‘I Know a Place’ by Nat Cassidy Book Review: The Best New Atmospheric Horror

‘I Know a Place’ by Nat Cassidy. Photo: Shortwave Publishing

Related Post: Stephen King to Write Introduction for Nat Cassidy’s New Horror Collection

Book Review: I Know a Place: Rest Stop and Other Dark Detours

By: Nat Cassidy

Featuring an Introduction by: Stephen King

The first collection from author Nat Cassidy features his unique blend of gleefully terrifying short fiction, including the hit novella Rest Stop.

“These stories are f*cking great. They rule. So read them.” Stephen King, from his introduction

Synopsis

There are locations in this world where the light doesn’t seem to reach. Where, no matter how illuminated the place might be, shadows creep in too strongly to fight back.

These locations and more are your destination, and bestselling author Nat Cassidy will be your guide. Featuring the Bram Stoker Award-nominated, critically acclaimed novella Rest Stop (one of Esquire’s Best Horror Books of 2024), along with a number of other original short stories—some of which have never been published before—I Know A Place: Rest Stop and Other Dark Detours is a travelogue down twisting side streets and through alleyways where the darkness has eyes and teeth.

Let’s hope you make it home in one piece.

The Table of Contents (Stories):

  • Rest Stop
  • Meet-Cute #1: The Unluckiest Girl
  • Generation
  • Nice
  • The Art of What You Want
  • The Lunar Eclipse
  • Laughlines
  • Run for Your Life
  • Jubilee
  • Juncture
  • Come Into the Life of Things
  • Meet-Cute #2: The Scariest Thing
  • A Fruiting Body

My Review: Creeping Dread in Everyday Places

Nat Cassidy is a Stephen King fan, and his influence absolutely shows. King has a keen gift for turning ordinary situations into absolute nightmares, and this collection proves that Cassidy has that exact same superpower.

I Know a Place: Rest Stop and Other Dark Detours is a chilling collection that proves horror doesn’t need haunted castles or isolated mansions to unsettle readers. Instead, Cassidy transforms the mundane—a lonely highway rest stop, a doctor’s office, a cramped apartment, even a modern kitchen—into landscapes of creeping dread where something always feels just a little wrong.

Anchored by Rest Stop, which absolutely lives up to its award-nominated reputation, the book delivers relentless tension and a growing sense of unease. Throughout the collection, Cassidy expertly blends psychological horror, supernatural terror, and deep human emotion. His characters feel completely authentic, making their encounters with the bizarre all the more impactful.

Standout Highlights

  • Rest Stop – Abe is in a band that has a gig coming up, but for now, he’s on the road in the middle of the night to visit his grandmother in the hospital. He has a complicated relationship with her, but she’s the only grandparent he has ever known. When he sees a sign for a gas station, he takes the next exit for a much-needed break. What could possibly go wrong? Next time you stop at an isolated gas station in the middle of the night, try not to think about this story.
  • Nice – Mitchell is a six-year-old boy obsessed with Santa, much to his parents’ chagrin. When Twinklebottom the Elf visits him in the middle of the night to ask for his help in easing the elves’ workload by not being too nice, he’s unprepared for how far Mitchell will go.
  • The Lunar Eclipse – A woman waiting for an eclipse looks back at her life and the man she met when they were six years old. They eventually became romantically involved but have since moved on. He has passed away, but she can’t help but remember the promise they made 50 years ago while witnessing another eclipse: no matter what happened, they’d be together for the next one. No matter what…

The Verdict

Each story explores different shades of fear, from grief and guilt to obsession and isolation, while maintaining a distinctive voice that is equal parts unsettling and compassionate. Cassidy’s vivid prose creates immersive settings where darkness seems to seep through every crack.

“This parking lot has gotten too dark and it feels like that van, with its impenetrable windows, is swelling in size, blotting out what little light there is.”

He takes places we all instinctively distrust, like an empty midnight gas station littered with googly eyes, and injects them with a creeping, visceral malice. The atmosphere throughout the anthology is thick and heavy; no matter how well-lit these venues claim to be, the shadows always fight back with teeth.

Cassidy’s writing is remarkably adaptable. He bounces effortlessly between psychological unease and sharp, bloody terror, ensuring that each detour feels uniquely dangerous. It’s a sharp, terrifying read that reminds us exactly why we look over our shoulders in empty rooms.

For those brave enough to step off the main highway, I Know a Place is a brilliant, dark journey that’s well worth taking. Just be prepared for the nightmares that may follow. Perfect for fans of atmospheric horror and unsettling short fiction, this exceptional collection showcases Nat Cassidy’s remarkable imagination and storytelling skill.

“It was a joke, more or less. He had to have known that.”

Rating: 4 out of 5.

Get your copy today!


According to Deadline, Gary Dauberman’s Coin Operated has secured the rights to Rest Stop for a future feature film. Cassidy will adapt the screenplay with Dauberman and Mia Maniscalco as producers.

** Thank you to Eve Bailey and Flo Communications for my gifted copy for review consideration. I haven’t been compensated for this review and all views and opinions expressed are my own.

Rickshaw Billie’s Burger Patrol Shares New Single ‘The Disappearing Man’ Ahead of New Album

Austin’s Rickshaw Billie’s Burger Patrol. Photo: Chris Wilson, used with permission.

New Music: Rickshaw Billie’s Burger Patrol Drop Melodic Sludge-Bomb “The Disappearing Man”

Austin’s favorite “doom wop” and heavy metal trio, Rickshaw Billie’s Burger Patrol, is back with a brand new single: “The Disappearing Man.(US/THEM Group, 2026)

The track comes as a fresh taste of their highly anticipated forthcoming album, CA$H GRAB. Formed in 2017 by Boston-area transplants Leo Lydon (lead vocals/guitar) and Sean St. Germain (drums), alongside Georgia native Aaron Metzdorf (bass/backing vocals), the band has spent years perfecting a wildly unique sonic lane.

With “The Disappearing Man,” they showcase an absolute mastery of heavy, hook-filled riffs and rhythms couched in an earworm melody that would make Green Album-era Weezer jealous.

Loud, Lean, and Relentlessly Catchy

The new single doubles down on the band’s signature blend of crushing riffs and off-kilter melody. It’s loud, lean, and balancing sludgy heaviness with an infectious groove that refuses to let go.

Beneath the wall of fuzz lies an undeniable melodic instinct, proving the band can deliver massive hooks without sacrificing an ounce of raw power. It’s a confident preview of an album that promises to push their self-proclaimed “big dumb riffs” philosophy even further. If this single is any indication, CA$H GRAB is shaping up to be their strongest release yet.

The Album Update: While CA$H GRAB is still in production—with official release details dropping at a later date—you can already stream the phenomenal run of singles leading up to it: “The Disappearing Man,” “Bough Down,” and “Peaches.”

Catch Them on the Road

RBBP just wrapped up a massive, highly successful 6-week headlining tour across North America, packing out rooms with multiple sold-out shows alongside fellow Austin punk-metal trio American Sharks.

If you missed that run, you’re in luck. The band recently announced they will be hitting the road again for Fall 2026 supporting the legendary Death From Above 1979.

Check out the full list of live dates below and secure your spots early!

👉 GET TICKETS FOR ALL SHOWS HERE

Rickshaw Billie’s Burger Patrol: 2026 US Tour Dates

09/05 Cookeville, TN – Muddy Roots Music Festival
10/01 Sacramento, CA – Ace of Spades *
10/02 Berkeley, CA – UC Theater *
10/03 Monterey, CA – Golden State Theatre *
10/04 San Luis Obispo, CA – Fremont Theater *
10/06 Ventura, CA – Ventura Music Hall *
10/08 Los Angeles, CA – The Belasco *
10/09 Santa Ana, CA – The Observatory OC *
10/10 San Diego, CA – The Observatory San Diego *
10/11 Tempe, AZ – The Marquee *
10/13 Denver, CO – Gothic Theatre *

  • w/ Death From Above 1979

Single artwork.