Dead Before They Wake will be available to rent or own in the UK from 27th January. Courtesy photo, used with permission.
Topical thrillers take current events, real-world issues, or contemporary themes to create fast-paced, suspenseful narratives. Their appeal lies in their relevance, making them feel immediate and relatable. By incorporating elements such as political intrigue, technological threats, or social tensions, these stories tap into the anxieties and curiosities of today’s world. Viewers are often drawn to the sense of urgency and the high stakes, feeling a personal connection to the situations depicted. Topical thrillers offer not just entertainment, but also an opportunity to reflect on the challenges and risks facing society, heightening emotional engagement and anticipation.
London – Shepka Productions have announced the UK release of the brutal, topical thriller, Dead Before They Wake. The feature will be available to rent or own on Digital Platforms in the UK from January 27th and is available to download in the US now. (Strike Media, 2025)
Based on true events, the film follows nightclub bouncer Alex who is hired by a retired lawyer to track down a missing teenage girl, suspected of being snared by a trafficking ring, and to bring her home no matter what it takes.
Dead Before They Wake stars Nathan Shepka (Lock & Load, The Baby in the Basket), Grace Cordell (Cara), Manjot Sumal (The Last Bus, hit BBC sitcom Scot Squad), Kareem Nasif (The Job). Also starring Dr Who legend Sylvester McCoy (The Hobbit trilogy, The Munsters), and Patrick Bergin (Sleeping With the Enemy, Patriot Games).
“We wanted to base the film on real events and researched how UK sex trafficking gangs operate to give the film a grounded sense of reality. It is important to highlight what goes on every day and can often by ignored by the mainstream. We don’t feel any studio would have taken on the story in this way, it is likely to be a divisive and controversial portrayal. Ultimately there still has to be a pay-off for the audience; the film culminates in a brutal revenge-driven showdown.” – Producer Nathan Shepka
Dead Before They Wake is directed by Andy Crane and Nathan Shepka. The film features an original score by Academy Award winning composer Joseph Renzetti and is produced by Nathan Shepka.
The Briscoe kicks off 2025 with stories, art, and nature. Photo: Briscoe Western Art Museum, used with permission.
San Antonio, TX – The Briscoe Western Art Museum invites everyone to start the new year on the right foot with art, storytelling, wildlife, and inspiration as it closes its acclaimed Storytellers: Narrative Art & the West exhibition. From a special conversation with celebrated artist Billy Schenck to the museum’s wildest day of the year, the Wild West Wildlife Festival, 2025 gets off to a great start at the Briscoe. (Briscoe Western Art Museum, 2025)
See the Stories of the Southwest through Narrative Art
Blending visual elements with symbolism, narrative art invites connection with stories on a deeper, more emotional level. On view now, Storytellers: Narrative Art and the West explores the many ways artists have told stories about the Southwest in their art, including religious, migratory, historical, and rural subjects. From Indigenous stories passed down through generations to the contemporary interpretations of Western life, Storytellers showcases how artists use visual narratives to capture the spirit, landscapes, and people of the West. It is on display now through January 19, 2025.
Guiding questions throughout the exhibition invite visitors to take a closer look at the works on display – and dive into the stories they tell – while stations throughout the exhibition ask visitors to share their own stories. Visitors can then hang their story on the exhibition’s community story wall, while a mini-drawing lab offers visitors the opportunity to practice the techniques of gesture drawing – a quick sketching technique that helps capture the essence of a subject’s pose, movement, or expression – to create their own narrative art.
Renowned artist Billy Schenck, a founding figure of the Western Pop Art movement, shares insights into his bold and iconic depictions of the American West. Known for his striking, cinematic style, Schenck’s work bridges the gap between Western tradition and contemporary artistry. Schenck will share how he weaves together the story of his artistic process from film stills to paintings and creating new narratives. His approach offers a critical perspective on classic and contemporary Western iconography. Learn about Schenck’s early career, artistic inspirations, and the influences that shape his work during this conversation with Tim Newton, Publisher Emeritus of “Western Art & Architecture” and the Briscoe’s Curator of Night of Artists and Special Exhibitions. Hear more about Schenck’s role in “Western Pop,” his Native pottery collection and his new book “Women Artists of the Ancient Southwest: A Tribute to Timeless Creators.”
Walk on the Wild Side: Wild West Wildlife Festival
January 25, 2025, 10a.m. – 4p.m., free admission
A celebration of the animals and natural beauty of the West, featuring crafts, animal encounters, and activities focused on the wildlife of the American West, one of the pillars of Western art. The Wild West Wildlife Festival celebrates the flora and fauna that define the West with a beastly day of animal fun, education and hands-on crafts and activities highlighting the truly wild side of the West. The festival features art, storytelling, and more to inspire everyone to explore the nature all around them.
Extended Hours & Programming Make 2025 a Great Time to Head West
The Briscoe is committed to engaging the community with a variety of family-friendly and educational programs for all ages – all included in museum admission. The museum offers extended hours on Thursday, 10a.m. – 8p.m. and is open 10a.m. – 5p.m. Friday – Monday.
Children 12 and under always receive free admission at the Briscoe, making these programs affordable family fun:
Highlights Tour – Enjoy a guided tour through the museum’s galleries through these 45-minute tours each Thursday at 2 p.m., with stops at some of the most significant and striking pieces in the Briscoe’s collection. With frequently rotating artworks on display, this tour is ideal for both first-time visitors and long-term friends of the museum.
Locals Day – Come say howdy and explore the West for free as a San Antonio local. San Antonio and Bexar County residents enjoy free admission on the first Sunday of each month. Upcoming dates: February 2, March 2.
Scout the Briscoe – Hunt and enjoy a fun interactive way to see more of the Briscoe’s collection in an educational scavenger hunt on the first Sunday of each month. Completing the hunt is a family affair and you’ll learn fun information about works throughout the museum. Upcoming dates: February 2, March 2.
Storytime Stampede – Enjoy a storytelling session designed for young children and families on the third Saturday of each month at 10:30a.m. Sing songs, engage in movement activities and create artwork together as you learn about the West. Even better: Adults bringing children to Storytime Stampede receive half-off general museum admission.
An oasis of Western beauty just off the River Walk, the Briscoe’s McNutt Sculpture Garden and the museum grounds feature 35 sculptures portraying various aspects of Western life. The museum’s beautifully restored historic home inside the former San Antonio Public Library building, includes 14 galleries, with special exhibitions, events and the Hendler Family Museum Store, providing art, culture, history and entertainment. Museum hours, parking and admission details are available online.
Julia Belle: The John Hartford Fiddle Tune Project Vol 2 features the most beloved female artists in the Hartford-inspired bluegrass scene. Courtesy photo, used with permission.
Nashville, TN – In the twenty-three years since Bluegrass and Americana titan John Hartford’s passing, the witty, vibrant tunes of the Grammy-winning, river and steamboat-obsessed, flatfoot dancing legend have taken on a life of their own, creating an entire sub-genre of the American music canon. That’s thanks to not only Hartford’s pure, funny, and virtuosic catalog, but also to the family and friends attending to the late banjo and fiddle player’s legacy. In the past few years alone, Hartford’s daughter, Katie Harford Hogue, and modern-day fiddle great Matt Combs compiled a never-before-seen collection of unrecorded music in a book entitled “John Hartford’s Mammoth Collection of Fiddle Tunes” which quickly turned into a star-studded album, The John Hartford Fiddle Tune Project Vol 1. (IV PR, 2024)
Today, Hartford’s legacy takes another step into the future with the announcement of Julia Belle: The John Hartford Fiddle Tune Project Volume 2. Again co-produced by Hogue, along with Sharon Gilchrist and Megan Lynch Chowning, Volume 2 celebrates some of the most beloved female artists in the Hartford-inspired bluegrass scene: Rachel Baiman, Phoebe Hunt, Ginger Boatwright, Brittany Haas, Deanie Richardson, Allison de Groot, Della Mae, The Price Sisters, Uncle Earl, and many more.
“The feeling of working on an all-female project is unparalleled. It felt powerful and developed a real sense of togetherness and community.” – Della Mae’s IBMA Award-winning bassist and vocalist, Vickie Vaughn
Volume 2 contains thirteen new Hartford instrumental fiddle tunes and five “legacy” covers of beloved John Hartford songs, all of which take on new life under the hands—and voices—of some of the finest musicians around today. “What is so incredible is that you hear these tunes played in so many different ways, and Dad comes through on every one of them,” says Hogue. “It’s like his DNA is in the songs.” Today, with the announcement of Volume 2, one of Hartford’s most beloved songs, “Steam Powered Aereo Plane,” was released, much to the pleasure of the Goodle Family, the official-ish collective of Hartford fans worldwide.
Fronted by legendary country vocalist Kathy Mattea, the cast behind “Steam Powered Aereo Plane” delivers a mellow, true-to-the-original version of the song originally released on Hartford’s 1971 album of a slightly altered name, Aereo-Plain. Alison Brown, who produced the single, leads into the first verse on banjo accompanied by none other than Sierra Hull on guitar. Gradually Missy Raines brings in the bass and Larkin Poe’s Megan Lovell and the latest Punch Brothers band member Brittany Haas add their dobro and fiddle flourishments, respectively. The result is four straight minutes of pure John Hartford ethos, brought into the present day by a lineup of some of the most respected and accomplished musicians of their time—all of whom credit Hartford as an iconic influence in their musical lives.
Fans can stream or purchase “Steam Powered Aereo Plane” and pre-order or pre-saveJulia Belle: The John Hartford Fiddle Tune Project Vol 2 ahead of its February 28 release.
For fans who can’t get enough Hartford, the Hartford family has rallied their efforts around the Goodle Family Patreon page: a subscription-driven home base for all things John Hartford. Whether it be archival releases, updates on the Fiddle Tune Project, orin-person/livestream fan meetups—like the upcoming installment of Mammoth Marathon Mondays.
Julia Belle: The John Hartford Fiddle Tune Project Vol 2 tracklist: Irish Familiarity The Julia Belle Swain Grant Marsh & Joseph La Barge/Little Pig/Entertainment Tonight (medley) Spirit of the South Availability I’m Still Here Kenny and Mac Merry Christmas Learning To Smile All Over Again Royal Box Waltz Takes Her Clothes Off Gasoline Alley No. 1 No End of Love Living Up Stairs Not Soft Enough Don’t Throw Her Down Steam Powered Aereo Plane Champagne Blues
One of the most respected musicians in Nashville history, John Hartford is considered a cornerstone of the newgrass movement due to his 1971 masterpiece, Aereo-Plain. He won a career four Grammy Awards, including two for his 1967 recording of “Gentle on My Mind,” a third for his 1976 album Mark Twang, and a fourth for his contributions to the O Brother, Where Art Thou? soundtrack in 2000. He was posthumously inducted into the International Bluegrass Music Hall of Fame in 2010, was awarded the Americana Music Association President’s Award in 2005, and the Folk Alliance “Spirit of Folk” award in 2011.
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‘Something Better’ is the debut novel by Diane Parrish. Photo: Amazon
“Something Better” by Diane Parrish centers around Ruth, David, and Annabeth. Ruth and David are a seemingly happy couple living in the suburbs. After Annabeth’s parents die in a tragic car accident, their lives intersect in ways that will test all three of them.
Annabeth’s father, Jack Brady, was a close friend of David’s, so when Annabeth arrives in town, David and Ruth help her out during her time of grief. Ruth is a lawyer who dreams of starting a family, but then she gets the opportunity of a lifetime at work with a new client, Brian Bishop, in San Francisco. She decides to take the new client despite it being on the West Coast and having to spend time apart from David.
David is a successful landscape designer but he’s having trouble tackling all the work, so he hires Annabeth to work in the office. David grows closer to Annabeth while Ruth develops an attraction to Brian and before it’s all over, relationships will be tested. Each must decide if they will remain faithful or risk it all for the promise of ‘something better.’
Review:
This debut novel by Diane Parrish is best described as literary fiction combined with contemporary women’s fiction. Set in a small Connecticut town, it follows the journey of Ruth and David, as they navigate a turbulent time in their life while they struggle with loss, betrayal, and the search for inner peace.
Parrish’s writing is poetic and descriptive, offering readers a glimpse into the emotional landscape of someone struggling with difficult truths about love, redemption, and the choices we make. It explores the main theme of forgiveness without offering easy answers but allowing the characters to struggle with their decisions, creating a narrative that feels authentic and relatable.
The subtle interplay of faith—both religious and personal—adds another layer to the story, prompting readers to reflect on their own beliefs and the role of grace in healing. The narrative is from multiple points of view and the language is simple and easy to understand. While the plot of strained marriages is far from original, the character exploration is intriguing.
Overall, “Something Better” is a thought-provoking work of literary fiction that aside from forgiveness, also deals with the complex themes of faith, family, love, identity, and human resilience. Parrish gives us a story about the human capacity to change, to forgive, and to hope—no matter how impossible those actions may seem. This novel is a quiet, powerful meditation on life’s challenges and the possibility of redemption. It is recommended for readers who enjoy character driven literary fiction with religious undertones.
“…he would have to learn to live with the silence of his shame, his own frailty, his unspeakable desire, all the things that made him unworthy to call himself Ruth’s husband, not good enough for anyone who loved him, let alone himself.”
*The author received a copy of this book for an honest review. The views and opinions expressed here belong solely to her.
The global release of Z-Machine’s independent 3-part docuseries ‘Before the End: Searching for Jim Morrison’ is set for January 13, 2025. Courtesy photo, used with permission.
Jim Morrison, the enigmatic lead singer and lyricist of The Doors, remains one of rock music’s most iconic figures. Born in 1943, Morrison’s blend of poetic, often mystical lyrics and raw, charismatic stage presence helped define the counterculture of the 1960s. His exploration of existential themes, love, and rebellion resonated with a generation grappling with societal upheaval. Though his life was tragically short—he died in 1971 at just 27—his influence endures through songs like “Light My Fire” and “Riders on the Storm.” Morrison’s legacy as a rock legend and cultural symbol continues to captivate new generations of listeners.
(LOS ANGELES, CA) Z-Machine has announced release details for its independent 3-part docuseries, Before the End: Searching for Jim Morrison. The first of its kind “documystery” series clocks in at a total of 3.5-hours and will make its global TVOD/Digital release on January 13, 2025, following Morrison’s 81st birthday, available on all the major platforms of Amazon Prime Video, AppleTV, Google Play, and YouTube TV, with more to follow. (Cinematic Red PR, 2024)
A dozen years in the making, Before the End’s cryptic tagline encapsulates its investigative approach: “One Man. Countless Myths. And in between lies the truth.” Z-Machine founder, Jeff Finn, drew from 38 years of personal research into the gray areas of Jim Morrison’s humanity to distinguish between persona and person. Finn’s extraordinary detail work breaks the decades long closed seal on the traumatic formative years that forged a brief hellacious life, through Morrison’s controversial career as lead singer of legendary 1960s rock band, The Doors, to his reported 1971 death by “heart failure” in Paris at age 27. Morrison’s ostensible demise, technically an unsolved cold case, formed its own rabbit hole of reasonable doubt, which inspired Finn to consult with private investigators and forensic analysts.
Before the End transcends “rock doc” in the same sense that Jim Morrison was more than a rock star. A 1965 graduate of UCLA’s film school, he achieved much beyond music during his abbreviated time in the spotlight, including self-publication of three books of poetry, producing, directing, and acting in an experimental film, and enduring a railroaded obscenity trial in defense of artistic freedom of expression. Morrison’s legacy has since been muddled by a half-century of PR spin, character assassination, urban legend, and crass commercialism, all of which have defanged his once-fierce anti-authoritarian stance.
Jim Morrison was many things: cult figure, teen idol, goth/punk forebear, and political fugitive. Living the role of haunted visionary, he said, “When you make your peace with authority, you become authority.” Given the US’s current zeitgeist of threatened dictatorship and crumbling democracy, Finn believes the timeless message of the young poet who infamously killed his navy admiral father in song is even more vital in toxic-masculine 2024 than in free-love 1967, and he hopes Gen Z will unlock an empathic connection to the complex Morrison, like it has with the Menendez Brothers. “There’s the ‘truth,’” Finn says, “and there’s the real truth. Before the End is for Morrison fans, like me, who are tired of the ‘official’ story.’” He quotes a meme aimed at self-appointed experts and closed-minded gaslighters: “Conspiracy Theorist: Nothing more than a derogatory title used to dismiss a Critical Thinker.”
Featuring unprecedented content, from shocking corroboration about Morrison’s early life, to harrowing revelations about his stardom, and fresh evidence that contradicts his professed death, Before the End: Searching for Jim Morrison is proudly unauthorized because it “seeks the unvarnished truth.” The documystery reverse-engineers long-controlled narratives while it explores the notion of Morrison the nonconformist as neurodivergent, and deconstructs – through on-camera interviews with family, friends, lovers, classmates, and associates – key distinctions between Jim Morrison, “rock god,” and James Douglas Morrison, introverted outsider.
Among those interviewed and/or featured are Morrison’s cousins, Ellen Edwards and David Backer, lovers, Anne Moore, Gayle Enochs, Judy Huddleston, and Suzanne Roady-Ross, friends, Mirandi Babitz and Salli Stevenson, Elektra Records founder, Jac Holzman, The Doors booking agent, Todd Schiffman, The Doors roadie, Gareth Blyth, screenwriter, Randall Jahnson, rock critics, Ellen Sander and Richard Meltzer, UCLA classmates, Philip Oleno and Richard Blackburn, UCLA roommate, Ron Cohen, UCLA professor, Dick Adams, Florida State University roommates, Bryan Gates and John McQueen, FSU professor, Ralph Turner, Alameda High School swim coach, Ash Jones, childhood friend, Jeff Morehouse, Paris-era acquaintances, Philippe Dalecky and Gilles Yepremian, and exclusives via Jim’s brother, Andy Morrison, Robyn Wurtele, Morrison’s enigmatic Paris-era assistant, and “Mr. X,” a mind-blowing anonymous source.
Z-Machine is a truly independent production company helmed by writer and filmmaker, Jeff Finn, whose tie-in book, “127 Fascination: Jim Morrison Decoded,” is forthcoming.
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Alt-folk singer/songwriter E.W. Harris unveils new single and announces new EP Machine Living in Relief. Courtesy photo, used with permission.
(New York, NY) With the release of the new single, “The Nail Beside The Door,” alt-folk singer/songwriter E.W. Harris announces the forthcoming EP, Machine Living in Relief, due out this year. An ambitious collection of songs born out of a last call challenge to make a completely acoustic record about robots and AIs, Machine Living in Relief is the latest in a five-album series set inside Harris’s self-styled “romantic dystopia” Rocket City. (One in a Million Media, 2024)
If one weren’t already familiar with Harris’s more traditionalist background, the chummy strum of his guitalele reaches out and shakes your hand by way of friendly introduction. He also incorporates a number of unusual instruments (cedar flute, a broken autoharp), outside-the-box toys (Speak-n-Spell, Mr. Robot, Magic Wand Reader), and MacGyvered percussion hacks (can full of rice, “suitcase that I hit with a roll of duct tape”) throughout these folkways-meets-the-spaceways tracks. Call it asteroid field recording.
In a strange bit of real-time lore that feels like it could only happen to Harris, one of his cousins walked up to him mid-set a few years back and handed him a banjo, offering only the briefest explanation – “Here man, I’m not gonna learn this and I thought you might use it” – before promptly leaving the gig. The result, some months later as Harris tinkered with the unfamiliar instrument under lockdown, was this album’s lead single, “The Nail Beside the Door.” “Written from the perspective of a prisoner who becomes emotionally dependent on an AI companion,” it effectively sets out to explore the ideas behind the album opener from the other side, with all the profound, maddening aloneness of COVID isolation bleeding through the character loud and clear.
Courtesy photo, used with permission.
Though perhaps best known for his event horizon synths, spaghettified guitar effects, and above all, his overwhelming, spacetime singularity of a voice, Harris’s career began, some 25 years ago, in a much more earthbound vein, with the train trestle roots-rock of Luminous and the cable knit jazz-folk of The Eric Harris Group.
Through subsequent releases and relentless touring Harris steadily populated his teeming retropolis with comet-hopping hobos and android vagabonds of every stripe, worldbuilding his future from the ground up until it finally skyscraped against the present, with Machine Living in Relief, and the fateful fortune of that half-remembered night at the bar.
If Machine Living in Relief is truly the result of some apocryphal gauntlet throw issued at last call, Harris has met it in spades. Both a natural outgrowth of what came before, and a tantalizing peek at what might be soon to come, it pushes all the right buttons – even when those buttons are connected to the characters themselves – and leaves you contemplating your place within our brave new world of hyperconnected loneliness and transhuman striving.
“If the heart pumps a turbine that generates power to the computer half of the cyborg brain, what is the value of the parts? Is addiction just a modality of being a divided whole? If time is not linear, in remembering our past mistakes do we actually return to those moments? It’s a damn good thing songs don’t need to answer questions.” – E. W. Harris
‘Sentience Hazard’ is the exciting new science fiction thriller by Alexandru Czimbor. Photo: Reader Views
Speculative fiction books exploring science fiction and artificial intelligence (AI) captivate readers by presenting futuristic worlds where technology evolves beyond human control. These narratives often explore the ethical dilemmas, power dynamics, and societal shifts brought on by AI, sparking questions about humanity’s future. Themes such as sentience, autonomy, and the consequences of machine learning challenge readers’ perceptions of technology and its role in society. AI-driven speculative fiction offers thrilling, thought-provoking plots, while engaging readers’ imaginations and fears about a rapidly advancing technological landscape. This blend of innovation and existential uncertainty is what makes the genre so compelling.
I recently read and reviewed “Sentience Hazard” by Alexandru Czimbor for Reader Views and highly recommend it for fans of speculative fiction centered around artificial intelligence.
Alexandru Czimbor is an award-winning author who was born and raised in Transylvania, Romania during the oppressive communist regime of Nicolae Ceaușescu. He has lived in the United States since 2001 and spends his summers in Europe. Alexandru taught at a Romanian university, worked in the software industry, and has been an executive since 2011. He has a master’s degree in computer science and studied at UTCN Cluj-Napoca and ETH Zürich. In his latest book is “Sentience Hazard,” a tense global standoff looms as China’s superior AI technology threatens to tip the scales of power. (Barnes & Noble, 2025)
“Sentience Hazard” – Set in 2053 and amidst the chaos of an AI standoff, Zhèng Yang, a renegade Chinese scientist unveils vital intel, sparking a race against time. As the US scrambles for a solution, François DeSousa, a maverick French genius and Professor Ian Ndikumana, a Scottish-African professor offer controversial expertise. Love, sacrifice, and ingenuity converge in a battle for humanity’s future.
The US and Chinese artificial beings, developed with radically different principles, share one essential quality: their cognitive abilities go well beyond those of any human being. The future of the world hangs in the balance. Can humanity survive the clash between two sentient forces of its own creation?
Finalist in:
2024 Cygnus Science Fiction Awards
2024 Independent Author Network Book of the Year Awards
The Damned, the new chilling Nordic thriller, will be released in UK and Irish cinemas on January 10, 2025. Courtesy photo, used with permission.
Psychological thrillers explore complex human emotions, fears, and motivations, often blurring the lines between reality and illusion. These films go into the minds of characters, creating an atmosphere of tension, suspense, and unpredictability. The appeal lies in the psychological manipulation, where viewers become immersed in a web of deception, unreliable narrators, and mind games. The genre stimulates intellectual engagement, as it challenges perceptions and provokes deep thought about human nature. Audiences are drawn to the psychological complexity and emotional intensity, seeking both excitement and the thrill of solving mysteries within the narrative.
Vertical has announced that Thordur Palsson’s ominous and chilling thriller The Damned will be released in UK and Irish cinemas from 10th January 2025. (Strike Media, 2024)
Starring Odessa Young (The Staircase, Mothering Sunday) and Joe Cole (Peaky Blinders, Gangs of London), The Damned is a tense psychological horror film that follows 19th-century widow, Eva. She is tasked with making an impossible choice when a ship sinks off the coast of her isolated fishing outpost during the middle of an especially cruel winter.
With provisions running low, Eva and her close-knit community must choose between rescuing the shipwrecked crew and prioritizing their own survival. Facing the consequences of their decision and tormented by guilt, the inhabitants wrestle with a mounting sense of dread and begin to believe they are all being punished for their choices.
Following its premiere in November, the Cork International Film Festival 2024 awarded an Honourable Mention to The Damned commenting ‘The Damned is a juggernaut of a film, breathing fresh life into a well-trodden genre. Its powerful use of the landscape and compelling performances make it truly deserving of this Special Mention.’
Inspired by the Westfjords of Iceland in the 1800s, The Damned takes place in an unforgiving, almost unlivable setting, yet one that is steeped in immense beauty and turbulent folklore.
For director Thordur Palsson (The Valhalla Murders), himself a native Icelander, it was this folklore and mythology that led him to develop the idea that would later become The Damned. Growing up in Iceland, family members would often share gruesome tales of ghosts, demons and evil spirits.
‘Every Icelander has heard all kinds of different variations of the truth – all elements of our history that have been passed down. One of these stories was about a ship that sank off the shores of Iceland, with all survivors being killed by the natives. Having known of this, I started to write a story relating to it and kept fleshing it out, adding darker elements.’ – Thordur Palsson
Rooted in the depths of Norse Mythology, The Damned features haunting performances from Rory McCann (Game of Thrones), Siobhan Finneran (Happy Valley), Turlough Convery (Belfast), Lewis Gribben (Somewhere Boy), Francis Magee (The Tourist), and Mícheál Óg Lane (Calvary).
Harrison Lipton masks post-breakup sadness with cheeky humor on ‘On My Own.’ Photo: Eciaus Booth, used with permission.
Breakup songs hold a unique appeal for listeners, offering emotional catharsis and a sense of solidarity. These songs often explore themes of heartache, loss, and personal growth, providing an outlet for listeners to process their own emotions. The relatable lyrics and powerful melodies resonate deeply, allowing individuals to feel understood and less alone in their struggles. Whether through soulful ballads or upbeat anthems, breakup songs help listeners navigate the pain of relationships ending while offering hope for healing and new beginnings. The universal nature of heartbreak makes these songs timeless and comforting during times of emotional turmoil.
The Brooklyn-based musical jack-of-all-trades Harrison Lipton recently released his cheeky new breakup anthem “On My Own” via Amuse. The facetious, 70s-inspired dad rock song uses the all too familiar coping mechanism of poking fun at inherent sadness to make it through the day. His voice full of smooth earnestness, Lipton ushers listeners towards the greener grass on the other side. (Big Hassle, 2024)
“The song started in a small bedroom studio in Carroll Gardens during a session with Aidan Ludlam of the booyah! kids, who uses lyrics like an impressionist painter uses paint. He helped me balance the dissonance between being dumped and finding how to be okay with it.” – Harrison Lipton
Shot on 16 mm film, the official music video was directed by Yishen Wang. An ode to the city and people of New York, Lipton finds himself lost in a sea of recognizable faces, even Times Square’s Naked Cowboy.
“…feels like a rarity, transposing of-the-moment sounds into a dusted-off paean to a romance lost in memory and feeling.” – NPR
“An artist whose stylistic tenacity is fabulously muddled, Lipton floats between genres, brushing against indie, alternative and bedroom pop with a driven psychedelic influence flowing through the hazy soundscapes.” – The Lines of Best Fit
Fresh on the heels of landing songwriting and production credits for indie-rock sensation Yot Club and Atlantic Records six-piece MICHELLE, among others, Lipton has made a name for himself as a rapidly ascending, go-to creative collaborator. His recent work as a songwriter and producer has earned him shoutouts in HYPEBEAST, The Line of Best Fit, and Sirius XM’s Life with John Mayer.
Now with the focus shifted to his own releases, Lipton unveiled “Synchronized Swimming,” with its captivating accompanying music video, back in September. Exploring romance coyly nestled within the metaphor of synchronized swimming, listeners witness Lipton’s proven songwriting and production talent in raw form. Complete with dusty piano, laid-back Khruangbin-like drums, and an underwater guitar solo, the final touch is the perfect pairing of background vocals from MICHELLE’s Layla Ku.
“On My Own” keeps building the world “Synchronized Swimming” started, putting forth a distinctly clean and modernized late 70s aesthetic.
Harrison Lipton is a 30-year-old singer, songwriter and producer. The Brooklyn artist’s musical flair resides in the intersection of indie, R&B and 70s soft rock. Lipton prides himself on fully realizing a track from start to finish, leading the charge with songwriting, producing, and mixing, as well as creative direction. Lipton’s music is a product of his singular imagination, presenting a style that is sincere, authentic and all his own. His music has been featured in NPR and Early Rising as well as on numerous editorial playlists such as Apple Music’s Late Night Menu and Spotify’s Fresh Finds and Chill Vibes. Now focusing on new singles leading toward a larger project, Lipton emerges as a promising and unique voice, blending soulful vocals with singular and catchy production.
The action thriller Sunray: Fallen Soldier is coming to digital platforms and select cinemas next month. Courtesy photo, used with permission.
Military themed action thrillers captivate audiences with their thrilling storylines, high-stakes conflicts, and intense combat sequences. These films often explore themes of heroism, sacrifice, and camaraderie, resonating with viewers who admire resilience and bravery in the face of adversity. They include gripping narratives where soldiers confront dangerous missions, engage in epic battles, and navigate moral dilemmas. Audiences are drawn to the raw emotional intensity of these stories, as well as the adrenaline-pumping action that showcases tactical precision, creating a powerful connection to the characters and their struggles.
Sunray: Fallen Soldier is an action thriller that will be available on digital platforms and select cinemas across the UK and North America on January 24, 2025. It is now available for pre-order on digital download in the UK and US. (Strike Media, 2024)
Sunray: Fallen Soldier – A war veteran calls on friends from his past to hunt down those responsible for the death of his daughter. Along the way, he learns more about himself than he anticipated as a violent crime syndicate unravels in his wake.
After dedicating his entire life to service in the armed forces, Andrew Coleman now struggles to slot back into a world he no longer recognizes. Forced to confront the death of his daughter following a fatal encounter with drugs, he becomes hell-bent on finding those responsible.
With nothing to lose, a violent criminal underworld unravels in his wake. Set against a backdrop of realistic, fast-paced action, guided by high-quality military drills; and created by UK Armed Forces veterans, Sunray challenges the perceptions of mental health and the struggles that soldiers face when re-integrating back into civilian life.
A film by James Clarke and Daniel Shepherd and starring Tip Cullen, Tom Leigh, Steven Blades, and Daniel Davids, Sunray is created by and stars a collective of former British Royal Marines Commandos – the UK’s elite amphibious special operations capable commando force.
Written, directed, produced, edited, and acted by UK Armed Forces veterans, the Sunray team has lived and experienced the direct effects of conflict including the loss of friends.
Veterans were employed across the production both on and off screen. The film is supported by a multi-national veteran and active armed forces community who want more awareness for the sacrifices made by soldiers and the effects of PTSD.
SA Examiner 