Cyberpunk Noir at Its Best: A Review of ‘Two Truths and a Lie’

‘Two Truths and a Lie’ by Cory O’Brien. Photo: Barnes & Noble

Orr Vue is an aging combat-drone veteran who lives in a mostly underwater near-future Los Angeles, where information is the most valuable currency. He makes a living as a Fact Checker for InfoDrip and sells snippets of information on the side. As he’s going through data files, he finds one about Thomas Mahoney, CEO of InfoDrip, who has been found dead. He needs the money, so he’s willing to sell it but must find a broker willing to buy the Rumor off of him. The police show up at his place and want to question him but he is able to evade them.

Everyone has implants on their brains that allow them to chat with other people. When he gets a chat request from Auggie Wolf, an old boyfriend who has been arrested for murder and needs him to bail him out, he can’t help but get involved. He goes to the police station and talks to Detective Mar Coldwin who tells him that Auggie is the prime subject because he has no alibi, he was in the area at the time of the murder, and he knew Thomas Mahoney personally.

Now that he is officially investigating Mahoney’s death, Orr takes his illegal horde of drones out of retirement alongside his busted knees. He has to deal with the militarized police, a family of megarich corporate heirs, a clan of emancipated AIs, and a cult. Staying alive is just the tip of the iceberg, and with every clue he collects, he comes to realize that this is not just any murder, but a conspiracy that threatens Auggie’s very existence. In a world where memories can be bought and sold, can you honestly know who anyone is—or what you yourself are capable of?

Cory O’Brien’s “Two Truths and a Lie” is a thrilling exploration of a drowned Los Angeles where memories are commodities and identity is as fluid as the floodwaters. In this richly imagined blend of noir and cyberpunk, O’Brien introduces readers to Orr Vue, an unforgettable investigator—gritty, sharp-witted, and haunted by a past that he barely remembers. The story unfolds with the sharp pacing of a classic detective tale, but with a futuristic twist: memories can be edited, stolen, or sold, making truth a slippery concept. After Orr takes a taxi, he tips the driver with a memory: “….I tipped him the memory of a good breakfast for his trouble.”

More than a mystery novel, it’s also an insightful view into the human condition. Amidst the high-tech corruption and existential questions, O’Brien gives us a human story about trust, trauma, and the lengths we go to protect what matters. The narration is in the first person point of view through Orr’s perspective and it’s divided into Submissions instead of chapters. It’s a submission to a checker to verify the facts and contains his memories and everything else he remembers about the case.

The writing is smart, cinematic, and layered with moments of dark humor and poignant introspection. “She sat in an ornately carved dining chair with her fists balled tightly on the tabletop, unwilling to allow even the dead skin cells from her palms to escape her grasp.” Each twist challenges not only the characters’ sense of self but also the reader’s understanding of reality. It explores the themes of identity, love, redemption, and justice.

Overall, “Two Truths and a Lie” is an action filled mystery and a philosophical exploration of identity in a world where even your own memories might lie to you. It’s a must-read for fans of noir, cyberpunk, and thought-provoking speculative fiction and those who appreciate the works of Raymond Chandler.

“I was furious at Auggie. For leaving all those years ago, for asking me to kill him now, for even being here, in this place, where he had no business sacrificing his beautiful mind. I didn’t hate him, but I hated how he made me feel, and that was enough.”

*The author of this blog received a copy for an honest review. The views and opinions expressed here belong solely to her.

Justice, Lies, and Mystery: The Interrogation of Anna Goode

The gripping crime thriller The Interrogation of Anna Goode is coming to digital and on demand on April 8, 2025. Courtesy photo, used with permission.

Crime thrillers captivate audiences with their intense narratives, suspenseful twists, and morally complex characters. These films often explore the darker sides of human nature, weaving intricate plots filled with deception, mystery, and high-stakes action. Viewers are drawn to the adrenaline rush of solving crimes alongside detectives or navigating the minds of criminals. The unpredictability and psychological depth keep audiences on edge, making each moment gripping. From classic noir to modern psychological thrillers, crime films provide an escape into a world of danger and intrigue, where justice is uncertain and the line between good and evil is often blurred.

The new crime thriller The Interrogation of Anna Goode is coming to digital and on demand on April 8, 2025. (One Tree Entertainment, 2025)

The Interrogation of Anna Goode – While questioning a murder suspect, FBI Agent John Savage inexplicably finds himself on the opposite side of the table. Now framed for the crime, he must go to extreme lengths to reveal the shocking truth.

Written & directed by DC Hamilton
Starring Max Adler, Neil Hopkins, Brinna Kelly

The Interrogation of Anna Goode movie still. Courtesy photo, used with permission.

‘Living Beyond Borders’ Review: A Powerful Mosaic of the Mexican American Experience

‘Living Beyond Borders: Growing Up Mexican in America.’ Photo: Barnes & Noble

Stories and essays about the Mexican American experience in the United States provide a vital perspective on culture, identity, and resilience. They illuminate the struggles and triumphs of a community that has shaped American history, offering insights into immigration, family, tradition, and social justice. These narratives resonate with readers of all backgrounds by exploring universal themes of belonging, perseverance, and the pursuit of the American Dream. They also challenge stereotypes and foster understanding, making them essential in a diverse society. By engaging with these stories, readers gain a richer, more inclusive view of the American experience as a whole.

“Living Beyond Borders: Growing Up Mexican in America,” edited by Margarita Longoria, is a compelling anthology that features short stories, poetry, essays, and comics to paint a vivid portrait of the Mexican-American experience. Featuring a diverse group of voices, this collection provides an intimate and multifaceted exploration of identity, culture, family, and resilience.

Each piece in this anthology offers a unique perspective on what it means to straddle two worlds—balancing the rich traditions of Mexican heritage while navigating the complexities of American society. From heartwarming tales of family bonds to sobering reflections on discrimination and the challenges of immigration, it doesn’t shy away from the struggles faced by the Mexican-American community. It celebrates its beauty, strength, and enduring spirit.

Contents:
Ghetto Is Not an Adjective – Dominic Carrillo
Yoli Calderon and Principal Hayes – Angela Cervantes
Warning Bells – Anna Meriano
I Want to Go Home – Justine Marie Narro
How to Exist in a City of Ghosts – Carolyn Dee Flores
Filiberto’s Final Visit – Francisco X. Stork
CoCo Chamoy y Chango – e.E. Charlton-Trujillo
Tell Me a Story/Dime un cuento – Xavier Garza
My Name is Dolores – Guadalupe Ruiz-Flores
“There Are Mexicans in Texas?”: How Family Stories Shaped Me -Trinidad Gonzales
Morning People – Diana López
Ode to My Papi – Guadalupe García McCall
The Body by the Canal – David Bowles
Is Half Mexican-American Mexican Enough? – Alex Temblador
Sunflower – Aida Salazar
La Migra – René Saldaña Jr.
La Princesa Mileidy Dominguez – Rubén Degollado
Ojo – Sylvia Sánchez Garza
La Llorona Isn’t Real – Xavier Garza
This Rio Grande Valley – Daniel García Ordaz

Highlights:

La Llorona – a comic about a young boy, with fear in his eyes, trying to convince himself that La Llorona is not real and therefore cannot hurt him. As children, if we misbehaved, our parents would tell us that the Llorona would come and take us. It’s short and to the point and it’s highly relatable to those of us who grew up hearing about the Llorona.

The Body by the Canal – Oscar, a young teenage boy, is swept away by Ariel, the new neighbor whose looks made him an instant target. As time goes by, they become close but fearing for Ariel’s safety, Oscar distances himself from him. He feels guilty about it, but eventually Ariel and his family move away. “Boy or girl, the kid was beautiful. And from my own experience, this town would do all it could to destroy that beauty.” This insightful story of one boy’s early experience with romance and homophobia is refreshing to read; it is seldom written about in the Mexican American community.

The range of storytelling styles and language makes it accessible and engaging for readers of all backgrounds. Whether through powerful poetry, heartfelt personal essays, or striking visual storytelling, every contributor adds depth to the broader narrative of cultural identity. The list of discussion questions at the end helps readers reflect on the themes and topics presented.

Overall, “Living Beyond Borders” is an essential read for anyone seeking to understand the richness of the Mexican-American experience, making it a powerful and necessary addition to contemporary literature. It is recommended for readers who appreciate diverse personal narratives.

“Though I was always curious and grateful for those Latinos who openly welcomed my exploration of identity, secretly, hot shame filled me inside, reminding me that I had taken so long to learn all these things.” – Is Half Mexican-American Mexican Enough? by Alex Temblador

*The author of this blog received a copy for an honest review. The views and opinions expressed here belong solely to her.

Dallas Gets a Taste of Argentinian Indie Rock: El Mató a un Policía Motorizado at Frontera 2025

Argentinian band Él Mató a un Policía Motorizado will make its only Texas stop in Dallas. Photo: LPA Beer & Music Festival.

Él Mató a un Policía Motorizado, also known as EMAUPM or Él Mató, is an Argentinian indie rock band from La Plata established in 2003. The band has just announced their North American tour, and before they kick things off, they’ll be making a special stop in Dallas as part of Frontera 2025. This will be their only Texas performance.

This intimate 500-capacity show is free and open to the public, but RSVP is highly encouraged to guarantee entry: RSVP HERE. The performance will take place at Kessler Theater on Friday, April 11. Doors open at 7:30p.m., show begins at 8:30p.m. (Giant Noise/Southwest Review, 2025)

More information on Frontera 2025:

DALLAS – Dallas-based magazine Southwest Review, the third-longest-running literary quarterly in the United States, announces the lineup for the second annual Frontera. This year’s festivities will take place April 11–12, 2025, in Oak Cliff’s historic Bishop Arts District.

The lineup assembles artists from English-speaking North America and Spanish-speaking Latin America for a two-day celebration of literature, music, comics and film. Set to take place at The Wild Detectives, Kessler Theater and Texas Theatre, all Frontera events will be free and open to the public.

Frontera will kick off at The Wild Detectives with a conversation between American cartoonist Lynda Barry and fiction writer Mary Miller, followed by musical performances from The Paranoid Style, Karly Hartzman and Él Mató a un Policía Motorizado at Kessler Theater. RSVP highly encouraged HERE.

The second day will feature a screening of the Blood Simple (1984) by Joel and Ethan Coen, plus a conversation between award-winning author Megan Abbott and crime novelist William Boyle at the Texas Theatre. Additional readings at The Wild Detectives will feature Mateo García Elizondo, Brenda Lozano, Ashleigh Bryant Phillips, Joseph Grantham, Brenda Navarro, Federico Perelmuter, Julia Kornberg, Patricio Ferrari, Eli Cranor, and Kimberly King Parsons, offering audiences a chance to engage with some of the most compelling voices in contemporary literature.

Guests are invited to the festival’s final event at The Wild Detectives featuring a celebratory DJ set running from 7:30p.m. until close.

Because the Southwest is a place where borderlands converge, the region is dependent on the two-way flow of language and culture. Southwest Review has long championed Latin American literature in translation, working closely with independent publishers to introduce groundbreaking voices to new audiences. Thanks to the generous support of the Southern Methodist University Department of English, Frontera brings this editorial vision to life in an increasingly bilingual North Texas region.

The Kessler Theater

Breaking Down ‘Workhorse’: Isabel Pless’ Most Honest and Heartfelt Album Yet

Isabel Pless makes the mundane feel massive on debut album *Workhorse.* Photo: Patrick McCormack, used with permission.

Nashville-based singer-songwriter Isabel Pless is a self-proclaimed “word girl.” Born and raised in Vermont, Isabel began writing songs at age 12 following in the footsteps of musical inspirations such as Joni Mitchell, The Chicks, and Alanis Morissette. Her songs are personal, playful and smart — she often calls into question the contradictions and challenges of what it means to be a young woman. (Big Hassle, 2025)

In 2020, she started posting clips of her original songs on TikTok and has since amassed an audience of 117k followers. Isabel’s 2023 EP Bad Luck Letting You Go has accumulated over 1.4 million streams across streaming platforms and featured on Spotify playlists such as New Music Friday and All New Indie, and Apple playlists like Acoustic Chill and New in Singer-Songwriter.

Over the past year, she’s recorded an Audiotree session, toured with Donovan Woods and Henry Jamison, and played headline shows across the US and in London. Armed with a bachelor’s degree in Linguistics and an ability to write relatable yet hyper-specific songs, Isabel is redefining what it means to be a singer-songwriter in the age of social media.

Isabel Pless makes everyday life feel monumental with the release of her debut album Workhorse. The ten-song project spans mellow folk to headbanging pop, but her writing consistently honors each tone and notion. Isabel is your older sister reminding you of your self-worth, she is your best friend crying in your passenger seat about a breakup, and she is you wondering when things will finally start going your way.

Produced and co-written by Ariza, each song offers a new sound and a different perspective from the last: Workhorse’s charm stems from its range. There are no right or wrong emotions, and Isabel feels them all with humor to spare. And she invites you to feel them all alongside her.

“‘Workhorse’ is the debut album I’ve been dreaming about since I started writing songs in middle school and that makes me feel incredibly fulfilled,” shares Pless. “Creating these songs helped give me perspective on my life. I feel simultaneously nervous and hopeful that now this album will make its way into other people’s lives.”

Opening with the self-titled track “Isabel,” this song arose out of a moment of need. Pless’ lyrics dictate an inner monologue that rails at people-pleasing and gives grace to imperfection. Winding our way to another standout track like “The Bite,” there’s more of a dark, spell-like energy. This essence mirrors a shift in lyrical and compositional tone from Pless’s previous works, making the song a sonic tug of war between anger and anxiety.

By the time the listener reaches “Blonde,” Pless is her most witty and candid self. A raging, headbanging, pop-romp, Pless is backed by an entourage of electric guitars and a hefty choir of vocals, that allows the track to maintain its drama right up until the final acoustic down-chorus. Reaching the capstone of the album’s honesty with its closing, title track, she is in a self-inflicted battle with complacency. Leaving the body of work open ended, the final line “I’m worried this is the best version of me” feels hollow but not defeated.

The official video for ‘I Joined a Cult’ examines the pattern of falling into toxic friendships and relationships, a balance of confusion and remorse. In the video Pless has a sense of childlike wonder as she tries to recruit more people into her circle, constantly seeking out connection.

Workhorse tracklist
“Isabel”
“Nobody’s Funeral”
“The Bite”
“I Don’t Feel Pretty”
“I’ll See Him in Hell”
“Shirley Temples”
“Blonde”
“(Transition) Company”
“I Joined a Cult”
“Workhorse”

Radiant Skin Starts Here: Don’t Miss Vitamin C Week at Hiatus Day Spa • Med Spa

Get ready for summer skin at Hiatus Day Spa • Med Spa with Vitamin C Week. Photo: Hiatus Day Spa • Med Spa, used with permission.

Your skin is your body’s first line of defense against the sun and environmental pollutants, making protection essential for long-term health. Ultraviolet (UV) rays can cause premature aging, sunburn, and increase the risk of skin cancer. Environmental factors like pollution and harsh weather conditions can accelerate skin damage, leading to dryness, wrinkles, and hyperpigmentation. Using sunscreen, wearing protective clothing, and maintaining a skincare routine with antioxidants can help shield your skin from harm. Hydration and a healthy diet also support skin resilience. Prioritizing skin protection today ensures healthier, more youthful skin in the future.

As sunny days are finally approaching, Hiatus Day Spa • Med Spa is celebrating with Vitamin C Week, running April 1st to 7th. Protecting against sun and environmental damage is always important, especially as the UV increases with the Texas heat. (Hiatus Day Spa • Med Spa, 2025)

Vitamin C helps protect, brighten, and rejuvenate while boosting collagen and defending against environmental damage. Guests can enjoy Vitamin C week with 15% off best-selling SkinCeuticals antioxidant products, including C E Ferulic, Phloretin CF & Gel, Silymarin CF, AOX+ Eye Gel, and Resveratrol B E. Additionally, purchase three full-sized bottles and receive a large travel-size (15ML) PTIOX serum as a complimentary gift (while supplies last).

Appointments with skin care specialists who can help select the right Vitamin C serum for each skin type can be booked here.

The Fragility of Perception: ‘Your Steps on the Stairs’ Weaves Suspense and Unease

Prolific and celebrated author Antonio Muñoz Molina returns with ‘Your Steps on the Stairs.’ Photo: Barnes & Noble.

“Your Steps on the Stairs: A Novel” (Other Press Trade Paperback Original; On Sale 4/8/25) is a disquieting psychological thriller charting the unraveling of a couple’s new life in Lisbon.

Laureat of the Prix Médicis in France in 2020, shortlisted for the Man Booker International award in 2018, author of nearly 20 novels, a number of book-long essays, memoirs and a short story collection, Antonio Muñoz Molina’s deep well of experience comes to life on the page in this latest novel about solitude, expectation and memory. Always keeping in mind the stories by Henry James, which seem to straddle the ambiguous terrain between the ordinary and the mildly fantastic, memoirs of people subjected to rigorous isolation, as in Admiral Richard E. Byrd’s “Alone,” and Oliver Sacks’s essays about the vagaries of human perception of time, space and memory, here, Molina strove to grant a narrative, even poetic, sense of discovery. (Other Press, 2025)

“Your Steps on the Stairs” – A man travels to Lisbon ahead of his wife to prepare their newly purchased home, while she stays in New York to oversee a research project on the neuroscience of memory and fear. Leaving behind a phase of their relationship indelibly marked by 9/11, he revels in the Portuguese capital’s temperate weather and the neighborhood’s calm, meticulously planning the details of their future.

Yet beneath the peace and quiet of this routine, he feels a growing unease he can’t explain. Is it the similarity between the two cities, and the two apartments? A mysterious threat waiting in the wings?

A brilliant, deceptively simple novel of psychological suspense, perfect for fans of literary thrillers in translation and the introspective and unnerving work of writers like Clarice Lispector, “Your Steps on the Stairs” explores how our emotions and memories shape our perception of reality. With his subtle, masterful style, Antonio Muñoz Molina lays bare the fragility of the stories we so carefully craft about ourselves.

Antonio Muñoz Molina is the author of more than a dozen novels, among them “Sepharad, A Manuscript of Ashes,” and “In Her Absence” (Other Press). He has been awarded the Jerusalem Prize for the Freedom of the Individual in Society and the Prince of Asturias Award, among many others. Muñoz Molina lives in Madrid and New York City.

About the Translator: Curtis Bauer is a poet and translator of prose and poetry from Spanish. He is the recipient of a PEN/Heim Translation Fund Grant and a Banff International Literary Translation Centre fellowship. His translation of Jeannette Clariond’s Image of Absence won the International Latino Book Award for Best Nonfiction Book Translation from Spanish to English. Bauer teaches creative writing and comparative literature at Texas Tech University.

Praise for Antonio Muñoz Molina (Your Steps on the Stairs):

“An American expat in Portugal obsessively prepares for his wife’s arrival in this disquieting psychological suspense novel from Muñoz Molina (To Walk Alone in the Crowd)…The narrative unfolds in a woozy flow of first-person musings and reminiscences, making it difficult to gauge time’s passing, but the more books the narrator reads and the more calls he dodges, the more questions arise surrounding Cecilia’s continued absence. Anxiety and dread mount steadily, while elegiac prose and eccentric supporting characters amplify the story’s surrealism straight through to the sucker-punch ending. It’s a stunning blend of mystery and literary fever dream.”
—PUBLISHERS WEEKLY (starred review)

“Anticipating the arrival of his beloved, a man ruminates about intimacy, memory, and loss…Contrasting Bruno’s brooding, anguished interior landscape with the relative serenity of his old-town Lisbon surroundings, Muñoz Molina (To Walk Alone in the Crowd, 2021) emphasizes his narrator’s blind spots and the distortions of perception that follow heartbreak. Originally published in Spain in 2019, this psychologically informed exploration of loss may resonate even more with readers in our current tumultuous moment.”
—BOOKLIST

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Echoes of the Rio Grande: A Reflection on ‘The River Runs: Stories’

‘The River Runs: Stories’ by Thomas Ray Garcia. Photo: Barnes & Noble.

Thomas Ray Garcia is the author of the award-winning short story collection “The River Runs: Stories” and the co-author of “El Curso de la Raza: The Education of Aurelio Manuel Montemayor.” At Princeton University, he received the Ward Mathis Short Story Prize for his fiction on the U.S.-Mexico borderlands. He is the founder and co-chair of College Scholarship Leadership Access Program (CSLAP), a 501(c)(3) nonprofit that teaches college access classes and connects near-peer mentors to students in the Rio Grande Valley. (Thomas Ray Garcia, 2025)

“The River Runs: Stories” is his debut short story collection that presents insights into Texas-Mexico border culture, highlighting tales of resilience while refusing to shy away from the omnipresent reality the river imposes. Written from 2015 to 2020, these stories resist a singular vision of the border, centering the Rio Grande as a site of transformation. It won the Américo Paredes Literary Arts Prize for Fiction sponsored by FlowerSong Press from McAllen, Texas, and Prickly Pear Publishing from Santa Fe, New Mexico.

Stories include:
Seventh Man
Prosperers
Watcher in The Sky
La Lomita
The Curandera on Alameda Street
Burn The Sun
Sunset Station
After The Wall
I Know I Will Be Leaving Here
A South Texas September
Scholarship Boy

Thomas Ray Garcia’s short stories explore the deep, often turbulent connections between people and the communities that shape their lives. Set in the borderlands where the Rio Grande river is both a life-giving force and a dividing line, Garcia’s narratives illuminate the struggles, hopes, and identities of those living alongside it.

Each story is a poignant reflection on themes of survival, migration, heritage, and resilience. Garcia’s prose is lyrical yet grounded, capturing the stark realities of his characters with authenticity and emotional depth. “The pain behind every word was not like the rush of deoxygenated blood rushing to and from the brain, but the exertion of reaching a finish line obscured by hand and shouts and incense.” The river, more than just a setting, becomes a symbol of change, separation, and continuity—shaping destinies in ways that are both beautiful and heartbreaking.

The highlight is its diversity of voices, from immigrants seeking a better future to those who feel trapped by their circumstances. Garcia doesn’t shy away from difficult truths, but he also highlights moments of tenderness and connection. As someone who grew up along the border, these stories resonate with me as they reflect a commonality not usually present in modern literature.

Overall, “The River Runs” is both thought-provoking and deeply moving. It appeals to readers who appreciate literature that examines cultural identity, the human condition, and endurance. With its rich storytelling and evocative imagery, it explores the themes of family, coming of age, and friendship. Garcia’s work is a powerful testament to the lives shaped by the ever-flowing, ever-changing river.

“The Rio Grande was the only river I knew at the time, although I had only seen it once. I remember it made a lasting impression on me because Mom said something about rivers changing all the time. Every time you looked into it, it wouldn’t be the same river and you wouldn’t be the same person either.”

@thomasraygarcia
Do I have favorite stories from The River Runs? Three of these stories speak to me for very different reasons. —– The River Runs: Stories presents revitalized insights into the Texas-Mexico border region by centering the Rio Grande as a site of belonging and becoming. These 11 stories feature characters facing the realities of living alongside a river running through their countries, communities, and cultures. Winner of the Bronze Award at the 2024 International Latino Book Awards for “Best Short Story Collection (English)” The River Runs is available at South Texas bookstores and online retailers like TikTok Shop, Barnes & Noble, Bookshop, and Amazon. Click the link in my bio. #booktok #readersoftiktok #956rgv #riograndevalley #pharrtx #rgvauthors #texasauthors
♬ original sound – Thomas Ray Garcia

Two to One: The New Comedy Hitting UK Theaters This May

Sandra Hüller stars in the heist comedy Two to One. Courtesy photo, used with permission.

Heist comedies blend the thrill of elaborate adventures with sharp humor, making them a favorite among movie lovers. These films captivate audiences with clever schemes and unexpected twists, all wrapped in a lighthearted tone. The balance between tension and comedy—watching a team of misfits outwit authorities or rival thieves keeps viewers engaged while delivering laughs. Classics like Ocean’s Eleven and The Italian Job showcase stylish execution, witty banter, and satisfying payoffs. The genre’s mix of high stakes and humor makes for endlessly entertaining, feel-good storytelling that invites audiences to root for the underdogs.

London, UK: Tull Stories is delighted to announce that Natja Brunckhorst’s Two To One (Zwei zu eins) will be hitting UK cinemas from May 2^nd after its UK Premiere at Glasgow Film Festival. (Strike Media, 2025)

A light-hearted ensemble comedy about friendship, community, love, and capitalism, Natja Brunckhorst’s Two To One is set in the long, hot East German summer of 1990.

Maren, Robert and Volker have known and loved each other since childhood. In the final weeks before reunification and with Germany about to change forever, the trio stumble across a fortune in soon-to-be-worthless East German currency, left to rot in Government storage.

With just days to work out what to do with this unexpected windfall before it becomes useless, the three assemble the friends and neighbours living in their crumbling apartment block and together hatch an elaborate plan to exchange the cash for goods – outwitting the incoming Westerners and their capitalism before time runs out.

But can a community previously living under strict socialist values handle this sudden wealth…?

Two To One had its World Premiere opening Munich Film Festival, where Screen Daily said it was a “comedy with heart.” It features stand-out performances from Oscar nominee Sandra Hüller (Anatomy of a Fall, The Zone of Interest, Toni Erdmann), Max Riemelt (Berlin Syndrome, Sense8,) and Ronald Zehrfeld (Phoenix, Barbara).

Distributed By: Tull Stories
Theatrical Release: May 2nd 2025
Short Synopsis: As German reunification looms in the summer of 1990 three close friends in Socialist East Germany hatch an elaborate plan to make a fortune when they find a bunker full of soon-to-be-worthless currency. With the help of their friends and neighbours they tackle progress and capitalism head-on.
Directed By: Natja Brunckhorst
Cast: Sandra Hüller, Max Riemelt, Ronald Zehrfeld, Ursula Werner, Peter Kurth, Martin Brambach and Kathrin Wehlisch
Run Time: 116 minutes

Empowering Women Through Art: The Magic of Flourish and Femme

Hotel Contessa to host Flourish and Femme Art Fair on March 30, 2025. Photo: Hotel Contessa, used with permission.

Hotel Contessa is excited to host Flourish and Femme, a community art fair and immersive installation celebrating over a dozen local female artists of all generations. On Sunday, March 30 from 11:30a.m. to 3p.m., the public is invited to step into a colorful world of creativity right on the Riverwalk, where art, flowers and femme energy will come together and established artists will mentor emerging talent. (Hotel Contessa, 2025)

More than just an intergenerational art showcase, the art fair will feature a number of artisans who inject fun and flavor into every moment. This event is a celebration of female artistry, craftsmanship and community that is free and open to the public, benefiting local nonprofit Magdalena House, which empowers families to eliminate cycles of abuse and neglect in the community.

The Sunday art fair will unveil an extraordinary exhibition with a collective of local female artists, transforming the hotel’s spaces into a vibrant canvas of creativity. Through the theme of flowers, artists Kathy Sosa, Stephanie Pena Frost, Mary Carmen Sessions, Geri Garcia, and Ludi Smith will present a stunning installation that weaves together personal narratives and artistic expression. Launching on March 30, this immersive exhibit will extend through June 2025, with select guest rooms becoming intimate galleries that demonstrate the artists’ flower-themed works, inviting visitors to experience art that blooms through each individual’s storytelling.

Guests are encouraged to sip, savor and celebrate the impressive stories of a group of talented female artists and other prominent local women, many of whom are mentoring the next generation of artists in San Antonio. The creative space will also include culinary components with a special touch from Mijenta, a female-owned tequila distillery, where samples of their award-winning spirit will be available for tastings. Attendees can indulge in chocolate hand crafted by local female chocolatier Chef Alessia Benavides of CHOCOLATL. Additionally, Ambler will be open and serving their menu of creative plates and craft cocktails during the event.

This immersive experience celebrates the incredible works of over a dozen local female artists and artisans, including:

San Antonio–based artist Kathy Sosa, whose colorful works have been displayed across North America and is behind the famous Contessa painting at Hotel Contessa. Kathy will also do a book signing for her latest book, “Mestizaje: The Feminist Art of Kathy Sosa.” Kathy’s Contessa painting will be a muse/inspiration for the attending students.

Renowned San Antonio artists Stephanie Pena Frost, Geri Garcia, Mary Carmen Sessions, and Ludi Smith. Featured room artists will host mini-exhibitions spotlighting their broader portfolios and promote their work in the guest rooms.

Eight student artists from CAST School will be mentored by the featured professional artists. Students and artists will be paired up on March 30 for students to create and display their works at the Sunday Art Fair on April 27.

Chef Alessia Benavides of San Antonio’s celebrated female chocolatier, CHOCOLATL. Awarded Best Pastry Chef of 2024 by the Texas Culinary Association, Alessia Benavides is a passionate pastry chef and chocolatier dedicated to the art of baking and chocolate-making.

Mijenta Tequila, female-owned distiller based in Texas. Known for bridging eco-friendly tequila-making with female empowerment.

Proceeds from the art fair sales will be donated to Magdalena House, a neighborhood of transitional homes in San Antonio that serves mothers and their children who have fled danger and abuse. Utilizing a dual-generation approach, they provide safe shelter, basic needs, educational programming and therapeutic services. Hotel Contessa’s Flourish and Femme initiative partners with established artists and the CAST School to foster community mentorship and support, reflecting the hotel’s commitment to enhancing San Antonio’s local cultural landscape.

Hotel Contessa
306 W. Market St.
San Antonio, TX 78205

An intimate, all-suite retreat set directly on San Antonio’s beloved River Walk, Hotel Contessa delights arriving guests with stylish suites that take their design cues from the city’s rich history and vibrant culture. Discover stylish suites and unwind at our spa, complemented by Ambler Texas Kitchen + Cocktails serving up agave cocktails and authentic Texas fare.

Hotel Contessa

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