The television adaptation of Thomas Perry’s ‘The Old Man’ is on FX and streaming on Hulu. Photo: amazon
Thomas Perry is the author of 23 novels including the Jane Whitefield series, “Death Benefits,” and “Pursuit,” the first recipient of the Gumshoe Award for best novel. He won the Edgar for “The Butcher’s Boy” and “Metzger’s Dog” was a New York Times Notable Book. The Independent Mystery Bookseller’s Association included “Vanishing Act” in its “100 Favorite Mysteries of the 20th Century” and “Nightlife” was a New York Times bestseller. “Metzger’s Dog” was voted one of NPR’s 100 Killer Thrillers–Best Thrillers Ever. His novel “The Old Man” is now an original series from FXstarring Jeff Bridges, John Lithgow, and Amy Brenneman and revolves around a retired intelligence officer living off the grid who gets caught in “[a] harrowing hunt-and-hide adventure” (The New York Times). It consists of seven episodes and is available for streaming on Hulu. (amazon, 2022)
“The Old Man”– To all appearances, Dan Chase is a harmless retiree in Vermont with two big mutts and a grown daughter he keeps in touch with by phone. But most sixty-year-old widowers don’t have multiple driver’s licenses, savings stockpiled in banks across the country, or two Beretta Nanos stashed in the spare bedroom closet. Most have not spent decades on the run. Thirty-five years ago, as a young army intelligence hotshot, Chase was sent to Libya to covertly assist a rebel army. When the plan turned sour, Chase acted according to his conscience—and triggered consequences he never could have anticipated. To this day, someone still wants him dead. And just when he thought he was finally safe, Chase is confronted with the history he spent much of his life trying to escape.
I have not read the book so I cannot compare the book to the series, but after watching the first four episodes on Hulu, I want to see where it leads. I am not a big fan of serials because it just seems like a really long movie that takes forever to resolve and halfway through I tend to lose interest. In this case, the story of a retired intelligence officer drew me in. Admittedly, the pacing can be slow and the constant flashbacks can be tiring, but it does have its plot twists to keep it interesting. Will Harper eventually catch up to Chase? How many people will Chase have to kill to evade one contract killer after another? Good question, I guess I will have to watch the rest of the episodes to find out. All I know is that if anything happens to those dogs, I am definitely out.
‘The 6:20 Man’ by David Baldacci will be released July 12, 2022. Photo: amazon
David Baldacci published his first novel, ‘Absolute Power,’ in 1996. A feature film followed, with Clint Eastwood as its director and star. In total, David has published 44 novels for adults; all have been national and international bestsellers and several have been adapted for film and television. His novels have been translated into over 45 languages and sold in more than 80 countries, with 150 million copies sold worldwide. David has also published seven novels for younger readers. His next book ‘The 6:20 Man’ will be out Tuesday, July 12, 2022. In this new thriller, a cryptic murder pulls a former soldier turned financial analyst deep into the corruption and menace that prowl beneath the opulent world of finance. (amazon, 2022)
‘The 6:20 Man’ – Every day without fail, Travis Devine puts on a cheap suit, grabs his faux-leather briefcase, and boards the 6:20 commuter train to Manhattan, where he works as an entry-level analyst at the city’s most prestigious investment firm. In the mornings, he gazes out the train window at the lavish homes of the uberwealthy, dreaming about joining their ranks. In the evenings, he listens to the fiscal news on his phone, already preparing for the next grueling day in the cutthroat realm of finance. Then one morning Devine’s tedious routine is shattered by an anonymous email: She is dead.
Sara Ewes, Devine’s coworker and former girlfriend, has been found hanging in a storage room of his office building–presumably a suicide, at least for now–prompting the NYPD to come calling on him. If that was not enough, before the day is out, Devine receives another ominous visit, a confrontation that threatens to dredge up grim secrets from his past in the army unless he participates in a clandestine investigation into his firm. This treacherous role will take him from the impossibly glittering lives he once saw only through a train window, to the darkest corners of the country’s economic halls of power where something rotten lurks. Apart from this high-stakes conspiracy, there is a killer out there with their own agenda, and Devine is the bull’s-eye.
‘Tao Calligraphy’ is the first in a series of books about the benefits of Tao Calligraphy. Photo: Amazon
Dr. & Master Zhi Gang Sha is the author of thirty-one books, including eleven New York Times bestsellers and bestsellers on the lists of the Wall Street Journal, USA Today, and Amazon. He brings ancient wisdom to modern times to help people reach optimal wellness and greater happiness. Tao Calligraphy is a revolutionary healing art based on an ancient form of one-stroke calligraphy from China. Dr. & Master Zhi Gang Sha now brings this healing frequency to everyone through a new book series. The first book in the series, “Tao Calligraphy to Heal and Rejuvenate Your Back,” offers relief from back pain, a problem all too familiar to many Americans. According to Georgetown University’s Institute for Health Care Research and Policy study, nearly 65 million Americans report a recent episode of back pain. (Tao Calligraphy, 2022)
In “Tao Calligraphy,” Dr. & Master Sha offers a guide for enhancing many aspects of life through soul secrets, wisdom, and simple, practical techniques. As a doctor of both Western and traditional Chinese medicine and acupuncture and a master of several Eastern arts, he brings decades of study and experience to help people discover their own power to heal and uplift their lives. It is divided into eleven chapters including Tao Science Explains the Universal Law of Shen Qi Jing, Why do People Have Challenges in Health, Relationships, Finances,and Every Aspect of Life?, and What is Tao Calligraphy? In the section The Importance of Practice, the author explains the importance of practicing Tao Calligraphy and explains how to access the practice videos using the QR codes. Since it addresses ways to heal back pain, In the Foreword, William Gladstone stresses that this book is not a substitute for medical treatment but that it is simply “a supplemental approach that has helped hundreds of thousands with no negative side effects.”
Almost everyone at one time or another has experienced back pain. It is a chronic condition that can disrupts people’s daily life and some pain relievers can cause side effect that can be worse than the original back pain. In his book in a series, Dr. & Master Sha shares ways to relieve this pain through Tao Calligraphy. In the first couple of chapters, he briefly explains the science and physics involved in vibrational fields but overall it is easy to understand and follow. It is a small but informative book that includes QR codes that link to videos that help further explain the information. Highlights include Chapter 3: Why Do People Have Challenges in Health, Relationships, Finances, and Every Aspect of Life? because it clarifies the fact that Tao Science states that “information, energy, and matter can be positive or negative” and that when they are negative, they cause sickness and relationship, and financial challenges and Chapter 6: Chinese Calligraphy where he explains what Chinese Calligraphy is and its importance in Chinese culture. Admittedly it is a different way to deal with physical pain but it has worked for some people. “Tao Calligraphy” is a small but helpful guide to help heal and rejuvenate your back and is recommended for readers interested in mental and spirituals healing.
“To be a person of good quality and to experience a good life, we need to have a good vibrational field. A good vibrational field is one carrying positive information, energy, and matter. Positive information, energy, and matter bring connection, order, and harmony.”
*The author received a copy of this book for an honest review. The views and opinions expressed here belong solely to her.
The Black Phone is the movie adaptation of Joe Hill’s short story from ’20th Century Ghosts. Photo: google
Joe Hill is the #1 New York Times bestselling author of the novels “The Fireman,” “NOS4A2,” “Horns,” and “Heart-Shaped Box;” “Strange Weather,” a collection of novellas; and the acclaimed story collections “Full Throttle” and “20th Century Ghosts.” The Black Phone is a short story in his “20th Century Ghosts”collection and has been adapted into a major motion picture from Universal Pictures and Blumhouse Productions starring Ethan Hawke.
The Black Phone – Jack Finney is thirteen, alone, and in desperate trouble. For two years now, someone has been stalking the boys of Galesberg, stealing them away, never to be seen again. And now, Finney finds himself in danger of joining them: locked in a psychopath’s basement, a place stained with the blood of half a dozen murdered children. With him in his subterranean cell is an antique phone, long since disconnected but it rings at night anyway, with calls from the killer’s previous victims. And they are dead set on making sure that what happened to them does not happen to Finney. The movie is 1 hr. 42 min. long, is rated R and classified as horror/thriller.
I have not read many of Joe Hill’s works, just ‘NOS4A2,’ but I have seen the series NOS4A2 and the movie Horns, both are excellent. After watching The Black Phone movie on opening weekend I was curious how it compares to the original short story on “20th Century Ghosts.” I checked the book out of the library because it seemed quicker than going out to buy it or ordering it on amazon. I read it in one seating, it is, after all, a short story, no more than 30 pages long.
The movie is short, less than two hours long, and that is the way I like it. It does not go into detail with an origin story, the reason why the ‘Grabber’ is the creepy killer that he is and that is quite alright with me. It is mislabeled as a horror movie because it is not scary at all but it is a psychological suspense/thriller. There are plenty of jump scares and suspenseful moments and yes, it is hard not to compare it to IT with the balloons, the mostly young cast, the retro setting, and the yellow raincoat the sister wears. While it may have a predictable ending, it does have a false ending, where just when you think it is over…..it surprises you. Yes, it is unnerving to see children in peril but in the end, Finney takes a schoolmate’s advice “Sometimes you have to stand up for yourself.” All’s well that ends well. It gets high marks for Ethan Hawke’s performance and how about those creepy masks. I came to the conclusion that the reason the father is an abusive alcoholic is because he is still grieving his wife, who committed suicide because of the visions she was having, just like the daughter and he was scared that she would end up the same way. It is creepy, haunting, and suspenseful but it also focuses on the familial bonds between brother and sister and in the end the father is repentant. Did I need to know why the Grabber is a demented killer? Probably not. I would definitely watch it again. Need a movie recommendation for the long Fourth of July weekend? Check out The Black Phone, it is well worth a trip to the movie theater.
The short story focuses on when Finney gests kidnapped and his trying to escape. The Grabber is obese and does not wear masks. He kills his brother just when we think he is going to save Finney, just like in the movie. It does not mention a sister or father for Finney or even anything to do with school, but both the movie and the story have the same redemptive ending. I would say that the movie is faithful to the short story version when it comes to Finney’s harrowing experience with the Grabber and that is all that matters.
Fall will be released in theaters only on August 12, 2022. Photo: Lionsgate, used with permission.
In today’s movie news: Lionsgate Films and Capstone Global present Fall, dropping in theaters only on Friday August 12, 2022. Starring Grace Caroline Currey, Virginia Gardner, and Jeffrey Dean Morgan. Directed by Scott Mann and written by Scott Mann and Jonathan Frank, this thriller is not yet rated and runs 107 minutes long. It is produced by Christian Mercuri, James Harris, Mark Lane, and Scott Mann. (Lionsgate, 2022)
Fall – For best friends Becky (Grace Caroline Currey) and Hunter (Virginia Gardner), life is all about conquering fears and pushing limits. But after they climb 2,000 feet to the top of a remote, abandoned radio tower, they find themselves stranded with no way down. Now Becky and Hunter’s expert climbing skills will be put to the ultimate test as they desperately fight to survive the elements, a lack of supplies, and vertigo-inducing heights in this adrenaline-fueled thriller co-starring Jeffrey Dean Morgan.
Don’t look down. FALL – dropping in theaters soon.
The Guadalupe Cultural Arts Center announces the 43rd annual CineFestival at the historic Guadalupe Theater. Photo: google
San Antonio’s original Latinx film festival returns on July 6 through July 10 at the historic Guadalupe Theater with a large Texas filmmaker presence. Featuring 85 films, including 22 films from San Antonio and 24 films in the Lone Star State, CineFestival San Antonio continues to support local and regional filmmakers while offering a well-rounded program to local audiences that also includes national and international films that highlight artistic excellence and diversity. (Guadalupe Cultural Arts Center, 2022)
“The amazing response that CineFestival San Antonio got this year to our call for entries, receiving a record number of submissions from filmmakers from across the State and the US, local and international, is a testament to the privileged position San Antonio has as a cultural hub, bridging the cultures of South Texas and the state’s borderlands with the rest of Texas and beyond. This response means focusing the film festival in local and regional works while reflecting artistic excellence in Latinx and indigenous filmmaking is the right path for a festival with such an amazing history to continue in a relevant trajectory that is meaningful to both audiences and participating artists.” – CineFestival Programmer Eugenio del Bosque.
The 43rd annual CineFestival San Antonio will feature 24 screenings showcasing 12 feature films and 73 short films. The festival will open on July 6 with the San Antonio premiere of PEPE SERNA, LIFE IS ART (Dir. Luis Reyes, 2022), a joyous look at the life and work of groundbreaking Mexican-American character actor Pepe Serna, a native of Corpus Christi, Texas whose hundred-plus charismatic scene-stealing roles paved the way for generations of Chicanx actors in Hollywood and beyond.
The closing night film will be the world premiere of ‘Cuerpo,” directed by San Antonio’s own Mark Zuñiga, an ambitious horror film set in 18th century San Antonio exploring the culture and clashes between the Spanish colonists and the indigenous people they are trying to convert; a recipient of the San Antonio Film Commission’s local filmmaker grant, “Cuerpo” is a passion project produced and shot in the San Antonio area with local cast, crew, and an original score.
Other feature films include:
World premiere of the comedy “An Awesome Action Movie,” directed by Luis Antonio Rodriguez and shot in McAllen, Texas, and starring veteran Mexican actor Hector Soberón;
Sundance acclaimed documentary “Mija” by Isabel Castro;
Mexico’s powerful documentary “Comala” by Gian Cassini, which has strong ties to San Antonio;
“A Run for More” by Ray Whitehouse, which follows Frankie Gonzales-Wolfe as the first trans woman to run for city council in her hometown of San Antonio, Texas;
SXSW laureate Iliana Sosa’s “What We Leave Behind,” a love letter to the El Paso native director’s grandfather and an intimate and insightful exploration of her own relationship with him and his homeland;
The social justice horror film “Madres” by Ryan Zaragoza, co-written by San Antonio native Marcella Ochoa who will be in attendance and will also offer a master class for registered filmmakers.
“Jockey” by Clint Bentley, featuring an award-winning performance by Mexican-American thespian Clifton Collin’s Jr., grandson of Aguilares, Texas native character actor Pedro Gonzalez Gonzalez, most famous for his humorous sidekick roles in 1950s and 1960s John Wayne westerns.
“Earth Mother,” directed by Austin’s Brandon Polanco and starring San Antonio’s Annette Mia Flores.
“Capitol Barbie” by New Mexico native Riley Del Rey is a TV pilot, and a new programming line for CineFestival. A political show about a translatina on Capitol Hill, “Capitol Barbie” deals with delicate and socially pertinent themes, raising questions and opening conversations around racism, homophobia, and transphobia in the work place. The screenplay is written by trans and indigenous filmmakers Riley Del Rey and Violet Martinez.
The Mezquite Awards will be bestowed in two main categories: Audience Awards for the public’s favorite feature film and Jury Awards for Best Texas Short Film. A panel of industry professionals will be part of this year’s festival jury, who will choose the jury award-winning documentary and narrative films from a collection of 14 short films made in Texas, including works from Austin, Buda, Denton, El Paso, Houston, Laredo, and San Antonio.
The ever-popular San Antonio showcase will featuring eight short films made by local artists, including works made by Nathaniel Avila, Guillermina Zabala, Esmeralda Hernandez, Ái Vuong, Samuel Díaz Fernández, Lisa Salinas Sosa, Miguel Contreras IV, Raymond Ramos, and Violeta de León Dávila.
43 CineFestival San Antonio will offer ten free screenings, including Family Day with the Texas premiere of “Ainbo, Spirit of the Amazon” by Richard Claus and Jose Zelada, a US-Peruvian animated feature in the spirit of “Moana” and “Frozen;” and Senior Cinema, featuring an exclusive reprise screening of the documentary “Pepe Serna: Life is Art” dedicated to San Antonio’s elderly film lovers.
Free screenings will also include short film showcases including the Texas short film showcase featuring works from Austin, Brownsville, Corpus Christi, Dallas, Greenville, El Paso; a selection of international short films from Mexico, Brazil, Cuba, Peru, Spain, and Venezuela; a collection of short films showcasing Latinx and indigenous talent from around the US; and the always eye-opening Youth Day screenings, featuring films made by artists 18 years old or younger which includes works made in San Antonio, the Rio Grande Valley, Dallas, Arizona, Connecticut, Peru, and Spain.
All 43 CineFesitval San Antonio screenings will take place at the historic Guadalupe Theater, located at 1301 Guadalupe Street, San Antonio, TX 78207. Full festival schedule and tickets are available online. Individual tickets are $8 and festival passes are $40. The 43 CineFestival San Antonio is made possible thanks to the continuing support of the National Endowment for the Arts, the San Antonio Film Commission, the City of San Antonio Department of Arts and Culture, and the Ford Foundation.
Photo: Guadalupe Cultural Arts Center, used with permission.
Blue Star Contemporary unveils three new summer exhibitions on July 1, 2022. Photo: google
Blue Star Contemporary (BSC), San Antonio’s first and longest- running contemporary art nonprofit, proudly unveils three new summer exhibitions opening to the public on First Friday July 1, 2022 at 6p.m.Andreas Till: De Ami, focuses on the influence of the presence of American troops in artist, Andreas Till’s, hometown Heidelberg, Germany. The Other Side, is a small selection of films by Faezeh Nikoozad, Aki Pao-Chen Chiu, Breech Asher Harani, and Fumiko Kikuchi . Fake Plastic Forest features photographic and lens-based work by France Dubois, Annette Isham, Işık Kaya, and Leigh Merrill. The exhibitions will be on view through October 9, 2022. (Blue Star Contemporary, 2022)
ANDREAS TILL: DE AMI focuses on the influence of the presence of American troops in artist, Andreas Till’s, hometown Heidelberg, Germany and the relationship between Germans and Americans between 1945 and 2013 born out of this presence. His research is based on found material from various archives such as the Rose Library in Atlanta and the Archive of the City of Heidelberg as well as various personal collections. The artist’s personal collection chronicles a lifelong friendship between former editor and publisher of the Atlanta Constitution, Ralph Emerson McGill and Till’s grandmother Else Volkwein.
Andreas Till (b. 1984) holds a M.A. in Photographic Studies from the Dortmund University of Applied Sciences and Arts in Germany. In 2010, he received a Fulbright scholarship to the Fine Art Photography and Integrated Media program (M.F.A.) of Ohio University in Athens, OH. He currently lives in Hamburg, Germany where he works as a photo editor.
THE OTHER SIDE brings together a small selection of films referencing ideas of transitions and events that foundationally change someone, i.e., “to be on the other side of something.” Works also allude to ideas of mortality and the spiritual concept of metaphysical selves entering a new plane.
This group of films was selected from Darmstädter Sezession’s 2021 prize shortlist for its collaborative Projection/Projektion grants and screenings programs with BSC. This will be the first screening of these films in San Antonio.
Featured Films Asb by Faezeh Nikoozad Translating Erasure by Aki Pao-Chen Chiu BINTANA (Window) by Breech Asher Harani I know where you are right now by Fumiko Kikuchi
FAKE PLASTIC FOREST features the work of France Dubois, Annette Isham, Işık Kaya, and Leigh Merrill; contemporary photographers and lens-based artists dealing with themes of artifice, truth and fiction, and the theatricality of our interactions with nature. Collectively these themes relate to ideas of preservation, the transcendent practice of experiencing nature, and seeking representations of nature to process and release intense events and emotions such as fear and grief. Our various relationships with nature are revealing of personal and collective selves. The urgency to reflect on these relationships is ever-present as we globally contend with humanity’s impact on our environment and consider transnational identities. The selected artists can be considered in the context of numerous other female photographers throughout the history of the medium who have used their environments, both natural and human made, as the site/studio where the work is made, and a part of the subject. These artists used the context of vast landscape, forests, and trees as well as fabricated, nature-inspired spaces, as sites and pivotal subjects for addressing themes such as psychology and mysticism.
Blue Star Contemporary, 116 Blue Star, San Antonio, TX 78204
Blue Star Contemporary is an anchoring cultural institution in San Antonio and a destination for residents and tourists alike. Located along the banks of the San Antonio Riverwalk, BSC is a central highlight between the bustle of downtown and the UNESCO World Heritage San Antonio Missions. BSC has remained true to its artist-centric foundation alongside this fiscal and programmatic growth. BSC is San Antonio’s first WAGE-certified organization, committed to transparent and equitable payments to artists for their creative contributions to BSC’s exhibitions and education outreach programs. Through its commitment to artists with a social practice, tuition-free youth arts education programs, and community-centric fundraising, BSC is dedicated to equity and social justice in all its endeavors.
Whataburger awards 940 students across 14 states over $2M in scholarships. Photo: Whataburger
As part of Whataburger’s support for students in its communities, the brand has given 940 students across 14 states over $2M in scholarship funding for the 2022-2023 academic school year. (Whataburger, 2022)
The company’s two scholarship programs—the Whataburger Feeding Student Success Scholarship and the Whataburger Family Foundation Scholarship are part of the brand’s commitment to help students pursuing college, university and not-for-profit vocational education achieve their dreams.
Whataburger has given 940 scholarships worth over $2 million to students across its 14-state footprint through the company’s two scholarship programs—the Whataburger Feeding Student Success Scholarship and the Whataburger Family Foundation Scholarship.
$600,000 in scholarship funding was given to students, non-employees and employees, as a part of the Whataburger Feeding Student Success Scholarship and contribution from Dr Pepper.
An additional $1.5M in scholarships was awarded exclusively to Whataburger employees and their dependents as part of the Whataburger Family Foundation Scholarship.
Applications will reopen in December for the Whataburger Feeding Student Success Scholarship.
The magic of Whataburger started on August 8, 1950, in a tiny burger stand in Corpus Christi, Texas. An entrepreneur named Harmon Dobson set out to build a burger so delicious that customers would take that first bite and say, “What a burger!” Today, Whataburger is known for delicious burgers, big flavor, and the brand’s pride in taking care of its guests, communities and employees, known as Family Members. Orange Spirit Week celebrates its founding and the foundation for success that Dobson created. Today, Whataburger is headquartered in San Antonio, Texas, with more than 890 locations across the country.
Teddy and the Rough Riders skip town to start a farm on groovy new single ‘Livin in the Woods.’ Their new LP, Teddy and the Rough Riders, will be out July 1, 2022. Courtesy photo, used with permission.
Teddy and The Rough Riders is probably your favorite country band’s favorite country band. With a sound that sits somewhere in the middle of “down-home” and “far out,” the Nashville-born-and-bred band proudly and prolifically drops retro-sounding, feel-good songs that would fit right in on a Grand Ole Opry radio broadcast or a late-night slot at Bonnaroo. Masked alt-country darling Orville Peck decided to take Teddy and The Rough Riders on a nationwide tour this year that included a stop at the band’s hometown Ryman Auditorium—a bucket list venue for performers from around the world—and current queen of the country underground, Margo Price, loves the band so much she decided to produce their upcoming LP, Teddy and The Rough Riders. On July 1, via Appalachia Record Co., that great uniting can begin with the release of the Price-produced LP Teddy and The Rough Riders. (Teddy and The Rough Riders, 2022)
The band recently released their first preview of the album with “Livin in the Woods,” a grand idea of leaving town and disappearing into the woods to start a farm with friends. The track premiered with The Boot who hailed the band and called the trio, “a must watch act to watch in 2022.” Fans can hear for themselves by checking out “Livin in the Woods” now at this link. Teddy and The Rough Riders can be digitally pre-ordered or pre-saved ahead of its July 1st release right here and physical pre-orders, including vinyl, can be found here.
Up until the sessions for Teddy and the Rough Riders in 2019, the band—Jack Quiggins (vocals, guitar), Ryan Jennings (vocals, bass), Nic Swafford (drums), and Luke Schneider (pedal steel)—had mostly recorded at home. This was their first big studio effort with a producer, engineer, session players, and the goal of an audible fidelity change. After narrowing down their best demos, the band recruited Margo Price to produce because of her creative vision and “let’s roll” Neil Young-inspired recording philosophy. They rented out Club Roar, brought in engineer-producer Jake Davis and spent a few days holed up in the studio to capture the magic of the session. What resulted from those days of close collaboration in the studio on the final version of the album, mixed by Davis and mastered by John Baldwin, is some of the most original country rock to come from Nashville in a while.
In the years leading up to their new self-titled LP, Teddy and The Rough Riders have released a home-recorded EP and LP, and several singles, including a 7” record from Third Man Records. They have shared bills with artists such as Margo Price, Jeff the Brotherhood, and Soccer Mommy, and have been the backing band in most of Emily Nenni’s recordings and live shows. Musical collaborators include Skyway Man, Erin Rae, Sean Thompson, and David Leonard, among others. After years of touring, playing bars and recording a prolific back catalog of work, Teddy and The Rough Riders first “big studio” effort, produced by Margo Price, will be released on July 1 via Appalachia Record Co.
The television adaptation of ‘The Terminal List’ premieres on Amazon Prime Video on July 1, 2022. Photo: amazon
Jack Carr is a #1 New York Times bestselling author and former Navy SEAL. He is the author of “The Terminal List,” “True Believer,” “Savage Son,” “The Devil’s Hand,” and “In the Blood.” He is also the host of the Danger Close Podcast. In his debut novel “The Terminal List,” a Navy SEAL has nothing left to live for and everything to kill for after he discovers that the American government is behind the deaths of his team in this ripped-from-the-headlines political thriller. It has been adapted into an action thriller television series and will premiere on Amazon Prime Video on Friday, July 1, 2022. It stars Chris Pratt and consists of eight episodes. (amazon, 2022)
“The Terminal List” – On his last combat deployment, Lieutenant Commander James Reece’s entire team was killed in a catastrophic ambush. When those dearest to him are murdered on the day of his homecoming, Reece discovers that this was not an act of war by a foreign enemy but a conspiracy that runs to the highest levels of government. Now, with no family and free from the military’s command structure, Reece applies the lessons that he learned in over a decade of constant warfare toward avenging the deaths of his family and teammates. With breathless pacing and relentless suspense, Reece ruthlessly targets his enemies in the upper echelons of power without regard for the laws of combat or the rule of law.
SA Examiner 