Tag: art

Current Highlights: What’s New at Contemporary at Blue Star This Summer

Installation view C& Center of Unfinished Business, HERE AND NOW at Museum Ludwig: Dynamic Spaces, Museum Ludwig, Cologne 2020, © Contemporary And, photo: Rheinisches Bildarchiv Köln, Cologne / Nina Siefke

The Contemporary at Blue Star is excited to announce three new exhibitions, The C&s Center of Unfinished Business, Kaysaypac: Portraits and Figures by Leeanna Chipana, and Cheng Xinhao’s Silver…and Other Elements. The summer exhibitions weave an unavoidable thread that sparks conversation around the history of colonialism, its presence in contemporary life, and encourages education and dialogue. They are currently on view until October 6, 2024. (Contemporary at Blue Star, 2024)

The C&s Center of Unfinished Business
Contemporary is thrilled to partner with C&, a multimedia platform for contemporary visual arts, to present the Center of Unfinished Business, a reading room that encapsulates an array of books that explore the persistence of colonialism in various ways, from its origins to how it effects people and places today. You’ll find texts on the way land and culture have been forcibly stripped from native people due to colonialism alongside texts that explore how empire-building also connects to fashion, 21st century capitalism, and more.

Launched in 2017, the Reading Room has traveled to institutions around the world. As it travels, the room integrates books from each of its host venues (and their collaborators), who add text that is relevant to the place the Reading Room inhabits. For the Contemporary’s iteration of this installation, we have partnered with the Guadalupe Cultural Arts Center Latino Bookstore to include texts that touch on the themes of colonialism and borders that are present in the exhibitions in the surrounding galleries.

Kaysaypac: Portraits and Figures by Leeanna Chipana
Born in Long Island, New York to an immigrant Quechuan-Peruvian father and American mother, Leeanna Chipana draws from her Quechuan and American identity by incorporating Incan, Aztec, and Mayan iconography with classical European oil painting techniques and approaches. The blending and blurring of indigenous figures and Western techniques is an effort of disrupting colonial erasure by placing Indigenous-Latinx figures at the forefront of a very Euro-centric style of painting.

The exhibition title, Kaysaypac (pronounced cow-say-pak), a nod to Chipana’s Quechuan-Peruvian heritage, is a phrase often used while making a toast or a cheers and translates to “to live/to life.” Further cementing the presence of indigenous peoples, this sentiment incorporated into the title is a dedication to the descendants of the Incans continuing to live in community, surviving colonialism and violence.

Cheng Xinhao
Silver…and Other Elements
In this four-channel film, Cheng Xinhao investigates the Mang people’s (the indigenous people living at the border of Vietnam and China) adaptation to shifting borders and changing systems. To explore this moving borderline and the migration of its people, Xinhao follows the fluctuating use of currency.

These shifting borders create a state of in-betweenness and displacement—a sentiment many border communities around the world still struggle with, and yet adapt to. Xinhao’s video raises the question: what symbols are appropriated and survive under new regimes? Will they be incorporated into existing systems, or will new forms be created?

Contemporary at Blue Star
116 Blue Star
San Antonio, TX 78204

Public visiting hours during exhibitions:
Monday – Tuesday Closed
Wednesday 12p.m. – 5p.m.
Thursday – Friday 12p.m. – 8p.m.
Saturday – Sunday 10a.m. – 6p.m.

Admission is always free.

Photo: Contemporary at Blue Star, used with permission.

Paul Kane’s Travels: A Cultural Odyssey through Indigenous North America

‘Paul Kane’s Travels in Indigenous North America’ by I.S. MacLaren explores the life, times, and challenging legacy of 19th Century Canadian artist Paul Kane. Photo: Amazon

McGill-Queen’s University Press announces the release of the four-volume publication “Paul Kane’s Travels in Indigenous North America: Writings and Art, Life and Times” by I.S. MacLaren, the first comprehensive survey of Paul Kane’s (1810–1871) life and work in more than fifty years. Kane’s field sketches made between 1845 and 1848 constitute the first visual record of Indigenous life all the way from the Great Lakes to the Pacific Ocean by a Non-Indigenous artist. (Bow Bridge Communications, 2024)

Beginning his research three and one-half decades ago, MacLaren, professor emeritus at the University of Alberta, provides a singular opportunity to examine the impacts of Kane’s travels in Indigenous North America through his writings, art, life, times, and complex legacy. A meticulous, panoramic examination, “Paul Kane’s Travels in Indigenous North America” also studies the artist’s legacy in terms of his contemporaries’, his technique, and the complicated history of the source of the works. The author examines Kane’s travels and output by focusing on four areas of study: history of the fur trade, book publishing history, art history, and ethnohistory.

Paul Kane, a portraitist based in Toronto, set out from the city in 1845 for Lake Huron and Wisconsin. From 1846 to 1848, he continued to the upper Great Lakes, the Prairies, across the Rockies, down the Columbia River, and through Oregon Territory to Puget Sound and Vancouver Island. MacLaren reconstructs the colonial processes that turned Kane’s unique descriptions and depictions of Indigenous peoples into benighted stereotypes, teaching contemporary readers valuable lessons about what we thought we knew about Kane and his art, how he let himself be turned into a detractor of Native Americans, and how society endowed him with authority that was not always warranted. 

Kane has been called the founding father of Canadian art, and his “Wanderings of an Artist among the Indians of North America” (1859) is considered a classic of Canadian literature, albeit a controversial one if viewed from a contemporary perspective. More recently, he has been vilified as having misrepresented and exploited his subjects.

“Paul Kane’s Travels” features reproductions of nearly all Kane’s sketches—many published for the first time—and many of his studio paintings, as well as transcriptions of his field writings. The writings, which show the artist to have been a curious traveler fascinated by Indigenous lifeways, contain no negative references to Indigenous people. MacLaren’s work also features a transcription of manuscripts not in Kane’s handwriting (by unknown scribes), the text of the first edition of “Wanderings of an Artist,” an updated catalog, and detailed maps of Kane’s routes. Through the author’s in-depth research, the publication offers scholarly and first-hand understandings of the lives and histories of the real people Kane described and depicted while providing an authoritative biographical portrait of the artist. Thanks to family descendants’ support, MacLaren has identified 26 Indigenous people depicted in the portraits.

Publication Specifications
2,408 pages, 9 x 12”, 4-volume set, full color throughout | Cloth 9780228017479
$450 CDN / $375 USD | Available for purchase here.

Experience Xicanx Dreamers + Changemakers at Contemporary at Blue Star

Contemporary at Blue Star presents Xicanx: Dreamers + Changemakers | Soñadores + creadores del cambio. Photo: Contemporary at Blue Star

Contemporary at Blue Star is honored to present Xicanx: Dreamers + Changemakers | Soñadores + creadores del cambio, opening Friday, June 7, 2024, from 6p.m. – 9p.m. at the Contemporary. The opening night will also include a performance by Robert Jose Gonzalez at 8p.m. As the exhibition title suggests, the artists in this exhibition are dreamers and changemakers. Of Mexican American origin, they self-identify as Xicanx, a term that crosses national borders and gender lines to encompass a multi-generational experience. This exhibition uses the term Xicanx to refer to Chicano, Chicana, and Chicanx. The term reflects those who fought for and claim this designation and incorporates the ‘X’ from the Spanish transcription of the Nahuatl sound ‘ch.’ Nahuatl is one of the major Indigenous languages in Mexico. The ‘x’ on the end signals gender-neutral and non-binary inclusivity. (Contemporary at Blue Star, 2024)

Opening Night: Friday, June 7, 2024 | 6p.m. – 9p.m.
Performance by Robert Jose Gonzalez at 8p.m. | Free and open to the public
On View: June 7, 2024–October 6, 2024

The original conception of this exhibition came from a desire curators Jill Baird and Greta de León had to share the overlooked histories of American civil rights, including the Chicano/a civil rights movement of the 1960s and 70s, called El Movimiento. The installation at Contemporary at Blue Star is particularly significant due to El Movimiento’s roots in San Antonio, and the West Side of the city. From fighting for labor rights to equality for students, the work of San Antonio activists (and artists) played a crucial role in El Movimiento.

Some of the artists in Xicanx, began their work as part of El Movimiento. Much of the artwork created during this time sought to do the very things that this exhibition does: educate about the social inequity of Xicanx peoples, their history, and the importance of their culture. Other artists define themselves through their indigenous roots, and a younger generation expands the idea of Xicanx Art while continuing the work of addressing personal, social, and political issues of today.

In their curatorial statement, Baird and Greta note the importance of this work, “Artists were a major and critical part of El Movimiento over 50 years ago, and they continue to be strong activists fighting for equality and against racism and discrimination. Being Chicano or Xicanx* is an identity all of the artists in this exhibition choose. It is more than being just Mexican American; it is accepting the responsibility to fight for their community, their culture and their civil rights. The artists in this exhibition are dreamers and changemakers.”

Alongside the artwork are quotes, speeches, or sayings from prominent Xicanx authors, scholars, and exhibiting artists. A projection displays the work of murals across the United States, showcasing the reach and breadth of Xicanx voices in public art.

Xicanx: Dreamers + Changemakers | Soñadores + creadores del cambio was originally produced and presented by the Museum of Anthropology (MOA) at UBC and The Americas Research Network (ARENET), and curated by Jill Baird, former Curator of Education, MOA + Greta de León, Executive Director, ARENET. The presentation at Contemporary at Blue Star has been organized in collaboration with Mary Heathcott, Executive Director Contemporary at Blue Star; Jacqueline Saragoza McGilvray, Curator and Exhibitions Director, Contemporary at Blue Star; and Jon Hinojosa, President, CREO Consulting.

Contemporary at Blue Star presents exhibitions with artists from San Antonio and around the world sharing their global perspectives that encourage understanding, empathy, change, and action, fulfilling our mission to inspire, nurture, and innovate. Like most non-collecting contemporary art spaces, the Contemporary contributes fresh insights and perspectives on larger issues affecting society and culture by highlighting trends, movements, and conversations happening in art. Admission to the Contemporary is always free.

Contemporary at Blue Star
116 Blue Star
San Antonio, TX 78204
(210) 227-6960

Public visiting hours during exhibitions:
Monday – Tuesday CLOSED
Wednesday 12p.m. – 5p.m.
Thursday – Friday 12p.m. – 8p.m.
Saturday – Sunday 10a.m. – 6p.m.

Al Rendon, Raúl Salinas, 1987. Photo courtesy of the artist.

Second annual International Space Art and Poetry Contest

Kids and educators are encouraged to enter for a chance to see their creations in space. Courtesy photo, used with permission.

Are you a creative who loves to create art or poetry around the subject of space? If so, this is your chance to enter a contest to have your art showcased from the International Space Station. This contest is open for young artists/poets as well as educators. For the second year, Astronaut John Shoffner is hosting the International Space Art & Poetry Contest. The goal is to promote the ‘A’ in STEAM. See more information below.

Have you ever looked at the stars and wondered, “What would it look like if we lived in space?” For the second year, astronaut and contest visionary John Shoffner invites students and educators from across the world to submit a drawing, painting or written poetry showcasing what it would look like if we lived up there. (Axiom Space, 2024)

Participants from around the globe will have the chance to showcase vivid color and curiosity as they take us on a journey into space as they envision it. Eight category representatives will receive special recognition from the International Space Station (ISS) in addition to receiving physical prints of their creation sent down from space. 

Submissions for the 2024 International Space Art and Poetry Contest open are open now and close on April 5. Selected category representatives will receive prints of their creations sent down from space, gift packages provided by Crayola Experience, and more.

Entries will be categorized by age division (5-8, 9-13, 14-18, and a newly added educator category), as well as by genre (visual art and poetry).

Submissions will be scored by an esteemed panel of judges including: 

  • NASA Icon and Axiom Space Director of Human Space Flight Peggy Whitson, who holds more time in space than any American or woman in history
  • STEAM advocate, contest visionary and Axiom Mission (Ax-2) Pilot John Shoffner
  • Executive Director of Limitless Space Institute, Kaci Heins 
  • Visual Artist, poet and published author, Moniqe Lorden  

The contest is hosted by The Perseid Foundation in collaboration with Crayola Experience, Limitless Space Institute, International Space Station National Lab, and Axiom Space. 

The inaugural International Space Art and Poetry Contest received more than 930 entries from 26 countries including the U.S., Colombia, Ghana, Ireland, Bangladesh, New Zealand, Germany, Saudi Arabia, the Philippines, and more. Surrounded by floating colorful artwork and written creations inside the Cupola, Shoffner announced the category representatives during the Ax-2 mission last May. 

“Your creativity has inspired my perspective on space in ways I never imagined,” said Shoffner from the ISS. “Your big ideas, bright colors, and thoughtful words have served as a gentle reminder to hold onto that wide-eyed curiosity that often escapes us over time.”

Axiom Space is building for beyond, guided by the vision of a thriving home in space that benefits every human, everywhere. The leading provider of human spaceflight services and developer of human-rated space infrastructure, Axiom Space operates end-to-end missions to the International Space Station today while developing its successor, Axiom Station – the world’s first commercial space station in low-Earth orbit, which will sustain human growth off the planet and bring untold benefits back home. 

Axiom Space collaborates with The Perseid Foundation and Limitless Space Institute to boost STEAM education for the next generation of space explorers. Through this collaboration, these education partners aim to inspire curiosity in STEAM related careers. 

Last year’s winning submissions. Courtesy photo, used with permission.

Call for Luminaria 2024 festival artists now open

Interested artists can apply online to be feature in this year’s Luminaria. Photo by Mike Farquhar, courtesy Luminaria

Attention artists: Luminaria recently put out a call for artists for their next Luminaria Contemporary Arts Festival tentatively scheduled for Saturday, October 19, 2024. The locations is TBA later but all interested artists are welcome to apply online.  (Luminaria, 2024)

Visual artists, theater performers, digital artists, installation artists, musicians, poets, and all other form of artists interested in showcasing their artwork at the Luminaria Contemporary Arts Festival 2024 can apply. There are stages and buildings eagerly waiting to be filled with the talented work of a few creative and passionate artists to be selected by extraordinary curators.

Applications will be evaluated by a curatorial committee made up of local working artists and art experts. Featured Artists will be notified in April followed by site-visits, consultations, mentorship, a photo shoot, spotlight videos, media interviews, and networking opportunities. A public announcement of the festival line-up will be held in September.

Luminaria is a dynamic nonprofit arts organization dedicated to producing and promoting the arts to the city of San Antonio. Luminaria is an inclusive organization celebrating the visual and multimedia arts in San Antonio through public engagement and active support for artists. It was founded in 2008 by local arts advocates wanting to create a communal celebration for the city’s arts organizations and artists. Since adopting a new strategic plan in 2021, Luminaria is dedicated to the innovative interpretation of San Antonio’s culture, history, and environment through creative placemaking and site-specific arts integration. Luminaria coordinates with anchor arts institutions, cultural and heritage organizations, and other community partners to foster a vibrant and internationally resonant arts culture in the city.

Art exhibition: American Made: Paintings and Sculpture from the DeMell Jacobsen Collection

San Antonio Museum of Art’s American Made: Paintings and Sculpture from the DeMell Jacobsen Collection will close on January 7, 2024. Photo: San Antonio Museum of Art

The San Antonio Museum of Art’s special exhibition American Made: Paintings and Sculpture from the DeMell Jacobsen Collection is set to close on January 7, 2024 after an acclaimed run. The exhibition features more than a hundred artworks depicting the American experience in striking landscapes, Colonial-era portraits, still lifes, impressionist paintings, abstractions, and bronze sculptures. Spanning over 250 years of American art, American Made features exemplary works by renowned artists, including Baby Charles Looking Over His Mother’s Shoulder (No.3) by Mary Cassatt, An American Landscape by Luigi Lucioni, Elsie Wagg by John Singer Sargent, Chow Choy by Robert Henri, Seated Woman by Elizabeth Catlett, and Paris le Soir by Loïs Mailou Jones. (San Antonio Museum of Art, 2023)

American Made demonstrates not only how American art has changed stylistically, but also how the face of American art has changed — literally and figuratively. Though many objects from the DeMell Jacobsen Collection have been on view at museums around the country, American Made is the first exhibition to bring together highlights of this extensive private collection.

American Made was organized by The Mint Museum in Charlotte, North Carolina, and the Dixon Gallery and Gardens in Memphis, Tennessee.

San Antonio Museum of Art
200 W. Jones Ave.
San Antonio, TX 78215

The San Antonio Museum of Art serves as a forum to explore and connect with art that spans the world’s geographies, artistic periods, genres, and cultures. Its collection contains nearly 30,000 works representing 5,000 years of history. Housed in the historic former Lone Star Brewery on the Museum Reach of San Antonio’s River Walk, the San Antonio Museum of Art is committed to promoting the rich cultural heritage and life of the city. The Museum hosts hundreds of events and public programs each year, including concerts, performances, tours, lectures, symposia, and interactive experiences. As an active civic leader, the Museum is dedicated to enriching the cultural life of the city and the region, and to supporting its creative community.

Thomas Moran (American,1837-1926), Moonlight in Venice,1898, Oil on wood board. Courtesy of the Thomas H. and Diane DeMell Jacobsen PhD Foundation. Courtesy photo, used with permission.

New movie release: 5000 Space Aliens

5000 Space Aliens will be available November 21, 2023. Photo: Google

Director Scott Bateman and Producer Lucas A. Ferrara are excited to share the trailer for their new genre-bending animation, 5000 Space Aliens, which is coming to digital download worldwide on November 21, 2023. Get ready to meet a new space alien every second in this bonkers and groundbreaking one-of-a-kind animated film. (October Coast, 2023)

Imagine meeting a space alien. Now imagine meeting one space alien every second. This is what happens in Scott Bateman’s groundbreaking animated film 5000 Space Aliens. Scott Bateman has turned found footage, vintage photo studio pictures from Venezuela and Romania, scraps from a 100-year-old psychology textbook, and more into 5000 one-second shots of animated characters.

Instead of a typical narrative, 5000 Space Aliens is more like a ride: You just let the hypnotic rhythm of images wash over you. This one-of-a-kind animated extravaganza was made by just one animator, director Scott Bateman. Bateman also created the electronic-tinged soundtrack.

5000 Space Aliens was Medusa Underground Film Festival’s ‘Best Picture’ and has received multiple ‘official selections’ at a raft of international festivals. Pulled from the mind of Director Scott Bateman whose previous work includes The Bateman Lectures on Depression and You Your Brain & You. Not your average filmmaker, Bateman took the incredible leap to fund his projects via game shows, winning $100,000 (and a cruise) on Who Wants To Be A Millionaire, as well as becoming a one-day Jeopardy! champion.

On making the film, Scott Bateman says, “Storytelling is everywhere these days, it’s ridiculous. But not everything has to tell a story. I believe movies can do other things as well, and still be fun and entertaining to watch. So with 5000 Space Aliens, I set out to create an entertaining, non-narrative film.

5000 Space Aliens has a visual rhythm of one shot per second, and it is an absolutely hypnotizing movie-going experience. It’s like a ride: you don’t have to think, you just let it wash over you. The music acts as a thread through the whole film, your friend who’s on the ride with you.

I’m very happy that it all worked. 5000 Space Aliens is a very fun movie to watch with a group of friends at home or in a theater. There are so many ‘What did I just see?’ moments, and it’s highly re-watchable.

But also, I wanted to make a film but had no money at the time. So I was looking for a way I could make a movie all by myself. This was a fun challenge, as it’s been one so rarely. I did all this animation, created all this music, did the editing, all of it. I had a blast making this film, and I’m so happy it’s a blast so audiences can experience this groundbreaking, one-of-a-kind film. There’s never been another film like this.”

“…If you’re looking for something quirky, off-beat, and extremely entertaining, check out this unique film. And while you’re at it, you’d best fasten your seatbelts, as you’ll likely encounter some turbulence as this mesmerizing movie takes you on a fast-paced, high-speed joyride. An engaging alternate reality awaits.” – Lucas A. Ferrara, Producer

SAMA partners with UNAM San Antonio to present altar honoring Juan O’Gorman

Ofrenda: Juan O’Gorman and a Legacy of Muralism will be on view through November 30, 2023. Photo: UNAM San Antonio.

In celebration of Día de los Muertos, the San Antonio Museum of Art (SAMA) is delighted to announce a special collaboration with the Universidad Nacional Autónoma de México San Antonio (UNAM San Antonio) to present Ofrenda: Juan O’Gorman and a Legacy of Muralism. The ofrenda, or altar, will pay homage to the remarkable Mexican artist and architect known for Confluence of Civilizations in the Americas, the iconic mosaic mural he created for Hemisfair ’68. (San Antonio Museum of Art, 2023)

The ofrenda will be on view in SAMA’s Great Hall from Thursday, October 26 to Thursday, November 30.

Five UNAM students—Jhosep Bonillas, Rodrigo Gael Martínez, Pabel Erubey Medina, Diana Valeria Nápoles, and Mariana Tovar de Alba—were part of the team that submitted the winning proposal to build an altar at the UNAM San Antonio campus in a competition at the School of Architecture at UNAM in Mexico City. SAMA then invited them to build a complementary altar at the Museum. The altar will be placed next to Carlos Rosales-Silva’s mural Pase Usted, as his practice is greatly influenced by Mexican Muralism and O’Gorman.

The students built the altar with assistance from the Museum’s staff using traditional flowers such as cempashúchil (marigolds) and incorporate beer bottles as a nod to SAMA’s history as the old Lone Star Brewery. They also created an elaborate tapete (tapestry) using traditional materials.

Juan O’Gorman’s artistic contributions have left an indelible mark on the world of muralism and architecture. In his mural work, O’Gorman depicted various pre-Hispanic and Mesoamerican cultures, as well as elements of popular culture and everyday life in Mexico. A masterpiece, Confluence of Civilizations in the Americas celebrated the historical and cultural ties between Mexico and the United States. Today, the 2,600 square foot mural adorns the façade of the Lila Cockrell Theatre at the Henry B. González Convention Center.

The UNAM San Antonio will host a series of programs to commemorate O’Gorman’s legacy, including the Altar de Muertos dedicado a la vida de Juan O’Gorman on view from October 26 to November 30 at UNAM San Antonio: 600 Hemisfair Park. San Antonio, TX 78205 (210) 222-8626.

The San Antonio Museum of Art serves as a forum to explore and connect with art that spans the world’s geographies, artistic periods, genres, and cultures. Its collection contains nearly 30,000 works representing 5,000 years of history. Housed in the historic Lone Star Brewery on the Museum Reach of San Antonio’s River Walk, the San Antonio Museum of Art is committed to promoting the rich cultural heritage and life of the city. The Museum hosts hundreds of events and public programs each year, including concerts, performances, tours, lectures, symposia, and interactive experiences. As an active civic leader, the Museum is dedicated to enriching the cultural life of the city and the region, and to supporting its creative community.

Summer 2023 exhibitions open at Contemporary at Blue Star

Public opening for the Summer 2023 exhibitions will be on First Friday, July 7 from 6p.m. to 9p.m. Photo: Contemporary at Blue Star, used with permission.

Contemporary at Blue Star, San Antonio’s first and longest running exhibition space for contemporary art, proudly announces the opening of three solo exhibitions on July 7, 2023. These exhibitions feature new work by Brittany Ham, Adam Schreiber, and Michael Velliquette, three artists with strong ties to the San Antonio community. Ham and Schreiber are alumni of the Contemporary’s Berlin Residency Program and Velliquette is a former San Antonio resident, now based in Madison, WI. This year marks the 20-year anniversary since his first solo exhibition at the Contemporary. These exhibitions offer unique perspectives on self-portraiture, urban landscapes, and intricate paper sculptures, captivating audiences with their distinct artistic visions. (Contemporary at Blue Star, 2023)

Brittany Ham: Unmooring reaches into the exploration of interior and exterior spaces, both architecturally and psychologically. Through oil paintings, Ham chronicles her personal experiences with lockdown, social distancing, and the challenges of early motherhood. The seemingly longing subjects in her artworks often escape claustrophobia through imagined landscapes. Her works draw inspiration from sculptures, woodcuts, and paintings of exhausted women, including the Virgin Mary which she researched during her time at Künstlerhaus Bethanien International Studio Program as a grantee of Contemporary’s Berlin Residency Program. Ham’s works employ line and value to create molded planes that provide multidimensional perspectives. The curious contortions and collapsing of space in her pieces evoke a melancholic humor, inviting viewers to reflect on challenging times and the unknown horizons ahead.

Adam Schreiber: Stadtwald showcases photographs created during and since his residency at Künstlerhaus Bethanien as part of Contemporary’s Berlin Residency Program. Employing large format film cameras, he adopts the role of a photographic surveyor to document the city’s quiet and suspended scenes devoid of action. Schreiber’s images of isolated and decontextualized objects ignite viewers’ curiosity. Some of Schreiber’s photographs are visually dense with textural descriptions of the subject, yet they leave the viewer to decipher what exactly the subject is and what its significance might be. Grids, recurring in his work, hint at the artist’s camera lens and reflect the meticulous process of inspection. By presenting his subjects as unknown and encouraging active observation, Schreiber’s work engages viewers in a delightful game of curiosity and concentration.

Michael Velliquette: The Direct Path features an extraordinary display of intricate paper sculptures, making it the most comprehensive exhibition of these works to date. Velliquette’s installations create intimate spaces that invite viewers into these structural collages. Through layering, complexity, and vibrant colors, his works communicate a sense of ornate preciousness. However, their material and meditative creation process—meticulously measuring, cutting, composing, and gluing paper—reveal a delicate yet ordinary quality. This convergence of methods symbolizes transformation, showcasing unexpected metamorphoses of materials and offering moments of reflection to viewers as they visually enter these temple-like constructions.

As an artist-centric organization, the Contemporary is delighted to showcase the work of these talented artists and to nurture their creative practices. This commitment to supporting artists highlights the vital role that accessible spaces play in fostering a vibrant and dynamic art scene, encouraging artistic growth, and amplifying the diverse voices and perspectives that contribute to the richness of our cultural landscape. 

Expressions through painting

On a more personal note, I consider myself first and foremost a writer even though I came into the game in my later years but as most people, I kept journals while growing up. I also took art classes and joined my school’s choir for a couple of years and in college, I took art and music appreciation. Art has always been a big part of who I am.  I have always known I have an artistic eye, whether drawing or writing. As far as writing is concerned, I have had some of my poetry published and I enjoy blogging to keep people connected and informed.

Now during this pandemic, when most people are spending more time at home, I found myself with more time on my hands. In July, my husband and I made the choice to relocate to my hometown in the Rio Grande Valley, Los Fresnos to be more specific.  I left my job to do this big move and to have more time to do the necessary renovations to our new home. This was the perfect time to dive into painting and put into canvas the many images I have clogging up my head.  I have done several already and submitted a couple to local art shows and now I want to share them here.

This most recent one does not have a title yet, but that is okay, not all of them must have a title to make an impact. I have always believed in the duality of life: good/bad, yin/yang, etc.  This is my version of it; I already painted a self-portrait, so this is similar in a way. I have always had dreams where I am flying and for anyone who has never had one, they feel awesome. The feeling of flying and freedom that comes with it is exhilarating, so I am obsessed with wings. This is me, a brown-eyed woman with wings and a big heart. The wings are pink/blue to represent the male/female side of me and the squiggly lines around the whole thing, well, they represent the bloodlines in the heart.