Category: Entertainment News

Tickets on sale Friday for ‘The Lion King’ at the Majestic Theatre

Gerald Ramsey as Mufasa in Disney’s ‘The Lion King.’ Photo: Matthew Murphy, used with permission.

Disney Theatrical Productions and North Park Lexus Broadway in San Antonio announced yesterday that tickets for the long-awaited return engagement of Disney’s ‘The Lion King’ will go on sale to the public at 10a.m., Friday, July 30. San Antonio’s most eagerly awaited return will once again leap onto the Majestic Theatre stage Wednesday, October 20 for a limited engagement of three weeks through Sunday, November 7. The show’s four-week engagement in 2015 played a sold-out run at the Majestic Theatre. Disney’s ‘The Lion King’ will play Tuesdays through Thursdays at 7:30p.m., Fridays at 8p.m., Saturdays at 2p.m. and 8p.m. and Sundays at 1p.m. and 6:30p.m. (North Park Lexus Broadway in San Antonio, 2021)

Tickets for Disney’s ‘The Lion King’ start at $30 and are available by calling Ticketmaster at (866) 870.2717, online, or at all Ticketmaster outlets including the Majestic Box Office. The Majestic Box Office does not accept single ticket orders over the phone; all ticket sales must be made in person. Premium Ticket Packages, which include a prime seat location, a souvenir program and an exclusive cinch bag, are also available. Majestic Box Office hours are noon to 5p.m. Monday through Thursday, 10a.m. to 5p.m., Friday. Saturday hours vary weekly, call (210) 226.3333 to verify. Orders for groups of 10 or more may be placed by calling (210) 226-5967.

Ticket buyers are reminded that Ticketmaster and the Majestic Box Office are the only official retail ticket outlets for all performances at the Majestic Theatre. Ticket buyers who purchase tickets from a ticket broker or any third party should be aware that the Majestic Theatre is unable to reprint or replace lost or stolen tickets and is unable to contact patrons with information regarding time changes or other pertinent updates regarding the performance.

Welcoming audiences, artists, staff, cast and crew back to the Majestic Theatre at full capacity safely and responsibly remains Broadway in San Antonio’s top priority. Masks will be required while in the theatre for this performance. Health and safety protocols are subject to change and will be clearly communicated to ticket holders in advance of each performance. Current protocols are available online.

Disney’s ‘The Lion King’ is a musical based on the 1994 Walt Disney Animation Studios’ animated feature film of the same name with music by Elton John, lyrics by Tim Rice, and book by Roger Allers and Irene Mecchi, with additional music and lyrics by Lebo M, Mark Mancina, Jay Rifkin, Julie Taymor, and Hans Zimmer. The musical features actors in animal costumes as well as giant, hollow puppets.

After 24 landmark years on Broadway, Disney’s ‘The Lion King’ continues ascendant as one of the most popular stage musicals in the world. Since its premiere on November 13, 1997, nearly 110 million people have seen 25 global productions. Produced by Disney Theatrical Productions (under the direction of Thomas Schumacher), Disney’s ‘The Lion King’ has made theatrical history with six productions running 15 or more years and four others running 20 or more years.

Disney’s ‘The Lion King’ won six 1998 Tony Awards® : Best Musical, Best Scenic Design (Richard Hudson), Best Costume Design (Julie Taymor), Best Lighting Design (Donald Holder), Best Choreography (Garth Fagan) and Best Direction of a Musical.

 

New York/Los Angeles theatrical release of Tom Surgal’s Fire Music

John Coltrane. Photo: Lee Tanner – The Jazz Image, used with permission.

Submarine Deluxe presents, in association with Joseph Wemple, Films We Like, and Mexican Summer, Fire Music – an official selection at the New York Film Festival. Written and directed by Tom Surgal it features Ornette Coleman, Sun Ra & his Arkestra, Cecil Taylor, Eric Dolphy, and many more. Opening theatrically in New York (Film Forum) on Friday September 10 and Los Angeles (Laemmle Glendale) on September 17 with a national release to follow. (Submarine Deluxe, 2021)

Although the free jazz movement of the 1960s and ‘70s was much maligned in some jazz circles, its pioneers – brilliant talents like Ornette Coleman, Cecil Taylor, Sun Ra, Albert Ayler, and John Coltrane – are today acknowledged as central to the evolution of jazz as America’s most innovative art form. Fire Music showcases the architects of a movement whose radical brand of improvisation pushed harmonic and rhythmic boundaries and produced landmark albums like Coleman’s  Free Jazz: A Collective Inspiration and Coltrane’s Ascension. A rich trove of archival footage conjures the 1960s jazz scene along with incisive reflections by critic Gary Giddins and a number of the movement’s key players.

Writer / Director Tom Surgal is known for directing a series of groundbreaking music videos for leading alternative bands like Sonic Youth, Pavement and The Blues Explosion. Tom was initially mentored in filmmaking by Brian De Palma and would go on to work in a wide range of film production jobs, including production design and casting. Tom is also a musician who has performed regularly with Nels Cline (Wilco), Thurston Moore (Sonic Youth), Jim O’Rourke, and Mike Watt (Minutemen, The Stooges) and is co-leader of the improvisational ensemble White Out. He is also a curator who has programmed celebrated music series at various downtown New York venues, including an entire month of shows at John Zorn’s hallowed performance space The Stone. Tom is recognized as a leading authority on Avant-Garde Jazz and boasts one of the world’s largest collections of Free Jazz recordings.

Documentary – 88 minutes USA (Submarine Deluxe)

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Sons Of The East release single ‘Fool Me’ from new album

‘Fool Me’ is the third single from the Sydney-based band’s forthcoming album. Photo: google

Sons Of The East, the indie-folk band from the Northern Beaches of Sydney, Australia, are pleased to announce the release of their newest single “Fool Me” and its companion video. Premiering exclusively via Atwood Magazine who celebrated the song as “an instant classic,” adding that it is a “folksy anthem for reveling in the moment: a soundtrack for feeling good and celebrating connect, arriving just as our world starts to open up.” Listen to and watch the video for “Fool Me” now at this link.  (Sons Of The East, 2021)

When asked about the track, the band told Atwood Magazine that they are “big fans of the Faces and Stones, and knew that if we wanted that vibe we needed to keep it as loose and fun as possible. It started with just banjo and guitar, and then piano became the signature voice of the track. We loved the honkytonk vibe, the idea that you could be sitting around at 1a.m. in a bar singing along to the piano and at any moment the whole thing could unravel. When it came time to shoot the film clip, the same rules applied.”

Sons Of The East is made up of Australian bandmates Dan Wallage, Nic Johnston, and Jack Rollins who have already seen their music achieve 150 million streams and over 30 million YouTube views as their popularity continues to soar worldwide. The band’s motley acoustic electric sound has become a unique and charismatic trademark: soulful, joyous, and irresistible.

“Fool Me” is the third single from the band’s forthcoming album set to release later this year. Previously released singles include “You Might Think” and “On My Way,” both of which are available everywhere now. They will hit the road in 2022 for an Australian capital city tour, followed by a headlining tour through Europe and North America. 

Andy May’s Acoustic Kids Showcases returns to MerleFest

Young musicians can register online to perform onstage at MerleFest. Photo: google

Over the past two decades, hundreds of young musicians have taken part in the Acoustic Kids programming at MerleFest presented by Window World. This year, the showcase’s 20th anniversary, young musicians from the MerleFest audience will once again step on stage and perform in Andy May’s Acoustic Kids Showcases during the festival which takes place in Wilkesboro, North Carolina, on September 16-19. Some participants are just learning to play their instrument, some play just for the fun of it, and some go on to international renown. Young musicians must register online before August 4 to participate in Acoustic Kids. “Acoustic Kids looks forward to our 20th MerleFest this September!” said Lauren May, Acoustic Kids facilitator. “Each year, it is a joy to provide festival stage performance opportunities for young musicians attending the festival and support them in them sharing their talents with the MerleFest audience.” (MerleFest, 2021)

This year, Acoustic Kids guidelines are a little different than usual in order to make up for MerleFest’s cancellation in 2020 and to accommodate the change in dates for 2021. Those who would have been age-eligible (16 or younger) for Acoustic Kids, MerleFest 2020, will be eligible for AK MerleFest 2021.

Their accompanists may be any age, and mixed-age groups are accepted—including family bands. Music teachers often accompany their students, using the program to give their students a real-life performance experience that is difficult to find elsewhere. No matter their skill level, Acoustic Kids celebrates young musicians’ achievements, and each year, a stream of young musicians heads to MerleFest to create their own “Music, Moments, and Memories” in Acoustic Kids Showcases. A festival wristband is required to participate, but there is no additional charge. Parents can find the registration page here. Please visit the Acoustic Kids website for further details and other important information concerning this year’s showcases.

Acoustic kids performers will be in good company on stage at MerleFest, joining a host of fellow MerleFest first-timers at the 2021 festival. Melissa Etheridge, Mavis Staples, Sturgill Simpson, Iron Horse Bluegrass, Creole Stomp, Charley Crockett, Joe Troop (of Che Apalache), Nefesh Mountain, Kelsey Waldon, Sierra Ferrell, One Fret Over, Amythyst Kiah, Chatham Rabbits, and Hogslop String Band will all be making their debut at MerleFest this year. 

MerleFest wants to remind everyone that early bird ticket prices are still in effect until September 15.

Finally, the Chris Austin Songwriting Contest judges have been announced. This year’s panel of music industry professionals includes Dolphus Ramseur, Amythyst Kiah, Darin & Brooke Aldridge, and The Milk Carton Kids. CASC is one of the most acclaimed songwriting contests in roots and Americana music and has a reputation for launching careers as well as drawing attention to important new talent. The contest is split into four genre-based categories including bluegrass, general, gospel, and country. First through third place winners will be chosen by these judges in each category at MerleFest 2021.

MerleFest was founded in 1988 in memory of the son of the late American music legend Doc Watson, renowned guitarist Eddy Merle Watson. MerleFest is a celebration of “traditional plus” music, a unique mix of traditional, roots-oriented sounds of the Appalachian region, including old-time, classic country, bluegrass, folk and gospel, and blues, and expanded to include Americana, classic rock, and many other styles. The festival hosts a diverse mix of artists on its 13 stages during the course of the multi-day event. MerleFest is the primary fundraiser for the WCC Foundation, funding scholarships, capital projects, and other educational needs.

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The Classic Theatre of San Antonio’s next production of Theatre in the Rough

The Classic Theatre’s production of ‘As You Like It’ opens September 9, 2021. Photo: The Classic Theatre of San Antonio.

The Classic Theatre of San Antonio is opening the second season of Theatre in the Rough with ‘As You Like It’ by William Shakespeare. Opening on Thursday, September 9, it will run until Sunday, September 26, 2021. Performed at the San Antonio Botanical Garden, it will be directed by Nick Lawson with performances on Thursdays, Fridays, and Sundays at 7:30p.m. with the exception of a performance on Monday, September 20 and no performance on Thursday, September 23. Tickets are available online. (The Classic Theatre of San Antonio, 2021)

‘As You Like It’ – Rosalind’s uncle rises to the throne and she is immediately banished from court. With her best friend and uncle’s daughter Celia by her side, she runs into the forest of Arden for refuge, only to catch the lovesick eye of another banished youth named Orlando. The result is a hilarious conglomeration of cross-dressing, foolery, melodic songs, questionable poetry, and laughs aplenty. Will love always win or are we merely mad? ‘As You Like It’ is an entertaining and touching exploration of life, death, love, family, and the bonds that tie us together.

Cast includes Kacey Roye, Josey Porras, Eddie Morfin Jr., Hunter Wulff, Randee Nelson, Adam Ochoa, Natalie Blackman, and Emit Quintero.

Star-Base Collectors Con in Brownsville

Brownsville’s inaugural collector’s con is happening August 7 and 8 at the Brownsville Event Center. Photo: google

Star-Base Collectors Con is Brownsville’s first ever Collectors Con and is taking place Saturday August 7 and Sunday August 8, 2021. It will combine the sports and pop culture world with guests from both sides of the spectrum – actors and voice actors for the pop culture fans, and sports stars for the sports fans who collect cards and memorabilia. There will also be special meet and greets scheduled. Vendors from all genres will be selling collectibles like Funko Pops, Star Wars figures and vehicles, Marvel Figures and Statues, DC figures and Statues, Anime Statues and figures, Pokémon Cards, Sports Cards, and more. Cosplay is permitted and encouraged. Hope to see everyone at this inaugural event hosted by Kulture Shock Collectibles in Brownsville. (Kulture Shock Collectibles, 2021)

It will be a weekend filled with artists, vendors, cosplayers, celebrities, gaming, contests, and fun for the entire family. Tickets are available online and range from $3 for children for one day to special two day pricing and VIP meet and greet packages. Children 6 years and under get in for free.

August 7 from 10a.m. to 7p.m.
August 8 from 10a.m. to 5p.m.

Brownsville Event Center
1 Event Center Blvd
Brownsville, TX 78526

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Jackson Melnick’s debut LP Abilene

Jackson Melnick makes bluegrass-tinged music for the brain on debut LP Abilene. Courtesy photo, used with permission.

Colorado songwriter Jackson Melnick has long been aware of the struggles of modern-day farmers in the but seeing the cold hard facts directly inspired his new song “Trouble.” “I was reading about the plight of suicides among farmers in America,” says Melnick. “Farmers have a suicide rate that more than three times that of the general population.” Melnick has seen the isolation many farmers struggle with, as well as seeing society at large becoming less tolerant of the demands of farmers and less aware of where their food comes from. In a beautifully heartbreaking, rollicking melody, he wastes no time getting to the point. “10,000 lives gone like the weather / When are we gonna start treating our farmers better?,” sings Melnick in “Trouble.” Bluegrass Today shared a music video for the song, calling it “an interesting mix of folk and bluegrass, with Dylan-esque songs.” In Melnick’s words, “The music video for the song says it all: digging a hole that’ll be your grave but can’t stop digging for the love of it.” “Trouble” is the first single from Melnick’s debut full-length album Abilene, due out September 24. Fans can watch the video for “Trouble” here and pre-order or pre-save Abilene ahead of its release at this link. (Jackson Melnick, 2021)

Produced by esteemed musician Christopher Henry (Peter Rowan Bluegrass Band), the upcoming Abilene positions Melnick as an important new voice in folk music, and also features accomplished bluegrass musicians such as Jason Carter, Matt Combs, Alex Leach, Tuck Tucker, and Cory Walker. Although the arrangements draw on the traditional sound of Bill Monroe and Ralph Stanley, among others, Abilene is at heart a songwriter’s record. Across these 10 tracks, Melnick combines his reverence for bluegrass with a lyrical point of view that is both mystical and topical.

After a rousing opener of “John the Revelator,” Melnick moves to the aforementioned “Trouble,” which touches on suicides within the farming communities of the Owens Valley in California. It is an epidemic he learned about while attending nearby Deep Springs College during a period of time when he began to hone his songwriting craft. Later, “South of My Soul” offers a sincere testimony about wishing the best for the other person when a relationship dissolves. Written in the moment, it is a cinematic yet poetic song that explores what it means to forgive and to heal. Truly, these emotional perspectives align well with Melnick’s career as a psychotherapist. “Being a therapist requires a lot of presence and raising consciousness, and I think that’s the kind of songwriter I’m interested in being, too,” he says. “I want to write songs that elevate the space to a higher mind of seeing things. I find that the themes in my music tend to be connected to that experience.”

Growing up in Crested Butte, Colorado, Melnick began meditating when he was 8 years old. Within a few years, he learned to play guitar and started busking—first singing John Denver and Steve Earle songs, then moving toward Dylan classics. Through most of his teenage years he hosted a weekly radio show on a local community station, too. But the most transformative moment may have been when he was 17 years old and saw a video of Gillian Welch and David Rawlings on stage. “I was watching them, and I felt like I knew exactly what they were doing, and how they did it. It was a transmission, like, ‘I know how to do that,’” Melnick recalls. “It hit me like a stack of bricks. Then I went to my guitar and I wrote three songs. They just sort of poured out and that was the beginning for me.”

Yet, music is just one component of Melnick’s overall goal. “I’m focused on big-project thinking,” he says, “I don’t want to just be a musician. I want to be working toward the healing of our planet.”

Abilene Track list:
John The Revelator
Trouble
I See You
Raghse Zarrat
Spirit Mother
Abilene
San Diego Pt. 2
San Diego
South Of My South
The Rhythm Has No End

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Matthew Fowler’s new album The Grief We Gave Our Mother

Matthew Fowler’s stunning label debut The Grief We Gave Our Mother due out September 10, 2021. Photo: google

Some people collect stamps or baseball cards or instruments, but born-and-raised Florida musician Matthew Fowler is well on his way to perfecting the art of collecting memories, displaying them not on a shelf but in musical verse and melody for the world to hear. “I moved to Denver. I quit my job. My grandfather died. I fell in and out of love. I toured all over the place. I spent a month living in Mauritius, the island country off Madagascar where my mom grew up,” says Fowler about the ingredients of his upcoming album The Grief We Gave Our Mother—out September 10 via Signature Sounds Recordings. (Matthew Fowler, 2021)

With Fowler, however, the easy-to-recall memories usually represent something more profound under the surface. For example, “I’m Still Trying,” at its root, is an admission of guilt and a shot at reconciliation with a family grown apart. “I lived with my parents for a long time in-between touring and traveling. Returning back to my childhood home after experiencing so much on tour made me take the time to remember lots of things about my past with a new perspective.” Fowler was named Holler’s New Artist of the Week and spoke with them about his music and more. Listen to “I’m Still Trying” at this link and pre-order or pre-save The Grief We Gave Our Mother ahead of its September 10 release right here.

Written over the course of the past several years, The Grief We Gave Our Mother is indeed a profoundly personal work of self-discovery and introspection, but more than that, it is an ode to growing up and chasing dreams. The result is a record that is at once bold and timid, hopeful and anxious, world-weary and naïve, an honest, revelatory collection all about putting one foot in front of the other and forging a life of purpose, passion, and meaning. “This record is the sound of me finding myself and my place in the world,” Fowler reflects. “It’s about real moments and real stories and real people.”

The Grief We Gave Our Mother Track list:
Marianne
Been A Lover
Reprise
Blankets
I Fall Away
Leaving Home, Looking Back
Everything That I Could
I’m Still Trying
Rest
Going Nowhere
Cassie
Rooftops
Beginners

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Brian Yuzna presents Tales of Blood Island

Producer Brian Yuzna presents Tales of Blood Island – serialized horror comics and Tiki-style mugs. Courtesy photo, used with permission.

Brian Yuzna, the legendary producer behind the 1985 film adaptation of the zombie horror classic, H.P. Lovecraft’s Re-Animator,® has unveiled a Kickstarter crowdfunding campaign for a serialized comic book and Tiki-style monster mug line called BRIAN YUZNA PRESENTS TALES OF BLOOD ISLAND.  Based on a script by writers David Sehring and Mark Cerulli, Yuzna and Drive-In-Sanity Films plan to adapt the comic books for a filmed reboot of the franchise with Tiki-mug tie ins and ancillary merchandise to complement and elevate the promotional and marketing efforts for the production. (Brian Yuzna, 2021)

Inspired by the successful “Blood Island” zombie and creature feature franchise made in the Philippines by Hemisphere Pictures for the U.S. drive-in market from 1959 through 1970, the comic book incorporates key characters from the original films and more jungle thrills, strange science fiction and fantasy, and over-the-top monsters and gore that were the key ingredients of the Blood Island pictures as well as “Mondo Movies” and exploitation films from that period. 

BRIAN YUZNA PRESENTS TALES OF BLOOD ISLAND, the comic book, is a movie series in the making with storyboard styling that screams “action” from artist Stephen Sistilli and coloring and lettering from Dexter Weeks.  Both Sistilli and Weeks worked on another Tiki-themed comic, Koni Waves for Arcana Comics from 2005 through 2010.  The first issue of BRIAN YUZNA PRESENTS TALES OF BLOOD ISLAND will be 36-pages in full color with three future issues planned for the initial run of the series.  Told in the style of classic cliffhanger serials and tropical tales from Men’s Adventure magazines and pulps, the new comic book features tiki terrors and non-stop monster mayhem, mixing and mashing up myths and folklore from around the world.

To coincide with the release of the comic books, there will also be more “blood in your eye” with a series of “mix-and-match” Tiki-style mugs based on the characters and creatures featured in the original movies and new comics. 

The undying, green-blooded zombie, the Beast of Blood, is the first Tiki Monster mug in the line as sculpted by Tiki-fantasy artist Tom “Thor” Thordarson, who has held numerous executive titles with Walt Disney Imagineering, Universal Studios, Tiki Farm and other theme park and design companies.

BRIAN YUZNA PRESENTS TALES OF BLOOD ISLAND is a comic book re-boot and re-imagining of the classic Hemisphere Pictures’ Blood Island creature feature franchise directed in the Philippines by Gerardo de Leon and Eddie Romero in the 1960s and 1970s.   Romero went on to serve as Associate Producer on Francis Ford Coppola’s Apocalypse Now. Like Coppola’s Apocalypse Now, YUZNA’S TALES OF BLOOD ISLAND is set during the end of the Vietnam War, somewhere in the South Seas, on a mysterious, primitive island filled with a multitude of monsters and mutants. There, a soldier-of-fortune and an ex-war buddy team up for a top-secret mission to find and exterminate the murderous war criminal, Dr. Akira Lorca, whose mad experiments with evolution and a jungle plant serum, derived from man-eating trees, create a hideous, head-hunting, body-swapping beast that terrorizes the island population by feasting on and appropriating their blood and flesh.

Produced in association with Bauer Pottery, one of the oldest ceramics companies in the United States, the Beast of Blood mug was designed and sculpted by Tiki fantasy artist Tom “Thor” Thordarson and is two mugs in one.  When stacked, the Beast of Blood Tiki-style mug is approximately 8″ tall.  Separated, the Beast’s disembodied head holds approximately 4 ounces of fluid while the Beast’s headless body holds approximately 8 ounces of liquid refreshment.  More color glazes and more beasts from the TALES OF BLOOD ISLAND comic books will be coming soon to mix and mash up with their fellow Blood Islander who was first made available, in a limited run, for the legendary Polynesian and tiki-themed Mai-Kai Restaurant in Fort Lauderdale, Florida for their Hulaween 2020 Drive-In event. The mug proved quite popular and was a sell-out.  All new color glazes and “blood splatter” editions will be made available to Kickstarter patrons of the BLOOD ISLAND campaign should it prove successful in reaching its funding goals.

Drive-In-Sanity Films is a production, marketing and distribution company run by David Sehring, a 37-year veteran film, television and creative services executive who has worked for Vestron Home Video, AMC Networks, including Shudder & IFC Midnight, as well as web retailer, Karmaloop.  While at AMC, Sehring won an Emmy for the doc Hollywood Rocks The Movies: The 1970s and created AMC’S Monsterfest (Now FearFest). Sehring also launched the first high-definition horror and creature feature channel, Monsters HD.  Sehring’s other credits include documentaries on the history of horror, sci-fi & fantasy including Behind The Planet of the Apes; The Alien Saga; The Fly Papers and Tales From The Crypt: From Comic Books To Television, among others.   

Courtesy photo, used with permission.

Erik Shicotte’s new EP Miss’ry Pacific

Erik Shicotte keeps it on the rails with his new EP Miss’ry Pacific. Courtesy photo, used with permission.

With his booming voice bobbing and weaving around fiddle and steel punches and a rollicking train beat, Wisconsin-based singer, songwriter, and ironworker Erik Shicotte does not waste time getting his point across in the first few seconds of Miss’ry Pacific, his brand new EP recently released via Black Country Rock Media. In a six song span, listeners will be greeted with waltzes, train songs, honky tonkers, and country ramblers, on which Shicotte sings with humor and pathos about trains, trucks, and hard-working heroes who hang out around highways, rails, and honky-tonks. Well studied in the art of outlaw-ism, there are echoes of the greats in Shicotte’s songs—Waylon, Willie, Cash, Haggard, and the wit of the late great John Prine, just to name a few—but underneath it all lies a hard-working authenticity that puts him, along with contemporaries like Colter Wall, into a level of legitimacy unobtainable by some of today’s drugstore cowboy songwriters. (Erik Shicotte, 2021)

An ironworker himself, Shicotte travels around the country building fire training towers. He carries his guitar with him everywhere, slinging iron by day and spending nights holed up in hotel rooms with a pen in hand and a song in mind. “I take a lot of pride in keeping genuine to my own damn humor and existence,” he says. “I myself can’t write anything I don’t know, see, feel or believe in. I draw from my experiences and imagination within interpretation.”

For a sneak peek of Miss’ry Pacific, check out this video of Shicotte’s stripped down, pre-pandemic version of the EP’s title track.

Miss’ry Pacific Track list:
Miss’ry Pacific
Kansas City
Niners
Flint
Silver
Die Like A Man