble

Monica R Velasquez is a bilingual kindergarten teacher and children’s books author. Writing is her passion because it allows her to share her culture with others. “The Wait Until Sunday for Pan Dulce,” her first book, is about a little girl anxiously counting the days until Sunday when she and her family eat sweet bread. Her feelings change day by day as she dreams of eating different types of “pan dulce.”

“The Wait Until Sunday for Pan Dulce” – This is a rhyming book for children and children at heart. Different types of Mexican sweet bread are beautifully drawn, bringing the book to life. Sweet bread is something that many people enjoy around the family table with a cup of coffee. Some wait to eat the “pan dulce” at the end of the week when everyone can gather around, enjoy each other’s company, and eat delicious, sweet bread.

A charming and heartwarming children’s book, it vividly captures the beauty of anticipation and family tradition. It follows a little girl as she counts down the days of the week, eagerly awaiting Sunday—her family’s special day to buy pan dulce, or sweet bread.

Velasquez skillfully weaves a simple yet engaging narrative that highlights the joy of a weekly ritual and teaches young readers the concept of patience and the comfort of routine. Each day is thoughtfully described, showing how she struggles through each, all while dreaming of her favorite treats. The colorful and inviting illustrations by Natasha Bolonna add warmth and charm to every page, perfectly capturing the coziness of the little girl’s world.

Overall, “The Wait Until Sunday for Pan Dulce” is a wonderful introduction to the rich heritage of Mexican cuisine and the small joys of family rituals. It’s relatable, rhythmic, and sweet—just like the pan dulce it celebrates. Ideal for preschoolers and early readers, it’s a delightful read-aloud that encourages children to find magic in the everyday.

Rating: 5 out of 5.

Also by Monica R. Velasquez: “Sana, Sana, Frog’s Butt.”

Cyberpunk Noir at Its Best: A Review of ‘Two Truths and a Lie’

‘Two Truths and a Lie’ by Cory O’Brien. Photo: Barnes & Noble

Orr Vue is an aging combat-drone veteran who lives in a mostly underwater near-future Los Angeles, where information is the most valuable currency. He makes a living as a Fact Checker for InfoDrip and sells snippets of information on the side. As he’s going through data files, he finds one about Thomas Mahoney, CEO of InfoDrip, who has been found dead. He needs the money, so he’s willing to sell it but must find a broker willing to buy the Rumor off of him. The police show up at his place and want to question him but he is able to evade them.

Everyone has implants on their brains that allow them to chat with other people. When he gets a chat request from Auggie Wolf, an old boyfriend who has been arrested for murder and needs him to bail him out, he can’t help but get involved. He goes to the police station and talks to Detective Mar Coldwin who tells him that Auggie is the prime subject because he has no alibi, he was in the area at the time of the murder, and he knew Thomas Mahoney personally.

Now that he is officially investigating Mahoney’s death, Orr takes his illegal horde of drones out of retirement alongside his busted knees. He has to deal with the militarized police, a family of megarich corporate heirs, a clan of emancipated AIs, and a cult. Staying alive is just the tip of the iceberg, and with every clue he collects, he comes to realize that this is not just any murder, but a conspiracy that threatens Auggie’s very existence. In a world where memories can be bought and sold, can you honestly know who anyone is—or what you yourself are capable of?

Cory O’Brien’s “Two Truths and a Lie” is a thrilling exploration of a drowned Los Angeles where memories are commodities and identity is as fluid as the floodwaters. In this richly imagined blend of noir and cyberpunk, O’Brien introduces readers to Orr Vue, an unforgettable investigator—gritty, sharp-witted, and haunted by a past that he barely remembers. The story unfolds with the sharp pacing of a classic detective tale, but with a futuristic twist: memories can be edited, stolen, or sold, making truth a slippery concept. After Orr takes a taxi, he tips the driver with a memory: “….I tipped him the memory of a good breakfast for his trouble.”

More than a mystery novel, it’s also an insightful view into the human condition. Amidst the high-tech corruption and existential questions, O’Brien gives us a human story about trust, trauma, and the lengths we go to protect what matters. The narration is in the first person point of view through Orr’s perspective and it’s divided into Submissions instead of chapters. It’s a submission to a checker to verify the facts and contains his memories and everything else he remembers about the case.

The writing is smart, cinematic, and layered with moments of dark humor and poignant introspection. “She sat in an ornately carved dining chair with her fists balled tightly on the tabletop, unwilling to allow even the dead skin cells from her palms to escape her grasp.” Each twist challenges not only the characters’ sense of self but also the reader’s understanding of reality. It explores the themes of identity, love, redemption, and justice.

Overall, “Two Truths and a Lie” is an action filled mystery and a philosophical exploration of identity in a world where even your own memories might lie to you. It’s a must-read for fans of noir, cyberpunk, and thought-provoking speculative fiction and those who appreciate the works of Raymond Chandler.

“I was furious at Auggie. For leaving all those years ago, for asking me to kill him now, for even being here, in this place, where he had no business sacrificing his beautiful mind. I didn’t hate him, but I hated how he made me feel, and that was enough.”

Rating: 4 out of 5.

*The author of this blog received a copy for an honest review. The views and opinions expressed here belong solely to her.

Related post: ‘Two Truths and a Lie’: The Mind-Bending New Science Fiction Novel by Cory O’Brien

‘Living Beyond Borders’ Review: A Powerful Mosaic of the Mexican American Experience

‘Living Beyond Borders: Growing Up Mexican in America.’ Photo: Barnes & Noble

Stories and essays about the Mexican American experience in the United States provide a vital perspective on culture, identity, and resilience. They illuminate the struggles and triumphs of a community that has shaped American history, offering insights into immigration, family, tradition, and social justice. These narratives resonate with readers of all backgrounds by exploring universal themes of belonging, perseverance, and the pursuit of the American Dream. They also challenge stereotypes and foster understanding, making them essential in a diverse society. By engaging with these stories, readers gain a richer, more inclusive view of the American experience as a whole.

“Living Beyond Borders: Growing Up Mexican in America,” edited by Margarita Longoria, is a compelling anthology that features short stories, poetry, essays, and comics to paint a vivid portrait of the Mexican-American experience. Featuring a diverse group of voices, this collection provides an intimate and multifaceted exploration of identity, culture, family, and resilience.

Each piece in this anthology offers a unique perspective on what it means to straddle two worlds—balancing the rich traditions of Mexican heritage while navigating the complexities of American society. From heartwarming tales of family bonds to sobering reflections on discrimination and the challenges of immigration, it doesn’t shy away from the struggles faced by the Mexican-American community. It celebrates its beauty, strength, and enduring spirit.

Contents:
Ghetto Is Not an Adjective – Dominic Carrillo
Yoli Calderon and Principal Hayes – Angela Cervantes
Warning Bells – Anna Meriano
I Want to Go Home – Justine Marie Narro
How to Exist in a City of Ghosts – Carolyn Dee Flores
Filiberto’s Final Visit – Francisco X. Stork
CoCo Chamoy y Chango – e.E. Charlton-Trujillo
Tell Me a Story/Dime un cuento – Xavier Garza
My Name is Dolores – Guadalupe Ruiz-Flores
“There Are Mexicans in Texas?”: How Family Stories Shaped Me -Trinidad Gonzales
Morning People – Diana López
Ode to My Papi – Guadalupe García McCall
The Body by the Canal – David Bowles
Is Half Mexican-American Mexican Enough? – Alex Temblador
Sunflower – Aida Salazar
La Migra – René Saldaña Jr.
La Princesa Mileidy Dominguez – Rubén Degollado
Ojo – Sylvia Sánchez Garza
La Llorona Isn’t Real – Xavier Garza
This Rio Grande Valley – Daniel García Ordaz

Highlights:

La Llorona – a comic about a young boy, with fear in his eyes, trying to convince himself that La Llorona is not real and therefore cannot hurt him. As children, if we misbehaved, our parents would tell us that the Llorona would come and take us. It’s short and to the point and it’s highly relatable to those of us who grew up hearing about the Llorona.

The Body by the Canal – Oscar, a young teenage boy, is swept away by Ariel, the new neighbor whose looks made him an instant target. As time goes by, they become close but fearing for Ariel’s safety, Oscar distances himself from him. He feels guilty about it, but eventually Ariel and his family move away. “Boy or girl, the kid was beautiful. And from my own experience, this town would do all it could to destroy that beauty.” This insightful story of one boy’s early experience with romance and homophobia is refreshing to read; it is seldom written about in the Mexican American community.

The range of storytelling styles and language makes it accessible and engaging for readers of all backgrounds. Whether through powerful poetry, heartfelt personal essays, or striking visual storytelling, every contributor adds depth to the broader narrative of cultural identity. The list of discussion questions at the end helps readers reflect on the themes and topics presented.

Overall, “Living Beyond Borders” is an essential read for anyone seeking to understand the richness of the Mexican-American experience, making it a powerful and necessary addition to contemporary literature. It is recommended for readers who appreciate diverse personal narratives.

“Though I was always curious and grateful for those Latinos who openly welcomed my exploration of identity, secretly, hot shame filled me inside, reminding me that I had taken so long to learn all these things.” – Is Half Mexican-American Mexican Enough? by Alex Temblador

Rating: 5 out of 5.

*The author of this blog received a copy for an honest review. The views and opinions expressed here belong solely to her.

Echoes of the Rio Grande: A Reflection on ‘The River Runs: Stories’

‘The River Runs: Stories’ by Thomas Ray Garcia. Photo: Barnes & Noble.

Thomas Ray Garcia is the author of the award-winning short story collection “The River Runs: Stories” and the co-author of “El Curso de la Raza: The Education of Aurelio Manuel Montemayor.” At Princeton University, he received the Ward Mathis Short Story Prize for his fiction on the U.S.-Mexico borderlands. He is the founder and co-chair of College Scholarship Leadership Access Program (CSLAP), a 501(c)(3) nonprofit that teaches college access classes and connects near-peer mentors to students in the Rio Grande Valley. (Thomas Ray Garcia, 2025)

“The River Runs: Stories” is his debut short story collection that presents insights into Texas-Mexico border culture, highlighting tales of resilience while refusing to shy away from the omnipresent reality the river imposes. Written from 2015 to 2020, these stories resist a singular vision of the border, centering the Rio Grande as a site of transformation. It won the Américo Paredes Literary Arts Prize for Fiction sponsored by FlowerSong Press from McAllen, Texas, and Prickly Pear Publishing from Santa Fe, New Mexico.

Stories include:
Seventh Man
Prosperers
Watcher in The Sky
La Lomita
The Curandera on Alameda Street
Burn The Sun
Sunset Station
After The Wall
I Know I Will Be Leaving Here
A South Texas September
Scholarship Boy

Thomas Ray Garcia’s short stories explore the deep, often turbulent connections between people and the communities that shape their lives. Set in the borderlands where the Rio Grande river is both a life-giving force and a dividing line, Garcia’s narratives illuminate the struggles, hopes, and identities of those living alongside it.

Each story is a poignant reflection on themes of survival, migration, heritage, and resilience. Garcia’s prose is lyrical yet grounded, capturing the stark realities of his characters with authenticity and emotional depth. “The pain behind every word was not like the rush of deoxygenated blood rushing to and from the brain, but the exertion of reaching a finish line obscured by hand and shouts and incense.” The river, more than just a setting, becomes a symbol of change, separation, and continuity—shaping destinies in ways that are both beautiful and heartbreaking.

The highlight is its diversity of voices, from immigrants seeking a better future to those who feel trapped by their circumstances. Garcia doesn’t shy away from difficult truths, but he also highlights moments of tenderness and connection. As someone who grew up along the border, these stories resonate with me as they reflect a commonality not usually present in modern literature.

Overall, “The River Runs” is both thought-provoking and deeply moving. It appeals to readers who appreciate literature that examines cultural identity, the human condition, and endurance. With its rich storytelling and evocative imagery, it explores the themes of family, coming of age, and friendship. Garcia’s work is a powerful testament to the lives shaped by the ever-flowing, ever-changing river.

“The Rio Grande was the only river I knew at the time, although I had only seen it once. I remember it made a lasting impression on me because Mom said something about rivers changing all the time. Every time you looked into it, it wouldn’t be the same river and you wouldn’t be the same person either.”

Rating: 5 out of 5.
@thomasraygarcia

Do I have favorite stories from The River Runs? Three of these stories speak to me for very different reasons. —– The River Runs: Stories presents revitalized insights into the Texas-Mexico border region by centering the Rio Grande as a site of belonging and becoming. These 11 stories feature characters facing the realities of living alongside a river running through their countries, communities, and cultures. Winner of the Bronze Award at the 2024 International Latino Book Awards for “Best Short Story Collection (English)” The River Runs is available at South Texas bookstores and online retailers like TikTok Shop, Barnes & Noble, Bookshop, and Amazon. Click the link in my bio. #booktok #readersoftiktok #956rgv #riograndevalley #pharrtx #rgvauthors #texasauthors

♬ original sound – Thomas Ray Garcia

Why Character Still Matters: A Review of Robert L. Dilenschneider’s ‘Character’

‘Character’ is Robert L. Dilenschneider’s latest motivational book. Photo: Barnes & Noble

Robert L. Dilenschneider is founder of The Dilenschneider Group, a firm that provides strategic advice and counsel to Fortune 500 companies and leading families and individuals around the world, with experience in fields ranging from mergers and acquisitions and crisis communications to marketing, government affairs and international media.

Dilenschneider has been called the “Dean of American Public Relations Executives” and is widely published, having authored 14 books, including “A Briefing for Leaders,” “On Power,” “The Critical 14 Years of Your Professional Life,” and “Power and Influence: The Rules Have Changed.” His new book “Character: Life Lessons in Courage, Integrity, and Leadership” addresses the need for character as a vital dimension in public and private life, based on iconic historical figures who embodied such qualities of character. (Barnes & Noble, 2025)

In “Character,” Robert L. Dilenschneider explores what it means to possess and foster strong moral character. Through the lens of noted historical figures—ranging from Stephen Hawking to Mother Teresa—he illustrates how integrity, resilience, and ethical leadership have shaped both personal legacies and societal progress.

Dilenschneider contends that character is not merely a trait but a fundamental necessity in our daily lives, especially in today’s complex and often morally ambiguous world. By combining historical narratives with modern-day reflections, he makes a strong case for why individuals, particularly those in leadership positions, must prioritize character over personal gain.

He begins by defining character as exhibiting traits such as honesty, integrity, and loyalty while inspiring others around you. The goal of this book is provide examples of character and how it can drive people to achieve their dreams and how to recognize it and nurture it in others, especially those with leadership positions.

Each chapter profiles a different group of people who were known for a specific trait, such as Innovation (Steve Jobs, Walt Disney), Courage (Winston Churchill, Arthur Ashe), and Loyalty (Eleanor Roosevelt, John McCain). At the end of each, he includes a list of lessons learned.

Chapters include:
Chapter 1 – What is Character?
Chapter 2 – Leadership
Chapter 3 – Innovation
Chapter 4 – Resilience
Chapter 5 – Breaking Barriers
Chapter 6 – Courage
Chapter 7 – Loyalty
Chapter 8 – Integrity
Chapter 9 – Transparency
Chapter 10 – Transcendence
Chapter 11 – Lessons

Highlights:
Chapter 4: Resilience – when we are tested, resilience is what allows us to keep fighting. Nelson Mandela was a vocal opponent of apartheid: “Never give up when your cause is just.”

Chapter 5: Breaking Barriers – profiles of people who broke barriers when they refused to be held down because of their sex, color, or political beliefs. Margaret Chase Smith stood up against McCarthyism in the 40s and 50s: “Speaking your mind may not always be popular but it will win you respect.”

Informative and inspiring, it offers valuable lessons on courage, humility, and perseverance. Dilenschneider’s writing is engaging, and his selection of historical figures ensures a broad perspective on how character manifests in different circumstances.

Overall, “Character” serves as an insightful guide for those seeking to understand the enduring power of virtue in shaping history and how we, too, can attempt to embody these qualities in our own lives. It is recommended for readers who enjoy biographies and leadership/motivational books.

“Learning is a classic way to overcome barriers, by equipping yourself with knowledge that nobody can take away.”

*The author of this blog received a copy in exchange for an honest review. The views and opinions expressed here belong solely to her.

Rating: 4 out of 5.

The Power of Reflection: My Review of ‘Lost in Thought’ by Deborah Serra

‘Lost in Thought’ is the inspiring new novel by Deborah Serra. Courtesy photo, used with permission.

Deborah Serra is a recipient of the Hawthornden Literary Fellowship, a semifinalist for the Faulkner-Wisdom Creative Writing Award, and nominated for the O. Henry Prize. She has been published in literary magazines and is an editor with the ethics and short story magazine, After Dinner Conversation. Serra is the author of the thriller, “Primal,” and the humorous travel memoir, “2 Broads Abroad.” Her latest book is “Lost in Thought,” a novel about unconscious decision making and the illusion of free will.

“Lost in Thought” – Ilana works at Lyric Opera House and is in a committed relationship with Adam, a neuroscientist, for the last 3 years. They live in a cozy Greenwich Village apartment where they often share meals with friends as they engage in stimulating conversations. She’s adopted, and the questions inside of her are growing insistent including who would she be if she’d grown up in her birth home? Is she truly who she thinks she is? Has she ever freely chosen anything at all? Are these questions in part due to Adam’s research on how people make their decisions. It could also be suppressed grief from the death of her adoptive mother. Her inner dialogue is affecting her daily life: “Her thoughts were loud and they drowned out her words.”

When Ilana learns that her birth mother Fiona Shannon owns a pub in Albany, she figures what harm could there be in casually dropping by for a drink? To see, just to see. What begins as curiosity about her choices evolves into a traumatic shift in her world. She loses control of her life and then chaos breaks out.

Review:
The story begins as Ilana is taking the elevator to her office in the 12th floor. A germaphobe by nature, it intensified by Covid and it shows in every part of her life. She’s the production manager at the opera house and the job requires a sense of authority. To everyone around her, she seems calm and confident, but it’s only a front. She was raised to act confident regardless of her situation, and in her line of work, emotions are a sign of defeat and she refuses to show any weaknesses.

Her adoptive mother died of Covid months ago after being on a ventilator for months. She wasn’t allowed to visit her in person and she helplessly watched her die through her iPad. This experience still haunts her and is slowly chipping away at her confidence and total belief system. She desperately wants to know more about her birth family, if she has any of their traits, physical or otherwise. Her best friend and ex-boyfriend William tries to convince her that her personality is the sum of her experiences, which sets forth the nature vs nurture debate. That impulsive trip to see Fiona and her husband Shea O’Holleran will change her life in ways she never saw coming.

This combination of women’s literature and literary fiction is a compelling exploration of the subconscious mind and how unconscious processes shape our decisions, often without our awareness. The novel invites readers into the life of Ilana, who embarks on a journey of self-discovery after realizing that much of what she believed to be her free will was, in fact, influenced by external forces and internal biases. Serra cleverly examines the illusion of choice, presenting a narrative that challenges the notion that we are fully in control of our actions.

The writing is introspective and open, combining scientific concepts with philosophical musings in a way that’s thought-provoking yet not overly dense. The novel’s pacing keeps readers engaged, blending character-driven drama with intellectual inquiry. As Ilana confronts the complexities of the human mind, the book raises important questions about responsibility, autonomy, and the nature of free will. With highly descriptive language, the action flows easily through the pages: “The industrial breezes from cars and buses and subway vents blew hot into her face, grabbed her silk skirt, and whipped the loose strands of her hair.”

Overall, “Lost in Thought” is a stimulating read that challenges perceptions and invites reflection on the unseen forces that guide our choices. It explores the themes of family, identity, love, and friendship. By making abstract ideas concrete, it offers a relatable and human story while tackling deep philosophical themes. Readers are left questioning their own thought processes and the extent to which they truly have control over their lives. It is recommended for readers who enjoy intellectual literary fiction that features smart and relatable characters.

“Now, her mind was relentlessly chewing. It was thrilling but like a horror film. She asked herself why she was going down the dark basement stairs.”

*The author received an ARC in exchange for an honest review. The views and opinions expressed here belong solely to her.

Rating: 4 out of 5.

Ruthless Pursuits and Twists: What Makes ‘Neon Prey’ a Captivating Thriller

‘Neon Prey’ by John Sandford. Photo: Barnes & Noble.

John Sandford is the pseudonym of John Roswell Camp, an American author and journalist. Camp is the author of more than fifty-four published novels, all of which have appeared, in one format or another, on the New York Times best-seller lists, many debuting at #1. In addition to the Prey, Virgil Flowers, and Letty Davenport novels, all part of the Prey universe, he is also the co-author of three young-adult books in the Singular Menace series, written with Michele Cook, and co-author of the science-fiction thriller “Saturn Run” with Ctein.

“Neon Prey” is the 29th novel in the Prey series. Clayton Deese is a small-time criminal, muscle for hire when his loan shark boss needs to teach someone a lesson. Now, seven months after a job that went south landed him in jail, Deese has skipped out on bail, and the U.S. Marshals come looking for him. They don’t care about a low-level guy–it’s his boss they want–but Deese might be their best chance to bring down the whole operation.

When they track him to his rural Louisiana cabin, they find a jungle full of graves behind a dirt trail. Now Lucas Davenport is on the trail of a serial killer who has been operating for years without notice. The killer is ruthless, and–as Davenport will come to find–full of surprises. (Barnes & Noble, 2025)

Review:
“Neon Prey” is a gripping thriller that has Lucas Davenport, now a US Marshal, pursuing a cunning serial killer with a long history of eluding capture. The story begins with the discovery of a gruesome crime scene and quickly spirals into a tense, high-stakes hunt for a killer whose motives and methods remain elusive. Davenport, always a sharp and resourceful investigator, follows a trail that stretches across states, using his expertise and determination to connect dots that others have missed. Together with two of his most trusted agents, Rae Givens and Bob Matees, as well as the FBI Agent in charge Tremanty, they are hot on Deese’s trail, who is now part of a home invasion burglary ring.

Sandford’s writing is fast-paced and immersive, drawing readers into the intense atmosphere of the investigation. With highly descriptive language, the fights scenes come to life: “Paine rolled up on his side, not screaming but choking and in pain, and with Deese’s pant leg now up, Paine, with no other weapon, bit him on the calf, like a feral tomcat, wrenching his head from side to side as his teeth sank in.”

The detailed character development is impressive—especially of Davenport, who continues to evolve throughout the series. He’s a man of deep intellect, but also someone who struggles with personal demons and moral ambiguities, making him a complex and compelling protagonist. Deese, the antagonist, is equally well-written, with a chilling presence that makes every encounter feel high-stakes.

This suspenseful crime thriller is filled with twists and turns as the hunt for a sadistic killer takes Davenport to the neon lights of Las Vegas. It explores the themes of good vs evil, revenge, death, and friendship and while it does have its dark moments, the satisfactory conclusion is worth the ride.

Overall, with its intricate plot and twists and turns, as well as Sandford’s sharp, engaging prose, “Neon Prey” is a standout in the crime genre. Though it’s a stand alone novel, it continues Lucas Davenport’s journey as a US Marshal. It’s a thrilling, intelligent read that will satisfy both long-time fans of the series and newcomers alike.

“He slipped the tan ski mask out of his pocket, pulled it over his head, turned towards the door and knocked, raising the cane, ready to kick it open. Like many perfect plans, his didn’t go quite right.”

Rating: 4 out of 5.

Heartfelt and Suspenseful: My Thoughts on ‘The Whole Time: Part 1’

‘The Whole Time: Part 1’ is the first book in the series by Maizy Ren.

“The Whole Time: Part 1′ by Maizy Ren

The story is set in Plainview, New Jersey, where Hunter Key is a member of the Pests, an underground criminal organization. They are just one of the gangs that control the city and their corruption runs deep. Hunter is an Informant and recently, he has sat in at the Inner Circle’s meeting and is hoping to someday be the leader. He sees them as family, and family means everything. Before that can happen, he is given a big job: kidnap Locklyn Elwell, the only child of the wealthy Elwell Enterprises, for ransom.

Locklyn Elwell doesn’t want to inherit the family business, but for now has to go along with what her distant parents dictate, even if it means taking a slap or two to the face. She has mad computer skills, which she uses to bypass the security cameras on the estate and has tried to run away several times. Her constant entourage of security guards include Dayton, who is more of a father figure than her own father. She has been homeschooled her whole life, but now her parents are sending her to Plainview Academy. At first she doesn’t have any friends, but eventually she gains the friendship and acceptance of a small group of outcasts.

Hunter tries to get close to Locklyn at school and waits for the perfect time to get her away but the more time they spend together, the less he wants to complete the job. Not to mention that his reality is shattered when he finds out what the Pests do when no one is looking and that there’s more to Locklyn than meets the eye.

This is Part 1 of The Whole Times series of books, four in total and a captivating and promising start to the series. The story revolves around a group of diverse characters navigating complex emotions and situations, with a particular focus on love, loss, and self-discovery. The writing is emotive, drawing readers into the world of the characters and making them feel every moment of the journey. “The blackness in his wandering eyes match the blackness of the night surrounding us.”

The characters of Hunter and Locklyn are relatable and multi-dimensional, struggling with inner conflicts that feel authentic and modern. The relationships in the book—whether romantic, familial, or friendships—are examined at length, highlighting the tenderness and the intensity of human connection.

The pacing is well-balanced, with moments of reflection and tension that keep the action moving. It is written in the 1st person point of view, including Hunter, Locklyn, Zachni, Dayton, and others, so we see the world through their eyes and hints at unreliable narrators. While the first part in the series leaves readers wanting more, it sets the stage for an exciting continuation of the story.

Overall, “The Whole Time: Part 1″ explores the themes of family, love, identity, and coming of age. Fans of contemporary romance, mystery, suspense, and character-driven narratives will find it a compelling read.

“I feel small under the weight of his stare. Weak. Like a tiny animal being hunted. His eyes study me as if calculating my every move.”

Rating: 5 out of 5.

*The author was contacted for an honest review of this book. The views and opinions expressed here belong solely to her.

Exploring the Tapestry of Human Connection: A Review of ‘Connecting the Web of Humanity’

‘Connecting the Web of Humanity’ by John E. Zett III. Photo: Barnes & Noble

“Connecting the Web of Humanity” by John E. Zett III is an exploration of the human condition as it relates to love, sex, and interpersonal relationships.

Set up as a journal/memoir, it begins on Sunday November 3, 2002 where Zett establishes that authors don’t write books, that instead, they write manuscripts that publishers turn into books that hopefully sell copies. This sets the tone upfront as he combines his personal story of becoming a published author with reflections on topics such as human sexuality, the intricacies of the human soul, the challenges facing the book industry, and the ongoing debate about marijuana legalization.

His philosophical musings center around the three sides of our humanity: the body, mind, and soul, and how if we go through life with an open mind, we can establish a deeper connection with others. By sharing his personal struggles, such as the challenges of owning a small business with his wife, dealing with his father’s health problems, and balancing work and family, he connects with readers on a deeper level.

I appreciate his candidness and his ability to approach complex and often controversial subjects with a sense of depth and understanding. He doesn’t shy away from his own vulnerabilities, offering an authentic and sometimes raw portrayal of his experiences. This book challenges readers to reconsider societal norms and rethink their own perspectives on issues like sex and the soul. Especially insightful is his ‘live and let live’ view of life, but he also emphasizes personal accountability: “If you don’t hold onto your personal reins, who does?”

One of the most fascinating aspects is his commentary on the book industry, giving readers a behind-the-scenes look at what it takes to become a published author in today’s rapidly changing world. His unique insights make the book a valuable resource for aspiring writers and anyone interested in the evolving landscape of the literary world.

By using a stream-of-consciousness narrative style that he calls Extreme Creative Nonfiction, and presented in a memoir/journaling format, he relates to readers in an informal and personal way. It’s almost as if he’s speaking to them directly, albeit with a few curse words here and there. Be advised that his discussions on sex can get honest but descriptive.

The language is vivid and humorous: “Sometimes, I go off like the popcorn kernels in a microwavable bag of Explode-O-Pop Popping Corn…” Since the narrative switches back and forth between his personal story and his professional struggles to make it as an author, it can be hard to follow at times, but it fits with the journal-like presentation.

Overall, “Connecting the Web of Humanity” is an engaging, thought-provoking work that will resonate with readers interested in exploring life’s biggest questions. It is recommended for fans of philosophy and social sciences who also appreciate learning about the reality of getting published.

“Everybody is their own individual. Everything is what it is. And we are what we are. People are people.”

Rating: 4 out of 5.

*The author was contacted for an honest review of this book. The views and opinions expressed here belong solely to her.