Die Alone will be released in the UK on March 10. Courtesy photo, used with permission.
Zombie movies have captivated audiences for decades, blending horror, action, and social commentary. Their appeal lies in the thrilling survival scenarios, intense suspense, and gruesome effects that keep viewers on edge. These films often reflect societal fears, from pandemics to societal collapse, making them both entertaining and thought-provoking. Classics like Night of the Living Dead and modern hits like Train to Busan showcase human resilience and moral dilemmas in apocalyptic settings. Fans enjoy the adrenaline rush, the eerie atmosphere, and the chance to imagine how they would survive a zombie outbreak, making the genre a lasting favorite in horror cinema.
For zombie movie lovers, there’s the recent new movie Die Alone. It’s a Canadian horror thriller that was released in September of last year. It focuses more on the protagonist’s emotional journey and mystery than the usual zombie gore and violence. The film had its European premiere at Sitges last year. Die Alone will be released in the UK & Ireland on Digital Download, DVD and Blu-ray from March 10.
In the US, it’s available on Tubi,Amazon Video, YouTube, Google Play, Fandango at Home, and Apple TV.
London UK: Lightbulb Film Distribution is pleased to share the poster and trailer for new post-apocalyptic thriller, Die Alone. (Strike Media, 2025)
Die Alone – In a post-apocalyptic world, a young man with amnesia joins forces with a hardened survivalist during a zombie outbreak, as they set out to find his missing girlfriend. It stars Carrie-Anne Moss, Douglas Smith, and Frank Grillo.
“We are delighted to be bringing Die Alone to audiences in the UK & Ireland. Inspired by films like 28 Days Later, it’s a thrill-ride from start to finish.” – Commercial Director, Matthew Kreuzer
Release date: March 10 Directed by: Lowell Dean Formats: Digital, DVD, & Blu-Ray Run Time: 90 mins.
Die Alone production still. Courtesy photo, used with permission.
The biggest mini-golf showdown comes to the U.S. with a high-stakes cash prize across San Antonio, Houston, and Austin. Three Cities. One Championship. Photo: Mitch Lowe, used with permission.
Mini-golf is a fun, accessible recreational activity enjoyed by people of all ages. With its colorful courses, whimsical obstacles, and creative themes, it offers a playful twist on traditional golf. Unlike standard golf, mini golf requires no prior experience, making it ideal for families, friends, and even date nights. The game encourages lighthearted competition while providing a relaxed environment for socializing. Its appeal lies in its simplicity, affordability, and the excitement of navigating unique challenges like windmills, ramps, and tunnels. Whether indoors or outdoors, mini golf provides an enjoyable escape, combining skill, luck, and entertainment in a compact setting.
Attention mini-golf enthusiasts! If you’re competitive and would love a chance to compete in a tournament for a $10,000 cash prize, check out this opportunity from Holey Moley Mini Golf.
Austin, TX – Hot off dominating Australia’s mini-golf circuit, the Holey Moley Open swings into the U.S. this spring across all three Texas locations. Not an average mini-golf tournament, the Holey Moley Open is a multi-day competition that will take place across Austin, Houston, and San Antonio, beginning with City Championships on March 25. Teams of 4 will compete across 9 exciting mini-golf holes to see who will be crowned the city champions. Winning teams advance to the State Final at Holey Moley Austin on April 8 for a shot at a $10,000 cash prize. Beyond the competitive action on the course, spectators can enjoy live DJs, dance under confetti showers, savor delicious food/drink specials, and meet Caddy’s in full costume slinging cocktails — making the Holey Moley Open this year’s most high-energy mini-golf experience. (Holey Moley Mini Golf, 2025)
Registration for a chance to compete began on February 25 and ends on March 10. Teams are made up of four golfers, and players must be at least 21 years to participate. There is no cost to submit a team registration form. Of the submissions, Holey Moley will select 60 teams to compete across the state. Winning teams at the March 25 City Championships will be offered travel accommodations to compete at the State Final in Austin on April 8. The State Final will consist of 18 holes (two courses).
Each team will play a round of nine holes, with a maximum of +6 strokes per hole to be kept score by an official caddy. Penalties will be dealt for off-course balls as well as interference, and in the event of a tiebreaker, one lucky team member will play an extra hole. The team with the lowest combined score wins.
Complete details about the Holey Moley Open, the registration form, and requirements for registration can be found online.
Love golf and looking for Spring Break ideas in San Antonio?
With Spring Break just around the corner, Holey Moley Mini Golf is the perfect spot for students looking to stay local and have a memorable, affordable experience. Offering a unique indoor mini golf adventure, Holey Moley combines fun with cool, refreshing vibes—making it the ideal destination for anyone looking to make the most of their time off.
Whether you’re planning a night out with friends or a family outing, Holey Moley provides an exciting and relaxed atmosphere with mini golf, drinks, and tasty bites all in one place. For college students specifically, Holey Moley is offering a $10 discount with the promo code SPRINGBREAK—giving them an affordable way to enjoy the fun without breaking the bank.
Code: SPRINGBREAK
Offer: $10 off student bookings
Valid: March 10th-16th
Holey Moley Mini Golf is a mini golf course and bar that turns traditional putt-putt into a multi-sensory labyrinth of unique holes. It’s nifty, it’s nostalgic, it’s a bit ’80s, and a bit ’90s. Mostly, it’s the craziest round of mini golf you’ve ever played. With drinks, cocktails, and tunes on offer at our full-service bar, The Caddyshack, all of your off-the-green needs are taken care of. We are *not* in even a tiny way affiliated with any of the creators of popular culture that some of our holes may, or may not, remind you of.
Arkansas’s country-rock troubadour JD Clayton announces anticipated sophomore LP, Blue Sky Sundays. Photo: David McClister, used with permission.
Fort Smith, AR – In addition to the release of his new single “Dirt Roads of Red,” JD Clayton has announced his highly anticipated sophomore album, Blue Sky Sundays. Due out on February 28 on Rounder Records, Blue Sky Sundays finds Clayton taking the helm as producer in the studio with his touring band to capture the vitality and grit of his crowd-thrilling live show. (IV PR, 2025)
“One morning I was playing golf with a buddy from Georgia down at McCabe Golf Course in Nashville when he turned to me and said that there should be a song about wishing that the streets of gold in Heaven could be streets of Red, referring to the red clay down in Georgia,” remembers Arkansan singer-songwriter JD Clayton.
Wheels turning, Clayton went home, picked up his guitar, and finished writing “Dirt Roads of Red” in under an hour. “Now, being an Arkansas kid, I could never bring myself to write a song about Georgia. Thankfully, my favorite state, Colorado, also has a high concentration of iron deposits in its soil.”
With a halftime drum beat and a striding, bluesy piano, “Dirt Roads of Red” has an appropriately slinky vibe. “It feels inherently southern to me and has a super cool groove,” says Clayton. That feeling gets amplified with a slide guitar solo before the song’s final chorus: “Good God almighty I beg you please / Just before I’m dead / Turn them streets of gold to dirt roads of red.”
Clayton’s first few lines set up the whole song and come from some personal experience. “It turned out to be a really special track to me because my dad is a pastor and I love the interaction the boy has with his pastor in the first verse of the song,” he says. Typical with the music Clayton has released throughout his budding career, his soulful delivery and funky-leaning instrumentation help frame the story he’s telling in a way all his own.
Fans can stream or purchase “Dirt Roads of Red,” and pre-order or pre-saveBlue Sky Sundays ahead of its February 28 release. For tour dates and ticket information, please visit JD Clayton online.
Blue Sky Sundays tracklist: Let You Down – (JD Clayton) Dirt Roads of Red – (JD Clayton) Madelene – (JD Clayton) Slow & Steady – (JD Clayton) Arkansas Kid – (Al Kooper, Ronnie Van Zant, Robert Burns) Give Me One Reason – (Tracy Chapman) High Hopes & Low Expectations- (JD Clayton, Kendell Marvel) Dance Another Dance- (JD Clayton) Goodnight- (JD Clayton)
A native son of Arkansas, JD Clayton delivers a timeless form of country rock that’s wholly the product of his environment: down-to-earth, deliberately unhurried, touched with a carefree ease that’s undeniably infectious. Over the past few years alone, he’s brought his crowd-thrilling show to tours with the likes of Dwight Yoakam, Old Crow Medicine Show, and Parker McCollum, in addition to performing at major festivals such as Bonnaroo and Dreamy Draw and opening for artists like Hank Williams Jr., Brent Cobb, and Ashley McBryde.
As a kid growing up in Fort Smith, Clayton got his start playing guitar and later took up piano, drums, banjo, harmonica, and ukulele. He released the debut EP Smoke Out the Fire while still in college. After grinding it out in Nashville for several years, he returned to his hometown and immersed himself in creating an adventurous new album that soon led to his signing with Rounder Records. With equal parts soulful self-reflection and wildly colorful storytelling, Blue Sky Sundays immediately transports the audience into a world that moves at its own exhilarating rhythm—and ultimately reveals an artist of hard-won character and singular authenticity.
The Pretty Guardian Sailor Moon North American Tour will make a stop at the Majestic Theatre on March 18, 2025. Photo: Bond Theatrical, used with permission.
Following its sensational month-long engagement in London, Pretty Guardian Sailor Moon: The Super Live, the world-wide smash hit 2.5D musical sensation based on the wildly popular manga (comic book), will launch a North American tour this March with technical rehearsals and previews held in Pittsburgh, PA and an official opening on March 15 in Austin, TX and in partnership with SXSW (South by SouthWest). The tour includes a stop in San Antonio at the Majestic Theatre on March 18, 2025. (ATG Entertainment, 2025)
With book, lyrics and direction by Kaori Miura (Musical: The Prince of Tennis, Tokyo Revengers The Musical), choreography by Satomi Toma, and music by Go Sakabe and KYOHEI, the visually stunning show follows the stories of Usagi Tsukino, a teenage girl who transforms into the heroic Sailor Moon. Together, with her fellow Sailor Guardians, she battles many dark forces to protect the Earth from evil.
With a mix of action, heartfelt moments, and iconic music, this production sees the manga characters brought to life on stage, in an epic story-telling live show experience guaranteed to wow audiences night after night, creating an unforgettable experience for fans and newcomers alike. Pretty Guardian Sailor Moon: The Super Live will be performed in Japanese with English subtitles.
“At its very basic, ‘Pretty Guardian Sailor Moon’is about 5 girlfriends banding together to fight for what they believe in… that’s timely,” said writer and director Kaori Miura. “Sailor Moon and her fellow guardians are equipped with powers that help them defeat evil and the characters are imbued with the self-determination to have agency and make their own confident decisions. In short, they are the ultimate example of ‘girl power.’”
The show’s North American engagement of Pretty Guardian Sailor Moon: The Super Live, is strictly limited, with previous engagements in New York City and Washington, D.C. selling out in record time. Ticket prices range from $45-$179 (will vary from city to city) including a VIP package designed to create enchanting fan experiences. For the San Antonio show, tickets are available online through the Majestic Theatre.
One of the most popular Mangas of all time, “Pretty Guardian Sailor Moon”is a global cultural phenomenon. Created by Naoko Takeuchi, Sailor Moon began as a manga in 1991 in Japan in a girls’ comic magazine published by Kodansha and has since sold over 46 million copies world-wide and has been translated into over 17 languages. It has been adapted as an anime and a live-action tv series which has aired in over 40 countries.
Pretty Guardian Sailor Moon: The Super Live premiered at the AiiA 2.5 Theater Tokyo in August 2018. Following its European premiere in Paris in November 2018, the show had its US premiere in Washington D.C. and New York in March 2019 which sold out within minutes, drawing audiences from over 40 states. It has since played a hugely successful run in Taiwan.
American Dreamer will be available for download in the UK beginning March 17. Courtesy photo, used with permission.
Dark comedies blend humor with darker, often taboo subjects, offering an unpredictable and thought-provoking viewing experience. They appeal to moviegoers who enjoy humor that challenges societal norms, pushing boundaries with themes like death, tragedy, or the absurdity of life. The contrast between the heavy subject matter and comedic delivery creates a unique emotional dynamic, allowing viewers to laugh at uncomfortable situations while contemplating deeper issues. This genre often attracts audiences who appreciate satire, irony, and the discomfort of confronting life’s harsh realities with humor, providing a cathartic release and a more nuanced reflection of the human condition.
London, UK – Plaion Pictures is thrilled to announce the UK release date for American Dreamer, which will be available on digital download from 17th March. (Strike Media, 2025)
Based on a true story, American Dreamer is the story of Dr. Phil Loder (Peter Dinklage), a low-level, adjunct professor of economics, whose grand dream of owning a home is tragically out of reach…until an incredible, once-in-a-lifetime opportunity comes his way when a lonely, childless, near-death widow (Shirley MacLaine) offers Phil her sprawling estate for pennies. But Phil quickly learns the deal is too good to be true and the American dream is not quite what it used to be.
From the writers behind St. Vincent and Hidden Figures, you’re invited to the open house for American Dreamer. Featuring hilarious supporting performances from Matt Dillon (The House That Jack Built), Danny Glover (Lethal Weapon), Danny Pudi (Community), Rebecca Olson (Kung Fu) and Kimberly Quinn (The Starling), is this American dream too good to be true?
Release Date: 17th March Formats: Amazon Prime Video, Apple TV, Google Play, Virgin Movies, Sky Store, and Rakuten. Directed By: Paul Dektor Produced By: Theodore Melfi, Kim Quinn, Paul Dektor, Peter Dinklage, David Ginsberg, Toyo Shimano, Kevin Root Cast: Peter Dinklage, Shirley MacLaine, Matt Dillon Run Time: 98 mins
The Seldom Scene gives fans a new take on a long-beloved Bob Dylan Song. Photo: Jeromie Stephens, used with permission.
Bethesda, MD -This month, The Seldom Scene released their delicate and masterful version of the timeless classic “Farewell, Angelina.” Written by Bob Dylan for his widely-lauded album Bringing It All Back Home (1965) and famously recorded by Joan Baez, the haunting waltz is still being resurrected six decades later. And not just by US-based songwriters like Jeff Buckley and John Mellencamp—the song has been carried through France and Italy (“Adieu, Angelina,” “Addio Angelina”), India, Sweden, and beyond. The Seldom Scene’s elegiac interpretation glides through intimate conversation between words and strings. (IV PR, 2025)
“This song, written in 1964, is another gem by Bob Dylan,” says Seldom Scene bassist Ronnie Simpkins, whose daughter insisted the band give the song their own treatment. “I’m glad we listened!” he laughs. Basing their arrangement more on Mellencamp’s 1997 Rough Harvest version than the original, the 53-year-running quartet originally from Bethesda, Maryland, gives “Farewell, Angelina” space to breathe and blossom. The track opens with Ron Stewart deftly picking the guitar in duet with Bluegrass Hall of Famer Dudley Connell’s rich, soft voice. One by one, dobro, fiddle, mandolin, and acoustic bass add subtle new layers to the story without overtly announcing themselves. The Seldom Scene’s poignant arrangement gives depth and texture to the song’s surreal poetry.
“Farewell, Angelina” is the latest single from the Seldom Scene’s forthcoming album, Remains to Be Scene—out March 14 on Smithsonian Folkways. Continuing their long-running legacy of pulling gems from outside of and within the bluegrass canon and reimagining them in what is now the Seldom Scene’s signature style, Remains to Be Scene features an interpretation of Jim Croce’s “A Good Time Man Like Me Ain’t Got No Business (Singin’ the Blues),” a pair of songs by Bob Dylan: “Walking Down the Line” and, of course, “Farewell Angelina,” while also revisiting a fan-favorite, “White Line,” from the iconic Live at the Cellar Door album and paying tribute to their inspirations, Flatt & Scruggs, with “Hard Travelin’.”
Americana UK shared an early listen. Today, fans can stream or purchase “Farewell, Angelina” and pre-order or pre-save Remains to Be Scene ahead of its March release here.
Remains to Be Scene tracklist: Last of the Steam-Powered Trains Crossroads A Good Time Man Like Me Ain’t Got No Business (Singin’ the Blues) Hard Travelin’ Farewell Angelina Walking Down the Line Lonesome Day I Could Cry White Line Show Me the Way to Go Home The Story of My Life
Self-produced with engineering and mixing by Jim Robeson at his studio The Bar in Rockville, Maryland, Remains to Be Scene caps the end of an era for the group in many ways. The album is dedicated to the memory of Bluegrass Hall of Famer and Seldom Scene cofounder Ben Eldridge, who retired from the group in 2014. But Eldridge remained a major presence and friend to the band, penning heartfelt liner notes for this album before his passing in April 2024.
Also notable is that Remains to Be Scene marks the final album for Dudley Connell, another Bluegrass Hall of Famer as a member of the Johnson Mountain Boys. Connell wrapped up a Seldom Scene tenure of nearly three decades on guitar and vocals with his retirement at the end of 2024. “Twenty-nine years, dude, that’s a long, long time,” Connell says with a laugh. “No regrets, I’ve loved every minute of it, and it’s been a real joy working with these guys for so long. But I want to get out while I still have my mobility and can travel, walk my dog, things like that.”
The Seldom Scene has mostly stayed close to home in the greater Washington, D.C. vicinity for most of its 53 years of existence. Even as the progressive bluegrass quintet’s lineup has turned over multiple times from those early days, The Scene has maintained an admirably high standard of musicality and artistry, on record as well as onstage at live-residency venues like The Birchmere in Alexandria, Virginia.
The band makes old songs sound brand new while putting a bluegrass spin on some of the least-likely cover songs in the genre. Those virtues are all in place on Remains to Be Scene, their 24th album, released on Smithsonian Folkways, on which they cover everybody from Bob Dylan to The Kinks with customary flair. The album is also another milestone effort for the Scene — the first since the passing of co-founder Ben Eldridge (who penned liner notes before his death in April 2024) as well as the last for longtime Scene member Dudley Connell, who is retiring after 29 years in the band. As usual, the rest of the Scene is taking those departures in stride. One way or another, The Seldom Scene will go on.
‘Last Words: A Supernatural Murder Mystery’ by Marty Roppelt. Photo: Amazon
“Last Words: A Supernatural Murder Mystery” is a murder mystery novel by Marty Roppelt. It follows Chicago police Detective Myles Hanson as he navigates a world of crime and unsettling revelations. After a nighttime raid on a drug lab ends in a deadly shootout that claims the life of an undercover detective, Myles transfers transfers out of the Organized Crime Unit.
On his first night in the Violet Crimes Unit, Maria Peski, a midwife with a normal quiet life is savagely murdered. Back at the station, while filling out the paperwork and listening to music on his headphones, he hears static and voice calling his name. From there, he begins to experience haunting visions and auditory hallucinations that include voices and static on the digital recorder that he uses to take notes.
When a second murder rocks the city with startling similarities, Myles is forced to accept what he fears most: some clues lie beyond the realm of the living. As the line between the supernatural and the real begins to blur, Myles realized that he is hearing the final words of the murder victims, fragments of their unfinished thoughts. Those voices give him clues to help him solve their murder. Together with his new partner Hank ‘The Tank’ Brewer, they race against time to catch the vicious killer before he strikes again.
Marty Roppelt’s new novella takes readers on an eerie journey into the world of the paranormal and crime-solving. As Hanson begins to have paranormal experiences, he must navigate the fine line between solving the crime and protecting his sanity.
Roppelt’s writing is atmospheric, creating a tense, thrilling narrative that keeps the reader hooked. The blending of the supernatural with a traditional murder mystery provides an intriguing twist, adding an extra layer of suspense to the already gripping storyline. Myles Hanson is a well-crafted protagonist, balancing the skepticism of a seasoned detective with the growing realization that the paranormal forces at play are very real. The suspenseful plot twists keep the reader guessing until the end.
The pacing of the novel is steady, allowing the mystery to unfold gradually, and Roppelt’s descriptive narrative of the killer’s viewpoint as he is getting rid of the evidence and then preparing to strike again is unsettling but gripping. The language while describing Myles’ hallucinations is vividly descriptive: “The woman – Maria Peski- stared back at him in the mirror. Dead eyes, frozen deep in their sockets, gazed through him.” The narrative is in the third person point of view that alternates between the characters and towards the end, it hints at an unreliable narrator when the police is interviewing a witness who crossed paths with the killer.
Overall, “Last Words: A Supernatural Murder Mystery” explores the themes of good vs evil, identity, and family. The unique premise of a haunted detective elevates this novel beyond the typical whodunit. Judging by the ending, this is only the beginning of Detective Myles Hanson’s paranormal experiences. It’s a captivating read for fans of both supernatural thrillers and crime mysteries by authors like James Patterson and John Sandford.
“Meandering through the growing crowd as carefully and slowly as he could, he positioned himself to within an arm’s length of his intended victim’s back. He stopped there. How easy it would be to simply stab her in the liver from here, and be done with her…”
⭐⭐⭐⭐⭐
Rating: 5 out of 5.
*The author received a copy of this book for an honest review. The views and opinions expressed here belong solely to her.
I Heart Willie, a sinister ‘Steamboat Willie’ reimagining sails into theaters for one night only. Courtesy photo, used with permission.
Slasher movies, defined by graphic violence and iconic killers, have a unique appeal to audiences through their intense mix of fear and thrill. These films often focus on a masked antagonist who stalks and murders victims, creating an atmosphere of suspense. The anticipation of the next attack, combined with the catharsis of witnessing characters’ survival or demise, taps into primal emotions. Slasher films also play with the audience’s expectations, blending horror with dark humor and occasionally offering social commentary. For many, the genre provides a controlled escape, where viewers face fear in a safe, fictional environment, making the experience both exciting and entertaining.
Exciting news for slasher film fans:
Hewes Pictures is excited to announce the special One Night Only®, release of I Heart Willie, a Steamboat Willie-inspired horror/slasher, coming exclusively to theaters across North America for One Night Only®, February 26th, 2025. Directed by Alejandro G. Alegre, this chilling origin story presents genre fans with a sinister reimagining of one of the most iconic cartoon characters in history, along with one of the most horrifying love stories of the year. (Gold Dust PR, 2025)
The One Night Only® cinema event will be distributed in the United States and Canada by Rubey Entertainment, LLC. Tickets and showtimes are available online.
Synopsis: Popular YouTubers Daniel and Nico are invited to investigate a haunted property drawn by rumors of a malevolent force. The legend centers around a boy born with deformities, resembling a human-mouse hybrid, who inspired Walt Disney’s Steamboat Willie. Abused and isolated, the boy, now known as Willie, crafts a bodysuit from the skins of trespassers. Over the years, his gruesome legacy fades into folklore—until a series of disappearances sparks renewed interest. As Daniel and Nico set up for a night of thrills, they unknowingly step into a deadly game of survival.
Produced by longtime collaborators Princeton Holt (2050) and David Vaughn (American Rust),the filmwas written by Vaughn, who also stars as Willie. I Heart Willie also features performances by Maya Luna, Micho Camacho, Sergio Rogalto, and Daniela Porras.
“We’re thrilled to bring I Heart Willie to audiences everywhere,” says executive producer Princeton Holt. “This film was made with the fans in mind, and we can’t wait for it to be an unforgettable experience—packed with scares, thrills, and a great time for everyone. We are confident I Heart Willie will become a cult classic, leaving fans talking long after the credits roll. By the way, speaking of end credits, don’t leave to early, or you might miss something.”
I Heart Willie was filmed 100% on location in Michoacán, Mexico, with local producers Liz Sanchez and Arturo Renteria bringing their unique perspectives to the project. The cast and crew, consisting largely of Mexico City residents, worked tirelessly to bring this dark tale to life. The film premiered to a sold-out audience at the Morbido Film Fest in Mexico City, receiving an encore screening due to overwhelming demand. I Heart Willie went on to win Best Actress, Best Actor, and Best Director at various film festivals.
Alex Cuba releases his new single right before his new US tour. Courtesy photo, used with permission.
Los Angeles, CA. – ®Grammy Award-winning artist, Alex Cuba releases brand new music in time for Valentine’s Day and coinciding with the launch of a tour of the United States. The Cuban/Canadian singer-songwriter announces the release of the first single for his upcoming 2025 album. (Vesper Public Relations, 2025)
“El Día Más Triste” is about transforming hurt into understanding. Feelings of love are joyous, wondrous events in our lives, spontaneous and beautiful. Its shadow side, those moments of betrayal, hurt and emptiness are no less important in how they create growth and urgency in our lives. “El Día Más Triste” shows the depth of sorrow, the pain of a ruptured relationship, and the process of rumination and inner conflict surrounding the confusion. “Es Amor” (it’s love) Alex remarks in the chorus at the conclusion of his self-reflection. An equally poignant part of our Valentine’s Day celebration is that side of love, that when it is missing, leaves a hole in our hearts.
The video was filmed in Miami with Cuban director Yeandro Tamayo. Warm intimacy invites the viewer into his healing journey through sad moments.
Alex Cuba’s U.S. Tour — No More Empty Words —At the heart of his ability to charm anything that breathes is Alex’s mastery of a deeper, more important language. The dude speaks joy. And it doesn’t’ matter if it’s Tito Puente joy or Stevie Wonder joy; it’s contagious. It shines through songs he’s co-written with Nelly Furtado and Jason Mraz. It’s the north star of his compositions.
Wherever his songs start their journey–in the land of lust, deep affection, or even melancholy–they know where they’re headed. Their path leads to a deep, shimmering gladness that everyone wishes was their native tongue. It’s this undeniable exuberance, expressed with masterful musicianship that has catapulted Alex to the highest levels of global critical acclaim. It’s what led this fiercely independent artist to 2 Juno awards, 4 Latin Grammys, and a 2022 Grammy for Best Latin Pop Album.
Just like his songs elicit “la-la-las” from audiences without a translator, they woo critics without a middleman. The magic he makes with melody and rhythm can’t be held back. Because in the end, whether in times of trouble or celebration, people everywhere want to go where Alex’s songs are going, to an unconditional sense of home, belonging, and bliss.
U.S. TOUR DATES February 11/12 – Seattle, WA, Jazz Alley February 14 – Corvallis, OR February 15 – Portland, OR, Old Church February 18 – Beverly Hills, CA, Vibrato February 20 – Oakland, CA, Yoshi’s March 21 – Mamaroneck, NY, Emelin Theatre March 22 – Queens, NY, Kupferberg Centre for the Arts March 23 – Baltimore, MD, Creative Alliance March 26 – Orlando, FL, Judson’s Live March 28 – Gainesville, FL, University of Florida March 29 – Fort Myers, FL, Alliance for the Arts March 30 – Memphis, TN, Buckman Center for the Arts April 2 – Decatur, GA, Eddies Attic April 3 – Birmingham, AL, Alys Stephens Center April 4 – La Grange, GA, Purelife Studios April 5 – Cary, NC, Cary Arts Center
Though raised in Artemisa, an hour outside of Havana, Alex Cuba’s artistry is as far-flung as the place he has settled and lived for over fifteen years: Smithers, BC, 14 hours north of Vancouver. His music at once incorporates his roots and is a unique amalgam of styles, having collaborated with artists ranging from Jason Mraz to Ron Sexsmith and Nelly Furtado; and bringing together melodies, pop-soul hooks, and rock chords in songs that may seem to bear little resemblance to traditional Cuban form.
A forward-thinking, indie-minded artist, Alex has amassed a steadily growing following among critics and fans. He has over 20 awards and nominations to his name, including four Latin Grammys, two Juno Awards, and, in 2022, his first Grammy Award from a total of four career Grammy nominations.
Alex carries his Cuba within, incorporating subtle jazz influences gained from his early years as a bass player in Cuba. His tasteful, sophisticated chords and lyrics express his poetry in an undeniably Cuban way. His growing body of work defines a unique musical place in the Latin diaspora.
Media Accolades: “…Best performance – Alex Cuba.” – National Post “Staying true to his Spanish language Folk-Funk-Rock hybrid has paid off.” – Billboard “Wicked guitar, undeniably soulful vocals. His package is simple and he wears it well” – popmatters.com “He’s like Marvin Gaye singing soul to a new generation” – Boston Globe “A master at conveying emotions through songs.” – Vancouver Sun “(Alex) Cuba is a groundbreaking figure, which may say something about the process of giving roots music a cosmopolitan polish” – Nashville Scene “Sublime is, a consummately crafted and beautiful offering” – Sounds and Colours
‘Listen to Your Sister’ by Neena Viel. Photo: Barnes & Noble
Neena Viel is a horror writer who lives in a cabin in the Washingtonian woods with her husband and the best dog on the planet. Her passion for philanthropy (almost) rivals her love for ghost stories. For fans of Jordan Peele’s films, Stranger Things, and The Other Black Girl, “Listen To Your Sister”is a laugh-out-loud, deeply terrifying, and big-hearted speculative horror novel from electrifying debut talent Neena Viel. (Barnes & Noble, 2025)
“Listen To Your Sister” – Twenty-five year old Calla Williams is struggling since becoming guardian to her brother, Jamie. Calla is overwhelmed and tired of being the one who makes sacrifices to keep the family together. Jamie, full of good-natured sixteen-year-old recklessness, is usually off fighting for what matters to him or getting into mischief, often at the same time. Dre, their brother, promised he would help raise Jamie–but now the ink is dry on the paperwork and in classic middle-child fashion, he’s off doing his own thing. And through it all, The Nightmare never stops haunting Calla: recurring images of her brothers dying that she is powerless to stop.
When Jamie’s actions at a protest spiral out of control, the siblings must go on the run. Taking refuge in a remote cabin that looks like it belongs on a slasher movie poster rather than an AirBNB, the siblings now face a new threat where their lives–and reality–hang in the balance. Their sister always warned them about her nightmares. They really should have listened.
“A knockout debut.” -Ashley Winstead
“Incredibly original and seriously scary.” – Nick Medina
“A brilliant fever-dream of a novel that effortlessly dances between horror, literary, and family saga—sure to appeal to fans of Grady Hendrix, Tananarive Due, Mona Awad, and Stephen King.” – Maria Dong
SA Examiner 