Tag: Humorous science fiction

Book Review: ‘Artemis’ by Andy Weir – Life on the Moon & High-Stakes Heists

‘Artemis’ by Andy Weir is a sci-fi crime story set on the Moon. Photo: Barnes & Noble

Book Review: Artemis by Andy Weir

Synopsis

Jasmine “Jazz” Bashara lives in humanity’s first lunar colony, Artemis. She never signed up to be a hero—she just wanted to get rich. Not crazy, eccentric-billionaire rich, like many of the visitors to Artemis, but rich enough to move out of her coffin-sized apartment and eat something better than flavored algae. Rich enough to pay off a debt she’s owed for a long time. (Barnes & Noble, 2026)

When a chance at a lucrative heist presents itself, Jazz can’t say no. But engineering the perfect crime is just the start of her problems, because that little heist is about to land her in the middle of a conspiracy that threatens the future of Artemis itself.

Trapped between competing forces, pursued by a killer and the law alike, she’ll have to hatch a truly spectacular scheme to have a chance at staying alive and saving her city. Jazz is no hero, but she is a very good criminal.

Review

Artemis begins with Jazz reeling from failing her EVA exam, which she needs to join the EVA Guild. Members of the guild lead groups of tourists across the lunar surface and earn a significantly better living. She tries to talk her way into passing, but Bob Lewis, former US Marine and head trainer, doesn’t budge. He tells her to try again and focus on the quality of her equipment.

The story centers around Jazz, a clever, sarcastic porter and small-time smuggler who dreams of escaping poverty. She’s an engaging protagonist whose intelligence, resilience, and moral ambiguity make her both flawed and relatable. Unlike the idealistic heroes often found in science fiction, she survives through quick thinking, technical expertise, and sheer determination. Her growth from a self-serving opportunist to someone willing to risk everything for others forms the emotional core of the story.

“How dare you call me lazy? I’d come up with a scathing retort but, meh, I’m just not motivated.”

Weir once again showcases his talent for making complex engineering and scientific concepts accessible without slowing down the narrative pace. Themes of survival, greed, class inequality, and redemption are woven throughout the novel, highlighting the real-world challenges of building a human society beyond Earth.

Weir’s signature worldbuilding shines brightest here:

  • Lunar Economics: The realistic financial friction between tourists, workers, and corporations.
  • Life-Support Mechanics: Detailed systems keeping the dome breathable and safe.
  • Industrial Realism: Meticulously researched aluminum-smelting processes that anchor the plot.

The fast-paced plot keeps the tension high as Jazz relies on her sharp technical instincts and criminal ingenuity to pull off a spectacular multi-stage scheme.

However, Jazz’s dialogue and internal monologue can feel somewhat forced and juvenile at times, occasionally undermining the tension. While it doesn’t quite match the sheer survivalist charm of Mark Watney’s journey in The Martian, Artemis still delivers a fun, fast-moving sci-fi crime caper.

The Bottom Line

Artemis by Andy Weir is a fast-paced science fiction thriller that blends suspense, humor, and real-world science into an entertaining lunar adventure. If you enjoy hard science paired with high-stakes action, it is well worth the trip to the moon.

“People will trust a reliable criminal more readily than a shady businessman.”

Rating: 4 out of 5.

Get your copy of Artemis today!

About the Author

Andy Weir built a career as a software engineer until the success of his first published novel, The Martian, allowed him to live out his dream of writing full-time. He is a lifelong space nerd and a devoted hobbyist of subjects such as relativistic physics, orbital mechanics, and the history of manned spaceflight.

Bonus

If you enjoyed the fast-paced survival, witty problem-solving, and high-stakes criminal plots of Andy Weir’s Artemis, these sci-fi heist and mystery novels offer a similar blend of technical intrigue and fast-paced schemes.

High-Stakes Sci-Fi Heists

The Quantum Thief by Hannu Rajaniemi features post-human master criminal Jean le Flambeur breaking out of prison to pull off an impossible heist across a high-tech moving city on Mars.
Chasm City by Alastair Reynolds follows a security operative hunting a ruthless killer through a bizarre, virus-corrupted sci-fi metropolis while navigating high-stakes crime networks.

Space-Bound Sci-Fi Mysteries

Six Wakes by Mur Lafferty combines a locked-room murder mystery with cloning technology as a spaceship crew wakes up to find their previous bodies murdered and their recent memories wiped.
Leviathan Wakes by S.A. Corey pairs a hard-boiled detective on an asteroid belt with an ice-miner captain as they unravel a system-wide conspiracy triggered by a missing girl.

Which Should You Pick?

For an intricate, mind-bending criminal heist set in a futuristic solar system, go with The Quantum Thief.
For a claustrophobic, locked-room whodunit packed with survival tension, start with Six Wakes.
For a grounded space-noir investigation with vast geopolitical stakes, choose Leviathan Wakes.

Book review: ‘Hospital’ by Han Song

‘Hospital’ by Han Song, translated by Michael Berry. Photo: Amazon

Han Song is a journalist with Xinhua News Agency and one of China’s leading science fiction writers. A native of Chongqing, Han earned an MA in journalism from Wuhan University. He began writing in 1982 and has published numerous volumes of fiction and essays. His novels include “The Red Sea,” “Red Star over America,” the Rails trilogy (“Subway,” “High-Speed Rail,” and “Orbits”), and the Hospital trilogy (“Hospital,” “Exorcism,” and “Dead Souls”), which has been described as a new landmark in dystopian fiction. “Hospital” is a twisted, experimental narrative of one man’s mysterious illness and his journey through a dystopian hospital system. It is translated to English by Michael Berry.

Michael Berry is Professor of Contemporary Chinese Cultural Studies and Director of the Center for Chinese Studies at UCLA at UCLA. He is the author of “Speaking in Images: Interviews with Contemporary Chinese Filmmakers” and “A History of Pain: Trauma in Modern Chinese Literature and Film,” among other books. He is a two time NEA Translation Fellow (2008, 2021) and has received Honorable Mentions for the MLA Louis Roth Translation Prize and the Patrick D. Hanan Book Prize.

“Hospital” – It begins in the Prologue – Red Cross On Mars where the destination of the SS Mahamayuri is Mars but inevitably ends in disaster. It has nothing to do with the rest of the book, which is divided into 3 main parts: Illness, Treatment, and Postscript: Surgery. Illness is where Yang Wei’s story gets underway. He is traveling to C City for work but aside from the usual business trip, he mainly expects a break from his daily routine and a pleasant stay at a nice hotel.  When he checks into his hotel room, that is where his problems begin. A complimentary bottle of mineral water from the hotel minibar results in sudden and debilitating stomach pain, followed by unconsciousness. When he wakes three days later, things do not improve; they only get worse. With no explanation, the hotel forcibly sends him to a hospital for examination. There, he receives no diagnosis, no discharge date, just a diligent guide to the labyrinthine medical system he is now circulating through. Armed with nothing but his own confusion, Yang Wei travels deeper into the inner workings of the hospital and the secrets it is hiding from the patients. As he seeks escape and answers, his mysterious illness takes him on a quest through a corrupt system and his own troubled mind.

This novel is described as dystopian, a “twisted and dreamlike tale of a man’s journey,” and indeed, reading through it, it definitely feels dreamlike and unstructured. It has elements of science fiction, suspense, social satire, experimental fiction, and commentaries on the Chinese social structure. It is narrated in the first person point of view but does not have much of a plot; it is mainly Yang Wei’s hospital experience in the ‘Age of Medicine.’ What begins as a normal hospital admittance warps into philosophical musings: “the pain reminded me that I was still alive” which leads to his spiritual enlightenment. Halfway through it, he feels like he has no control over what happens to him in the hospital, which could be considered a metaphor for life itself. The writing style is at times descriptive “Her blood flowed over my chest and dripped down over my stomach, which added some cozy warmth and colorful excitement to my pain,” but sometimes tends to drone on just like the philosophical musings. Even though Yang meets several people throughout his journey, they are in his life briefly and have little character development, unlike Yang himself. This review is for the English translation, so some cultural aspects might be overlooked or misinterpreted. Overall, “Hospital” is a long and dark novel with hints of satire, allegory, and social commentaries and is recommended for readers who appreciate dystopian fiction and dark humor.

“The bench was littered with a dense mass of patients huddled together like flies, their moans converging into a constant buzz-like drone as if they were all trying to tell me, Thank goodness you made it here to the hospital in time.”

*The author received a copy of this book for an honest review. The views and opinions expressed here belong solely to her.

Rating: 3 out of 5.