Whataburger’s Spicy Ketchup Limited Batch #2. Photo: google
Whataburger is introducing a brand-new product that is sure to spice things up: Whataburger Spicy Ketchup Limited Batch #2. This limited batch ketchup gets its distinctive flavor from a combination of Whataburger’s signature Fancy Ketchup recipe, a hot sauce made from arbol and piquin peppers and a blend of signature spices, offering a fresh take on the Whataburger Spicy Ketchup fans already know and love. (Whataburger, 2022)
The Buffalo Ranch line-up, featuring the Buffalo Ranch Chicken Strip Sandwich and Buffalo Ranch Chicken Strip Salad,is also back for a limited timealongside the fan-favorite Dr Pepper Shake.For night owls and early birds who cannot get enough of the Breakfast Burger, Whataburger will continue to offer this menu item during breakfast hours for those craving a hearty meal. All items are available now while supplies last, and prices vary by market.
Since 1950 when Harmon Dobson opened the first Whataburger as a small roadside burger stand in Corpus Christi, Whataburger has focuses on its fresh, made-to-order burgers and friendly customer service. Today, the company is headquartered in San Antonio, Texas, with more than 850 locations across its 14-state footprint, and sales of more than $2.8 billion annually. Whataburger has 50,000 Family Members (employees) and more than 60 million customers who like to customize their Whataburgers just the way they like it.
Lord Nelson carries their live show into the recording studio with Transmission. Photo: Lord Nelson
When it came time for Lord Nelson to get back into the studio to make a new album, the band wanted to lean into exactly what has earned them fans and thousands of streams of their songs throughout their career: a burn-down-the-house live show. The Charlottesville-based band was looking for a way to create a calling card for their boisterous live act, something that would bridge the gap between studio and performance, so they took a batch of road tested songs into the studio with a very simple goal in mind and achieved just that. The resulting album, Transmission, will be released January 21, but Lord Nelson recently shared the first track from the album. (Lord Nelson, 2021)
“Tooth and Nail” opens Transmission with a raucous groove and electric guitars every bit appropriate for the kind of lights-down, beginning of the show anticipation usually reserved for the stage. “Navigating this world is a full time job and the person we become may be sometimes far removed from the vision we had when we set out on this journey,” say the band’s members about “Tooth and Nail.” “Own your disasters and keep moving.” Watch the video for “Tooth and Nail” now at this linkand pre-order or pre-save Transmission ahead of its January 21 release here.
For the first time, this Lord Nelson record features three writers and vocalists, with brothers Henry and Calloway Jones contributing to Kai Crowe-Getty’s set of songs. Rounding out the group are Andrew Hollifield and Niko Cventanovich on bass, Johnny Stubblefield on drums, and Dave Pinto on pedal steel and harmonica. The collection of songs marks a wide range of stories and characters, but there is a creeping lightness that settles around the edges of what could be darker themes in other hands. From car crashes, murder, bank robberies, devotion, trucks in lakes, drug busts, and relationships, to hope, triumph, and overcoming the odds, this record engages a wide view of the human experience.
Using a converted barn to track the record, guitarist Calloway Jones and collaborator Ivan Barry engineered two sessions across a few weeks, and the bones of an album were fitted into a suit. Lord Nelson initially worked to move through recording quickly as to release Transmission and get back on the road. Like the rest of the world, those plans came to a sudden halt with the pandemic. The band wondered, “Does the world need this music now? Will it ever see the light of day?” But finishing vocals in blanket forts, tracking guitars in an old farm house, and sending the sessions to friends to record parts enabled this process to grow and change slightly with the enforced break from touring. It allowed the band to pause and take in the songs and choices with a bit more thought. It changed the work and brought a reexamination. Ultimately, this record intends to bring people together—to dance, sing in the car, hum along, crank up on the stereo, and to stop taking life too seriously for a few minutes.
Transmission Track list: Tooth and Nail Hell or High Water Country Desperation Drag Me Down Putting in the Time Broken Part Rolling Stoned Cheap Red Wine Let It Ride Burn It Down Julia
Jamestown Revival’s new album Young Man will be out January 14, 2022. Photo: google
In 2020, Jamestown Revival released A Field Guide To Loneliness, an intimate collection of songs that finds Clay and Chance reflecting on recent times whereby human contact was limited more than ever. A Field Guide To Loneliness follows Jamestown Revival’s 2019 critically acclaimed release, San Isabel. Recorded in a remote cabin in the majestic and calming landscape of central Colorado, the band embraced a minimalist approach in the recording of San Isabel. Finding inspiration in ‘60s and early 70’s folk and pop, the original songs on San Isabel show reverence for early John Denver and Bob Dylan, as well as Simon & Garfunkel and Crosby, Stills, Nash & Young. Their new album, Young Man, will be released on January 14, 2022. (Jamestown Revival, 2021)
With a swaggering waltz, close harmonies, and a wealth of slide guitars, Jamestown Revival has perfectly summarized the dog days of feeling stranded by the events of the last two years in their brand new single “These Days.” Straddling the line of good-time music and down-and-out feelings, “These Days” feels universal; a blurry memory of a worldwide shared experience, but a little closer to home for those who found themselves out of work for months on end. “‘These Days’ is about being down in the dumps, hamstrung, and unable to work,” say Jamestown Revival bandmates Jonathan Clay and Zach Chance. “The past year needs no introduction. As the months rolled on by, there were surely days when it felt like it got the best of us. We wrote this song on one of those days.” Fans can hear “These Days” now at this link.
“These Days” is the second song to be released from Jamestown Revival’s upcoming LP, Young Man. Produced and mixed by Robert Ellis and Joshua Block and bolstered by a thriving community of friends and musicians in Texas, Young Man is Jamestown Revival’s first project without electric guitars, with the emphasis instead on skillful songwriting, flawless harmony, and intricate fingerpicking. Displaying most of the genres that collectively make up “Americana” music—folk, jazz, bluegrass, roots rock—sometimes all in one song, this upcoming album represents a distilled and pure Jamestown Revival at their finest. Young Man is due out January 14 and can be pre-ordered or pre-saved now right here.
Additionally, Jamestown Revival just announced new tour dates including Thalia Hall in Chicago and Nashville’s new Brooklyn Bowl. A full list of new dates, as well as previously announced tour stops, can be found below. Tickets are available online.
New Jamestown Revival Tour Dates: February 8 – Kansas City, MO. – Knuckleheads Saloon^ February 9 – St. Louis, MO. – Delmar Hall^ February 10 – Chicago, IL. – Thalia Hall^ February 11 – Minneapolis, MN. – Fine Line^ February 12 – Milwaukee, WI. – The Rave/Eagles Club – Rave II^ February 14 – Pittsburgh, PA. – Mr. Smalls^ February 15 – Detroit, MI. – St. Andrews Hall^ February 16 – Lexington, KY. – The Burl^ February 17 – Indianapolis, IN. – The Vogue^ February 18 – Columbus, OH. – Columbus Athenaeum^ February 19 – Nashville, TN. – Brooklyn Bowl^
Previously Announced 2022 Dates: January 14 – New Braunfels, TX. – Gruene Hall^ January 16 – Tucson, AZ. – Rialto Theatre* January 17 – Solana Beach, CA. – Belly Up* January 18 – Solana Beach, CA. – Belly Up* January 19 – Santa Cruz, CA. – Catalyst* January 20 – San Francisco, CA. – The Fillmore* January 21 – Los Angeles, CA. – Fonda Theatre* January 22 – Sacramento, CA. – Ace of Spades* January 23 – San Luis Obispo, CA. – Fremont Theatre* January 25 – Salt Lake City, UT. – Commonwealth* January 26 – Steamboat Springs, CO. – Strings Music Pavilion** January 27 – Denver, CO. – Ogden Theatre* January 28 – Telluride, CO. – Club Red* January 29 – Ft. Collins, CO. – Aggie Theatre** January 30 – Aspen, CO. – Belly Up^
Special Guests: * Mipso & Robert Ellis ** Mipso ^ Robert Ellis
Young Man Track list: 1. Coyote 2. Young Man 3. Moving Man 4. Northbound 5. These Days 6. One Step Forward 7. Slow It Down 8. Way It Was 9. Old Man Looking Back 10. Working On Love
The movie adaptation of ‘The Lost Daughter’ by Elena Ferrante is now playing in theaters everywhere. Photo: amazon
Elena Ferrante is the author of seven novels, including four New York Times bestsellers; “The Beach at Night,” an illustrated book for children; and “Frantumaglia,” a collection of letters, literary essays, and interviews. Her fiction has been translated into over forty languages and been shortlisted for the MAN Booker International Prize. In 2016 she was named one of TIME’s most influential people of the year and The New York Times has described her as “one of the great novelists of our time.” Her book “The Lost Daughter”has been adapted into a major motion picture directed by Maggie Gyllenhaal and starring Olivia Colman, Dakota Johnson, Paul Mescal, and Peter Sarsgaard. (amazon, 2022)
“The Lost Daughter” – Leda, a middle-aged divorcée, is alone for the first time in years after her two adult daughters leave home to live with their father in Toronto. Enjoying an unexpected sense of liberty, she heads to the Ionian coast for a vacation. But she soon finds herself intrigued by Nina, a young mother on the beach, eventually striking up a conversation with her. After Nina confides a dark secret, one seemingly trivial occurrence leads to events that could destroy Nina’s family in this “arresting” novel by the author of the New York Times–bestselling Neapolitan Novels, which have sold millions of copies.
In his new book, Marc Savoy shares the fascinating story of Cajun Music’s iconic instrument. Photo: amazon
Born in 1940, Marc Savoy grew up in a rural French-speaking community outside of Eunice, Louisiana, and started playing the accordion at age twelve. By age twenty, he was building and selling his own Acadian-brand Cajun accordions. In 1966, he opened the doors to the iconic Savoy Music Center in his hometown. Today, he is revered as one of the finest builders and players of the instrument in the world. His new book “Made in Louisiana: The Story of the Acadian Accordion” is the story of how an instrument once known as the “German-style” accordion became the iconic image of Louisiana’s Cajun culture. (Marc Savoy, 2021)
Most strands of American music have an iconic instrument. Horns for jazz, banjos for bluegrass, and electric guitars for rock and roll, but few invoke the immediate recognition as the accordion found in the wildly unique music of Louisiana Cajuns. Few know the instrument as intimately as world-renowned accordion player, builder, and author, Marc Savoy. Upon seeing a Louisiana-handmade diatonic accordion for the first time in 1957, a teenage Marc Savoy began a quest that arguably no one has come closer to achieving: to build the perfect Cajun accordion. Told in Savoy’s own words, “Made in Louisiana” is the story of the evolution of his Acadian brand accordions—from being a young prodigy to a self-made businessman to a music store owner to a definitive figure in Cajun music.
Upcoming shows at the Majestic Theatre include ‘Hamilton’ and “Weird Al” Yankovic. Photo: Majestic Theatre
These shows were just announced this month. Tickets are now on sale at the Majestic and Empire Theatres. For full calendar and listing of events, please visit the Majestic Theatre online. (Majestic Theatre, 2021)
LUPITA D’ALESSIO Y MARÍA JOŚE: TOUR USA 2022 Majestic Theatre February 24, 2022 at 8p.m.
RON WHITE: FOR MATURE AUDIENCES Majestic Theatre February 26, 2022 at 10p.m.
ANGELA AGUILAR – MEXICAN ENAMORADA Majestic Theatre April 2, 2022 at 8p.m.
SUMMER: THE DONNA SUMMER MUSICAL Majestic Theatre April 19-24, 2022
FREESTYLE LOVE SUPREME Empire Theatre May 18-22, 2022 Tickets go on sale January 21, 2022 at 10a.m.
RUPAUL’S DRAG RACE WERQ THE WORLD TOUR 2022 Majestic Theatre July 17, 2022 at 7:30p.m.
TRIXIE AND KATYA LIVE! Majestic Theatre August 31, 2022 at 7:30p.m.
“WEIRD AL” YANKOVIC Special Guest: Emo Philips Majestic Theatre October 4, 2022 at 7:30p.m.
UPCOMING PERFORMANCES AT MAJESTIC & EMPIRE THEATRES Hamilton || Majestic Theatre || January 5 – 16, 2022 Diana Krall || Majestic Theatre || February 5, 2022 Sebastian Maniscalco || Majestic Theatre || February 18, 2022 – 9:30p.m. SHOW ADDED Me, Myself & Shirley || Empire Theatre || February 25-26, 2022 Willie Nelson & Family || Majestic Theatre || March 21-22, 2022 Il Volo || Majestic Theatre || April 15, 2022 Chelsea Handler || Majestic Theatre || May 14, 2022 Freestyle Love Supreme || Empire Theatre || May 18 – 22, 2022 – JUST ANNOUNCED
She was a girl from Boston with a voice from heaven, who shot through the stars from gospel choir to dance floor diva. But what the world didn’t know was how Donna Summer risked it all to break through barriers, becoming the icon of an era and the inspiration for every music diva who followed. With a score featuring more than 20 of Summer’s classic hits including “Love to Love You Baby,” “Bad Girls” and “Hot Stuff,” this electric experience is a moving tribute to the voice of a generation.
‘SUMMER’ features a book by Tony Award® nominee Colman Domingo, Robert Cary and Tony Award® winner Des McAnuff, with songs by Donna Summer, Giorgio Moroder, Paul Jabara and others. This new touring production is directed by Lauren L. Sobon and choreographed by Natalie Caruncho, based on the original direction by Tony Award® winner Des McAnuff and original choreography by Tony Award® winner Sergio Trujillo. Associate choreographer is Angelica Beliard.
Musical Supervision is by JP Meyer, Music Director is Erika R. Gamez, tour scenic design by Robert Andrew Kovach, based on the original scenic design by Tony Award® nominee Robert Brill, costumes by Tony Award® winner Paul Tazewell, lighting by Russell A. Thompson, sound by David Temby, projections by Chris McCleary. This tour is produced by APEX Touring.
The Infamous Stringdusters’ new album Toward the Fray will be available February 18, 2022. Photo: google
The Infamous Stringdusters is a progressive acoustic/bluegrass band, who first emerged in 2006, consisting of members Andy Hall (dobro), Chris Pandolfi (banjo), Andy Falco (guitar), Jeremy Garrett (fiddle), and Travis Book (bass). The “Dusters” won three awards at the IBMAs in October 2007 for Emerging Artist of the Year, Album of the Year (for Fork in the Road), and Song of the Year for the album’s title track and in 2018 the band won the Grammy for Best Bluegrass Album for Laws of Gravity. (The Infamous Stringdusters, 2021)
As the year starts to wind down, the opposite is true for Grammy-Award winning quintet The Infamous Stringdusters, who are dropping their forthcoming album Toward the Fray via Americana Vibes on February 18, 2022. They will be kicking off the year strong with a three night New Year’s Eve run in Richmond, Virginia, all the while celebrating last week’s Grammy nomination for Bluegrass Album of the Year for their 2021 album A Tribute To Bill Monroe. Additionally on the Dusters’ end of the year dance card, the band released Toward the Fray’s second single “Hard Line.”
Fans can now digitally pre-order or pre-save Toward the Fray now at this link. The Dusters also designed new merchandise to celebrate the release of Toward the Fray—including, but not limited to, a Stringdusters North Face jacket, limited edition colored vinyl, and an adorable Toward the Fray teddy bear. Pre-order all of these and more at the Infamous Stringdusters online store.
“This is a song about taking a hard line stance on something, and being so dug in you can’t ever change your mind,” shared Jeremy Garrett. “What a beautiful thing it might be if we could all come to the table, so to speak, once again and have meaningful and truthful discussions about the things going on in our world.” “Hard Line” is available here.
“Hard Line” comes on the heels of the release of the album’s previous single and title track, “Toward the Fray” which was written by guitarist Andy Falco with his dear friend Travis McKeveny who passed away tragically in September 2021.
Izaak Opatz deftly compares ex-lover to a tricky natural phenomenon in new song ‘Chinook Wind.’ Photo: google
The most concise way to describe musician Izaak Opatz is “well-experienced,” but, like his razor-sharp songs, there are deeper details to his life that deserve to be highlighted. Opatz is now back in graduate school at the University of Montana studying Environmental Science and Natural Resource Journalism at the same school from which he earned a degree over a decade ago. Between his two distinct periods of study, Opatz spent ten summers on a trail crew in Glacier National Park and a stint working in Jonny Fritz’s infamous Los Angeles leather shop. All that is to say, Opatz’ music draws on his “well-experienced” life. (Izaak Opatz, 2021)
Opatz has a new song entitled “Chinook Wind,” a clever comparison between an attempt to get back with an ex and the false-summer warm wind of the Rockies. A catchy, reverb-y guitar hook gives way to a rollicking verse punctuated by stabbing horns before giving way to a half-time feel change in the song’s chorus. Fans of country and Americana will be just as likely to enjoy “Chinook Wind” as those who lean more indie rock or experimental, perpetuating Opatz’ hard-to-describe but easy-to-listen-to style, one that Opatz and his band have dubbed dirtwave. Watch the music video for “Chinook Wind” now and check out Opatz’ op-ed with Talkhouse covering his already-mentioned history and much more at this link. “Chinook Wind” is out now on Mama Bird Recording Co..
“Between the occasionally Muppet-y background vocals and the yackety brass, this song has some ‘Flea Bag’ to it, which suits the wild-goose-chase-of-the-heart it describes. A chinook is an unseasonably warm, dry wind that pours down the east side of the Rockies at the end of winter, sometimes tricking trees into thinking a premature spring is upon them, leading them to pull the sugars from their roots and get ready to bud out, which hurts the trees when winter inevitably reasserts itself. As per the metaphor, I ‘thawed out my resistance’ at the prospect of getting back together with my ex-lover, only to get dinged when it became clear it was a one-off— just a chinook wind.” – Izaak Opatz
On the music video, Opatz says, “Featuring an abundance of sweat, tears, and cream cheese, ‘Chinook Wind’ is the brainchild of Michael T. Workman, who turned my meteorological phenomena-inspired song about a romantic head fake into an absurd, pulpy crime caper, set in the gritty underbelly of Missoula, Montana.”
‘Equity: How to Design Organizations Where Everyone Thrives’ by Minal Bopaiah. Photo: amazon
Minal Bopaiah is the founder of Brevity & Wit, a strategy and design firm that helps organizations achieve the change they wish to see in the world through a unique approach that combines human-centered design, behavior change science, and the principles of inclusion, diversity, equity, and accessibility. Bopaiah has written for the Stanford Social Innovation Review and TheHill.com and has been a featured guest on numerous podcasts and shows, including the Kojo Nnamdi Show on WAMU. She has also been a keynote speaker for many conferences, inspiring thousands with her credible, authentic, and engaging talks. Her new book “Equity: How to Design Organizations Where Everyone Thrives” helps leaders create more inclusive organizations using human-centered design and behavior change principles. (amazon, 2021)
“Equity”begins with an Introduction that delves deep into the subject of equity. Under the section Why Equity, Not Equality, Minal Bopaiah defines Equality as “when everyone has the same thing” and equity as “when everyone has what they need to thrive and participate fully.” Figure 1. Equalityversus equity illustrates this as everyone having the same size bicycle versus everyone having the right bicycle to fit their needs. By sharing her family’s immigration story, she explains systemic inequality and how the system was designed this way: “the United States has an education system tied to local property taxes.” Equity allows leaders to create organizations where employees can contribute their unique strengths and collaborate better with their peers. The book is divided into chapters: 1. The Relationship between Bias, Systems, and Equity, 2. A Design Approach to IDEA, 3. Engaged and Equitable Leadership, 4. Bridging the Gap, 5. Communicating the Change, and 6. Creating Equity through Media and Marketing. In Closing Thoughts, her hope is that she has provided readers with the tools to “start designing for more equity in the corner of the world where you have influence and power.”
It may be a business centered subject, but everyone can benefit from learning more about Diversity, Equity, and Inclusion as well as Accessibility. “Equity” takes a complex topic and makes it clear and concise to everyday readers. Minal’s writing style is down to earth and the language is easy to understand. The Glossary at the end makes it easy to look up unfamiliar terms and Discussion Guide aimed at individuals, teams, and organizations will certainly keep the conversation going. One of the highlights is Chapter 6: Creating Equity through Media and Marketing which shows that even content creators can make a difference by making sure the content has proper representation and that everyone can access it. It may be a small book, but it speaks volumes about issues regarding diversity, equity, and inclusion. Far from being solely a business manual, it is also a reference guide for readers interested in creating a more equitable society. Filled with business and leadership advice, as well as interesting anecdotes and life lessons, “Equity” explains how everyone can do their part to achieve a more inclusive and diverse world and is recommended for readers interested in books about business leadership, workplace culture, and personal enrichment.
“When designing for equity, the objective is not to get everyone to think the same, have the same values, or believe the same things. The objective is to design a world where differences are valued.”
⭐⭐⭐⭐
Rating: 4 out of 5.
*The author received a copy of this book for an honest review. The views and opinions expressed here belong solely to her.
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