After nearly a decade of recording and performing in New York City, fifth-generation Texan Barton Stanley David decided it was time to return home. However, a fresh romance developed around the same time that left him torn between his grand return to the Lone Star State and Marketa, a Czech immigrant living in the Bronx who stole his heart. Eventually, love won out, with the pair now married and living in Dallas, but the road back to Texas inspired the first track on BSD’s upcoming album Crest, set for release on April 22, 2022. “Cicada” instantly conveys a sense of longing in a lush expanse of acoustic guitar, anthemic drums, and expressive vocals, landing somewhere between Americana and 90s alternative. “The city’s made of promises,” he sings on the album’s visceral opener. “But I’m too old to wait.” Central Track premiered “Cicada,” writing, “With a spacious and clean sound, Barton and his studio players sound confident and bright here. It’s great folky pop that gets right to the point.” Fans can hear “Cicada” and watch the video here. (Barton Stanley David, 2022)
Upon his return to Texas, with live music lost to the pandemic, Barton Stanley David formed Kenshire Records with executive producer Shane Stein and began recording remotely with Grammy-winning engineer Dave Schiffman (Tom Petty, Adele, The Killers) mixing from Los Angeles. Studio sessions finally began in January of 2021 with Jeff Saenz at Modern Electric in Dallas. However, tragedy struck six months into recording when Saenz lost both arms following a freak accident with a downed power line in his front yard. Remarkably, Jeff Saenz has since returned to producing at Modern Electric, which he owns, and his story has been featured in Rolling Stone and The Dallas Morning News.
With Saenz still hospitalized and the Dallas community rallying around the widely beloved producer, Barton eventually turned to Scarlett Deering, a young engineer and violinist (The Eagles) managing the late Charley Pride’s studio to complete the album. Other notable contributors to Crest include legendary mastering engineer Howie Weinberg (Nirvana, Jeff Buckley) and additional mixers Matt Pence (Jason Isbell, Elle King) and Roman Klun (Sarah MacLachlan). Drummer Matt Young (White Denim) turns in a break-out performance, along with bassist Chris Anderson (Martin Sexton), pianist Ben Fisher, and David playing many of the instruments himself.
Thematically, Crest is a heavy but hopeful ride: the soaring alt-rock conviction of “All Ways,” chamber pop showstopper “Evelyn,” reincarnation themed closer “And The Crowd Goes Wild Again,” even ‘90s-tinged break-up ballad “If I Didn’t Tell You First” rings with a certain triumph. Still, at the album’s heart, there is a bracing. “Collectively, I think there is a feeling that we are at the crest of a societal and spiritual wave that is about to break,” the Texas songwriter says. “We paddled out on a sea of circumstance that brought us here,” he sings on the title track, “And a storm is coming clear.”
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