‘Last Words: A Supernatural Murder Mystery’ by Marty Roppelt. Photo: Amazon
“Last Words: A Supernatural Murder Mystery” is a murder mystery novel by Marty Roppelt. It follows Chicago police Detective Myles Hanson as he navigates a world of crime and unsettling revelations. After a nighttime raid on a drug lab ends in a deadly shootout that claims the life of an undercover detective, Myles transfers transfers out of the Organized Crime Unit.
On his first night in the Violet Crimes Unit, Maria Peski, a midwife with a normal quiet life is savagely murdered. Back at the station, while filling out the paperwork and listening to music on his headphones, he hears static and voice calling his name. From there, he begins to experience haunting visions and auditory hallucinations that include voices and static on the digital recorder that he uses to take notes.
When a second murder rocks the city with startling similarities, Myles is forced to accept what he fears most: some clues lie beyond the realm of the living. As the line between the supernatural and the real begins to blur, Myles realized that he is hearing the final words of the murder victims, fragments of their unfinished thoughts. Those voices give him clues to help him solve their murder. Together with his new partner Hank ‘The Tank’ Brewer, they race against time to catch the vicious killer before he strikes again.
Marty Roppelt’s new novella takes readers on an eerie journey into the world of the paranormal and crime-solving. As Hanson begins to have paranormal experiences, he must navigate the fine line between solving the crime and protecting his sanity.
Roppelt’s writing is atmospheric, creating a tense, thrilling narrative that keeps the reader hooked. The blending of the supernatural with a traditional murder mystery provides an intriguing twist, adding an extra layer of suspense to the already gripping storyline. Myles Hanson is a well-crafted protagonist, balancing the skepticism of a seasoned detective with the growing realization that the paranormal forces at play are very real. The suspenseful plot twists keep the reader guessing until the end.
The pacing of the novel is steady, allowing the mystery to unfold gradually, and Roppelt’s descriptive narrative of the killer’s viewpoint as he is getting rid of the evidence and then preparing to strike again is unsettling but gripping. The language while describing Myles’ hallucinations is vividly descriptive: “The woman – Maria Peski- stared back at him in the mirror. Dead eyes, frozen deep in their sockets, gazed through him.” The narrative is in the third person point of view that alternates between the characters and towards the end, it hints at an unreliable narrator when the police is interviewing a witness who crossed paths with the killer.
Overall, “Last Words: A Supernatural Murder Mystery” explores the themes of good vs evil, identity, and family. The unique premise of a haunted detective elevates this novel beyond the typical whodunit. Judging by the ending, this is only the beginning of Detective Myles Hanson’s paranormal experiences. It’s a captivating read for fans of both supernatural thrillers and crime mysteries by authors like James Patterson and John Sandford.
“Meandering through the growing crowd as carefully and slowly as he could, he positioned himself to within an arm’s length of his intended victim’s back. He stopped there. How easy it would be to simply stab her in the liver from here, and be done with her…”
⭐⭐⭐⭐⭐
Rating: 5 out of 5.
*The author received a copy of this book for an honest review. The views and opinions expressed here belong solely to her.
I Heart Willie, a sinister ‘Steamboat Willie’ reimagining sails into theaters for one night only. Courtesy photo, used with permission.
Slasher movies, defined by graphic violence and iconic killers, have a unique appeal to audiences through their intense mix of fear and thrill. These films often focus on a masked antagonist who stalks and murders victims, creating an atmosphere of suspense. The anticipation of the next attack, combined with the catharsis of witnessing characters’ survival or demise, taps into primal emotions. Slasher films also play with the audience’s expectations, blending horror with dark humor and occasionally offering social commentary. For many, the genre provides a controlled escape, where viewers face fear in a safe, fictional environment, making the experience both exciting and entertaining.
Exciting news for slasher film fans:
Hewes Pictures is excited to announce the special One Night Only®, release of I Heart Willie, a Steamboat Willie-inspired horror/slasher, coming exclusively to theaters across North America for One Night Only®, February 26th, 2025. Directed by Alejandro G. Alegre, this chilling origin story presents genre fans with a sinister reimagining of one of the most iconic cartoon characters in history, along with one of the most horrifying love stories of the year. (Gold Dust PR, 2025)
The One Night Only® cinema event will be distributed in the United States and Canada by Rubey Entertainment, LLC. Tickets and showtimes are available online.
Synopsis: Popular YouTubers Daniel and Nico are invited to investigate a haunted property drawn by rumors of a malevolent force. The legend centers around a boy born with deformities, resembling a human-mouse hybrid, who inspired Walt Disney’s Steamboat Willie. Abused and isolated, the boy, now known as Willie, crafts a bodysuit from the skins of trespassers. Over the years, his gruesome legacy fades into folklore—until a series of disappearances sparks renewed interest. As Daniel and Nico set up for a night of thrills, they unknowingly step into a deadly game of survival.
Produced by longtime collaborators Princeton Holt (2050) and David Vaughn (American Rust),the filmwas written by Vaughn, who also stars as Willie. I Heart Willie also features performances by Maya Luna, Micho Camacho, Sergio Rogalto, and Daniela Porras.
“We’re thrilled to bring I Heart Willie to audiences everywhere,” says executive producer Princeton Holt. “This film was made with the fans in mind, and we can’t wait for it to be an unforgettable experience—packed with scares, thrills, and a great time for everyone. We are confident I Heart Willie will become a cult classic, leaving fans talking long after the credits roll. By the way, speaking of end credits, don’t leave to early, or you might miss something.”
I Heart Willie was filmed 100% on location in Michoacán, Mexico, with local producers Liz Sanchez and Arturo Renteria bringing their unique perspectives to the project. The cast and crew, consisting largely of Mexico City residents, worked tirelessly to bring this dark tale to life. The film premiered to a sold-out audience at the Morbido Film Fest in Mexico City, receiving an encore screening due to overwhelming demand. I Heart Willie went on to win Best Actress, Best Actor, and Best Director at various film festivals.
Alex Cuba releases his new single right before his new US tour. Courtesy photo, used with permission.
Los Angeles, CA. – ®Grammy Award-winning artist, Alex Cuba releases brand new music in time for Valentine’s Day and coinciding with the launch of a tour of the United States. The Cuban/Canadian singer-songwriter announces the release of the first single for his upcoming 2025 album. (Vesper Public Relations, 2025)
“El Día Más Triste” is about transforming hurt into understanding. Feelings of love are joyous, wondrous events in our lives, spontaneous and beautiful. Its shadow side, those moments of betrayal, hurt and emptiness are no less important in how they create growth and urgency in our lives. “El Día Más Triste” shows the depth of sorrow, the pain of a ruptured relationship, and the process of rumination and inner conflict surrounding the confusion. “Es Amor” (it’s love) Alex remarks in the chorus at the conclusion of his self-reflection. An equally poignant part of our Valentine’s Day celebration is that side of love, that when it is missing, leaves a hole in our hearts.
The video was filmed in Miami with Cuban director Yeandro Tamayo. Warm intimacy invites the viewer into his healing journey through sad moments.
Alex Cuba’s U.S. Tour — No More Empty Words —At the heart of his ability to charm anything that breathes is Alex’s mastery of a deeper, more important language. The dude speaks joy. And it doesn’t’ matter if it’s Tito Puente joy or Stevie Wonder joy; it’s contagious. It shines through songs he’s co-written with Nelly Furtado and Jason Mraz. It’s the north star of his compositions.
Wherever his songs start their journey–in the land of lust, deep affection, or even melancholy–they know where they’re headed. Their path leads to a deep, shimmering gladness that everyone wishes was their native tongue. It’s this undeniable exuberance, expressed with masterful musicianship that has catapulted Alex to the highest levels of global critical acclaim. It’s what led this fiercely independent artist to 2 Juno awards, 4 Latin Grammys, and a 2022 Grammy for Best Latin Pop Album.
Just like his songs elicit “la-la-las” from audiences without a translator, they woo critics without a middleman. The magic he makes with melody and rhythm can’t be held back. Because in the end, whether in times of trouble or celebration, people everywhere want to go where Alex’s songs are going, to an unconditional sense of home, belonging, and bliss.
U.S. TOUR DATES February 11/12 – Seattle, WA, Jazz Alley February 14 – Corvallis, OR February 15 – Portland, OR, Old Church February 18 – Beverly Hills, CA, Vibrato February 20 – Oakland, CA, Yoshi’s March 21 – Mamaroneck, NY, Emelin Theatre March 22 – Queens, NY, Kupferberg Centre for the Arts March 23 – Baltimore, MD, Creative Alliance March 26 – Orlando, FL, Judson’s Live March 28 – Gainesville, FL, University of Florida March 29 – Fort Myers, FL, Alliance for the Arts March 30 – Memphis, TN, Buckman Center for the Arts April 2 – Decatur, GA, Eddies Attic April 3 – Birmingham, AL, Alys Stephens Center April 4 – La Grange, GA, Purelife Studios April 5 – Cary, NC, Cary Arts Center
Though raised in Artemisa, an hour outside of Havana, Alex Cuba’s artistry is as far-flung as the place he has settled and lived for over fifteen years: Smithers, BC, 14 hours north of Vancouver. His music at once incorporates his roots and is a unique amalgam of styles, having collaborated with artists ranging from Jason Mraz to Ron Sexsmith and Nelly Furtado; and bringing together melodies, pop-soul hooks, and rock chords in songs that may seem to bear little resemblance to traditional Cuban form.
A forward-thinking, indie-minded artist, Alex has amassed a steadily growing following among critics and fans. He has over 20 awards and nominations to his name, including four Latin Grammys, two Juno Awards, and, in 2022, his first Grammy Award from a total of four career Grammy nominations.
Alex carries his Cuba within, incorporating subtle jazz influences gained from his early years as a bass player in Cuba. His tasteful, sophisticated chords and lyrics express his poetry in an undeniably Cuban way. His growing body of work defines a unique musical place in the Latin diaspora.
Media Accolades: “…Best performance – Alex Cuba.” – National Post “Staying true to his Spanish language Folk-Funk-Rock hybrid has paid off.” – Billboard “Wicked guitar, undeniably soulful vocals. His package is simple and he wears it well” – popmatters.com “He’s like Marvin Gaye singing soul to a new generation” – Boston Globe “A master at conveying emotions through songs.” – Vancouver Sun “(Alex) Cuba is a groundbreaking figure, which may say something about the process of giving roots music a cosmopolitan polish” – Nashville Scene “Sublime is, a consummately crafted and beautiful offering” – Sounds and Colours
‘Listen to Your Sister’ by Neena Viel. Photo: Barnes & Noble
Neena Viel is a horror writer who lives in a cabin in the Washingtonian woods with her husband and the best dog on the planet. Her passion for philanthropy (almost) rivals her love for ghost stories. For fans of Jordan Peele’s films, Stranger Things, and The Other Black Girl, “Listen To Your Sister”is a laugh-out-loud, deeply terrifying, and big-hearted speculative horror novel from electrifying debut talent Neena Viel. (Barnes & Noble, 2025)
“Listen To Your Sister” – Twenty-five year old Calla Williams is struggling since becoming guardian to her brother, Jamie. Calla is overwhelmed and tired of being the one who makes sacrifices to keep the family together. Jamie, full of good-natured sixteen-year-old recklessness, is usually off fighting for what matters to him or getting into mischief, often at the same time. Dre, their brother, promised he would help raise Jamie–but now the ink is dry on the paperwork and in classic middle-child fashion, he’s off doing his own thing. And through it all, The Nightmare never stops haunting Calla: recurring images of her brothers dying that she is powerless to stop.
When Jamie’s actions at a protest spiral out of control, the siblings must go on the run. Taking refuge in a remote cabin that looks like it belongs on a slasher movie poster rather than an AirBNB, the siblings now face a new threat where their lives–and reality–hang in the balance. Their sister always warned them about her nightmares. They really should have listened.
“A knockout debut.” -Ashley Winstead
“Incredibly original and seriously scary.” – Nick Medina
“A brilliant fever-dream of a novel that effortlessly dances between horror, literary, and family saga—sure to appeal to fans of Grady Hendrix, Tananarive Due, Mona Awad, and Stephen King.” – Maria Dong
The Baby in the Basket is the chilling new gothic horror movie starring Amber Doig-Thorne. Courtesy photo, used with permission.
Gothic horror movies captivate audiences with their eerie atmosphere, dark settings, and psychological tension. Set in crumbling mansions, foggy landscapes, or ancient castles, these films evoke a sense of dread and mystery. Themes of isolation, madness, and the supernatural are often explored, blending the fear of the unknown with the human psyche’s darkest corners. The use of vivid imagery, such as shadowy figures and mysterious creatures, intensifies the feeling of vulnerability. Audiences are drawn to gothic horror for its ability to transport them into a world where fear lingers in every corner, offering a thrilling escape into the macabre.
Shepka Productions, in partnership with Flickering Myth, are delighted to announce the release of new chilling, gothic horror The Baby in the Basket. The feature will be available on Digital in the UK and USA, and on DVD (UK only) from February 17th. (Strike Media, 2025)
The Baby in the Basket features a stellar cast of horror favorites including Amber Doig-Thorne (Winnie the Pooh: Blood and Honey), Michaela Longden (How to Kill Monsters), Elle O’Hara (Cara), Lisa Riesner (No Dogs Allowed) and Nathan Shepka (Dead Before They Wake). Also starring veteran British talent Annabelle Lanyon (Legend), with Maryam d’Abo (The Living Daylights) and Paul Barber (The Full Monty).
It’s 1944 and World War Two rages on. The sisters of St. Augustine’s, a convent on a remote Scottish island, are preparing for an incoming storm. One night a cloaked figure leaves a baby in a basket and disappears, never to be seen again.
The nuns take in the boy, and agree to look after him until the storm passes when they will take the child to the mainland for permanent care. However, after a night under their watch, unsettling things begin to happen with the newest addition to the convent. Sister Agnes (Amber Doig-Thorne) suspects the child is the spawn of Satan, causing her to be locked away for fear that she’s been driven mad by the isolation.
But increasingly strange occurrences lead the sisters to question their faith and everything they believe, they wonder has Sister Agnes fallen victim to the desolation of the remote island setting or was there really weight in her suspicions?
The Baby in the Basket is directed by Nathan Shepka and Andy Crane from a script written by Tom Jolliffe (Cinderella’s Revenge, Renegades). The film is produced by Shepka Productions, Flickering Myth, and Hidden Ridge Productions, in association with Jolliffe Productions and Nerdly UK.
The Baby in the Basket will be available to own or rent on digital download in the UK and US and to own on DVD (for the UK only) from 17th February.
Pre-order your UK copy of the DVD on Amazon or HMV.
The Baby in the Basket still. Courtesy photo, used with permission.
Joel Timmons takes bad dreams and turns them into rock and roll with new single End of the Empire from his forthcoming new album Psychedelic Surf Country. Photo: Joel Timmons
Charleston, SC – Joel Timmons is a dynamic songwriter, musician, and journeyman. Growing up on Sullivan’s Island, South Carolina, Timmons developed a deep connection to both music and the ocean, influences that permeate his artistic work. His early years were marked by a passion for surfing and a love for music, cultivated in part by his mother, a photographer and park ranger at Fort Moultrie, a vibrant local arts scene, and a close community of aspiring young musicians. The lead vocalist and guitarist for Sol Driven Train, founded by Timmons and his friends during college in 2000, Timmons also plays guitar with Maya de Vitry and makes music with his life-partner and wife, Shelby Means, under the name Sally & George. Psychedelic Surf Country, out February 7, marks the long-time collaborator’s first solo-work. (IV PR, 2025)
Within the patchwork of Joel Timmons’ debut solo album, Psychedelic Surf Country, lies a kaleidoscopic view of the career sideman and band leader’s striking self-awareness. Both in lyricism and musicality, Timmons has adopted an easy-going and reflective view of the world, creating unencumbered and accessible songs from even the most left-field subjects like lighting old Christmas trees ablaze, the highway patrol K9 who paid his band a visit between tour stops, and the tight jeans and Stetson hats that took over his former neighborhood. But it’s in the heavier subject matter, like his latest single, End of the Empire, where Timmons’ upbeat musical attitude shines.
“My wife, Shelby Means, started writing this song on a small boat in the Virgin Islands while surfers rode waves across a nearby reef,” remembers Timmons. It sounds picturesque, but the initial idea brought about an undercurrent of influence from a wildly different place. “My recurring dreams of doom and nightmares of being hunted by an unknown predator—as well as a sense of apocalyptic loss—figured into the co-write.” Ethereal and dreamy from the onset, End of the Empire floats between images of inescapable crashing waves and desperate hiding, looking for escape, but it might take listeners a couple of passes to recognize these as the song itself feels uplifting and borderline anthemic; a testament to Timmons’ positive spin. With the help of Psychedelic Surf Country producer Maya de Vitry, End of the Empire turns into a huge wash of harmonies and a wall of rhythm section. “The recording ended up being a rocker,” says Timmons, “and the guitar is howling.”
Psychedelic Surf Country tracklist: Just A Man Turbo The Bullfighter Guitars, Guns, and Pickup Trucks Edge of the Empire Cottage by the Sea Say It To My Face The Swimming Song East Nashville Cowboy Here We Are Tryin’
Catch Joel Timmons on Tour: 2/8 – Charleston Pour House – Charleston SC 2/12 – Analog at Hutton Hotel – Nashville TN 2/15 – House Concert – Charleston SC ^ 2/28-3/2 – Green Parrot Bar – Key West, FL * 3/15 – Charleston Pour House – Charleston SC * 3/19 – Tractor Tavern – Seattle, WA + 3/20 – Showdown – Portland, OR (co-bill w/ Love, Dean) + 3/22 – The Talent Club – Ashland, OR + 3/26 – The ’58 @ Eastside Bowl – Nashville, TN 4/24 – Parlor Room – Northampton, MA + 5/4 – Sundays on the River – Asheville, NC + 5/23-5/25 – Rooster Walk Festival – Martinsville VA * 5/30 – Party At the Point – Mt Pleasant SC *
Gibson and Gibson Gives join forces with music brands and humanitarian aid organizations to provide immediate assistance to wildfire relief efforts in Los Angeles. Photo: Gibson Gives
NASHVILLE, TN – In the wake of the devastating wildfires in Southern California, Gibson, the iconic American-made instrument brand,and its philanthropic division Gibson Gives, have joined forces with multiple music brands to help support the recovery of music programs and musicians impacted by the fires, as well as raise immediate funds for relief efforts and humanitarian aid organizations across Los Angeles. Gibson has pledged an initial $250,000 across its nonprofit partners for wildfire relief. Gibson Gives is taking action–independently and in partnership with other brands–to make the largest possible impact. For more details and to donate directly, visit here. (Gibson/Gibson Gives, 2025)
To maximize this effort, Gibson, Gibson Gives, and Guitar Center–the world’s largest retailer of musical instruments–as well as its charitable organization The Guitar Center Music Foundation have enlisted the assistance and support of many prominent manufacturers from the music instrument (MI) industry including AKG, AlphaTheta/Pioneer, Audio-Technica, Eastman, ESP Guitars, Hoshino (Ibanez Guitars/TAMA Drums), JBL Professional, C. F. Martin & Co., Pearl Drums, Remo Inc., Roland, DW, Saga, Schecter Guitar Research, Shure, Sony Music, Universal Audio, Vater Percussion, Yamaha, and Avedis Zildjian Co, in a massive and unprecedented donation relief effort.
For musicians, music professionals, or a nonprofit music program based in the Los Angeles area affected by the fires, the Guitar Center Foundation and Gibson Gives are donating a special one-time grant to replace instruments and gear. Los Angeles musicians who lost their instruments and gear can reach out and apply HERE now through February 28th 2025. Proof of loss or address may be required.
“The recent wildfires have deeply impacted our artists and friends in Los Angeles. Gibson is committed to donating directly to these incredible organizations and working together with the music community to deliver immediate and impactful aid, and to help communities rebuild.” – Cesar Gueikian, CEO of Gibson.
“I am deeply grateful to see such an outpouring of support from everyone coming together to assist musicians who have tragically lost their instruments in the fire. This collective effort is not just about replacing instruments; it’s about restoring the power of music in people’s lives—a vital source of healing, renewal, and strength as they navigate the journey of rebuilding their lives and communities.” –Myka Miller, Executive Director of The Guitar Center Music Foundation
Gibson and Gibson Gives, Fire Relief 2025:
1. Community and Shelter Support: Gibson Gives is partnering with local organizations and brands to deliver essential life resources such as food, water, and apparel to all wildfire affected communities. In partnership with Vans, Liquid Death, and more Gibson will provide supplies including Gibson t-shirts, Vans socks, shoes, Liquid Death water, and more to help meet immediate needs at shelters around Los Angeles.
2. Assistance to Individual Artists: To support individual artists affected by the disaster, Gibson Gives will contribute a cash donation to MusiCares, helping provide essential necessities and aiding in their stabilization and recovery. MusiCares provides short-term disaster relief,including$1,500 in financial assistance and a $500 grocery card, to music professionals impacted. MusiCares disaster relief is intended to cover short-term costs, should you incur costs from evacuating (hotel, food, supplies).
3.Instrument and Gear Replacement: In collaboration with Guitar Center and the Guitar Center Foundation, Gibson and Gibson Gives will jointly promote and manage instrument replacement requests. Additional music manufacturers contributing to this effort so far include AKG, AlphaTheta/Pioneer, Audio-Technica, Eastman, ESP Guitars, Hoshino (Ibanez Guitars/TAMA Drums), JBL Professional, C. F. Martin & Co., Pearl Drums, Remo Inc., Roland, DW, Saga, Schecter Guitar Research, Shure, Sony Music, Universal Audio, Vater Percussion, Yamaha, and Avedis Zildjian Co. Our priority is to assist professional artists, schools, and nonprofit music programs and organizations that have lost instruments, helping to restore creativity and continuity.
4. Fundraising for First Responders and Community Assistance: We are providing funds raised to support and address broad community needs, ensuring that resources are effectively directed to where they are most needed. For the next two months, Gibson Gives will channel online and onsite donations at our Gibson Garage Nashville flagship store location, and disaster relief donations to the following foundations below:
The LAFD Foundation provides vital equipment and funds critical programs to help the LAFD save lives and protect communities.
The SoCal Fire Fund provides immediate and long-term support for community-centered recovery initiatives that aid students, school employees, and families impacted by the January 2025 fires.
Eaton Fire Relief and Recovery FundThe Pasadena Community Foundation Eaton Fire Relief and Recovery Fund provides flexible support to local nonprofit organizations as they respond to the local Eaton fire.
The American Red Cross is working 24/7 with partners in Southern California to make sure people have the support they need in the face of the Palisades Fire, Eaton Fire, Hurst Fire, Lidia Fire, Sunset Fire and Kenneth Fire.
5. School Music Programs: Gibson Gives is supporting Music Rising, a disaster relief fund administered by the Mr. Holland’s Opus Foundation that rebuilds school music programs and replaces student instruments lost in natural disasters.
6. Gibson Employees: Gibson’s GoldTop Foundation assistance is available for all Gibson employees directly affected by the Los Angeles area wildfires.
7. Animal Relief: As a company of animal lovers, Gibson is supporting a variety of animal shelters and veterinarian clinics alongside Gibson artist, Miranda Lambert through her foundation, MuttNation. The MuttNation–Tractor Supply Relief for Rescues Fund is supporting shelters in the California region impacted by the fire.
‘Oklahoma!’ is now playing at the Camille Playhouse in Brownsville. Photo: Sandra Cruz
Now playing at the Camille Playhouse in Brownsville is “Oklahoma!” – a timeless American musical that combines a compelling story with vibrant music, offering a celebration of frontier life and the complexities of love and community. It features a score by Rodgers and Hammerstein, including unforgettable songs like “Oh, What a Beautiful Mornin'” and “People Will Say We’re in Love.” Set in the early 1900s, it follows the lives of two rival groups—farmers and cowboys—in the Oklahoma Territory, with romance blossoming between the spirited Laurey Williams and the charming Curly McLain.
From the brilliant minds of Richard Rodgers and Oscar Hammerstein II, the Camille takes a trip to the turn of the 20th century with “Oklahoma!” With the rivalry between local farmers and cowboys, the setting of this show is full of conflict, but it’s also a love story of a farm girl and her choice between a cowboy and a farmhand. (Camille Playhouse, 2025)
Tickets are $25 for ages 3 and up and are available online or avoid the service charge and buy them at the box office. The lobby opens 30 minutes before the curtain and seating opens 30 minutes before curtain. Seating is on a first come, first serve basis.
Cast includes:
Brandon Binder – Curly Leah Hollingshead – Laurey Daniel Ramirez – Will Parker Grecia Ortiz – Ado Annie Carnes Valentina Capistran – Aunt Eller
Opening night on Friday was a wonderful start to the Camille’s presentation of this foot-stomping musical. The narrative strikes a balance between lighthearted moments and deeper themes and explores issues like jealousy, societal norms, and personal independence. The character-driven plot shines with its dynamic, well-developed roles, with excellent portrayals of Laurey by Leah Hollingshead and Curly by Brandon Binder. Their relationship stands at the forefront of the emotional core. A standout performance comes courtesy of Dean McElyea (Jud Fry) during the melancholy “Lonely Run” where Jud sings about his longing for a woman of his own and showcases the depth of the character. The lively choreography, paired with the energetic ensemble, brings the world of Oklahoma to life at the local level. Outstanding performances all around.
Despite some of its dated views on gender roles, “Oklahoma!” remains an important part of American musical theatre history. Its infectious energy, catchy tunes, and memorable characters continue to captivate audiences, making it a must-see for lovers of classic musicals. Do yourself a favor and stop by the Camille to experience this magical performance at its very best and discover the talent that Brownsville has to offer. Try and get the catchy “Oklahoma” tune out of your head. Congratulations to the cast and crew!
Now playing – February 1, 2, 7,8, and 9
Showtimes:
Friday 7p.m. Saturday 2p.m. and 7p.m. Sunday 2p.m.
The thriller Never Have I Ever is now available for streaming. Courtesy photo, used with permission.
When it comes to movies, thrillers captivate moviegoers by blending suspense, mystery, and intense emotional conflict. These films often explore the complexities of the human mind, where perception and reality blur, leaving audiences on edge. The tension stems from characters’ internal struggles, psychological manipulation, and unexpected twists, which keep viewers guessing and engaged. Rather than relying on gore or action, these thrillers build fear through atmosphere, ambiguity, and mind games, tapping into universal anxieties. The appeal lies in the challenge they present, including trying to outwit the story, questioning what’s real, and experiencing a sense of unease long after the credits roll.
Now available for streaming on Fandango at Home is Never Have I Ever.
Directed by Damon Rickard, it stars Andrew Lee Potts, Beatrice Fletcher, and Amber Doig-Thorne. (One Tree Entertainment, 2025)
Never Have I Ever – Sam is already having a bad day but an incident from Sam’s youth resurfaces in ways he couldn’t imagine and starts a series of events that send his life spiraling out of control and embroiling him in an escalating game of cat and mouse.
He is having a terrible day. He is late delivering a screenplay and the threat of being forced to repay his advance looms ominously over him as he simply doesn’t have the money left. But his day goes from bad to worse when a variety of strange things start happening. From simply losing his wallet to seemingly having multiple break-ins to his home. Then a chance encounter whilst drowning his sorrows sends his day in directions he couldn’t possibly have anticipated.
Still from Never Have I Ever. Courtesy photo, used with permission.
Celebrate your best friendships with Magik Theatre’s hilarious Mo Willem’s musical Elephant & Piggie’s ‘We Are in a play!’ Photo: Magik Theatre, used with permission.
San Antonio, TX – Invite your friends to a different kind of play date with Magik Theatre’s Elephant & Piggie’s ‘We Are in a Play!’ running February 1 – March 23. Gerald the Elephant and Piggie the Pig are “bestus” friends in this rollicking musical based on Mo Willems’ beloved, award-winning “Elephant and Piggie” books. (Magik Theatre, 2025)
When the duo gets invited to a party hosted by The Squirrelles—a trio of fun-loving, singing squirrels—it seems like the makings of a perfect day. But Gerald is worried this big opportunity might create big problems for their friendship. Piggie does not share her elephant pal’s concern, in fact, she’s even happier and more excited than usual. In order for both the friends to have a good time, they must work (and sing and dance) together to overcome obstacles and help each other on a day when anything is possible.
“Gerald and Piggie couldn’t be more different—one is cautious and thoughtful, while the other is playful and impulsive,” says director Jenny Lavery. “But their bond shows us that differences don’t divide us, instead they can bring us closer together.” Lavery directs Ethan Hart (Gerald) and Sami Serrano (Piggie), as well as Amy Bouquet, Lexie Williams, and Hannah Rodriguez as the Squirrelles. Sarah Bailey serves as musical director and Tanesha Payne is the production’s choreographer for the vibrant musical numbers.
Audiences ages 3 and up will get a kick out of this funny, heartwarming story of two friends navigating life’s unexpected occasions. Throughout the musical’s run, Magik Theatre is providing plenty of ways to have a day out just as exciting and special as the one Piggie and Gerald embark on. From an opening night party in Hemisfair Park with cookies and cocoa and kids crafts, to add-on experiences like a post-show backstage tour with the cast and pop-up ice cream socials on the weekends, there are plenty of ways to enhance the family fun.
Aspiring young actors can even learn what it takes to perform on the stage with this season’s new Magik Monday, a series of workshops inspired by the current performance and designed to spark creativity and build confidence. February’s Elephant and Piggie workshop will introduce students to acting through exciting games and exercises, with the chance to rehearse short scenes as well.
With the recent opening of a dedicated quiet room, Magik continues its commitment to making theatre accessible to everyone. The quiet room, which officially opened in late 2024, includes cozy, specialized furniture, calming decor, a TV broadcasting the current performance in real time, and sensory toys to allow overwhelmed or overstimulated audience members to easily take a break from the show without missing out on the rest of the theatre experience. The new space adds to other efforts Magik has made to become a Kulture City certified Sensory Inclusive Venue, as well as its ongoing special performances to accommodate those with special needs and financial constraints.
For family fun, lots of laughs, and catchy tunes, Elephant & Piggie’s ‘We Are in a Play!’ is truly a perfect way to have your own perfect day. Elephant & Piggie’s ‘We Are in a Play!’ is based on the Mo Willems books of the same name, published by Hyperion Books, with book and lyrics by Willems and music by Deborah Wicks La Puma, presented by special arrangement with Music Theatre International.
SPECIAL EVENTS & ADD-ON EXPERIENCES
Opening Night Party in the Park | Saturday, February 1, 4:30p.m., show at 6:30p.m. Celebrate the first performance of Elephant & Piggie’s ‘We Are in a Play!’ with a free, pre-show party at Hemisfair Park just outside Magik Theatre. Guests can enjoy hot chocolate and cookies as they groove to a kid-friendly, parent-approved pop music playlist, get their faces painted, and make their own Elephant and Piggie puppets to take home. While the party is free and open to the public, the subsequent performance is ticketed.
Backstage Experience Add-On | Available after performances* (*Excluding other special events such as the opening night Party in the Park) If you or your little theatre buddy wish the performance didn’t have to end, Magik has a brand-new way to prolong the, well, magic. For a small additional fee, audience members can now stick around after the show to get a 15-minute guided tour of the set, props, and costumes, plus meet the cast and pose for an onstage photo with them. Cost: $15 per person.
Ice Cream Social Add-On | Available before weekend performances But wait, there is more! Sweeten the experience with Magik’s new Ice Cream Social pre-show perk. Guests can chow on their choice of vanilla, chocolate or strawberry ice cream, complete with toppings then capture the moment in photos with the adorably loveable Elephant & Piggie! Cost: $15 per person.
Magik Monday: Act It Out with Elephant and Piggie | Monday, February 24, at 6p.m. Designed to spark creativity and build confidence, this class introduces young performers in grades 1-5 to the basics of acting in a playful and supportive environment. Elephant & Piggie’s ‘We Are in a Play!’ provides the inspiration for exciting acting games, improvisation, and simple scene acting. Cost: $35 per person.
SPECIAL PERFORMANCES
Pay What You Wish Performance | Saturday, February 8, at 2p.m. As part of Magik Theatre’s mission to make theatre accessible to everyone, the organization holds one donation-based performance. Tickets are only available at the door on February 8.
Sensory Friendly Performance | Saturday, February 15, at 10a.m. Audience members on the autism spectrum and those with sensory sensitivities can take in a special performance of Elephant & Piggie’s ‘We Are in a Play!’ designed just for them. Kids and adults are free to be themselves in this relaxed, judgment-free theatre experience that is a perfect introduction to attending a performance.
ASL Interpreted Performance | Saturday, February 22, at 2p.m. Patrons who communicate with ASL can attend this performance featuring Robert Cardoza, the San Antonio theatre community’s primary American Sign Language interpreter.
Educator Appreciation Day | Sunday, March 2 at 3p.m. Educators and school faculty are eligible for one free ticket to this performance with proof of I.D. Additional tickets are available to purchase for these performances at a discount of 20% off the regular ticket prices.
Military and First Responders Appreciation Day | Saturday, March 22 at 2p.m. Service members with a valid military ID can purchase discounted $18 tickets to this performance.
2024-2025 TICKET OPTIONS
Magik Theatre offers multiple ways for patrons to experience the best children’s theatre in San Antonio. Magik is a cherished arts institution that has been providing families with professional, accessible, literature-based theatre and education since 1994. Located in Hemisfair Park, families can catch the show, enjoy a day of play exploring Yanaguana Garden, grab a meal at one of the many restaurants on site and make Magikal memories. Season subscriptions, Flex Passes, and single ticket sales are available now.
SEASON SUBSCRIPTION PRICING • Two Show Subscription $41 per person
FLEX PASS PRICING ● Ten Flex Passes $190
SINGLE TICKETS ● $25 for adults ● $20 for children (ages 2-17), Military, Seniors, Educators & Students ● Children under 2 years old are free.
Purchase season subscriptions, flex passes, and single tickets online, via phone (210) 227-2751, and in person at Magik Theatre’s Box Office (420 S Alamo, 78205). Box Office hours are Monday-Friday, 9 am – 5 pm.
If a child under 2 uses a seat, even a car or booster seat, the patron must pay for a general admission ticket. Group rates are available for parties of ten or more people. For questions and further inquiries, contact the Magik Theatre.
MAGIK THEATRE
A professional theatre for young audiences established in 1994, Magik Theatre’s mission is to create theatrical experiences that ignite imagination, spark curiosity, inspire empathy, and foster a lifetime love of learning in young people.
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