Tag: music

Connecting with Heritage: Yanaguana Indian Arts Festival at the Briscoe

Briscoe Western Art Museum celebrates Native American heritage at annual Yanaguana Indian Arts Festival. Photo: Briscoe Western Art Museum, used with permission.

San Antonio, TX – The Briscoe Western Art Museum invites the community to celebrate Native American culture with its annual Yanaguana Indian Arts Festival on Saturday, November 9, from 10a.m. to 4p.m. This free, family-friendly event honors the rich cultural traditions and artistic expressions of Native American communities, showcasing art, music, dance, storytelling and more. Taking place along the scenic River Walk, the festival provides the perfect setting for families to come together and enjoy a day of learning, creativity and celebration. Free event registration is available online. (Briscoe Western Art Museum, 2024)

A vibrant display of Native American heritage that brings together diverse tribes and artists from across the region, the free community festival features storytelling, artist demonstrations, pottery and carving throughout the Briscoe’s campus, as well as Native American-inspired food. The celebration includes free admission to the Briscoe, making it a perfect way to celebrate the important role Native Americans played in shaping the West while enjoying art and artifacts that highlight Native American history.

“Native Americans have played a profound role in shaping the history, culture and spirit of the American West. Their deep connection to the land, their traditions and their art have left an indelible mark on the region’s story. At the Briscoe, we honor these contributions by celebrating and preserving that heritage through exhibitions and events. It’s essential that we recognize and honor Native American communities today, not just for their historical significance, but for their ongoing influence on the culture and identity of the West.” – Liz Jackson, President and CEO of the Briscoe Western Art Museum

Held annually since the museum opened, the festival is named in honor of the Payaya people who were indigenous to the San Antonio area, “Yanaguana” was the word they used to describe what is now known as the San Antonio River.

Experience Native American Culture Through Art, Music and Dance

The Yanaguana Indian Arts Festival offers a unique opportunity to experience Native American culture firsthand. Admission and all crafts and activities included in the festival are free.

Throughout the day, attendees can enjoy:

  • Live Performances: Traditional Native American dancers, musicians and drummers and will share their cultural heritage through mesmerizing performances. From powerful drum circles to the soulful beauty of the Native American flute,  these performances are sure to captivate audiences of all ages.
  • Storytelling Sessions: Engaging storytellers will share traditional Native American tales, offering insight into the values, beliefs and history of Native communities.
  • Hands-on Activities: Families can participate in hands-on art and craft workshops, allowing children and adults alike to create their own artwork inspired by Native American traditions.
  • Artisan Market: Browse a curated selection of Native American artwork and talk with the artists as they demonstrated their crafts, including jewelry, pottery, beadwork and textiles.

The festival’s focus on art and culture aligns perfectly with the Briscoe’s fall exhibition, Storytellers: Narrative Art and the West. This special exhibition explores how Native American and Western artists use narrative art to convey history, culture and identity. It features works that tell powerful stories of the American Southwest, blending traditional Native American art forms with contemporary perspectives.

The 2024 event features:

  • A spiritual blessing by United San Antonio Pow Wow, Inc., a group that works to provide Native American people the opportunity to participate, practice, teach and exchange tribal traditions among all tribes and to enlighten everyone about the history and culture of America’s first inhabitants.
  • A Pow Wow-style drum circle with United San Antonio Pow Wow and Enemy Horse Drumming demonstrating and explaining common pow wow dance styles.
  • Live music by Native American artists, including Tim Blueflint Ramel. An enrolled member of the Bad River Band of the Lake Superior Chippewa, a federally recognized American Indian Tribe, flute player Blueflint Ramel has opened for and shared the stage with Grammy Award Winner Mary Youngblood and a wide variety of artists. He is also an accomplished flute and jewelry maker and will demonstrate his craft throughout the day.
  • Chikashsha Hithla dance troupe demonstrating traditional Chickasaw dance. Comprised of native people from Southeastern American Indian tribes, members of the troupe are Chickasaw, Choctaw, Seminole and Creek, who are dedicated to preserving their culture and educating the public through songs, storytelling and Stomp dancing.
  • Stories from Amy Bluemel, a Chickasaw storyteller and the great-granddaughter of Eastman Kaney, an original Dawes Commission enrollee. Bluemel shares Chickasaw customs and those of other southeastern tribes through elaborate storytelling.
  • Native American art demonstrations, including ledger art with artist George Curtis Levi, showcasing how ledger art captures a moment in time. A type of art that originated amongst the Cheyenne in the late 1840s, ledger art utilized pages of repurposed record books to depict everyday life. A member of the Southern Cheyenne tribe in Oklahoma, Levi also has ties to the Arapaho and Oglala Lakota communities.
  • Kachina carving with Kevin Horace Quannie, a Hopi/Navajo contemporary artist. Living on the Hopi reservation, Quannie specializes in carving contemporary kachina dolls using cottonwood roots.
  • See traditional pottery techniques of the Caddo Nation with Chase Kahwinhut Earles, a renowned Caddo pottery maker who has dedicated his craft to reviving and preserving the traditional pottery techniques of his Caddo Nation ancestors. Earles’ creates intricate, historically accurate pottery that reflects the deep cultural heritage of the Caddo people, whose pottery tradition dates back centuries. His works are celebrated for their authenticity, craftsmanship, and connection to Caddo history and spirituality.
  • Shane Hendren, a turquoise expert and a Diné/Navajo jewelry maker who is a member of the Indian Arts & Craft Association (IACA), an organization committed to promoting the integrity of materials used in native jewelry. Hendren returns to share his expertise of the turquoise gemstone.
  • Crafts and fun for all ages including making your own mosaic, leather medallions, basket and loom weaving, ledger art, a community weaving basket and creating your own parfleche case, a pouch typically made with rawhide that is painted with images or geometric designs. Plains Indians created the parfleche because of its utility, beauty and convenience. Other tribes in North America then adopted its use.

Festival visitors also enjoy free admission to the museum and its permanent collection of Western art and artifacts, including exhibitions that highlight the stories of the American Indian, cowboys, pioneering women and others that define the West.

Pullman Market Kicks Off Four Day ‘Muertos at Mezquite’ Celebration

Enjoy live Mariachi music, beautiful altars, costume contests, delicious bites and DJ sets from Thursday, October 31 to Sunday, November 3. Courtesy photo, used with permission.
 

Join Pullman Market, the 53,000-square-foot culinary destination in the Pearl District from Emmer & Rye Hospitality Group, for a four-day celebration of Día de los Muertos taking place from Thursday, October 31 to Sunday, November 3. ‘Muertos at Mezquite’ will feature delicious bites and drinks inspired by food of the Sonoran region, live Mariachi music and DJ performances, festive face painting, costume contests, a celebration of life brunch and more. Pullman Market will also showcase its first Día de los Muertos ofrenda at the Mezcaleria. Reservations are available online. (Pullman Market, 2024)

Muertos at Mezquite day-by-day schedule:

  • Thursday, October 31
    • DJ Dani Gal on Karnes Patio from 6p.m. – 8p.m.
    • All Ages Costume contest at 8p.m. 
    • Mariachi Guerrera Quetzalli  from 7p.m. – 9p.m.
  • Friday, November 1
    • Mariachi Guerrera Quetzalli from 4p.m. – 6p.m.
    • Face Painter from 4p.m. – 7p.m. on Karnes Patio
    • DJ Bittyscorp on Karnes Patio from 6p.m. – 8p.m.
  • Saturday, November 2
    • DJ Bittyscorp on Karnes Patio from 6p.m. – 8p.m.
    • Face Painter from 4p.m. – 7p.m. on Karnes Patio
    • All Ages Costume contest at 8p.m.
  • Sunday, November 3
    • Celebration of Life brunch from 12p.m. – 4p.m. with music by DJ Karnes
    • DJ Bittyscorp on Karnes Patio from 12p.m. – 3p.m.

Pullman Market
221 Newell Ave
San Antonio, Tx 78215

Pullman Market located at Pearl in San Antonio, TX is an all-new 53,000-square-foot culinary destination. It features a specialty grocer with Texas-based produce and goods from over 150 suppliers throughout the state, sourdough bakery, tortilleria, and more. Guests can also enjoy the market’s five quick-service eateries and four full-service restaurant concepts. Pullman Market celebrates all things food and is about creating strong relationships between local producers and the community.

Vlad Holiday’s My Favorite Drug: The Soundtrack for a Modern Love Story

Sonic shapeshifter Vlad Holiday announces debut record with release of new single Closer. Photo: Kate Lamendola, used with permission.

Romania-born, Nashville-based melancholy romantic Vlad Holiday recently announced that his debut record, My Favorite Drug, will be released on November 15 via ONErpm. Along with this news comes the second single Closer. Feeling like a covert mission, or a secret known only between two lovers, the deeply layered song seems to endlessly build before it is quickly punctuated. (Big Hassle, 2024)

The most recent release features guest vocals from Cage The Elephant’s Matt Shultz, who is also a co-writer on the track. For careful listeners, Shultz’s voice can be heard singing the “ah ah ah ah” hook and some repeated “closers” in the outro.

On the single, Holiday shares, “This is a love song. It introduces the romantic element of the album. It’s about going with the flow and letting the universe do its thing, rather than forcing things into existence.”

Kacey Musgraves joined Holiday for the bender-ender, genre-fusing track I Don’t Wanna Party Anymore. The sultry, mischievous track arrived right on time for his tour dates alongside Cage The Elephant, Young the Giant and Bakar. See all upcoming dates here and below.

UPCOMING TOUR DATES
November 6 – Grand Rapids, MI – Pyramid Scheme
November 7 – Indianapolis, IN – LO-FI Lounge

On his upcoming debut album Holiday said, “I’ve been releasing music for years, and a full-length album never really seemed like a thing I wanted to do. But as these songs were being written, I was noticing a pattern. Fragments of a story I had to tell. More for myself than for anyone else. It’s definitely one of those, ‘listen to it in order’ albums.”

Vlad Holiday has made a career of romanticizing the past, the human condition, and looking at love and relationships through dark-tinted lenses. With downtempo crooner tracks all tinged with melancholy, Holiday has built a sonic world of his own that tries to find comfort in accepting the darker moments in life. Having gained over 40 million streams as a completely independent artist, it seems as if he’s resonating with a subculture of people that are also trying to do the same. 

Born in Bucharest, Romania, later having to flee to New York, and now based in Nashville, Holiday’s sound is heavily shaped by the weight of feeling like an outsider always on the move. Building the foundation of his music career with a downtown NYC lo-fi sound, he’s deeply indebted to his love for vintage microphones, tape machines and other old recording equipment; key elements of his signature sound and production style. 

Now in Nashville, there’s an optimism to Holiday’s current chapter as he builds out his next body of work while collaborating with other artists in Music City. Most recently, he co-wrote Cage The Elephant’s “Neon Pill,” “Metaverse” and “Over Your Shoulder” before being joined by Kacey Musgraves on “I Don’t Wanna Party Anymore. However bright the current moment may be, flecks of Holiday’s past always steep his music in a darkness that shows that he is a human in the middle of his journey. 

Courtesy photo, used with permission.
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Healing in Harmony: The Transformative Power of Classical Melodies

Music group performing onstage with empty audience seats. Photo: Manuel Nägeli on Unsplash.

When an artist records a classical album, especially when it’s not their first calling, there’s often a deeper story within the music itself. Mina Tulchinsky’s 2016 album of classical arias and original, classical-inspired compositions was an exploration of exactly this—healing through music. For her, the album became both a refuge and a connection to something timeless, which, despite the years since its release, resonates with listeners anew.

Music has long been a source of comfort and healing for people across the world. Scientists and therapists alike point to music’s power to reduce stress, soothe anxiety, and even aid in physical recovery. Rhythm, melody, and harmony have the unique ability to engage the brain and body simultaneously, creating an immersive experience that transports listeners away from their worries. This transformative quality goes beyond entertainment; it offers a form of solace and renewal, connecting individuals to something larger than themselves. It’s this intangible yet profound effect that makes music—especially the emotionally rich genre of classical—a powerful tool in the journey toward healing.

While classical music can feel out of reach to some, Tulchinsky’s album bridges that divide. Her personal experience, expressed through a mix of well-loved arias and fresh, relatable melodies, offers something that even those unversed in classical music can appreciate. Much like Agarita’s mobile concerts that bring Mozart or Bach to the community, Tulchinsky’s album seeks to bring the warmth of classical music into daily life. It’s this accessibility—classical sounds interpreted through a modern, approachable lens—that makes her album unique. She’s given listeners a glimpse of what healing can sound like, stripped of the formality and focused on the resonance of the experience.

The music, much like healing, is deeply personal yet universally accessible. By recording something so classical in style but infused with personal emotions, Tulchinsky has crafted a work that invites listeners from all walks of life. Classical music, for many, can carry a sense of ceremony, a distance. But this album, by a divorcee finding her way forward, takes that form and molds it into something that feels human and grounded. It’s music that meets listeners where they are, extending the sense that healing isn’t reserved for concert halls or grand stages but is accessible in one’s own space, at one’s own pace.

Photo: Facebook – Mina Joy Music

As listeners follow her journey—through heartbreak, resilience, and a renewed appreciation of self—they find a kindred spirit in music. Tulchinsky’s recent releases on Spotify bring these elements into even sharper focus, continuing to invite a wider audience into the classical fold without the need for pretension or exclusivity. Instead, her work represents healing that anyone can access, a simple melody away.

For anyone curious about classical music but hesitant to dive into a genre so steeped in tradition, Tulchinsky’s album is a reminder that music, in its essence, is for everyone. In opening this space for healing through her art, she’s reminded us all of music’s quiet, powerful ability to soothe and unite. Whether one finds solace by listening to her music or feels inspired to sing, play, or explore their own musical journey, her album stands as a testament to how music’s healing reach can be both deeply personal and universal. Through her melodies, Tulchinsky shows us that healing can start with just a single note, inviting us to embrace music’s transformative power in whatever way feels most meaningful.

Collaborative Post

Transformative Sounds: The Impact of trauma ray’s Chameleon on Listeners

trauma ray’s Chameleon will be released on October 25, 2024. Photo: Will McCarthy, used with permission.

The powerful new single Bardo from the North Texas rock band trauma ray is eerie, deviating between noisy one string bends and surging headbang, mapping a middle ground between Unwound and nu-metal. (another/side, 2024)

“Bardo is the in-between. Whether that’s life or death, or a purgatory. It’s about being stuck in between one phase and the next. When you can feel the past fading and yet you can’t quite see the path to the future either.” – Jonathan Perez, trauma ray guitarist

The Texas five is set to release their highly anticipated debut album Chameleon on October 25 via Dais Records which has already seen early acclaim from The FADER, Stereogum, Consequence (Heavy Song of the Week), Brooklyn Vegan, New Noise and more. Since first making waves with a S/T EP in 2018, trauma ray has been honing their live set across increasingly adventurous American tours – stacking amps and turning heads show by show, justly earning them a massive following in no time. The band’s three guitar attack is a force to behold, alternately surging, savage and spectral, drenched in precision distortion. 

The core songwriting duo of Uriel Avila and Jonathan Perez has expanded and refined the project’s vision and craft, culminating throughout Chameleon. Rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the album both synthesizes and transcends its influences, a stormy fusion of downer hooks, apocalyptic beauty, and bulldozer riffs.

The name trauma ray was inspired by the German word for ‘daydream, or ‘dream state,’ in classic shoegaze fashion. Avila’s background in a devout Pentecostal community gives his lyrics about guilt, purgatory, and passing to the other side to an emotional authenticity that cuts through the music’s majestic volume.

Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Deftones to Hum and beyond, trauma ray absorb and expand on their influences into a rare and dedicated alchemy. trauma ray’s cinematic tempest is a gathering storm only just taking flight.

Just after a U.K. run, trauma ray will perform across their home state including dates at Levitation and with Panchiko. Other highlights include two release shows: one headlining The Roxy in LA and San Diego’s Voodoo Room. See all dates below and grab tickets here.

Trauma Ray Live Dates:
Oct 26: Birmingham, UK – XOYO *
Oct 27: Manchester, UK – B.E.C. Arena (Outbreak Autumn)
Oct 28: London, UK – New Cross
Oct 31: Rubber Gloves – Denton, TX
Nov 01: Levitation – Austin, TX
Nov 03: Oklahoma City, OK – Tower Theatre ~
Nov 04: Little Rock, AR – EJ’s
Nov 06: Kansas City, MO – The Truman ~
Nov 07: Chicago, IL – Sleeping Village #
Nov 08: Indianapolis, IN – Deluxe ~
Nov 09: Grand Rapids, MI – Elevation ~
Nov 10: Pittsburgh, PA – Roxian Theatre ~
Nov 12: Philadelphia, PA – Union Transfer ~
Nov 13: Boston, MA – 4th Wall
Nov 14: New Haven, CT – Toad’s Place
Nov 15: New York, NY – TV Eye #
Nov 16: Washington, D.C. – Comet Ping Pong !
Nov 17: Richmond, VA – Cobra Cabana !
Nov 18: Raleigh, NC – Kings !
Nov 19: Atlanta, GA – Altar #
Nov 20: Birmingham, AL – Saturn #
Nov 21: New Orleans, LA – Siberia #
Nov 22: Houston, TX – TBD #
Nov 23: San Antonio, TX – Paper Tiger #
Nov 29: Los Angeles – The Roxy (Record Release) ^
Nov 30: San Diego – Voodoo Room (Record Release) $

* w/ Citizen
~ w/ Panchiko
# w/ Leaving Time
! w/ Leaving Time and Full Body
^ w/ Toner, Lvster, Slumped
$ w/ Toner, Slumped, Sparkler

Chameleon tracklist:

1 – Ember
2 – Torn
3 – Chameleon
4 – Bardo
5 – Bishop
6 – Elegy
7 – Drift
8 – Breath
9 – Spectre
10 – Flare
11 – ISO
12 – U.S.D.D.O.S.

Behind the Lyrics: The Stories Within robbietheused’s New Album

robbietheused announces debut self titled pop LP. Photo: Ryan Muirhead, used with permission.

New York, New York – The Used’s frontman Bert McCracken has announced his debut full length album under his solo project, robbietheused, out October 25 via Big Noise Records. Following the success of his latest singles, Terrible and The Feels, the LP dips its toes into uncharted territory for Bert, as the famously known Alternative Rock star with a lifelong passion for pop music. (Big Picture Media, 2024)

In general, robbietheused always finds solace in writing and recording new music because this creativity has a positive impact on his mental health. Having these songs was particularly vital, as he started writing during the COVID-19 pandemic when he was unable to travel from his home in Australia. 

Producer John Feldmann came onboard to work on robbietheused material. Given that the two men have known and collaborated with each other for decades, it wasn’t a stretch for them to focus on pop-oriented songs. In fact, this camaraderie led to adventurous sound explorations, such as incorporating heavy bass undertones and effects and vocoders. 

“Any feeling is valid—and to be able to put it to song is incredible. And there’s so much room in this world for positivity. I want this music to show that there’s room for love. There’s room for growth. There’s room for redemption. There’s so many good people—and so many good things happening.” – robbietheused

Fans can listen to robbie’s latest single, Terrible and pre-save the robbietheused album.

robbietheused will be taking these new tracks on the road, on his highly anticipated, limited 5 stop fall tour kicking off on October 30 in Anaheim, CA,followed by shows in major cities: Los Angeles, Philadelphia and New York City. The tour will wrap up on November 5 in Asbury Park, NJ.

Tickets are now available online for all robbietheused fall tour dates.

2024 Fall Tour Dates
October 30 – Anaheim, CA – House of Blues Anaheim – The Parish
October 31 – Los Angeles, CA – Echoplex
November 3 – Philadelphia, PA – Brooklyn Bowl
November 4 – New York, NY – Gramercy Theatre
November 6 – Asbury, NJ – House of Independents

robbietheused tracklist:

Terrible

Always Gonna Be Like This

Gladiator

The Middle

Just A Little Bit

Wake Up Call

In My Dreams

Blame You

Push Me (ft. Sierra Deaton)

Gold In The Ashes

Something You Can Count On

The Feels

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311’s Full Bloom: A Look Into the Band’s Latest Masterpiece

311 announces their highly anticipated album Full Bloom. Courtesy photo, used with permission.

New York, NY – The platinum certified rock band 311 is back with the announcement of their highly anticipated 14th studio album, Full Bloom, out October 25. In celebration, the band has released their new track and visualizer for “Need Somebody,” out now. The track speaks to avoiding isolation and staying connected with the people that love you. (Big Hassle Media, 2024)

With more than 10 million records sold in just the United States alone, 311 has never been hotter. Having just wrapped a successful headlining US run of their “Unity Tour,” one of the most successful tours of the their 34 year history, they are known to emphasize the importance of community through the lens of communication and connection. 

Full Bloom is 311’s first full length project in 5 years following their album Voyager in 2019. Their first single off the album, “You’re Gonna Get It” is the band’s highest charting song in 13 years, breaking into the top 15 at Alternative Radio. The introspective track reflecting upon the realization that all actions have consequences, even if they aren’t immediate, has over 1M streams since its release this summer. Fans can now pre-save Full Bloom. 

“We hope fans can take from this album 311’s message of positivity and unity. In today’s world it’s so easy to become alienated by the pressures of everyday life. Whether it’s social media, stress at work, an illness, the list goes on.” The band shares with us, “It’s so important to stay open with your loved ones and community so we can all thrive in full bloom” shares the band. 

Music has always been a unifying force, and through their lyrics and melodies, the band seeks to remind everyone that we are never truly alone. Whether it’s reaching out to a friend, a family member, or even a stranger, the act of communication can bridge gaps and heal wounds. In their eyes, having someone to talk to is one of the most essential forms of support, and it’s the foundation upon which unity is built. It’s in those conversations where understanding, empathy, and connection grow.

311 was formed in 1990 in Omaha, Nebraska, featuring Nick Hexum (vocals/guitar), Chad Sexton (drums), Tim Mahoney (guitar), SA Martinez (vocals/dj), and P-Nut (bass). They mix rock, rap, reggae and funk into their own unique, hybrid sound – and 33 years later, the band is still regarded as one of the most entertaining and dynamic live bands in the U.S. 

As veterans of over 2,000 shows across 27 countries, 311 is one of the longest running original lineups in rock, alongside iconic acts like U2 and Radiohead. 311’s celebrated live shows and touring schedule have earned them a vast and dedicated following nationwide. The band has released thirteen studio albums, two greatest hits albums, two live albums, three DVD’s and a boxed-set, and have sold over 9 million records in the U.S.

Ten albums have reached the Top 10 on Billboard’s Top 200 Sales Chart – and nine of their singles have reached the Top 10 on Billboard’s Alternative Radio Chart – including three #1 singles: “Down,” “Love Song,” and “Don’t Tread On Me” – along with ”Amber,” “All Mixed Up,” “Come Original,” “Creatures For Awhile,” “Hey You,” and “Sunset in J.

Full Bloom tracklist:

You’re Gonna Get It

Need Somebody

Full Bloom

Friend

Mountain Top

New Heights

Days Go By

Persimmon

All You’ve Seen

Braver

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Teddy and the Rough Riders: A New Chapter with Down Home

Fast Livin’ is the latest single from Teddy and the Rough Riders’ forthcoming new album Down Home, due out October 11, 2024. Courtesy photo, used with permission.

Nashville, TN – The speed and momentum Teddy and the Rough Riders are gathering throughout Nashville’s underground country music scene is embodied in their latest single, Fast Livin.’ Music City natives, Jack Quiggins and Ryan Jennings, have been going non-stop since the late 2010s, collaborating with everyone from Margo Price to Emily Nenni to Sean Thompson’s Weird Ears, quickly becoming your favorite country band’s favorite country band. With Fast Livin,’ Teddy and the Rough Riders paints a small picture of their upbringing, leaving town to hit the road, and all of the nefarious hijinks that come along with it. But it’s not completely autobiographical. (IV PR, 2024)

Brooklyn Vegan recently premiered the track. Fans can stream or purchase Fast Livin’ check out Teddy and The Rough Riders’ previously released singles, Catfish Summer and Hippies, and pre-order or pre-save Down Home ahead of its October 11 release via Appalachia Record Co. right here. 

On their new album Down Home, the songwriting duo of Jack Quiggins and Ryan Jennings double down on all the elements that garnered praise for their previous, eponymous album produced by Margo Price. Holler Country succinctly sums them up: “Teddy and the Rough Riders are pulling apart the lost threads of country rock and weaving them back together with their own alternative take on the form.” As native Nashvillians, the pair came up through Music City’s DIY rock scene explosion of the late 00s into 2010s, eventually embracing the traditional country roots of their home city. At just 33 minutes, Down Home moves at a fast clip, with a variety of blazing rippers, traditional sounds, and alt-country styles inviting repeat listens.

Down Home tracklist:
Bullet
Fast Livin’
Catfish Summer
Trouble Sleeping
Golden Light
Edna’s Song
Mountain Girl
Hippies
Love After Life
Bird Has Flown
Gettin’ High

The band has recently been named “Best Honky Tonk Group” by Austin TX’s Ameripolitan Awards for 2024. They toured North America, the EU, and the UK through the summer backing and opening for Emily Nenni and will embark on their own North American tour in October.

Catch Teddy and the Rough Riders on tour:
October 3 – Las Vegas, NV – Backstage Bar
October 4 – Reno, NV – Off Beat
October 5 – Folsom, CA – Folsom Hotel
October 6 – Los Angeles, CA – Permanent Records Roadhouse
October 7 – Costa Mesa, CA – The Wayfarer
October 8 – Tempe, AZ – Yucca Tap Room
October 10 – Abilene, TX – Lone Star Dry Goods
October 11 – San Antonio, TX – Lonesome Rose
October 12 – Austin, TX – White Horse
October 13 – Austin, TX – ACL Fest
October 17 – Birmingham, AL – Woodlawn Theatre
October 18 – Nashville, TN – Soft Junk
October 19 – Thomaston, GA – Mule Days

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Children’s Theater: Lyric & the Keys Opens at the Magik Theatre

Catch the world premiere of Lyric & the Keys, a new musical about unlocking your full potential. Photo: Magik Theatre, used with permission.

San Antonio, TX –What better way to celebrate the unique vision the Magik Theatre brings to San Antonio’s performing arts community than by kicking off its latest season with a world premiere of an original musical? Lyric and the Keys will premiere on September 28 and will run until October 13. (Magik Theatre, 2024)

Lyric and the Keys tells the story of Lyric, a second-grader struggling to read and too intimidated to ask her new teacher for help. With the support of the school janitor, Mr. Hartley, and his homemade junk robot, Lyric finds the courage she needs to overcome her literacy challenges. With a childhood-centered production, catchy melodies, and a positive message celebrating diverse learning journeys, Lyric and the Keys is a perfect showcase for Magik’s mission to provide high-quality theatre for young audiences.

Lyric’s story is inspired by the play’s author, Roxanne Schroeder-Arce, now the associate dean of the University of Texas College of Fine Arts’ teacher preparation program. Growing up in a rural trailer park with a single mother whose formal education stopped at eighth grade, Schroeder-Arce struggled to find her place at school.

“My teacher was nothing like my mom, and while she was nice to me, I was deeply intimidated by what I perceived as her perfection and couldn’t learn from her. Lucky for me, the janitor at my school (who talked and dressed more like my family members) saw me struggling to read and stepped in to help. Lyric and the Keys is about how anyone can be a student and a teacher to anyone else.” – Roxanne Schroeder-Arce

Music is a big part of Lyric and the Keys—Lyric’s mom Melody expresses herself through singing and playing her guitar. Renowned singer/songwriter Jenn Hartmann Luck proved to be an ideal collaborator in developing the score and musical numbers. Like Melody, Luck writes her music on guitar and, along with arranger Ezri Killeen, decided that the best way to honor Lyric and Melody’s musical bond was through a single acoustic guitar played live on stage.

“What I really love about the evolution of this musical is that while it is inspired by Roxanne’s life, Lyric is her own little girl. She is so smart, and she comes from a difficult situation, and she finds a way to overcome it with the support of the adults in her life. Everyone who comes to see Lyric and the Keys will leave feeling inspired and challenged.” – Jenn Hartmann Luck

Hannah Rodriguez plays Lyric and Amy Bouquet plays Mr. Hartley’s junk robot, CC the Confidence Cat. Benjamin Bazán portrays Mr. Hartley, Clarissa Ramos is the teacher Miss Reed, and Tory Ross plays Lyric’s mom Melody. The crew includes Director Anthony Runfola, Playwright Roxanne Schroeder-Arce, Composer and Lyricist Jenn Hartmann Luck, Set Design by Christopher Boneta, Lighting Design by Sarah Elliot, Costume Design by David Arevalo, Zach Walsh as Sound Designer, Kristi Smith as Music Director, Tanesha Payne as Choreographer, Arrangements and Music Assistant, Ezri Killeen. Lyric & The Keys is presented by Show Sponsor H-E-B.

As with all Magik productions, the organization offers multiple ways for the community to engage with Lyric and the Keys, from a party in the park on opening day to performances geared towards special needs audiences.

SPECIAL EVENTS AND PERFORMANCES

Opening Party in the Park | Saturday, September 28, 4:30p.m., show at 6p.m.
Enjoy an evening of family fun in Hemisfair Park, celebrating the world premiere of Lyric and the Keys. Live music, treats, and a kid-friendly guitar-themed craft help kick off Magik’s new season.

Pay What You Wish Performance | Sunday, September 29, 3p.m.
As part of Magik Theatre’s mission to make theatre accessible to everyone, the organization holds one donation-based performance. Tickets are only available at the door on September 29.

Sensory-Friendly Performance | Saturday, October 5, 10a.m.
Audience members on the autism spectrum and those with sensory issues can take in a special performance of Lyric and the Keys designed just for them. Kids and adults are free to be themselves in this relaxed, judgment-free theatre experience.

American Sign Language Interpreted Performance | Saturday, October 5, 2p.m.
Patrons who communicate with ASL can attend this performance featuring Robert Cardoza, the San Antonio theatre community’s primary American Sign Language interpreter.

Educator Appreciation Performance | Sunday, October 6, 3p.m.
Educators and school faculty are eligible for one free ticket to this performance with proof of I.D. Additional tickets are available to purchase for these performances at a discount of 20% off the regular ticket prices.

Military Appreciation Day | Saturday, October 12, 2p.m.
Service members with a valid military ID can purchase discounted $18 tickets. All audience members can arrive early to catch pre-show entertainment from The HoneyBs, a trio whose three-part harmonies recall the Andrew Sisters’ WWII swing.

2024-2025 TICKET OPTIONS
Season subscriptions, Flex Passes, and single ticket sales are available now.

SEASON SUBSCRIPTION PRICING
Four Show Subscription $70 per person (Savings of 30% off single ticket prices)
Three Show Subscription $55.50 per person (Savings of 26% off single ticket prices)
Season ticket holders will also have access to sneak peek performances, special VIP invitations and other surprises throughout the season. No fees to exchange unexpired tickets to another date. Expires June 1, 2025.

FLEX PASS PRICING – Ten Flex Passes $190
A Flex Pass is a package of 10 tickets that can be used for any production at Magik Theatre. Flex passes can be used any way patrons wish throughout the season. Use them one or two at a time, or all together. No fees to exchange unexpired tickets to another date. Expires June 1, 2025.

SINGLE TICKETS
• $25 for adults
• $20 for children (ages 3-17), Military, Seniors, Educators & Students
• Children under 2 years old are free.

Purchase season subscriptions, flex passes, and single tickets online, via phone (210) 227-2751, and in person at Magik Theatre’s Box Office (420 S Alamo, 78205). Box Office hours are Monday-Friday, 9a.m. – 5p.m.

If a child under 2 uses a seat, even a car or booster seat, the patron must pay for a general admission ticket. Group rates are available for parties of ten or more people. For questions and further inquiries, contact the Magik Theatre.

Empire State Unveiled: What to Expect from Greg Copeland’s Latest EP

Empire State is available now. Courtesy photo, used with permission.

Los Angeles – Singer-songwriter Greg Copeland is a Southern California native whose depth of feeling for music—and natural ability to conjure it up with spare, graceful melodies and lyrics that are plain spoken poetry—has been in inverse proportion to his body of work. His comfortable, yet candid, way with words make his new EP a welcome addition to his catalog of music. He has a natural ability to conjure up spare, graceful melodies and evocative lyrics that are plain spoken poetry. His genuine sentiments and strength of character, together with the intricate nuances of these musical compositions, create a vividly illustrative sound that allows him to shed light on difficult circumstances. His latest EP, Empire State was released on September 6, 2024. (Dreamspider Publicity, 2024)

The collection of songs exudes a sense of urgency and presence. Empire State takes place right this minute. Copeland’s characters and narratives “volunteer” themselves to be bared to the world through song and often recur throughout his catalog of music. Like a sentinel keeping watch, his songs are a report back to the listener, as inspiration for writing seems to bubble up from within. Copeland says, “When the odometer clicked over to 2000, I somehow started writing again. Don’t know why, just had to, and the three subsequent recordings are what matter to me most at this point.”

After a 26 year hiatus since his 1982 debut Revenge Will Come, Copeland went back into the studio and reemerged with his second release, Diana and James (Released 2008 on Browne’s label Inside Recordings). This triggered new writing towards a collection of songs that led to his third album, The Tango Bar, in 2020.

Empire State is out now on Copeland’s own independent label, Franklin & Highland Recordings, and internationally with Hemifrån/Paraply Records (Non-U.S. Territories).

Tyler Chester produced both Empire State and The Tango Bar and feature longtime comrade and producer of Copeland’s 2008 release Greg Leisz on pedal steel and mandocello, among other instruments. Chester, a multiple Grammy-nominated producer, session musician, multi-instrumentalist, and composer, also plays keys throughout Empire State as well as bass on the first track. Returning from previous albums to join them are longtime Jackson Browne sideman Val McCallum on electric and rubber bridge slide guitar; Jay Bellerose on drums and percussion; and Jennifer Condos on bass. Sara Watkins joins on fiddle for a track.

Empire State tracklist:
1. Boon Time
2. We the Gathered
3. 4:59:59
4. Coyotes
5. Empire State

Greg Copeland. Photo: Chris Schmitt, used with permission.