Horror novels captivate readers by tapping into deep-seated fears and the unknown, offering a thrilling escape from reality. They engage the imagination, inviting readers to confront the darker aspects of human nature, often exploring themes of mortality, isolation, and the supernatural. The suspenseful plots, eerie atmospheres, and unexpected twists keep readers on edge, fostering a sense of catharsis through the release of tension. They provide a safe space for exploring fear, allowing readers to experience adrenaline-pumping emotions without real danger. This blend of psychological intrigue and visceral excitement is what makes horror fiction so irresistibly compelling.
I love horror novels and have been reading them since elementary school. There’s a new horror novel out by Richard Chizmar, “Memorials,” that has been getting rave reviews, especially from Stephen King.
“Scary and hard to put down. You might be advised not to read it at night.”
—Stephen King
Richard Chizmar is the coauthor (with Stephen King) of the New York Times bestselling novella Gwendy’s Button Box and “Gwendy’s Final Task,” and the solo novella Gwendy’s Magic Feather. Recent books include the New York Times bestsellers “Becoming the Boogeyman” and “Chasing the Boogeyman,” “The Girl on the Porch,” “The Long Way Home,” his fourth short story collection, and Widow’s Point, a chilling tale about a haunted lighthouse co-written with his son Billy Chizmar, which was recently made into a feature film. His short fiction has appeared in dozens of publications, including Ellery Queen Mystery Magazine and The Year’s 25 Finest Crime and Mystery Stories. He has won two World Fantasy awards, four International Horror Guild awards, and the HWA’s Board of Trustees award. Chizmar’s work has been translated into more than fifteen languages throughout the world, and he has appeared at numerous conferences as a writing instructor, speaker, panelist, and guest of honor.
“Memorials” – 1983: Three students from a small college embark on a week-long road trip to film a documentary on roadside memorials for their American Studies class. The project starts out as a fun adventure with long stretches of empty road and nightly campfires where they begin to open up with one another.
But as they venture deeper into the Appalachian backwoods, the atmosphere begins to darken. They notice more and more of the memorials feature a strange, unsettling symbol hinting at a sinister secret. Paranoia sets in when it appears they are being followed. Their vehicle is tampered with overnight and some of the locals appear to be anything but welcoming. Before long, the students can’t help but wonder if these roadside deaths were really random accidents…or is something terrifying at work here?

