Slacker’s Prom is Gus Baldwin & The Sketch’s new single from forthcoming album. Courtesy photo, used with permission.
Austin band Gus Baldwin & The Sketch shares a new single from their forthcoming debut album The Sketch via PunkNews. – Slacker’s Prom. Available on DSPs and Bandcamp. (US/THEM group, 2024)
Gus Baldwin is a singer/songwriter/ex-hippie/part-time punk hailing from Austin, TX. After a stint holding down drums for Dallas surf punk legends Sealion in high school, Baldwin went on to form the Psych Pop combo Acid Carousel, which he led for 6 years and 20 something releases before departing the band on Halloween night 2021.
Since leaving Acid Carousel, Gus has made a name for himself as a solo artist in Austin, constantly performing as a singer/songwriter, one man garage band, or with his band The Sketch. Quickly releasing a string of titles on his own GetWithIt! Records imprint, including the EPs THRILLER II, and Live Bugs, as well as a slew of singles, Gus established himself firmly as the godson of Texas rock ‘n roll. Splitting his time as a frequent collaborator with The Black Angels, Baldwin also works with the likes of Christian Bland & The Revelators as well as The UFO Club with Night Beats frontman, Danny Lee Blackwell.
The Sketch is the full length debut of Gus’ partnership with The Sketch. The album was recorded in one day at Studio 22 in Los Angeles by engineer Joey Oaxaca (White Reaper, Starcrawler).
The Sketch will be available on LP, cassette and digital on January 31, 2025. Pre-orders are available.
Gus Baldwin & The Sketch‘s tour of Western U.S. states continues this month. Current dates below are below. Midwest & Eastern shows to follow in early 2025.
GUS BALDWIN & THE SKETCH LIVE 2024: 12/04 Reno, NV – Lo Bar Social 12/07 San Francisco, CA – Kilowatt 12/09 Palmdale, CA – Transplants Brewing 12/10 Las Vegas, NV – The Griffin 12/11 Visalia, CA – Cellar Door 101 12/12 Long Beach, CA – Alex’s Bar 12/13 San Diego, CA – The Tower Bar 12/14 Los Angeles, CA – The Redwood Bar 12/20 Austin, TX – Hotel Vegas
Artist: Gus Baldwin & The Sketch Album: The Sketch Label: Permanent Teeth Records Release Date: January 31, 2025
01. Part I
02. Part II
03. Part III
04. Itch
05. Steady on It
06. Luxury Television
07. Slacker’s Prom
08. (She’s Gone) Arigato
09. Beautiful Delilah
10. What the Freaks Say
11. Sympathy for Sunday
Just goes to show you can still be catchy as hell while playing really fucking loud… I’m not entirely sure there’s a single that can capture the live energy the drips from the stage when Gus Baldwin & The Sketch are up there, but this brand new single is pretty damn close.” — Austin Town Hall
“Kick ass to bombastic levels.” — Cosmic Clash
“Noisy, fuzzy punk with a distinct pop sensibility… Full of energy and anger while also managing to be a lot of fun.”— New Noise Magazine
Blood Incantation is: L-R Paul Riedl (Guitars, Vocals), Morris Kolontyrsky (Guitars), Jeff Barrett (Fretless Bass), Isaac Faulk (Drums). Photo: Julian Weigand, used with permission
Death metal is a subgenre of extreme metal characterized by its aggressive, fast-paced sound, often featuring growled or screamed vocals, heavy guitar riffs, and complex drumming. Its appeal lies in its raw energy and cathartic nature, offering a way for listeners to release pent-up emotions. Fans are drawn to the technical skill required to play the intricate rhythms and fast tempos, as well as the intensity of the performances. The dark themes, often exploring death, decay, and existential questions, provide a sense of escapism for some, while the sheer heaviness of the music creates an adrenaline-fueled experience.
If you’re a fan of the genre, there’s a new album out by Blood Incantation worth noting.
Blood Incantation is an American death metal band from Denver, Colorado formed in 2011. Their new album Absolute Elsewhere is the sound of a star being born. (another side, 2024)
“The Stargate” Side One: A violent storm invokes the familiar before a grand cosmic key turn for a hint of sweeping scope to come with spiritual acknowledgement and accompaniment by Tangerine Dream’s Thorsten Quaeschning on synths on the song’s second tablet. Musically as violent as it is mediative, with subtle spoken passages flitting between Nicklas Malmqvist’s (Hällas) busy synthesizer keys and Mellotron strings invoking both the modern and ancient, and it is all given sharp focus by Arthur Rizk’s powerfully dynamic and enveloping mix. Blood Incantation depart Extreme Metal’s traditionally antiquated waystation, warping their way towards “Genre of One” stature, as “The Stargate” intones the disembodiment of consciousness itself, careening through the stargate towards Samsara-like reincarnation, punctuated by the occasional growl from Sijjin/ex-Necros Christos main man, Malte Gericke.
“The Message” Side Two: A step through doorways of unearthly beauty, playfulness, quirk and horror. As if David Gilmour jams beside Chick Corea and Trey Azagthoth melting together through psychedelic hyperspace, eliciting mystical vibes and a tangible metaphysical transcendence. Dalos briefly reengages with this track in his native language, alongside star-riding Malmqvist, whose iconic synth/keys work throughout the album adds to the unearthly atmospherics that with Absolute Elsewhere defines a new musical epoch for Blood Incantation, as much as 21st century Metal itself.
In total the piece hovers at nearly 45 minutes, their longest full length recording yet, the album’s two movements are as confounding as they are engaging, exponentially expanding upon the formulas laid down by their scene-shattering debut Starspawn (2016) and landmark follow up Hidden History of the Human Race (2019).
For inspiration, the group looked to the mid-70s progressive rock collective, Absolute Elsewhere as the album’s namesake. For the uninitiated, Absolute Elsewhere’s obscure 1976 album, In Search of Ancient Gods, was constructed as a musical accompaniment to the works of Chariots of the Gods author, Erich Von Daniken, and his theories of non-terrestrial humanoid prompts towards mankind’s evolution. The subject matter of which should serve as no surprise to anyone familiar with Blood Incantation’s cosmically philosophical leanings. But make no mistake, the four musicians working under the Blood Incantation banner for the past decade – guitarist and vocalist Paul Riedl, drummer Isaac Faulk, guitarist Morris Kolontyrsky and bassist Jeff Barrett – have successfully left the microgravity of genre behind and are re-writing the Rosetta Stone of extreme music with a new language entirely.
Absolute Elsewhere is available from Century Media. Its physical version features a 73 minute feature film All Gates Open: In Search Of Absolute Elsewhere which tells the story of their time in Berlin during the summer of 2023, while recording at the legendary Hansa Studios. It is available on Blu-Ray with the album’s deluxe media book package and includes the documentary’s original soundtrack, All Gates Open (Original Motion Picture Soundtrack) which includes 60 minutes of exclusive new music distinct from the new album.
This special edition will also include Blood Incantation’s 2023 maxi-single, “Luminescent Bridge” for the first time ever on CD, and of course, Absolute Elsewhere in both standard and Dolby Atmos / 5.1 mixes, alongside exclusive liner notes, exclusive interviews, behind the scenes photos and a forward by Ross Dolan of Immolation. Underscoring the classic Progressive Rock vibe, the album is adorned with contemporary visionary paintings by the iconic and reclusive 70s Sci-Fi artist Steve R. Dodd.
Blood Incantation sets out on an extensive North American tour crossing both coasts and more with support from Midwife. All tickets are on sale now here. A full list of dates is available online.
Blood Incantation Absolute Elsetour Dates:
Nov 27: Boston, MA – Brighton Music Hall ~ Nov 29: Montreal, QC – Fairmount ~ Nov 30: Toronto, ON – Lee’s Palace ~ Dec 01: Detroit, MI – Magic Stick ~ Dec 03: Chicago, IL – Metro ~ Dec 04: Minneapolis, MN – Fine Line ~ Dec 05: Omaha, NE – Bourbon Theater ~
~ w/ Midwife
Early Praise For Absolute Elsewhere:
“the metal album of the year” NPR
“an amazing, proggy, thrilling death metal epic” The Needle Drop
“This album is the work of a band who have proven themselves capable of anything. It belongs on the shelf alongside Pestilence’s ‘Testimony Of The Ancients and Spheres’, The Orb’s ‘UFOrb’ and Pink Floyd’s ‘Wish You Were Here’. It’s a goddamn masterpiece.” The Wire
“the ultimate Blood Incantation album” Brooklyn Vegan
Ghost Hounds unleash You’ll Never Find Me, a powerful anthem of resilience. Courtesy photo, used with permission.
Ghost Hounds is excited to share their newest single, “You’ll Never Find Me”–out via Gibson Records–along with its accompanying official music video. (Big Hassle, 2024)
“‘You’ll Never Find Me’ is a warriors anthem. This song is dedicated to anyone who has lost themself in a person or to a situation. Know that you can always reclaim your power and remember to stand strong in who you are. We needed the video to show that when your down grit and perseverance are all you need to make it. The idea that you literally need to get back on the horse 8 times when you’ve been thrown off 7.” – SAVNT
Ghost Hounds are a country rock band with a heavy blues influence that proves the genre is not only alive but thriving for the next generation of rock fans. Fronted by SAVNT and backed by guitarists Tyler Chiarelli and Thomas Tull, fiddler Kristin Weber, bassist Bennett Miller, and drummer Sydney Driver, the band has made significant statements with their four studio albums.
Ghost Hounds’ debut, Roses Are Black (2019), earned widespread acclaim from Billboard, American Songwriter, and more as well as millions of streams on streaming platforms. Their follow-up, A Little Calamity (2021), impressed with its classic rock sensibilities and the hit single “Good Old Days.” You Broke Me (2022) continued their tradition of blending classic blues rock with a modern flair. Their latest album, First Last Time(2023) via Gibson Records, features hit single “Last Train To Nowhere,” which racked up millions of hits via TikTok and Instagram, and was featured in Taylor Sheridan’s new TV show Special Ops: Lioness.
Ghost Hounds have honed their sound on the road, having supported legendary acts like The Rolling Stones, ZZ Top, Garth Brooks, Guns N’ Roses, and Bob Seger. With their chemistry at an all-time high, the band is set to bring even more blues-rock brilliance in the future.
The Guatemalan-born folk singer/songwriter David Lindes is on a mission to heal with his album Peace With a Lion, produced by Grammy® winner Alex Cuba. Courtesy photo, used with permission.
Los Angeles – On his forthcoming album Peace With a Lion, Guatemalan-born singer-songwriter David Lindes looks deep into the meaning of healing. In doing so, he explores two essential phases: honoring wounds and healing them through creation. (Vesper Public Relations, 2024)
With hints of Cat Stevens in his vocals and echoes of the Latin American neo-folk Trova movement of the ‘60s and ‘70s, Lindes collects folk elements from across the continent in this deeply personal album. In it, he delves into his efforts to heal three wounds: leaving his native Guatemala as a child, being abandoned by his father as a baby, and experiencing physical and emotional abuse. As he moves into his recovery from these wounds, he approaches themes like mental health, the healing power of nature, and forgiveness, all while singing his love and heartbreak to his homeland as if it were a long-lost love. His journey from wound to healing is intimate as well as universal, speaking to the many neglected collective wounds society carries, and the need for healing there as well.
The first two singles off the album, Te Vengo a Perdonar (I’ve Come to Forgive You) and Gold in the Ashes, deal with facing childhood trauma and finding a way to accept it and transform it into wisdom, compassion, and even beauty.
Te Vengo a Perdonar uses Caribbean elements to assemble a sort of post-storm celebration. The lyrics put a forceful end to a self-imposed sentence of pain that only ends with forgiveness.
Gold in the Ashes, poignant and introspective, looks to the Blues and Americana for its palette, to take listeners from pain to hope. In its chorus, Lindes celebrates finding gold in the ashes of his past.
The songs have been released, alongside an official video for Te Vengo a Perdonar (I’ve Come to Forgive You), featuring Lindes himself, who acts out, step by step, his own death and burial.
“Maybe that’s why I’m here,’ contemplates Lindes. ‘If I can take my past, exactly as it is, and turn it into a story and a song, maybe that will bring me a little closer to not wanting a different past. And if I like the story, and I like the song, someday, I might even embrace my past,” he states hopefully.
Grammy® Winner Alex Cuba describes his role in producing the album as “a huge responsibility to shine a light on David’s beautiful voice and message, especially in a time like today, when so many are looking for ways to heal their spirits.”
Lindes will kickoff the album launch with a concert in Mexico City on February 8, 2025, at Casa Florecer, a spiritual center in the woods surrounding the city. He describes the show as “an intimate affair that will be part concert and part healing circle. It’ll include songs, stories from my life, and even a ceremonial element.” He’ll also encourage concert goers to talk about their own pain and recovery. An official album launch event will follow in Los Angeles in the Spring of 2025.
Stable Hall’s November concert lineup includes Charli Parti, Tyler Farr, Rumours ATL, and more. Photo: Oscar Moreno, used with permission.
SAN ANTONIO, TX – San Antonio’s music venue, Stable Hall is excited to share its concert lineup. In a reimagined draft horse stable from 1894, Stable Hall is inspired by the legendary Texas dance halls and Pearl’s unerring commitment to historic preservation and San Antonio culture. Infused with the rich music ethos of Texas, Stable Hall welcomes a wide range of artists and music lovers from around the world to experience this one-of-a-kind venue. Its muraled and curtained jewel-box stage presents shows of all sizes – from 100 to 1,000 in seating and standing formats. (Stable Hall, 2024)
Stable Hall features include six full-service bars, house and band merchandise in the house store, hand-made culinary delights for purchase, along with mezzanine, floor, and VIP Hayloft ticket options available. Stable Hall is also a special event venue whose event department specializes in producing social, corporate, and philanthropic affairs. Stable Hall also offers a unique membership program, Hall Pass, for music lovers who want to take their music experience and access to the next level.
For the full calendar and to purchase tickets for these upcoming performances, please visit Stable Hall’s online.
The November schedule is found below:
Trampled By Turtles with Maggie Antone | Thursday, November 7, 2024 Trampled by Turtles, formed in 2003 by frontman Dave Simonett in Duluth, Minnesota, began as a side project after car thieves stole most of his gear. Left with just an acoustic guitar, Simonett built a new band, drawing inspiration from bluegrass, folk, and other acoustic genres.
Tyler Farr with Mac Hankins & The Moonlighters | Friday, November 8, 2024 Tyler Farr, the first artist signed to Jason Aldean’s Night Train Records, made his mark with three No. 1 hits, including “Redneck Crazy” from his 2013 debut album, which hit No. 2 on the Billboard Country Albums Chart. The opera-trained singer was a 2014 CRS New Faces of Country Radio and Music Row “Breakthrough Artist” nominee, and has toured with stars like Jason Aldean, Luke Combs, and Florida Georgia Line.
Old 97’s with Fastball | Saturday, November 9, 2024 The Old 97’s, an alternative country band from Dallas, Texas, are known for their high-energy shows and albums that blend rock and roll, punk, and old-school twang. Their distinctive sound features breakneck tempos, distorted guitars, and wry storytelling.
Real Friends with Can’t Swim, Carly Cosgrove, Slow Joy | Sunday, November 10, 2024 Since their 2010 debut, Real Friends has stayed true to their mission – creating unapologetically emotional music that embraces life’s highs, lows, and everything in between. The Chicago-based quintet continues to embarrass their blend of pop-punk and emo, charging toward raw emotion with distortion cranked and hearts wide open.
Silverada with Taylor Hunnicutt | Friday, November 15, 2024 In their early 20s, Mike Harmeier and his band gained recognition as working-class country artists through five-hour sets in Austin. By the early 2020s, they had become global ambassadors of Texas music, recording at Abbey Road Studios and performing at the Grand Ole Opry. As their sound evolved, Harmeier and his bandmates—Taylor Englert, Catlin Rutherford, Omar Oyoque, and Zachary Moulton—embraced a fresh start with “Silverada,” marking their boldest release and the name of their revitalized band.
Bob Schneider with Fastest Land Animal | Saturday, November 16, 2024 Austin, Texas-based singer-songwriter and former frontman of The Ugly Americans and The Scabs, Bob Schneider is one of the most-celebrated musicians in the live music capital. Combining diverse styles, Schneider’s music spans genres, blending elements of folk, rock, rap, funk, bluegrass, reggae and country with the more traditional singer/songwriter aesthetic.
La Doña with Max & Josh Baca of Los Texmaniacs, Ritmo Lokura and ¡Viaje! | Thursday, November 21, 2024 La Doña is a solo artist, music educator, activist, and cultural worker from San Francisco, CA. Embarrassing her Latinx traditional arts like corrido, bolero, cumbia, and mariachi, she blends these ancestral traditions with contemporary styles such as reggaeton, hip-hop, and jazz. Her live performances foster collective healing and political action, as she and her audiences sing, dance, cry, and chant together.
Better Than Ezra Presents Legends Of The Fall: Tokyo Drift with Graham Colton Band | Friday, November 22, 2024 Since debuting at LSU house parties in 1988, Better Than Ezra has left a lasting impact on the music world. Founded by Kevin Griffin and Tom Drummond, the New Orleans quartet is known for catchy melodies, strong guitar riffs, and confessional lyrics. From their 1995 hit “Good” to Taylor Swift’s 2010 cover of their classic “Breathless,” they’ve stood the test of time.
Emo Night Brooklyn | Saturday, November 23, 2024 Emo Night Brooklyn—a late-night dance party where the best emo and pop-punk jams take center stage! Stable Hall may even surprise guests with appearances from some favorite artists and bands. Attendees should get ready to scream, mosh, and dance alongside friends as they revel in the electrifying atmosphere of Emo Night Brooklyn!
Rumours ATL: A Fleetwood Mac Tribute | Sunday, November 24, 2024 Formed in 2014, Rumours ATL has taken the U.S. by storm with their stage scorching renditions of Fleetwood Mac songs. Fans from across the nation claim that Rumours ATL is the band to see if you are looking for an authentic recreation of live Fleetwood Mac shows.
The Texases | Friday, November 29, 2024 The Texases transport their audience back in time with classic country hits from ’66 to ’96, covering everyone from Merle and Willie to George and Garth. They are excited to transport their audience back to the era of guitars, Cadillacs, and hillbilly music. Whether someone is an urban cowboy or has been country since it wasn’t cool, The Texases are here to satisfy their craving for classic country covers straight from the Lone Star State!
Siggno with Nathan Acosta | Saturday, November 30, 2024 Known for their high-energy performances and unique blend of Tejano, Norteño, and rock influences, Siggno is set to deliver an electrifying show that fans won’t want to miss.
Stable Hall 307 Pearl Parkway San Antonio, TX 78215
Stable Hall. Photo: Karissa Rangel & Giant Noise Partners, used with permission.
Serj Tankian’s Foundations mines music and lyrics from previous decades and reframes them in a hard-hitting, intensely focused collection. Like all of his work, the five songs that comprise Foundations encompass a wide range of sounds and styles. It is music that traverses multiple eras and vast swaths of emotions. It is also very much a rock album – “music of rebellion,” says Serj.
A true creative tour de force, he recorded Foundations primarily at his own Serjical Strike Studios in L.A. He wrote, performed, orchestrated and produced all the material, as well as contributed the artwork – an original piece titled “Sunburst” – that adorns the album cover. Dan Monti (guitars, bass and drum programming), provided additional instrumentation on the record and bassist Mario Pagliarulo and SOAD drummer John dolmayan on Cartoon Buyer.
Foundations, Serj says, is “A retrospective of songs from different eras of my life, meant to complement the memoir,” and caps what has been an incredibly prolific year for him, from the release of his memoir the New York Times bestseller “Down with the System,” to the massive, sold-out System of a Down headlining show at Golden Gate Park in San Francisco with over 50,000 fans. But even as he is now revealing his “foundations,” Serj is already looking ahead. “The next record will likely be a record of covers, collaborations and collages,” he envisions.
Serj has also released a diverse selection of limited edition variants of the Foundations EP on colored vinyl with an etching featured on Side B of every package. The Foundations vinyl package includes a Red & Black Starburst vinyl available on his own official webstore and an Opaque Purple version only available in U.S. record stores nationwide.
He was introduced to the melding of cultures, ideas, and ideals from a very young age. An Armenian born in Lebanon and raised in Los Angeles, the principles learned from this integration have led to his understanding of the oneness of all things and have since maneuvered and transfigured into the music and art that he lives to create. A proud Armenian American and a dedicated activist; along with Tom Morello, Tankian co-founded the non-profit organization Axis of Justice, which strived to bring together musicians, music fans, and grassroots political organizations to fight for social justice.
He has composed scores for many films and television series, had his paintings exhibited in galleries in the U.S. and New Zealand, and released two books of his own poetry. He has also been an executive producer on multiple documentaries, including I Am Not Alone, which tells the story of Armenia’s 2018 revolution, and which won awards at the Toronto International Film Festival, DOC NYC, The American Film Institute Festival, and the Palm Springs International Film Festival, among others.
Briscoe Western Art Museum celebrates Native American heritage at annual Yanaguana Indian Arts Festival. Photo: Briscoe Western Art Museum, used with permission.
San Antonio, TX – The Briscoe Western Art Museum invites the community to celebrate Native American culture with its annual Yanaguana Indian Arts Festival on Saturday, November 9, from 10a.m. to 4p.m. This free, family-friendly event honors the rich cultural traditions and artistic expressions of Native American communities, showcasing art, music, dance, storytelling and more. Taking place along the scenic River Walk, the festival provides the perfect setting for families to come together and enjoy a day of learning, creativity and celebration. Free event registration is available online. (Briscoe Western Art Museum, 2024)
A vibrant display of Native American heritage that brings together diverse tribes and artists from across the region, the free community festival features storytelling, artist demonstrations, pottery and carving throughout the Briscoe’s campus, as well as Native American-inspired food. The celebration includes free admission to the Briscoe, making it a perfect way to celebrate the important role Native Americans played in shaping the West while enjoying art and artifacts that highlight Native American history.
“Native Americans have played a profound role in shaping the history, culture and spirit of the American West. Their deep connection to the land, their traditions and their art have left an indelible mark on the region’s story. At the Briscoe, we honor these contributions by celebrating and preserving that heritage through exhibitions and events. It’s essential that we recognize and honor Native American communities today, not just for their historical significance, but for their ongoing influence on the culture and identity of the West.” – Liz Jackson, President and CEO of the Briscoe Western Art Museum
Held annually since the museum opened, the festival is named in honor of the Payaya people who were indigenous to the San Antonio area, “Yanaguana” was the word they used to describe what is now known as the San Antonio River.
Experience Native American Culture Through Art, Music and Dance
The Yanaguana Indian Arts Festival offers a unique opportunity to experience Native American culture firsthand. Admission and all crafts and activities included in the festival are free.
Throughout the day, attendees can enjoy:
Live Performances: Traditional Native American dancers, musicians and drummers and will share their cultural heritage through mesmerizing performances. From powerful drum circles to the soulful beauty of the Native American flute, these performances are sure to captivate audiences of all ages.
Storytelling Sessions: Engaging storytellers will share traditional Native American tales, offering insight into the values, beliefs and history of Native communities.
Hands-on Activities: Families can participate in hands-on art and craft workshops, allowing children and adults alike to create their own artwork inspired by Native American traditions.
Artisan Market: Browse a curated selection of Native American artwork and talk with the artists as they demonstrated their crafts, including jewelry, pottery, beadwork and textiles.
The festival’s focus on art and culture aligns perfectly with the Briscoe’s fall exhibition, Storytellers: Narrative Art and the West. This special exhibition explores how Native American and Western artists use narrative art to convey history, culture and identity. It features works that tell powerful stories of the American Southwest, blending traditional Native American art forms with contemporary perspectives.
The 2024 event features:
A spiritual blessing by United San Antonio Pow Wow, Inc., a group that works to provide Native American people the opportunity to participate, practice, teach and exchange tribal traditions among all tribes and to enlighten everyone about the history and culture of America’s first inhabitants.
A Pow Wow-style drum circle with United San Antonio Pow Wow and Enemy Horse Drumming demonstrating and explaining common pow wow dance styles.
Live music by Native American artists, including Tim Blueflint Ramel. An enrolled member of the Bad River Band of the Lake Superior Chippewa, a federally recognized American Indian Tribe, flute player Blueflint Ramel has opened for and shared the stage with Grammy Award Winner Mary Youngblood and a wide variety of artists. He is also an accomplished flute and jewelry maker and will demonstrate his craft throughout the day.
Chikashsha Hithla dance troupe demonstrating traditional Chickasaw dance. Comprised of native people from Southeastern American Indian tribes, members of the troupe are Chickasaw, Choctaw, Seminole and Creek, who are dedicated to preserving their culture and educating the public through songs, storytelling and Stomp dancing.
Stories from Amy Bluemel, a Chickasaw storyteller and the great-granddaughter of Eastman Kaney, an original Dawes Commission enrollee. Bluemel shares Chickasaw customs and those of other southeastern tribes through elaborate storytelling.
Native American art demonstrations, including ledger art with artist George Curtis Levi, showcasing how ledger art captures a moment in time. A type of art that originated amongst the Cheyenne in the late 1840s, ledger art utilized pages of repurposed record books to depict everyday life. A member of the Southern Cheyenne tribe in Oklahoma, Levi also has ties to the Arapaho and Oglala Lakota communities.
Kachina carving with Kevin Horace Quannie, a Hopi/Navajo contemporary artist. Living on the Hopi reservation, Quannie specializes in carving contemporary kachina dolls using cottonwood roots.
See traditional pottery techniques of the Caddo Nation with Chase Kahwinhut Earles, a renowned Caddo pottery maker who has dedicated his craft to reviving and preserving the traditional pottery techniques of his Caddo Nation ancestors. Earles’ creates intricate, historically accurate pottery that reflects the deep cultural heritage of the Caddo people, whose pottery tradition dates back centuries. His works are celebrated for their authenticity, craftsmanship, and connection to Caddo history and spirituality.
Shane Hendren, a turquoise expert and a Diné/Navajo jewelry maker who is a member of the Indian Arts & Craft Association (IACA), an organization committed to promoting the integrity of materials used in native jewelry. Hendren returns to share his expertise of the turquoise gemstone.
Crafts and fun for all ages including making your own mosaic, leather medallions, basket and loom weaving, ledger art, a community weaving basket and creating your own parfleche case, a pouch typically made with rawhide that is painted with images or geometric designs. Plains Indians created the parfleche because of its utility, beauty and convenience. Other tribes in North America then adopted its use.
Festival visitors also enjoy free admission to the museum and its permanent collection of Western art and artifacts, including exhibitions that highlight the stories of the American Indian, cowboys, pioneering women and others that define the West.
Enjoy live Mariachi music, beautiful altars, costume contests, delicious bites and DJ sets from Thursday, October 31 to Sunday, November 3. Courtesy photo, used with permission.
Join Pullman Market, the 53,000-square-foot culinary destination in the Pearl District from Emmer & Rye Hospitality Group, for a four-day celebration of Día de los Muertos taking place from Thursday, October 31 to Sunday, November 3. ‘Muertos at Mezquite’ will feature delicious bites and drinks inspired by food of the Sonoran region, live Mariachi music and DJ performances, festive face painting, costume contests, a celebration of life brunch and more. Pullman Market will also showcase its first Día de los Muertos ofrenda at the Mezcaleria. Reservations are available online. (Pullman Market, 2024)
Muertos at Mezquite day-by-day schedule:
Thursday, October 31
DJ Dani Gal on Karnes Patio from 6p.m. – 8p.m.
All Ages Costume contest at 8p.m.
Mariachi Guerrera Quetzalli from 7p.m. – 9p.m.
Friday, November 1
Mariachi Guerrera Quetzalli from 4p.m. – 6p.m.
Face Painter from 4p.m. – 7p.m. on Karnes Patio
DJ Bittyscorp on Karnes Patio from 6p.m. – 8p.m.
Saturday, November 2
DJ Bittyscorp on Karnes Patio from 6p.m. – 8p.m.
Face Painter from 4p.m. – 7p.m. on Karnes Patio
All Ages Costume contest at 8p.m.
Sunday, November 3
Celebration of Life brunch from 12p.m. – 4p.m. with music by DJ Karnes
DJ Bittyscorp on Karnes Patio from 12p.m. – 3p.m.
Pullman Market 221 Newell Ave San Antonio, Tx 78215
Pullman Market located at Pearl in San Antonio, TX is an all-new 53,000-square-foot culinary destination. It features a specialty grocer with Texas-based produce and goods from over 150 suppliers throughout the state, sourdough bakery, tortilleria, and more. Guests can also enjoy the market’s five quick-service eateries and four full-service restaurant concepts. Pullman Market celebrates all things food and is about creating strong relationships between local producers and the community.
Sonic shapeshifter Vlad Holiday announces debut record with release of new single Closer. Photo: Kate Lamendola, used with permission.
Romania-born, Nashville-based melancholy romantic Vlad Holiday recently announced that his debut record, My Favorite Drug, will be released on November 15 via ONErpm. Along with this news comes the second single Closer. Feeling like a covert mission, or a secret known only between two lovers, the deeply layered song seems to endlessly build before it is quickly punctuated. (Big Hassle, 2024)
The most recent release features guest vocals from Cage The Elephant’s Matt Shultz, who is also a co-writer on the track. For careful listeners, Shultz’s voice can be heard singing the “ah ah ah ah” hook and some repeated “closers” in the outro.
On the single, Holiday shares, “This is a love song. It introduces the romantic element of the album. It’s about going with the flow and letting the universe do its thing, rather than forcing things into existence.”
Kacey Musgraves joined Holiday for the bender-ender, genre-fusing track I Don’t Wanna Party Anymore. The sultry, mischievous track arrived right on time for his tour dates alongside Cage The Elephant, Young the Giant and Bakar. See all upcoming dates here and below.
UPCOMING TOUR DATES November 6 – Grand Rapids, MI – Pyramid Scheme November 7 – Indianapolis, IN – LO-FI Lounge
On his upcoming debut album Holiday said, “I’ve been releasing music for years, and a full-length album never really seemed like a thing I wanted to do. But as these songs were being written, I was noticing a pattern. Fragments of a story I had to tell. More for myself than for anyone else. It’s definitely one of those, ‘listen to it in order’ albums.”
Vlad Holiday has made a career of romanticizing the past, the human condition, and looking at love and relationships through dark-tinted lenses. With downtempo crooner tracks all tinged with melancholy, Holiday has built a sonic world of his own that tries to find comfort in accepting the darker moments in life. Having gained over 40 million streams as a completely independent artist, it seems as if he’s resonating with a subculture of people that are also trying to do the same.
Born in Bucharest, Romania, later having to flee to New York, and now based in Nashville, Holiday’s sound is heavily shaped by the weight of feeling like an outsider always on the move. Building the foundation of his music career with a downtown NYC lo-fi sound, he’s deeply indebted to his love for vintage microphones, tape machines and other old recording equipment; key elements of his signature sound and production style.
Now in Nashville, there’s an optimism to Holiday’s current chapter as he builds out his next body of work while collaborating with other artists in Music City. Most recently, he co-wrote Cage The Elephant’s “Neon Pill,” “Metaverse” and “Over Your Shoulder” before being joined by Kacey Musgraves on “I Don’t Wanna Party Anymore. However bright the current moment may be, flecks of Holiday’s past always steep his music in a darkness that shows that he is a human in the middle of his journey.
Music group performing onstage with empty audience seats. Photo: Manuel Nägeli on Unsplash.
When an artist records a classical album, especially when it’s not their first calling, there’s often a deeper story within the music itself. Mina Tulchinsky’s 2016 album of classical arias and original, classical-inspired compositions was an exploration of exactly this—healing through music. For her, the album became both a refuge and a connection to something timeless, which, despite the years since its release, resonates with listeners anew.
Music has long been a source of comfort and healing for people across the world. Scientists and therapists alike point to music’s power to reduce stress, soothe anxiety, and even aid in physical recovery. Rhythm, melody, and harmony have the unique ability to engage the brain and body simultaneously, creating an immersive experience that transports listeners away from their worries. This transformative quality goes beyond entertainment; it offers a form of solace and renewal, connecting individuals to something larger than themselves. It’s this intangible yet profound effect that makes music—especially the emotionally rich genre of classical—a powerful tool in the journey toward healing.
While classical music can feel out of reach to some, Tulchinsky’s album bridges that divide. Her personal experience, expressed through a mix of well-loved arias and fresh, relatable melodies, offers something that even those unversed in classical music can appreciate. Much like Agarita’s mobile concerts that bring Mozart or Bach to the community, Tulchinsky’s album seeks to bring the warmth of classical music into daily life. It’s this accessibility—classical sounds interpreted through a modern, approachable lens—that makes her album unique. She’s given listeners a glimpse of what healing can sound like, stripped of the formality and focused on the resonance of the experience.
The music, much like healing, is deeply personal yet universally accessible. By recording something so classical in style but infused with personal emotions, Tulchinsky has crafted a work that invites listeners from all walks of life. Classical music, for many, can carry a sense of ceremony, a distance. But this album, by a divorcee finding her way forward, takes that form and molds it into something that feels human and grounded. It’s music that meets listeners where they are, extending the sense that healing isn’t reserved for concert halls or grand stages but is accessible in one’s own space, at one’s own pace.
Photo: Facebook – Mina Joy Music
As listeners follow her journey—through heartbreak, resilience, and a renewed appreciation of self—they find a kindred spirit in music. Tulchinsky’s recent releases on Spotify bring these elements into even sharper focus, continuing to invite a wider audience into the classical fold without the need for pretension or exclusivity. Instead, her work represents healing that anyone can access, a simple melody away.
For anyone curious about classical music but hesitant to dive into a genre so steeped in tradition, Tulchinsky’s album is a reminder that music, in its essence, is for everyone. In opening this space for healing through her art, she’s reminded us all of music’s quiet, powerful ability to soothe and unite. Whether one finds solace by listening to her music or feels inspired to sing, play, or explore their own musical journey, her album stands as a testament to how music’s healing reach can be both deeply personal and universal. Through her melodies, Tulchinsky shows us that healing can start with just a single note, inviting us to embrace music’s transformative power in whatever way feels most meaningful.
SA Examiner 