The San Antonio Museum of Art (SAMA) announced yesterday that it has acquired eight artworks by seven San Antonio-based artists, including Jennifer Ling Datchuk, Jenelle Esparza, Joe Harjo, Jon Lee, Ethel Shipton, Chris Sauter, and Liz Ward. The acquisitions are part of the Museum’s Initiative to Acquire Art by Contemporary San Antonio Artists, which was developed to enhance the Museum’s commitment to support the city’s visual artists by acquiring works for its collection. The artists were chosen with the support of an Advisory Committee comprised of San Antonio-based visual artists, professors, collectors, arts leaders, and Museum staff and Trustees, who have also made recommendations for additional artists whose work could be purchased in the future. The Committee was Co-Chaired by SAMA Trustees Katherine Moore McAllen, PhD, and Dacia Napier, MD. All of the artworks, which include textiles, painting, photography, prints, and sculpture, mark first entries by the artists to SAMA’s collection. The new acquisitions are scheduled to go on view at the Museum in late fall, with more details about the presentation to follow. (San Antonio Museum of Art, 2021)

Over the past several years, as part of its vision to diversify its collection and best represent its community, SAMA has placed a particular emphasis on acquiring works by artists from San Antonio as well as from across Texas. Recent acquisition announcements have included works by Texas-based artists Ana Fernandez, Kirk Hayes, Earlie Hudnall Jr., Michael Menchaca, Marcelyn McNeil, Daniel Rios Rodriguez, and Liz Trosper. In 2020, SAMA also presented Texas Women: A New History of Abstract Art, which focused on women artists from across the state that have and continue to contribute to the development of abstract art—a subject that previously had not been explored in depth. Artist Liz Ward, whose acquisition was announced today, was among the artists featured in the exhibition.

More details on each of the artist and artworks below:

Jennifer Ling Datchuk (American, born 1980)
Enter the Dragon, 2020
Porcelain, ceramic decals from Jingdezhen, China, wood, gold mirrors
65 × 16 × 5 in. (165.1 × 40.6 × 12.7 cm)
San Antonio Museum of Art, Purchased with The Brown Foundation Contemporary Art Acquisition Fund and funds provided by Dr. Katherine Moore McAllen, Dr. Dacia Napier, Edward E. (Sonny) Collins III, and The Sheerin Family, 2021.2

Trained as a ceramicist, Jennifer Ling Datchuk’s practice is grounded in explorations of identity, beauty, and femininity—drawing from her own experience as an Asian American woman. Utilizing found and handmade ceramics and porcelain motifs in her sculptures, installations, performances, and photographs, Datchuk calls attention to both historic and contemporary cultural appropriation, while also blurring the boundaries between craft and fine art. Datchuk was named 2021 Texas State Three-Dimensional Artist by the Texas State Legislature.

Jenelle Esparza (American, born 1985)
Continent, 2017
72 × 100 in. (182.9 × 254 cm)
Handmade quilt, recycled fabric and clothing, embroidered blocks, batting, cotton blends
San Antonio Museum of Art, Gift of Zoe A. Diaz, 2021.8

Jenelle Esparza’s multidisciplinary practice examines the connections between agriculture, gender, race, and bodily experience. Through photography, textiles, and installations, Esparza uncovers the history of cotton farming in South Texas and its principally Mexican American labor force.

Joe Harjo (Muscogee Creek, born 1973)
The Only Certain Way: Faith, 2019
24 Pendleton beach towels, 24 custom memorial flag cases
78 × 104 × 4 in. (198.1 × 264.2 × 10.2 cm)
San Antonio Museum of Art, Purchased with The Brown Foundation Contemporary Art Acquisition Fund and funds provided by Dr. Katherine Moore McAllen, Dr. Dacia Napier, Edward E. (Sonny) Collins III, and The Sheerin Family, 2021.3

Joe Harjo is a multidisciplinary artist from the Muscogee Creek Nation of Oklahoma. His practice redresses the historic erasure of Native American art, culture, and people. Through photography, sculpture, performance, and installation, Harjo explores Native American identity, debunks stereotypes and myths surrounding Indigenous People, and asserts the vibrant, contemporary presence of Native communities.

Jon Lee (American, born South Korea, 1968)
O1701, 2017 and O1702, 2017
Woodcut
17 × 12 in. (43.2 × 30.5 cm), each
San Antonio Museum of Art, Purchased with The Brown Foundation Contemporary Art Acquisition Fund and funds provided by Dr. Katherine Moore McAllen, Dr. Dacia Napier, Edward E. (Sonny) Collins III, and The Sheerin Family, 2021.4.1-2

Jon Lee’s woodcuts explore the poetic subtleties of color and line, reinventing traditional printmaking processes and materials. Born in Seoul, he draws on his native Korea’s rich and long history of printmaking, which includes the implementation of moveable type predating Gutenberg’s fifteenth-century printing press. For over ten years, his practice has focused on a traditional Japanese woodcut technique called mokuhanga that he honed during residencies at the Mokuhanga Innovation Lab in Japan, where O1701 and O1702 were printed.

Chris Sauter (American, born 1971)
Shape of the Universe, Kandariya Mahadeva, 2013
Cut acrylic mounted photography, Sintra
60 × 30 in. (152.4 × 76.2 cm)
San Antonio Museum of Art, Purchased with The Brown Foundation Contemporary Art Acquisition Fund and funds provided by Dr. Katherine Moore McAllen, Dr. Dacia Napier, Edward E. (Sonny) Collins III, and The Sheerin Family, 2021.5

Chris Sauter is a multidisciplinary artist whose work explores connections between biology and culture, science and religion, the personal and the universal, and the past and the present. He often deconstructs materials in order to reconstruct them in new ways that challenge viewers’ perceptions.

Ethel Shipton (American, born 1963)
The Valley – RGV, 2021
Archival digital prints on Hahnemühle German Etching Matte paper
Series of 6 prints, Edition 1/8
24 × 36 in. (61 × 91.4 cm), each
San Antonio Museum of Art, Purchased with The Brown Foundation Contemporary Art Acquisition Fund and funds provided by Dr. Katherine Moore McAllen, Dr. Dacia Napier, Edward E. (Sonny) Collins III, and The Sheerin Family, 2021.6.a-f

Ethel Shipton is a conceptual artist, who works across painting, installation, printmaking, photography, and text. She grew up in Laredo, TX, and her experience of a fluid US-Mexico border informs her practice, which focuses in particular on place, space, language, time, and movement. Her focus on signage observed along Texas roadways is an ongoing body of photo-based works on paper that began in 2014.

Liz Ward (American, born 1959)
Ghosts of the Old Mississippi: Dismal Swamp/Northern Lights, 2015
Watercolor, gesso, silverpoint, pastel, and collage on paper
71 5/8 × 31 7/8 in. (181.9 × 81 cm)
San Antonio Museum of Art, Purchased with The Brown Foundation Contemporary Art Acquisition Fund and funds provided by Dr. Katherine Moore McAllen, Dr. Dacia Napier, Edward E. (Sonny) Collins III, and The Sheerin Family, 2021.7

Liz Ward’s practice—which includes paintings, drawings, and prints—is informed by natural history and our current environmental crisis. Ghosts of the Old Mississippi, a series of fifteen large-scale drawings, is based on maps of the ancient courses of the Mississippi River and reflects on society’s relationship to the environment.

The San Antonio Museum of Art serves as a forum to explore and connect with art that spans the world’s geographies, artistic periods, genres, and cultures. Its collection contains nearly 30,000 works representing 5,000 years of history. Housed in the historic Lone Star Brewery on the Museum Reach of San Antonio’s River Walk, the San Antonio Museum of Art is committed to promoting the rich cultural heritage and life of the city. The Museum hosts hundreds of events and public programs each year, including concerts, performances, tours, lectures, symposia, and interactive experiences. As an active civic leader, the Museum is dedicated to enriching the cultural life of the city and the region, and to supporting its creative community.