Tickets for ‘My Fair Lady’ at the Majestic Theatre go on sale Friday

Leslie Alexander as Mrs. Higgins, Shereen Ahmed as Eliza Doolittle and Kevin Pariseau as Colonel Pickering in The Lincoln Center Theater Production of Lerner & Loewe’s ‘My Fair Lady.’ Photo: Joan Marcus, used with permission.

North Park Lexus Broadway in San Antonio is pleased to announce that the North American tour of Lincoln Center Theater’s critically acclaimed production of Lerner & Loewe’s ‘My Fair Lady’ relaunches the Majestic Theatre 2021-2022 Broadway in San Antonio season. Directed by Bartlett Sher, the North American tour will play eight performances September 21-26 at the Majestic Theatre. Tickets start at $45 and are available online, by calling Ticketmaster at (800) 982.ARTS (2787), or by visiting the Majestic Box Office. The Majestic Box Office does not accept single ticket orders over the phone; all ticket sales must be made in person. Majestic Box Office hours are noon to 5p.m. Monday through Thursday, 10a.m. to 5p.m. Friday. Weekend hours vary, call (210) 226.3333 to verify. Orders for groups of 10 or more may be placed by calling (210) 226-5967. (North Park Lexus Broadway in San Antonio, 2021)

Tickets go on sale this Friday July 9 at 10a.m. Performance times are 7:30p.m., Tuesday through Thursday; 8p.m. on Friday; 2p.m. and 8p.m., Saturday and at 2p.m. and 7:30p.m. on Sunday. Welcoming audiences, artists, staff, cast, and crew back to the Majestic Theatre at full capacity safely and responsibly remains Broadway in San Antonio’s top priority. Masks will be required while in the theatre for this performance. Health and safety protocols are subject to change and will be clearly communicated to ticket holders in advance of each performance. Current protocols are available online. 

Lincoln Center Theater’s production of Lerner & Loewe’s ‘My Fair Lady’ is the winner of 5 Outer Critics Circle Awards including Best Revival of Musical and was nominated for 10 Tony Awards including Best Musical Revival, 5 Drama Desk Awards including Best Musical Revival and 3 Drama League Awards including Best Musical Revival. The production, which premiered in the spring of 2018, ended its long run at Lincoln Center’s Vivian Beaumont Theater on July 7, 2019 after playing 548 performances.

Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture Pygmalion, ‘My Fair Lady,’ with a book and lyrics by Alan Jay Lerner and music by Frederick Loewe, premiered on Broadway on March 15, 1956. The legendary original production won 6 Tony Awards including Best Musical and ran for 2,717 performances making it, at the time, the longest-running musical in Broadway history. The story concerns Eliza Doolittle, a Cockney flower girl who takes speech lessons from professor Henry Higgins so that she may pass as a lady.

Boasting a score that contains such now-classic songs as “I Could Have Danced All Night,” “Get Me to the Church on Time,” “Wouldn’t It Be Loverly,” “On the Street Where You Live,” “The Rain in Spain,” and “I’ve Grown Accustomed to Her Face,” Lincoln Center Theater’s production of ‘My Fair Lady’ was hailed by The New York Times as “Thrilling, glorious and better than it ever was. A marvelous and transformative revival.” New York Magazine described it as ‘Enthralling,” adding that “Bartlett Sher’s glowing revival proves that a beloved musical from another era can keep on kicking.” Entertainment Weekly raved “A sumptuous new revival of the most perfect musical of all time. A masterful piece of entertainment.”

2021-09-21T09:52:00

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Opening night of ‘My Fair Lady’

Park City Song Summit announces initial lineup of artists and programming

Park City Song Summit will take place September 8-12, 2021 in Park City, Utah. Photo: google

The Park City Song Summit is an antidote to the large-scale, impersonal, singing to the masses music festival. Instead of bands playing at audiences, the Song Summit seeks to create an environment where artist and audience not only connect, play, and listen, but engage in conversations around the journey of creating songs and thriving in the modern music industry. The five day live event will take place September 8-12 in Park City, Utah and is designed to redefine the live music experience. The Song Summit is pleased to announce its first round of artists and introduce its programming outline for 2021’s inaugural event. Single day, full festival, and VIP passes are available for purchase. (Park City Song Summit, 2021)

Taking place in 15 venues across the city, in rooms sized from 75 to 1300 people and also at Deer Valley’s Snow Park Amphitheater, artists including Gary Clark Jr., Preservation Hall Jazz Band, Leslie Jordan, Iron & Wine, Tank and the Bangas, Natalie Hemby, and more, will perform in a variety of ways—from stripped down acoustic sets on a barstool to plugged-in, full band shows. Performers will also engage with attendees and fellow artists in conversations—Song Summit Labs—around everything from profound relationships with an instrument; to the symbiotic power of other art forms; to how to create iconic and dynamic visual identities.

Over the course of five days in September, the Song Summit combines performances—from intimate to amphitheater—with a behind-the-scenes Unplugged meets MasterClass-style of information exchange fueled by Lab interviews and conversations.

Inspired by the pioneering, independent-minded Sundance Film Festival and channeling the curiosity of an early SXSW, the Song Summit seeks to create a retreat for artists where they play their songs and create conversations with audiences around both proven and inspired practices for bolstering creativity and success in both music and beyond. In the process, the Song Summit will also focus on opening conversations around mental and physical health and examining the struggles and breakthroughs artists face on their creative journey.

The Song Summit is the brainchild of Ben Anderson, Park City resident and lifetime musician/founding member of Aiko. He started Park City Song Summit to celebrate his passion for music and personal mission to bring clarity and normalcy to the struggles musicians and artists face around mental health and dependency. “Park City is a true music city with an independent spirit and legacy of craft and storytelling,” says Anderson. “This collection of artists is going to rock our mountain town and connect with audiences in a new and deeply engaging way.”

Park City has world-class performance venues that include nightclubs, halls, dives, auditoriums, and outdoor spaces—all of which will be utilized to create a variety of settings and environments for music exploration. In addition, Park City offers world-class restaurants and accommodations to satisfy a wide range of tastes for both artists and audiences alike.

Musical performance and Lab conversations with: Adia Victoria, Amanda Shires, Andrew Bird & Jimbo Mathus, Cedric Burnside, Celisse, Devon Gilfillian, Fred Armisen, Iron & Wine, John Craigie, John Doe, Jonathan Russell of The Head And The Heart, Jonathan Wilson, Josh Ritter, Joy Oladokun, Langhorne Slim, Leslie Jordan, Lori McKenna, Lucius, Morgan Kibby, Natalie Hemby, Preservation Hall Jazz Band, Tank and the Bangas, Tré Burt.

Musical performances: Anders Osborne, Bonny Light Horseman, Brad Walker, Chad Cromwell, Elvin Bishop & Charlie Musslewhite, Daniel Donato, Father John Misty, Fruit Bats, Gary Clark Jr., Ivan Neville, Kamasi Washington, Keller Williams’ Grateful Gospel, Mavis Staples, Mike Dillon, Rising Appalachia, Ryan Bingham.

Lab conversations: Alison Mosshart, Andy Cruz, Dave of Dopey Podcast, Dean Gonzalez & James A Rota, Jay Blakesberg, Jay Sweet, Joe Pug, Mark Borden, Rich Roll, Rob Bleetstein, Shaun White.

Songwriters in-the-round: Waylon Payne, Hailey Steele, Earl Bud Lee, Kylie Sackley, Rick Brantley, Garrison Starr, Matt Warren, Tim James, Kent Blazy, Dave Pahanish, Julia Sinclair, Megan Linville, Shelly Fairchild, Blake Bollinger, Kelly Archer, Bill Luther, Sarah Darling, Emily Shackleton, Kylie Morgan, Jace Everett, Dean Alexander, Kallie Shorr.

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Park City Song Summit

Dawn Fades to release sophomore album ‘Ode’ in September

Dawn Fades’ new album Ode is now available for pre-order. Courtesy photo, used with permission.

Los Angeles CA post-metal group Dawn Fades will release their sophomore album Ode, September 10, 2021. Ode will be available on vinyl, CD and all digital platforms via Metal Assault Records. The first single and music video “Taste” premiered June 25, along with the pre-order launch of the album in all aforementioned formats. (Dawn Fades, 2021)

Comprising six songs spanning ethereal experimentation and crushing heaviness, Ode shows a band unshaken by the pandemic induced time away from the stage. The new offering reveals Dawn Fades as now more resolute in their vision and execution. Mixed by heavy music mainstay Josh Newell (Intronaut, Anthrax, Linkin Park), Ode manages to be both more mature and more raw than the band’s critically acclaimed self-titled 2019 debut. While expertly retaining the core elements of their highly successful debut; Dawn Fades takes their musical evolution to even greater heights on Ode, undoubtedly leaving an even stronger impression on listeners.

Frontman and songwriter Sam Sherwood says the album is “a picture of feelings about the trappings of the world we find ourselves in. I believe we are doing a thing that has its own life to it. There is darkness and screaming inner-torment and there are ear-worm hooks.”

LA Weekly describes Dawn Fades as “a mashup of Deftones and Neurosis, with hints of Eyehategod and Enslaved.” Ode is now available to pre-order with the official album release slated for September 10, 2021.

Ode track listing:

  1. Dearth (8:17)
  2. Taste (5:11)
  3. Ode: Part 1 (1:51)
  4. Ode: Part 2 (5:56)
  5. Front (6:57)
  6. Chains (8:36)
  7. Turning (3:23)
    Total Runtime: 40:11

Dawn Fades is:
Sam Sherwood – Vocals
Scott Rosenquist – Drums
Markus Erren Pardiñas – Bass
Nate Hertweck – Guitar

Dawn Fades – Ode

MerleFest announces full lineup

JOHNNYSWIM, The Milk Carton Kids, We Banjo 3 and many more added to list of performers for September 16-19 in Wilkesboro, North Carolina. Photo: google

MerleFest, presented by Window World, is proud to announce the full lineup for MerleFest 2021, which will take place September 16-19, 2021. This lineup of world-class bands and artists will be joining the annual homecoming of musicians and music fans on the campus of Wilkes Community College in Wilkesboro, North Carolina, in the foothills of the Blue Ridge Mountains. MerleFest tickets are on sale now. (MerleFest, 2021)

MerleFest was founded in 1988 in memory of the son of the late American music legend Doc Watson, renowned guitarist Eddy Merle Watson. MerleFest is a celebration of “traditional plus” music, a unique mix of traditional, roots-oriented sounds of the Appalachian region, including old-time, classic country, bluegrass, folk and gospel, and blues and expanded to include Americana, classic rock, and many other styles. The festival hosts a diverse mix of artists on its 13 stages during the course of the multi-day event. MerleFest is the primary fundraiser for the WCC Foundation, funding scholarships, capital projects, and other educational needs.

The following is MerleFest’s complete list of performers including the previously announced headliners:
Sturgill Simpson, Tedeschi Trucks, Melissa Etheridge, Mavis Staples, Margo Price, LeAnn Rimes, Shovels & Rope, Balsam Range, Amythyst Kiah, JOHNNYSWIM, The Milk Carton Kids, We Banjo 3, Adam Traum, Banknotes, Bill and the Belles, Brittney Spencer, Cane Mill Road, Carol Rifkin, Charles Welch, Charley Crockett, Chatham Rabbits, Cordovas, Creole Stomp with Dennis Stroughmatt, Darin & Brooke Aldridge, Donna the Buffalo, Happy Traum, Hogslop String Band, Iron Horse Bluegrass, Jack Lawrence, Jeff Little Trio, Jim Lauderdale, Jody Carroll, Joe Smothers, Joe Troop (of Che Apalache), John Cowan, Kelsey Waldon, Kruger Brothers, Laura Boosinger, Mark Bumgarner, Mary Flower, Mitch Greenhill & String Madness, Moore Brothers, Nefesh Mountain, Oliver Hazard, One Fret Over, Paul Thorn, Pete & Joan Wernick, Peter Rowan & Free Mexican Airforce with Los Texmaniacs, Piedmont Bluz, Po’ Ramblin’ Boys, Presley Barker, Rev. Robert Jones, Robbie Fulks, Roy Book Binder, Sam Bush Band, Sam Williams, Sarah Shook & The Disarmers, Scythian, Shinyribs, Sierra Ferrell, Smitty and the Jumpstarters, Sweet Potato Pie, T. Michael Coleman, Terrapin Creek, The Barefoot Movement, The Cleverlys, The InterACTive Theatre of Jef, The Local Boys, The Waybacks, Tommy Emmanuel, Tony Williamson, Wayne Henderson, Wyld Fern, Yasmin Williams, and Zoe & Cloyd.

JOHNNYSWIM: Much like families, bands go through it all together. At the core, husband-and-wife Abner Ramirez and Amanda Sudano translate the memories, moments, and milestones on their journey into spirited, slick, and soulful anthems steeped in singer-songwriter tradition, yet amplified by alternative experimentation, rock energy, and pop ambition. JOHNNYSWIM will perform on Friday evening.

The Milk Carton Kids: Listening to The Milk Carton Kids —Joey Ryan and Kenneth Pattengale—talk about their creative process, it is easy to imagine them running in opposite directions even while yoked together. Defying the conventions of melody and harmony is a strategy The Milk Carton Kids have consciously embraced. The Only Ones, the group’s latest record, finds Ryan and Pattengale performing a stripped-down acoustic set without a backing band. On “The Only Ones,” the pair returns to the core of what they are about musically: the duo. The Milk Carton Kids perform on Friday evening.

We Banjo 3: One of the best live acts to come out of Ireland in many years, the multi-award winning We Banjo 3 combine supergroup credentials with a breath-taking command of the emotive power of fiddle, guitar, mandolin, and banjo. Any single member of this group could electrify a venue with a solo performance, but together, in the joyous musical alchemy of We Banjo 3, their passionate lead vocalist like a young Springsteen adopted by the Chieftans, the result is truly unforgettable. Simply put, the gold standard of Irish and American roots music. We Banjo 3 will perform on Saturday and Sunday.

 

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MerleFest 2021

Bluegrass Pride builds momentum toward final weekend

Porch Pride: 5th anniversary celebration will feature more than six hours of livestreams and performances by LGBTQ+ and allied roots musicians. Photo: google

Bay Area non-profit Bluegrass Pride will culminate its month-long LGBTQ+ Pride celebration, Porch Pride, with a two-day virtual music festival featuring more than six hours of livestreams and performances by LGBTQ+ and allied bands, artists, and musicians. On June 26 and 27 starting at 3p.m. PDT / 6p.m. EDT the organization will celebrate five years of Bluegrass Pride (BGP) with artists such as Crys Matthews, BOOJUM, Po’ Ramblin’ Boys, Stephanie Anne Johnson, Rainbow Girls, and more. (Bluegrass Pride, 2021)

In 2020, Bluegrass Pride board member Jake Blount first proposed the idea for Porch Pride as an avenue through which BGP could support and uplift LGBTQ+ artists through the industry-shuttering pandemic, offering direct relief and performance opportunities to a community already disproportionately impacted by the realities of COVID-19. In its first year, the event raised more than $23,000 to be shared and distributed amongst the artists and bands on the lineup. Bluegrass Pride is hoping to outraise that amount in 2021, already reaching and doubling their goal for financial sponsorships.

The public is invited to tune in on June 26 and 27 from 3p.m. to 6p.m. PDT / 6p.m. to 9p.m. EDT for Porch Pride: 5th Anniversary Celebration. All Porch Pride events are free to view and attend, but audience members are encouraged to DONATE to support every single artist on Porch Pride’s month-long lineup. Watch and give on the Bluegrass Pride website, or watch via their YouTube channel or Facebook page.

For Bluegrass Pride fans and members local to the Bay Area, an in-person Porch Pride Watch Party & Jam will be held at Spark Social SF (601 Mission Bay Boulevard North, San Francisco, CA 94158) on June 27 at 2p.m. PDT. During and after the livestream watch party enjoy food, drinks, Double Rainbow ice cream, fellowship with fellow BGPers and jamming, plus a performance by local roots music scene stalwart Karen Heil’s old-time string band, the Knuckle Knockers.

Porch Pride: 5th Anniversary Celebration full schedule:

Saturday, June 26:

Mya Byrne
Ben Garnett
Crys Matthews
BOOJUM
Po’ Ramblin’ Boys
Gangstagrass

Sunday, June 27:

Willi Carlisle
Maddie Witler
Amanda Fields
Hasee Ciaccio & Friends
Stephanie Anne Johnson
Rainbow Girls

“It’s so incredible to look back on all that Bluegrass Pride has accomplished in the past 5 years. From launching that first award-winning float in the SF Pride Parade in 2017 to now running our own month-long Pride festival, it truly is a testament to the strength of our community and our desire to create positive change in the world of roots music. I think Porch Pride is the perfect way to celebrate that.” – BGP Executive Director, Kara Kundert.

Bluegrass Pride: Our mission is to recruit, encourage, and support LGBTQ+ bluegrassers of all levels, promoting their advancement and acceptance within all areas of the bluegrass music industry and musical community. We aim to uplift the genre of bluegrass as a whole to receive LGBTQ+ folks openly, and to promote allyship with all marginalized peoples within the industry and musical community. We do so by creating opportunities for community building and resources for musical skill development, such as concerts, jam sessions, showcases, festivals, parades, tutorials, recording, and more. Bluegrass Pride is a Section 501(c)(3) charitable organization, EIN 83-3224672. All donations are deemed tax-deductible absent any limitations on deductibility applicable to a particular taxpayer.

Paul Thorn’s new album ‘Never Too Late To Call’

Paul Thorn grooves on new album out August 6 via Thirty Tigers. “Here We Go” is the first single out. Photo: google

Paul Thorn has created an innovative and impressive career, pleasing crowds with his muscular brand of roots music—bluesy, rocking and thoroughly Southern American, yet also speaking universal truths. Among those who value originality, inspiration, eccentricity and character—as well as talent that hovers somewhere on the outskirts of genius, the story of Paul Thorn is already familiar. Born in Tupelo, Mississippi, raised among the same spirits (and some of the actual people) who nurtured the young Elvis generations before, Paul Thorn has rambled down back roads and jumped out of airplanes, worked for years in a furniture factory, battled four-time world champion boxer Roberto Duran on national television, performed on stages with Bonnie Raitt, Mark Knopfler, Sting, and John Prine among many others, and made some of the most emotionally restless yet fully accessible music of our time. He has appeared on major television shows, received numerous National Public Radio features and charted multiple times on the Billboard Top 100 and Americana Radio Charts. (Paul Thorn, 2021)

Fans were recently treated to the first taste of music from Never Too Late To Call, “Here We Go.” Fans can hear “Here We Go” and pre-order or pre-save Never Too Late To Call ahead of its August 6 release right here.

Never Too Late To Call opens with a song called “Two Tears Of Joy,” a slow-burn ode to life that finds Thorn naming all that he is thankful for without once coming across as cheesy or overly earnest. “It sounds a little corny to say this but I’m a 56-year-old man who has had a really blessed life,” says Thorn about the inspiration behind the tune. “I’m really grateful and thankful for everything I have and for the people I’ve met. ‘Two Tears of Joy’ is another way of simply saying I’m grateful.” A few tracks later, Thorn and his wife Heather singing a duet called “Breaking Up For Good Again.” “If you’re in any kind of long-time relationship you’ll know there will be bumps in the road and sometimes you won’t get along,” says Thorn. The song is beautifully fingerpicked and sung to perfection by the husband and wife duo who have been together long enough to know the song’s ideas well. “We’ve lived this song and had our moments,” they say. Towards the end of Never Too Late To Call listeners are treated to a pair of groovy numbers in “You Mess Around & Get A Buzz” and “Holy Hottie Toddy.” The former a cautionary tale and the latter a call to love everybody inclusively; both feel comfortable—in classic Thorn fashion—but represent the full spectrum of what this new, thoughtfully mature album has to offer.

On Never Too Late To Call, we find a mellower Paul Thorn. The wit and the – at times – humorous commentary on life’s existential questions are in evidence, but here there is a peace about his life’s journey. Or, to put it in his words, “I’ve been such a lucky boy. I’m crying two tears of joy.”

Never Too Late To Call track list:
Two Tears Of Joy
It’s Never Too Late To Call
Sapalo
Breaking Up For Good Again
What I Could Do
Here We Go
Apple Pie Moonshine
Sapphire Dream
You Mess Around & Get A Buzz
Goodbye Is The Last Word
Holy Hottie Toddy

Paul Thorn: It’s Never Too Late To Call
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New music from Metal Assault Records: Solar Haze

Solar Haze’s The Solar Age will be out July 16, 2021. Photo: google

Southern California’s heavy rock / metal trio Solar Haze will release their mind altering EP The Solar Age on July 16, 2021 via Metal Assault Records. Pre-orders for The Solar Age began on June 18 and the band released their official music video for the single and EP lead off track, “The Solar Age.” In celebration of their forthcoming release, Solar Haze will perform at “Blunt Force Trauma Fest,” a virtual mini festival experience presented by Ebony Jeanette PR & Metal Assault Records streaming July 16 via YouTube. More details about the virtual festival are available online. (Solar Haze, 2021)

Solar Haze is:
Guitar/Vocals/Bass Guitar: Stephen Falla
Guitar: Ross Cowan
Drums/Percussion: Ryan Michael Falla

The end is near, The Solar Age is here. Metal Assault Records will release the eagerly awaited EP The Solar Age from Southern California heavy rock / metal group Solar Haze on July 16, 2021. The three-track, 18-minute EP was produced by Eddie Vasquez (of San Diego based band Tzimani) and includes violent sequences that may induce frequent night-terrors and sudden mood swings which can cause bouts of severe irritability or thoughts of violence. Do not be alarmed if you receive frequent home visitations from mysterious individuals in black, phone calls from numbers with no area codes, or voices in your head that seem to be of foreign origin. These are common side effects that come with indulging in The Solar Age.

The Solar Age track listing:

  1. The Solar Age (4:57)
  2. Fortress Will Fall (3:50)
  3. Terror of the Deep (9:00)
Solar Haze – The Solar Age
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Suzanne Santo to release Yard Sale on August 27

Suzanne Santo’s sophomore release features Gary Clark, Jr and Shakey Graves and blends Americana, Southern-gothic soul, and forward-thinking rock and roll. The first single “Bad Beast” is out now. Courtesy photo, used with permission.

Yard Sale, the sophomore solo album from the now Austin, TX-based Suzanne Santo, is the musical equivalent of a homeowner’s purging of old possessions in order to clear up some much-needed room. Releasing August 27 via Soundly Music, the album marks the moment where Santo makes peace with her past and embraces a better, bolder present. A tireless creator, Santo has built her sound in the grey area between Americana, Southern-gothic soul, and forward-thinking rock & roll. It is a sound that nods to her past—a childhood spent in the Rust Belt which is also where she learned to love a yard sale; a decade logged as a member of the L.A.-based duo HoneyHoney; the acclaimed solo album, Ruby Red, of which Paste called “shameless, self-aware dialogue that opens the door for conversation that leads to real healing;” and the world tour that took her from Greece to Glastonbury as a member of Hozier’s band—while still exploring new territory. With Yard Sale, Santo boldly moves forward, staking her claim once again as an Americana innovator. It is an album inspired by the past, written by an artist who is only interested in the here-and-now. And for Suzanne Santo, the here-and-now sounds pretty good. The album’s first single “Bad Beast” is available everywhere today, listen here. Fans can pre-order or pre-save by clicking here. (Suzanne Santo, 2021)

Yard Sale finds Santo in transition, physically and emotionally. She began writing the album while touring the globe with Hozier—a gig that utilized her strengths not only as a vocalist and multi-instrumentalist, but also as a road warrior. Some songs were written between Hozier rehearsals, with Santo holing up in a farmhouse on the rural Irish coast, while others were finished during bus rides, backstage writing sessions, and hotel stays. Grateful for the experience but eager to return to her solo career, she finished her run with Hozier, joining the band for one final gig at Glastonbury before flying home to Los Angeles. Within three days, she was back in the studio, working with producer John Spiker on what was to become Yard Sale.

Upon returning home, Los Angeles became stale for Santo as the city is inclined to do. A partner breakup paired with the hiatus of HoneyHoney left her feeling lonely in her own home—sparking the cosmic relocation to Austin, TX—a city whose fingerprints are all over Yard Sale, thanks to appearances by hometown heroes like Gary Clark Jr. and Shakey Graves. Thus the metaphorical album title of Yard Sale became literal with a cross country move and the emotional unpacking and shedding that happens when life in a new city, with a new love, beckons.

The album presents Santo at the very top of her game musically, writing her own string arrangements and singing each song in an agile, acrobatic voice—perhaps in part due to the cathartic making-of process and what that has meant for her professionally and personally. At times she bridges the gap between indie-rock and neo-soul. On other tracks, she mixes gospel influences with a deconstructed R&B beat. Fans will hear layers of spacey, atmospheric electric guitar and Shakey Graves on a rainy-day ballad driven forward by a metronomic drum pattern, and Gary Clark punctuating with fiery fretwork.

Of the album as a whole, Santo says, “I’m into the emotional concept of what a yard sale really is. This record is about the things I’ve left behind and the things I’ve held onto. I was broken up with while writing the record. I fell in love again while writing the record. And I learned to fearlessly follow my gut, in all places of my life, while making this record.”

Yard Sale track listing:
Over and Over Again
Mercy
Gold Rush
Save For Love
Bad Beast
Since I Had Your Love
Afraid Of Heights
Fall For That
Common Sense
To No End
Idiot
Island

On tour:
July 5-6 – The RIDE Festival – Telluride, CO
August 26 – Album release show @ Antone’s – Austin, TX
September 8 – Mercury Lounge – New York, NY
November 5 – Space Ballroom – Hamden, CT*
November 6 – Big Night Live – Boston, MA*
November 7 – Colony – Woodstock, NY
November 10 – Southern – Charlottesville, VA*
November 11 – Black Cat – Washington, DC*
November 12 – Otto Bar – Baltimore, MD*
November 13 – Union Transfer – Philadelphia, PA*
November 14 – Grog Shop – Cleveland Heights, OH*
November 16 – Thalia Hall – Chicago, IL*
*with Murder By Death

Suzanne Santo – Bad Beast
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Amazing Radio USA celebrates World Music Day on June 21

Amazing Radio celebrates World Music Day with genre-jumping and globe-spanning programming on June 21. Courtesy photo, used with permission.

In the spirit of legendary border blasting jockey Wolfman Jack and renowned longtime BBC Radio One DJ John Peel, Amazing Radio’s mission, in its simplest form, is to turn listeners on to amazing music and support the musicians making it. Part curated music discovery platform and part artist-friendly incubator, Amazing Radio was the first to spin Alt-J, Haim, The 1975, Dua Lipa, and many more, and on June 21—World Music Day—the team at Amazing Radio will spend the day sharing songs created by artists from over 100 countries around the globe. Throughout the day, listeners will hear playlists packed with artists from Amazing Radio’s incredible indie-spirited roster, compiled and played by a few of Amazing’s finest DJs; Mike Savage, Charlie Ashcroft, and Dominick Martinez. In an official statement, Amazing Radio has encouraged listeners to “Hear music of all genres, and learn about what could be your next favorite act!” DJ shows will begin at 3p.m. Eastern/Noon Pacific on Monday June 21, 2021. Listen all day online. (Amazing Radio, 2021)

Special DJ shows:
Mike Savage – 3p.m. Eastern/Noon Pacific
Charlie Ashcroft – 7p.m. Eastern/4 p.m. Pacific
Dominick Martinez – 9p.m. Eastern/6p.m. Pacific

Amazing America is a US-based music business 100% focused on helping new and emerging musicians. It operates Amazing Radio and CMJ, which together have more than fifty years’ experience of helping the world’s best new musicians get the break they deserve.

Mike Savage is the Director, Talent & Programming for amazing and hosts Amazing Radio USA’s “Amazing USA Chart Show.” He is a 25-year music business veteran with a well-rounded knowledge of the music, entertainment, broadcasting, and new media industries. Prior to joining amazing, Savage was the Los Angeles-based Artist and Partner Relations Manager for TuneCore, where he contributed to the digital distribution company’s record-breaking year of client growth. Mike has held on-air and programming positions on terrestrial radio stations in major markets including New York, Los Angeles, and San Diego, and for several years was the host of the internationally-syndicated “World Chart Show” for Radio Express.

Charlie Ashcroft is based in London, England and has been on air in the UK at Amazing Radio since joining the station in 2009. Away from his radio work with Amazing, he oversees BT TV’s SVOD content, curates playlists, runs an indie club night called ‘Somebody Told Me,’ and writes a monthly column for Record Collector Magazine.

Dominick Martinez is a music lover living in Austin, Texas. He has spent years as a touring musician, working in music venues and festivals, as well as documenting live music through photography – all while maintaining a passion for discovering new sounds near and far from home. Since joining Amazing Radio USA in the spring of 2021, Dominick has found a new way to discover and share emerging artists from across the globe. Join Dominick on World Music Day to hear from incredible artists all around the world on Amazing Radio USA.

“The talent that’s been uploading music to the Amazing Radio website is incredible. We’re really excited to put a spotlight on so many great new artists from so many different parts of the world. Metal from Serbia, pop from Israel, indie-garage-rock from Italy, we’ve even found a British artist of Asian descent, living in Spain and working with a Colombian producer—how’s that for an international act! This will be a really great day of music discovery, and reinforces our mantra: Amazing Radio is where talent gets noticed.” -Mike Savage, Director of Talent & Programming.

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World Music Day

Full lineup of Porch Pride’s Juneteenth: A Rainbow Revival

Non-profit Bluegrass Pride and Decolonizing the Music Room partner on event to spotlight contributions of Black LGBTQ+ folks to the Pride Movement and roots music. Photo: google

Bluegrass Pride (BGP) and Decolonizing the Music Room (DTMR) are proud to announce Porch Pride’s third weekend, Juneteenth: A Rainbow Revival, a virtual festival event which will take place on Saturday, June 19, at 3p.m. PDT / 6p.m. EDT. Hosted by Stephanie Anne Johnson and featuring performances by Sunny War, Yasmin Williams, Jackie & Resa, and Jake Blount, the event will spotlight the vital contributions of Black folks to the modern queer rights movement, to LGBTQ+ Pride, and to American roots music — none of which would exist without Black queer folks, Black trans folks, and Black non-binary folks.  (Bluegrass Pride, 2021)

Co-produced by DTMR executive director Brandi Waller-Pace and BGP board member Lillian Werbin of Elderly Instruments, Juneteenth: A Rainbow Revival will honor the holiday that marks the anniversary of the executive order that followed the Emancipation Proclamation, freeing all remaining enslaved people in this country. The festival is a reverent reminder of those who waited over two years to hear the truth about their emancipation; and a reminder that Black voices, Black contributions, and Black musicians created, innovated, and transformed American roots music to create the fantastic depth and breadth of Black American music that we all enjoy and benefit from today.

The power of partnership and community building has made Juneteenth: A Rainbow Revival possible; Bluegrass Pride reached out to non-profit Decolonizing the Music Room to collaborate on the program. “As someone who has worked with both BGP and DTMR, it is an honor to assist in the creation of Juneteenth: A Rainbow Revival,” says Lillian Werbin. “Both organizations view Black contributions to music, history, and culture as invaluable and are delighted to celebrate them during Porch Pride.”

As the music industry navigates out of the COVID pandemic, both organizations are focused on highlighting Black LGBTQ+ roots musicians and generating financial support for their work, while also providing safer, more representative spaces for the bluegrass community to gather. While all Porch Pride events are FREE to view and attend, audience members are encouraged to donate to support not only the musicians on the lineup, but also the ongoing work of BGP and DTMR. Donate here.

Juneteenth: A Rainbow Revival has also been made possible by generous gifts from Ear Trumpet Labs and Elderly Instruments, as well as being a recipient of the IBMA Foundation’s Arnold Schultz Fund Grant.

Watch Juneteenth: A Rainbow Revival on June 19, 2021 at 3p.m. PDT / 6p.m. EDT on the Bluegrass Pride website, YouTube channel, or Facebook page

Porch Pride is the headline fundraising event for Bluegrass Pride, raising more than $22,000 in its first year. All of the event’s virtual programs are free to view and attend – and will be available to view on BGP’s website and channels after air – members, fans, followers, and listeners are encouraged to donate to support the musicians performing on Porch Pride, as well as the ongoing work of BGP. 

Porch Pride is taking place all month long June 2021. Kicked off on Sunday, June 6 with Lavender Country Live!, the event will continue over the course of Pride month featuring performances by folks like Rainbow Girls, Gangstagrass, Po’ Ramblin’ Boys, Jake Blount, Sunny War, and many more, plus a virtual Bluegrass Pride Brunch and open house, a beginner-friendly jam-along, and so much more.

See a full schedule of upcoming events below:

June 19, 2021 at 3p.m. PDT / 6p.m. EDT – Juneteenth: A Rainbow Revival, featuring Sunny War, Jake Blount, Yasmin Williams, Jackie & Resa, and Stephanie Anne Johnson. An evening of musical performances curated by Brandi Pace of non-profit Decolonizing the Music Room that will highlight the essential contributions of Black queer, trans, and non-binary folks to roots music and the Pride movement.

June 26 & 27, 2021 at 3p.m. PDT / 6p.m. EDT – Porch Pride: 5th Anniversary Celebration. Our headline festival returns celebrating five years of Bluegrass Pride and featuring performances by:

Saturday, June 26:
Mya Byrne
Ben Garnett
Crys Matthews
BOOJUM
Po’ Ramblin’ Boys
Gangstagrass

Sunday, June 27:
Willi Carlisle
Maddie Witler
Amanda Fields
Hasee Ciaccio & Friends
Stephanie Anne Johnson
Rainbow Girls

Bluegrass Pride: Our mission is to recruit, encourage, and support LGBTQ+ bluegrassers of all levels, promoting their advancement and acceptance within all areas of the bluegrass music industry and musical community. We aim to uplift the genre of bluegrass as a whole to receive LGBTQ+ folks openly, and to promote allyship with all marginalized peoples within the industry and musical community. We do so by creating opportunities for community building and resources for musical skill development, such as concerts, jam sessions, showcases, festivals, parades, tutorials, recording, and more! Bluegrass Pride is a Section 501(c)(3) charitable organization, EIN 83-3224672. All donations are deemed tax-deductible absent any limitations on deductibility applicable to a particular taxpayer.

Decolonizing the Music Room: Decolonizing the Music Room is a nonprofit organization using research, training, and discourse to help music educators develop critical practices and center BBIA (Black, Brown, Indigenous, and Asian) voices, knowledge, and experiences in the field of music education.