Tag: Max Wareham

Max Wareham’s Daggomit!: The Story Behind His Debut Album

Banjo player, songwriter, and author Max Wareham announces debut, Peter Rowan-produced album Daggomit! Photo: Sasha Pedro, used with permission.

Whether on archaeological digs or translating medieval poetry, the past has always been a north star for banjo player, songwriter, and author Max Wareham. His commitment to early innovators of the banjo shines on Daggomit!, his debut album of soulful original songs, highlighted by the hard-driving chemistry of Nashville’s preeminent bluegrass stars. Wareham tours nationally with the Peter Rowan Bluegrass Band, bringing his creativity to the Telluride Bluegrass Festival, Ryman Auditorium, Merlefest, Green Mountain Bluegrass Festival, IBMA Bluegrass Music Awards, and many more, as well as with his own band, Max Wareham and the National Bluegrass Team. (IV PR, 2024)

“It brings me back to my childhood,” says Max Wareham of his new single “Lonesome Blues, I’m Coming Home,” “camping in the woods of New York state and longing for a simpler time.” Forever a student of bluegrass tradition, Wareham has tapped into a very real feeling that can be found all the way back before the genre had its name; part nostalgia, part yearning. 

“I wrote this one a while back,” says Wareham. “Then I took it to Peter Rowan, who proceeded to disassemble it completely and put it back together in a way that made more sense.” The tutelage of his bandleader boss Rowan helped to hone Wareham’s arrangement into a beautifully simple melody with ample room for instrumental embellishment and crystalline harmonies by former members of the Grammy-nominated band, Po’ Ramblin’ Boys, Laura Orshaw and Josh Rinkel. 

MAGNET Magazine shared an early premiere of “Lonesome Blues, I’m Coming Home.” Fans can stream or purchase “Lonesome Blues” at this link.

“Lonesome Blues, I’m Coming Home” is the latest single from Wareham’s upcoming debut album, Daggomit!, which was produced by Rowan and is due out on February 21. Fans are encouraged to check out Wareham’s previously released single “Hard Times Are Far Behind” at this link and pre-order or pre-save Daggomit! ahead of its February release right here.

Wareham is currently touring with Max Wareham & the National Bluegrass Team, featuring international mandolin prodigy Jean Baptiste Cardineau, singer and guitarist Walker Russell, and Boston bass stalwart Emma Turoff. Tour dates for Warham & the National Bluegrass Team as well as Wareham’s appearances with the Peter Rowan Bluegrass Band can be found online.

Produced by legendary grasser Peter Rowan and recorded by multi-Grammy-winning engineer Sean Sullivan, Daggomit! features Chris Eldridge and David Grier on guitar, Laura Orshaw on fiddle, Chris Henry on mandolin, Mike Bub on bass, and Larry Atamanuik on snare drum; a group of stars making the initial listen of the album worth the price of admission, alone. But fans will undoubtedly stick around for the stories Wareham tells throughout the 13-song collection. Stories from a lifetime of experiences and feelings that together tell the story of exactly what makes Max Max. 

Daggomit! tracklist:
Walking In Jerusalem
Lonesome Blues, I’m Coming Home
The Black & Gold
That’s Just Part Of It
Heartaches
Rexford Falls
Gone, Baby, Gone
I Remember
Hard Times Are Far Behind
Cattails
Bar Blues
Drifting Too Far From The Shore
Miles

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New book release: ‘Rudy Lyle: The Unsung Hero of the Five-String Banjo’ by Max Wareham

‘Rudy Lyle: The Unsung Hero of the Five-String Banjo’ by Max Wareham will be released August 23, 2022. Courtesy photo, used with permission.

Whether on archaeological digs or translating medieval poetry, the past has always been a north star for banjo player Max Wareham. Following years of performance with the Peter Rowan Bluegrass Band, Wareham digs into the early history of bluegrass music with his debut book, “Rudy Lyle: The Unsung Hero of the Five-String Banjo,” which presents an intricate and surprising portrait of a nearly forgotten master. It will be released on Tuesday August 23, 2022. (Max Wareham, 2022)

“I began this project as a way to root my own playing more firmly in the tradition,” explains Wareham, “but quickly came to realize that despite Rudy’s tremendous influence on the development of bluegrass music, he’s been nearly forgotten.” What began as a music instruction book of banjo tablature became a deep dive into Lyle’s impact on an entire genre of music and generations of banjo players.

“Rudy Lyle: The Unsung Hero of the Five-String Banjo” paints a vivid picture of the life and musical significance of the early bluegrass giant. The book features exhaustive and largely never-before-published transcriptions and analyses of every break Lyle recorded with Bill Monroe, the “father of bluegrass.” Lyle’s historical significance is explored in the final interviews given by late banjo legends Sonny Osborne and Bill Emerson, as well as interviews with several other prominent banjo players and members of Lyle’s family. Beautiful portraits of each interviewee are included alongside several never-before-published photos of Lyle himself.

In addition to the 19 main transcriptions, the book features chapters on Rudy’s style and its historical importance, his approach to backup playing, a thorough comparison of his breaks on every alternate take of Monroe’s classic “Raw Hide,” and several live transcriptions from before and after his time as a Blue Grass Boy.

Fans of bluegrass music, banjo players, and curious readers can pre-order “Rudy Lyle: The Unsung Hero of the Five-String Banjo” ahead of its August 23 release date.

Title: “Rudy Lyle: The Unsung Hero of the Five-String Banjo”
ISBN: 364215376135191
Pages: 148
Publisher: Gateless Gate Music Publishing

Max Wareham studied with banjo masters Tony Trischka and Bill Keith and was introduced as a significant voice on the instrument with the release of Peter Rowan’s latest album, Calling You From My Mountain, on which he plays banjo and sings harmony. Prior to joining the Peter Rowan Bluegrass Band, Wareham taught music extensively, played bass with the psych-pop outfit Sun Parade, and wrote songs and produced several albums under various aliases. Much of his work in bluegrass and education is focused on early bluegrass banjo styles and how they can offer alternative paths to expression within the bluegrass idiom

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