Book excerpt: ‘Dying with Ease’ by Jeff Spiess, MD

‘Dying with Ease: A Compassionate Guide for Making Wiser End-of-Life Decisions’ is the new book by Jeff Spies, MD. Courtesy photo, used with permission.

“You matter because you are you, and you matter to the last moment of your life. We will do all we can, not only to help you die peacefully, but to live until you die.”

—Dame Cicely Saunders

In 1948, Cicely Saunders met a man who would change her life. She was a thirty-year-old nurse and social worker, volunteering part time at St. Luke’s Hospital in London, an institution that had been founded a half century earlier as a home for the “dying poor.” She became captivated by a patient named David Tasma, a Polish Jewish refugee who had escaped from the Warsaw ghetto, worked as a waiter in London, and was now dying of cancer. Through her work and this relationship, she developed an awareness of the suffering and indignity experienced by dying patients, and, together with David, shared ideas as to how this could be different. When he died, David bequeathed her £500 (about $23,600 today) to be “a window in your home.” It was the beginning of an entirely new type of medical care, a care specifically focused on the needs of the dying. She called it hospice.

The word “hospice” was not new, but this meaning was. The term is derived from the same Latin root as our words “hospital,” “hostel,” and “hospitality.” This Latin term first meant “stranger,” but over time usage changed and it came to refer to a host, one who welcomes the stranger. During the medieval era, hospices were inns, boarding houses along pilgrim routes that served as places of rest and refreshment. On these long treks through Europe, many pilgrims became ill, often fatally. The hospices served then as places of care, possible recovery, often death. The word had been used since the mid-nineteenth century in Britain and Ireland for homes for the dying, places where the poor with nowhere else to go died. What Dr. Saunders did was to create a new connotation of the word “hospice,” keeping the welcoming but transforming it from a place to a model, a system of caring for the dying.

Cicely Saunders did not start out in health care. Her initial training was in politics, philosophy, and economics. In 1940, she entered nursing school, but because a back injury prevented her from doing the heavy work that nursing required, she went back to school and qualified as a medical social worker. The years she spent at St. Luke’s as part of a staff that cared deeply about the plight of those who were dying in their care demonstrated to her the impotence of the care system in the face of the patients’ ongoing pain. Knowing that the medical establishment would be resistant to hearing the ideas of an upstart social worker, she went to medical school. She then practiced for seven years at St. Joseph’s hospice in east London, listening to patients, keeping meticulous records, and monitoring the results of her treatments to relieve pain and other symptoms.

One of the first practices she challenged was the method of prescribing opioids, strong pain relievers like morphine. The prevailing practice had been to only use these drugs, given as injection, when the pain appeared severe, when it seemed to the doctor or nurse that the patient was hurting enough to “deserve” relief. The common result was that patients were either in unrelieved pain or briefly asleep after a drug dose. Then, as now, what most people “knew” about opioids was that they were addictive and dangerous. What Dr. Saunders recognized was that patients were the only ones who knew how bad their pain was and that their reports could be trusted. Since an oral dose of morphine lasts about four hours, she decided to give doses that often, by the clock, not by waiting until the pain had recurred. She also added smaller doses of analgesics between the scheduled doses if the pain “broke through.” This simple yet revolutionary idea, when put into practice, demonstrated that pain could be effectively relieved, and when this was accomplished, the patients could function more fully, engage with others more effectively, and contend with their other symptoms as well as the hopes and fears that came from the fact that they were terminally ill. In other words, they were able to live.

In 1967, Dr. Saunders opened St. Christopher’s Hospice in London, incorporating what she had learned into its structure and operations. The architecture included a sheet of glass at the entrance honoring Mr. Tasma’s bequest. She saw the mission of St. Christopher’s as providing not only excellent patient care but also a center of education and research, focusing on improving symptom relief and broadening the appreciation of this knowledge into the larger world of health care.

Dr. Saunders identified that pain was not just a physical phenomenon. Morphine was not all that was needed. She described “total pain,” the hurting that occurred in the physical body, the emotional psyche, the spiritual depths, and the surrounding family. She attacked it with a model of care aimed at all facets of life that contributed to that pain. Effective analgesia was, of course, a priority. But she recognized that it takes a team of skilled and caring professionals to do the job completely: bedside nursing to promote symptom relief and bodily integrity; social work to address financial and family concerns and to mobilize community resources; and clergy to provide empathic listening, words of comfort and advice, and insight into the realms of meaning and transcendence. She extended this care model into the community, providing services for patients dying in their homes, and she introduced family support during the patient’s illness and also after the death. Her ideas remain the bedrock of modern hospice care as well as its sister discipline, palliative care. In 1979, Queen Elizabeth II named Dr. Saunders a Dame Commander of the Order of the British Empire.

Dr. Saunders’s model of care spread across the Atlantic, finding fertile ground especially among nurses who were frustrated by the way the medical establishment seemed to be both overtreating and abandoning the dying. Florence Wald, dean of the School of Nursing at Yale University, served as the catalyst and, with a small group of colleagues, founded Connecticut Hospice in 1974, modeling their program after St. Christopher’s but adapting it to the local medical and social culture. This was two decades before the SUPPORT study would formally describe the suffering and intensive care endured by dying patients, but these visionaries and many like them recognized that a more humane way of dying was possible. Hospices began springing up around the country—small, mostly volunteer agencies, often associated with hospitals or religious institutions. As most of these relied mainly on donations and volunteers, the services offered varied widely.

A watershed moment in the care of the dying in the United States came in 1982 when the US Congress and President Reagan enacted the Medicare Hospice Benefit (MHB). This established a funding mechanism for hospice care and set standards for the organizational structures and for patient care. The MHB, as initially conceived, envisioned a “typical” hospice patient as someone with advanced cancer and no further treatment options, one whose course after hospice enrollment would be manageable, predictable, and short. In the ensuing thirty-five years, medical (e.g., AIDS epidemic, hospice for multiple other illness), financial (e.g., drug costs, federal budget deficits), and demographic (e.g., aging baby boomers) pressures have resulted in tweaks and modifications of the regulations, but the MHB continues to define how hospice care is provided in the United States.

Excerpt from the bookDying with Ease: A Compassionate Guide for Making Wiser End-of-Life Decisions by Jeff Spiess. Used by permission of the publisher Rowman & Littlefield. All rights reserved.

Movie adaptation: ‘The Witches’ by Roald Dahl

The newest movie adaptation of Roald Dahl’s ‘The Witches’ will be available for streaming on HBO Max. Photo: google

Roald Dahl was a Welsh novelist, short-story writer, poet, screenwriter and wartime fighter pilot. His books have sold more than 250 million copies worldwide. He has been referred to as one of the greatest storytellers for children of the 20th century. He is best known for “James and the Giant Peach,” “Charlie and the Chocolate Factory,” “Matilda,” “The Witches,” “Fantastic Mr. Fox” and  “The BFG.” “The Witches” features the experiences of a young British boy and his Norwegian grandmother in a world where child-hating societies of witches secretly exist in every country. The second feature-length adaptation of the novel stars Ann Hathaway, Octavia Spencer and Stanley Tucci and is directed by Robert Zemeckis and written by Zemeckis, Kenya Barris and Guillermo del Toro.  It will be available for streaming on HBO Max on October 22 with a theatrical release in selected theaters on October 28.

“The Witches” is set in Norway and in the United Kingdom where the witches are ruled by the extremely vicious and powerful Grand High Witch. An unnamed seven-year-old English boy goes to live with his Norwegian grandmother after his parents are killed in a tragic car accident. The boy loves to listen to his grandmother’s stories, especially the ones about real witches.  According to her, witches are horrific creatures who are out to kill human children and tells the boy how to recognize them. The Grand High Witch has just arrived in England to organize her worst plot ever but when the grandmother, a self-professed former witch hunter, and her young grandson find out about her evil plan, they must work together to defeat the witches.

Texas Book Festival announces 2020 Lit Crawl schedule

This year’s Lit Crawl will take place from November 7 through November 15. Photo: Texas Book Festival, used with permission.

Texas Book Festival will be hosting their annual Lit Crawl events virtually this year during the Festival, with several evening times between November 7 to November 15 along with two Sunday brunches. The events include storytelling sessions, spoken-word performances and themed discussions, ranging from topics including moments of pivoting, celebrating Black creativity and more. Featured authors include Kathy Valentine, Natalie Diaz, Kelly J. Baptist, and more. (Texas Book Festival, 2020)

For the evening event “Literary Death Match” and brunch event “Tarot Town Hall with Typewriter Tarot,” the first 100 registrants per event will receive a special Camp Mocha cocktail kit from Desert Door Texas Sotol. Cocktail pickup will take place on Saturday, November 7 from 12p.m. to 5p.m. outside the Texas Book Festival office (1023 Springdale Road, Building 14, Suite B, Austin, Texas 78721). All recipients must be 21 years of age or older, with proper ID, and must wear a mask to pick up the cocktail kit.  Sparkling water from Rambler will also be available. 

Lit Crawl Austin 2020 schedule (all times CST)

The 2020 Virtual Texas Book Festival will take place from October 31 through November 15. As always, all Lit Crawl events are free and open to the public thanks to the generosity of the Texas Book Festival community. To support the Texas Book Festival, Lit Crawl Austin and participating authors, donations can be made online. For the first time ever, Texas Book Festival is offering an exclusive Lit Crawl armadillo enamel pin. Donations of $25 or more to Lit Crawl will receive the one-inch pin, perfect to embellish denim jackets, backpacks, tote bags and more. 

With a vision to inspire Texans of all ages to love reading, the Texas Book Festival connects authors and readers through experiences that celebrate the culture of literacy, ideas, and imagination. Founded in 1995 by former First Lady Laura Bush, Mary Margaret Farabee and a group of volunteers, the nonprofit Texas Book Festival promotes the joys of reading and writing through its annual Festival, the Texas Teen Book Festival, the Reading Rock Stars Title I elementary school program, the Real Reads Title I middle and high school program, grants to Texas libraries and year-round literary programming.

New release: ‘Here She Is’ by Hilary Levey Friedman

‘Here She Is’ is Hilary Levey Friedman’s new book about American beauty pageants. Courtesy photo, used with permission.

Hilary Levey Friedman is a sociologist at Brown University, where she has taught a popular course titled ‘Beauty Pageants in American Society.’ She is a leading researcher in pageantry, merging her mother’s past experiences as Miss America 1970 with her interests as a glitz- and glamour-loving, sometime pageant judge, and a mentor to Miss America 2018. Friedman also serves as the president of the Rhode Island chapter of the National Organization for Women. Her first book, “Playing to Win,” focused on children’s competitive afterschool activities. Her latest release, “Here She Is: The Complicated Reign of the Beauty Pageant in America” offers a fresh exploration of American feminist history told through the lens of the beauty pageant world and was recently featured in the latest issue of Ms. Magazine.

In the 21st century, beauty pageants are still thriving. America’s most enduring contest, Miss America, celebrates its 100th anniversary in 2020. In “Here She Is,” Hilary Levey Friedman reveals the surprising ways pageants have been an empowering feminist tradition. She traces the role of pageants in many of the feminist movement’s signature achievements, including bringing women into the public sphere, helping them become leaders in business and politics, providing increased educational opportunities and giving them a voice in the age of #MeToo. She explores how pageants became so deeply embedded in American life from their origins as a P.T. Barnum spectacle at the birth of the suffrage movement, through Miss Universe’s bathing beauties, to the talent- and achievement-based competitions of today. The book is a look into how pageantry has morphed into culture everywhere from The Bachelor and RuPaul’s Drag Race to cheer and specialized contests like those for children, Indigenous women and contestants with disabilities. Friedman also acknowledges the damaging and unrealistic expectations pageants place on women in society and discusses the controversies, including Miss America’s ableist and racist history, Trump’s ownership of the Miss Universe Organization, and the death of child pageant-winner JonBenét Ramsey. It presents a more complex narrative than what has been previously portrayed and shows that as American women continue to evolve, so too will beauty pageants.

Book review: ‘The Book of Ceremony’ by Sandra Ingerman

‘The Book of Ceremony’ by Sandra Ingerman. Photo: amazon

Sandra Ingerman, MA, is an award-winning author of 12 books, including “Soul Retrieval: Mending the Fragmented Self,” “Medicine for the Earth: How to Transform Personal and Environmental Toxins” and “Walking in Light: The Everyday Empowerment of a Shamanic Life.” Sandra is a world-renowned teacher of shamanism and has been teaching for close to 40 years. She has taught workshops internationally on shamanic journeying, healing and reversing environmental pollution using spiritual methods. Sandra is recognized for bridging ancient cross-cultural healing methods to our modern culture, addressing the needs of our times.  In her book “The Book of Ceremony: Shamanic Wisdom for Invoking the Sacred in Everyday Life,” Sandra Ingerman presents a rich and practical resource for creating ceremonies filled with joy, purpose and magic.

According to the author, her purpose in writing this book is to share what she has learned over the years, hoping to inspire others to lead healing and blessing ceremonies. Starting with the Introduction, Sandra Ingerman defines a ceremony: “Every shamanic journey a shaman takes, every healing method a shaman works with, is considered a ceremony.” She goes on to briefly describe the history of ceremonies and look back at the first ceremony she performed in 1982. The book is divided into for parts: Part One: The Power of Ceremony, it clarifies the basics of what constitutes a ceremony, how to prepare and perform one, Part Two: Sacred Transitions, Part Three: Ceremonies to Create Energetic Balance and Part Four: Life as a Ceremony, it includes examples of blessing and healing ceremonies for people and places, as well the community as a whole. The final part of the book includes other resources for further information on the practice of shamanic journeying.

Shamanism has been around for tens of thousands of years and has been a serious practice with the sole purpose of helping the community thrive. Today’s ceremonies are used to improve health and the quality of life and with so much negativity going on in the world, for serious practitioners, shamanic ceremonies are now more important than ever. The author connects ancient shamanic practices with modern culture and makes them relevant to today’s issues. The book touches on all topics related to ceremonies, including how choose the space, preparing ceremonial items and the types of ceremonies: for weddings, births and new beginnings.  Some of the ceremonies are familiar ones while others include newer adaptations of known ceremonies, the most poignant being the ones to honor death: burying a pet, plant ceremony, honoring trees and honoring environmental losses. All this information is given in plain and easy to understand language without being condescending to possible newcomers. While it may not be for everyone, “The Book of Ceremony” has resourceful guidance for readers who are genuinely interested in shamanic ceremonies.

“Once we wake up and recognize that other spectacular dimensions of reality exist, we experience a new sense of awareness about how to connect with nature, the flow of life, and the web of life.”

*The author received a copy of this book for an honest review. The views and opinions expressed here belong solely to her.

New release: ‘Invisible Girl: A Novel’ by Lisa Jewell

‘Invisible Girl: A Novel’ is Lisa Jewell’s new novel. Photo: amazon

Lisa Jewell is a British author of eighteen novels including “The Family Upstairs,” “Then She Was Gone” and “Watching You.” Her novels have sold more than 4.5 million copies internationally and her work has also been translated into twenty-five languages. She is one of the most popular authors writing in the UK today and in 2008 she was awarded the Melissa Nathan Award For Comedy Romance for her novel “31 Dream Street.” Her new book, “Invisible Girl: A Novel,” an obscure thriller about a young woman’s disappearance and a group of strangers whose lives intersect in its wake, was just released this week.

According to amazon, in “Invisible Girl,” Owen Pick’s life is falling apart. In his thirties and living in his aunt’s spare bedroom, he has just been suspended from his job as a teacher after accusations of sexual misconduct—accusations he strongly denies. Searching for professional advice online, he is inadvertently sucked into the dark world of incel forums, where he meets a charismatic and mysterious figure. The Fours family lives across the street. Headed by mom Cate, a physiotherapist, and dad Roan, a child psychologist, they have a bad feeling about their neighbor Owen. He is a bit creepy and their teenaged daughter swears he followed her home from the train station one night. Meanwhile, young Saffyre Maddox spent three years as a patient of Roan Fours. Feeling abandoned when their therapy ends, she searches for other ways to maintain her connection with him, following him in the shadows and learning more than she wanted to know about Roan and his family. Then, on Valentine’s night, Saffyre disappears and the last person to see her alive is Owen Pick.

Book review: ‘The Body Is Not An Apology’ by Sonya Renee Taylor

‘The Body Is Not An Apology” by Sonya Renee Taylor

Sonya Renee Taylor is the Founder and Radical Executive Officer of The Body Is Not An Apology, a digital media and education company committed to radical self-love and body empowerment .Founded in 2011, it began as an online community to cultivate radical self-love and body empowerment. The Body Is Not An Apology now reaches over 1 million people each month in 140 countries with their articles and content focused on the intersection of bodies, personal transformation and social justice. Sonya is also an International award winning Performance Poet, activist, speaker and transformational leader whose work continues to have global reach. She has a B.A. in Sociology and an M.S.A. in Organizational Management and continues to be a fierce activist for global justice using the lens of intersectional Black Feminism and radical self-love. In her book “The Body Is Not An Apology: The Power of Radical Self-Love” Sonya invites readers to reconnect with the radical origins of their minds and bodies and celebrate their collective, enduring strength.

“The Body Is Not An Apology” begins with a Prologue that explains where the phrase for the radical self-love movement, also the name of the book, started.  It goes back to 2010 at a Southern Fried Poetry Slam where the author uttered the words “your body is not an apology.” She reminded herself of the phrase whenever she felt a discouraging thought coming on and used it as the basis for the organization she founded to help others overcome body shame and its destructive effects. The book is divided into five sections: Making Self-Love Radical; Shame, Guilt and Apology-Then and Now; Building a Radical Self-Love Practice in an Age of Loathing; A New Way Ordered by Love and Your Radical Self-Love Toolkit.  They all contain Unapologetic Inquiries and Radical Reflections that help further explain that ideas that she is trying to convey. At the end, she includes extensive notes by chapter and resources for further readings on feminism, racial justice and LBTQIAA issues.

Having a positive self-image is important for the individual as well as the community and world as a whole. Sonya Renee Taylor’s encouraging messages involve having to put aside any toxic upbringings and changing the way we interact with others. It touches on subjects like body-shaming, body terrorism and homophobia. Readers should note that she touches on politics both to emphasize her points and to explain how she has been personally affected by other people’s racist and homophobic actions. A standout chapter is ‘Chapter 4: A New Way Ordered by Love’ section ‘Unapologetic Agreements’ that focuses on how radical self-love and communication can foster global change: “Have compassion for and honor people’s varied journey. Our journeys are unique and varied. Compassion births patience.”  It is a small book and thankfully, written in a down to earth and easy-to understand language.  This is important because her message of self-love, confidence and the importance of stopping body shaming and thinking we are not “good enough” is one that more people should take to heart. “The Body Is Not An Apology” is an impactful and empowering guide for readers who appreciate a book that challenges the status quo and arms them with compelling and life-changing advice.

“To be fear facing is to learn the distinction between fear and danger. It is to look directly at the source of the fear and assess if we are truly in peril or if we are simply afraid of the unknown.”

*The author received a copy of this book for an honest review. The views and opinions expressed here belong solely to her.

New release: ‘Elsewhere’ by Dean Koontz

Dean Koontz’ new book: ‘Elsewhere.’ Photo: amazon

Dean Koontz is the author of fourteen number one The New York Times bestsellers, including “One Door Away from Heaven,” “From the Corner of His Eye,” “Midnight” and many more; making him one of only a dozen writers ever to have achieved that milestone.  He has been hailed by Rolling Stone as “America’s most popular suspense novelist” and his books have been published in thirty-eight languages and have sold over five hundred million copies worldwide to date. In his new book “Elsewhere,” released this week, the fate of the world is in the hands of a father and daughter in an epic novel of wonder and terror.

“Elsewhere” is the story of Jeffy Coltrane, whose wife Michelle left seven years ago. Since then, he has worked to maintain a normal life for himself and his eleven-year-old daughter, Amity, in Suavidad Beach. It is a quiet life, until a local eccentric known as Spooky Ed shows up on their doorstep. Ed entrusts Jeffy with hiding a strange and dangerous object, something he calls “the key to everything,” and tells Jeffy that he must never use the device. But after a visit from a group of ominous men, Jeffy and Amity find themselves accidentally activating the key and discovering an extraordinary truth. The device allows them to jump between parallel planes both familiar and bizarre, wondrous and terrifying.  Jeffy and Amity cannot help but wonder if Michelle could be just a click away. They are not the only ones interested in the device. A man with a dark purpose is in pursuit, determined to use its grand potential for profound evil. Unless Amity and Jeffy can outwit him, the place they call home may never be safe again.

Virtual Texas Book Festival announces programming schedule

The 25th annual Texas Book Festival will be a virtual event. Photo: Texas Book Festival, used with permission.

The Texas Book Festival recently unveiled its full 2020 schedule, detailing author panels, cooking demonstrations, solo author sessions, kids’ activities and more during the two-week virtual event. The Festival begins on October 31 with young adult and Texas Teen Book Festival programming, followed by kids’ programming from November 2 to 6, and adult programming from November 6 to 15, including Lit Crawl Austin and the annual First Edition Literary Gala. This year marks the festival’s 25th anniversary. The full schedule is available online.  (Texas Book Festival, 2020)

Teen & Young Adult Programming – Saturday, October 31- Keynote: Elizabeth Acevedo in Conversation at 10a.m. When a plane crashes with their father on board, two sisters who have never met discover all the secrets that connect their lives, their grief and their future paths as they figure out where to go from here. Taking readers deep into a tangled knot of sorrow, jealousy and love, National Book Award winner Elizabeth Acevedo’s newest novel in verse offers a moving testament to the power of sisterhood.

Children’s Programming – Monday, November 2. Raúl the Third: “¡Vamos! Let’s Go Eat.” Jon Scieszka and Steven Weinberg: “AstroNuts Mission Two: The Water Planet.”

Adult Programming – Saturday, November 7 at 4p.m. Matthew McConaughey in Conversation with Ethan Hawke. Austin icon and Academy Award winner Matthew McConaughey shares wisdom and inspiration in his new book “Greenlights,” based on thirty-five years’ worth of journal entries and observations.

7p.m. Literary Death Match. Four authors. Three judges. Two finalists. One really epic finale. Part literary event, part comedy show, part game show, Literary Death Match brings together today’s finest writers to compete in an edge-of-your-seat read-off critiqued by three judges and concluded by a slapstick showdown to decide the ultimate champion.

Friday, November 13 at 4p.m. “Elsewhere:” Dean Koontz in Conversation with Jeffery Deaver. Dean Koontz, the author of many number-one The New York Times best-sellers, presents his new novel, “Elsewhere,” a technothriller about a father and daughter who discover a strange and highly coveted device that could reunite them with dearly departed Mom. Fellow best-selling author Jeffery Deaver leads the discussion.

The 2020 Virtual Book Festival will take place from October 31 through November 15 and continues to be free and open to the public thanks to generous sponsors and dedicated volunteers. The 2020 Virtual Texas Book Festival is co-presented by H-E-B and AT&T. Other major sponsors include Brigid Cockrum and Family, Kirkus Reviews, Tocker Foundation, Tapestry Foundation, Texas Monthly, Buena Vista Foundation, Still Water Foundation, C-SPAN 2/Book TV, Central Market, Austin American-Statesman, Pentagram, Jordan Foster Construction, and Loewy Law Firm.

With a vision to inspire Texans of all ages to love reading, the Texas Book Festival connects authors and readers through experiences that celebrate the culture of literacy, ideas, and imagination. Founded in 1995 by former First Lady Laura Bush, Mary Margaret Farabee, and a group of volunteers, the nonprofit Texas Book Festival promotes the joys of reading and writing through its annual Festival, the Texas Teen Book Festival, the Reading Rock Stars Title I elementary school program, the Real Reads Title I middle and high school program, grants to Texas libraries, and year-round literary programming.

“We’re excited to bring the Texas Book Festival into the homes of readers across Texas and beyond. Because of our virtual format, it’s never been easier to attend. I encourage everyone  to visit our website and the Texas Book Festival Crowdcast page to register for sessions to make sure you don’t miss a single minute of this huge free event.” – Lois Kim, Texas Book Festival Executive Director

Upcoming release: ‘Fine’ by Amylea Murphy

Amylea Murphy’s debut novel ‘Fine’ will be available starting November 17, 2020. Photo: amazon

Author AmyLea Murphy has always been passionate about helping young people mature into successful, confident, and contributing members of society. Enthusiastic about empowering others to be their most authentic and best selves in spite of the challenges life presents , her compassion and grit shines through her storytelling. Her debut novel “Fine,” is set for release on Tuesday  November 17, 2020. This YA novel is an intimate glimpse into the private world of two teenage girls struggling to be themselves in a demanding and unforgiving world. Inspired by the resiliency of the human spirit, AmyLea Murphy writes about life-changing moments in the hope of empowering her readers to embrace life in all of its messiness. (Black Château, 2020)

“Fine” is the story of Anna Williams, a straight-A student, cheerleader and all-around golden child who vanished six years ago. After all these years, no one knows what happened or why. Her younger sister, Katie, has drifted through life ever since, wracked with guilt, grief and anger over Anna’s unsolved disappearance. But when her future reaches a breaking point, Katie takes the investigation into her own hands. Searching for answers in her sister’s missing person’s file, she discovers that some questions aren’t so easy to answer. Through police memos, interrogations and excerpts from Anna’s diary, Katie peaks behind the carefully crafted façade Anna left behind and uncovers the dark truths of her life in the months before she disappeared. Unsettling and surprising, “Fine” is a mystery that will break your heart and put it back together again.

“Fine” blends the mystery of “Sadie” and “Vanishing Girls” with the poignancy of Sarah Dessen. Inspired by Gayle Forman and Jennifer Niven and written for all ages, “Fine” is a reminder of the resiliency of the human spirit and brings out the inner teenager in everyone. It is currently available for pre-order on Amazon.