Lockstep photo by Hayden Wadell, used with permission.
Meet Lockstep: Nashville’s Heavy Doomgaze Powerhouse
Formed in 2020, Lockstep is a heavy doomgaze and shoegaze trio based in Nashville, TN. The band has built a signature sound rooted in atmosphere and weight, seamlessly moving between quiet, uneasy moments and crushing walls of noise. With each release, Lockstep has tightened their approach—cutting excess and focusing strictly on impact. (another side, 2026)
The New Album: I Know What I Saw
Lockstep’s debut full-length, I Know What I Saw, stands as their most focused and complete statement to date. The album leans into massive, slow-burning riffs and dense, layered guitars that remain engaging without letting up, locking into sections that feel both hypnotic and suffocating.
Songs stretch and build with purpose, pulling listeners deeper into the band’s world while maintaining a constant sense of tension and release. It is the clearest and most realized version of Lockstep yet.
Key Singles: “Solvent Sound,” “Dog in the House of Plenty”
Recorded By: Zack Montez at Welcome to 1979 (Nashville, TN)
Mixed By: Matt Schumacher
Mastered By: Nick Townsend
Band Lineup
Austin Rolison: Vocals, Drums
Matt Schumacher: Vocals, Guitars, Noise
Tanner Ihrie: Bass
Lockstep On Tour (with REZN)
Following the release of I Know What I Saw, Lockstep is hitting the road on a US tour supporting REZN.
Bakery Lorraine launches new savory pie-making classes for September. Photo: Bakery Lorraine, used with permission.
As fall rolls in, San Antonio favorite Bakery Lorraine is giving foodies a reason to celebrate. Alongside a brand-new autumn menu, the bakery is bringing back its highly requested hands-on pie-making classes. (Bakery Lorraine, 2026)
Here is everything you need to know about the new seasonal treats and upcoming events.
Fall Menu Highlights
Starting Tuesday, September 1, all Bakery Lorraine locations will feature a fresh seasonal lineup of sweet and savory pastries.
New Desserts
Cookies and Cream Cheesecake: Chocolate cookie crust with a cookie crumb swirl, topped with vanilla buttercream and a chocolate sandwich cookie.
Verrine de Vin Blanc (Gluten-Free): Layers of apricot gelée, white wine mousse, and a vanilla cream center with fresh grapes and white wine gelée.
Seasonal Pastries
Spinach Artichoke Stuffed Croissant: Creamy spinach, artichokes, herbs, and Gruyère cheese wrapped in a flaky crust.
Chocolate Loaf Cake: Rich chocolate cake glazed with dark chocolate ganache.
More Seasonal Treats: Carrot and Blackberry Tart, Pumpkin Spice Cookie, and Blueberry Cream Tart.
Photo: Bakery Lorraine
Master the Art of Pie-Making
Back by popular demand, Bakery Lorraine is hosting a limited series of hands-on savory pie-making workshops. Led by Executive Pastry Chef Jenn Riesman, participants will learn step-by-step how to make a Chicken & Sausage Pot Pie and a mini Tomato Pie from scratch.
Each $60 ticket covers admission for up to two people, making it a great outing for couples, friends, or family. Plus, you get to take home everything you bake!
Event Details
Time: 4:00 PM – 6:00 PM
Location: Bakery Lorraine Medical Center (7338 Louis Pasteur Dr Ste 201, San Antonio, TX 78229)
Dates:
Saturdays: Sept 5, 12, 19
Sundays: Sept 6, 13, 20
Friday: Sept 18
Tickets are available for purchase directly on the Bakery Lorraine website.
Photo: Bakery Lorraine
About Bakery Lorraine
Recognized by Food & Wine as one of the best new bakeries in the U.S. and named a “Destination Bakery” by Condé Nast Traveler, Bakery Lorraine is famous for its colorful macarons, handmade French pastries, and all-day café menu. You can visit them across San Antonio (Historic Pearl, Medical Center, The RIM, The DoSeum), Boerne, and Austin (Domain NORTHSIDE).
Cy wants nothing more than to be useful, raise his utility score, and receive the next update for his operating system. But that’s easier said than done when he’s tasked with helping his owner’s thirty-five-year-old son “get out of his funk.” (Simon & Schuster, 2026)
Grayson is nothing like his go-getter, CEO sister Charlotte. He didn’t inherit the family robotics company when their dad passed last year, he doesn’t have a master’s degree, and he just can’t seem to figure out the San Francisco dating scene. He’d rather eat synthesized mozzarella sticks and make pottery at his studio, Kilning Time.
When Grayson learns of Charlotte’s plan to sell the company to a tech conglomerate, he panics. It’s not just the family business at stake, it’s all the technology—like Cy—their dad invented over the years. So he does what anyone would do: he steals the flash drive with his father’s most important work stored on it and plans a corporate takeover. If only he knew what that meant.
To make matters worse:
A fellow VALET deserts his owner and asks Cy to help him hightail it out of town.
Grayson’s first real date—and her dog—keep showing up at inopportune times.
The behemoth tech company wants this deal closed yesterday.
Grayson, Cy, and their trusty golden retriever, Sasha III, must go on the lam until they figure out exactly what to do, and whom to trust.
A hilarious, madcap adventure that is as tender as it is insightful, Valet asks not just what it means to be human, but what it means to be family.
Read This If You Love:
Vibe: A whimsically speculative ode to Wodehouse’s Jeeves and Wooster.
For Fans Of: Kevin Wilson (Nothing to See Here) and Andrew Sean Greer (Less).
Core Tropes: A helper robot, his thirty-five-year-old ward, and a madcap adventure to save the fate of a family empire.
“Valet is a hilarious and bracing examination of the near future, where Cy, a techbot servant, must navigate the complexities of humans to maintain his utility score. What makes this such a winning and openhearted novel is that J.P. Lacrampe goes beyond the initial premise by looking at the universal anxiety of family, of being tied to people with whom you will rise and fall, either toward a new update or into obsolescence.” — Kevin Wilson, New York Times bestselling author of Nothing to See Here and Run for the Hills
About the Author
J.P. Lacrampe received his MFA in creative writing from Saint Mary’s College. His short fiction has been published by Glimmer Train, McSweeney’s, Instant City, and in Howl: A Collection of the Best Contemporary Dog Wit. He is a teaching professor at Santa Clara University, where he teaches courses in composition, fiction, and screenwriting.
Occupational Hazard is releasing in major cities in early September timed to Jimmy Buffett Day (September 4). Photo: Michael Ochs Archive, used with permission.
Documentary Film Spotlight: Occupational Hazard: The First Coral Reefers
Greene Street Entertainment, in association with Confluence Productions, presents Occupational Hazard: The First Coral Reefers—a feature documentary that journeys back to the 1970s and early 1980s to tell the origin story of Jimmy Buffett’s original Coral Reefer Band. (EG-PR, 2026)
Set against the creative backdrop of Key West, the film explores the musicians, friendships, touring years, and studio sessions that helped shape Buffett’s legendary sound. It is the story upon which the “Parrot Head” empire was built, told directly by the people who laid the foundation.
The Release Schedule
Key West Special Screenings: Opens September 5, 2026
Theatrical Rollout: Select cities (including NYC and LA) to follow
TVOD Release: Nationwide across the US and Canada in November 2026
Behind the Magic
Narrated by Academy Award winner Jeff Bridges, Occupational Hazard captures the camaraderie, chaos, and magic of an era that thrived on freedom and lived without a rulebook. Through rare, never-before-seen archival footage and deeply personal interviews with founding members, tour managers, producers, and music legends, the film offers fans an intimate look at the volatile beauty of a musical moment that couldn’t last, but changed everything.
Fresh off its premiere at the Santa Barbara International Film Festival 2026, this festival favorite has picked up accolades across the country and stands as a candid, heartfelt tribute to Buffett and his original crew.
Film Fast Facts
Title:Occupational Hazard: The First Coral Reefers
Runtime: 92 minutes
Country: USA | Year: 2026
Director: John H. Cunningham
Producers: John H. Cunningham, Ted E. Haynes
Narrator: Jeff Bridges
Featured Appearances: Kenny Chesney, Mac McAnally, Keith Sykes, and members of The Coral Reefer Band
About the Subjects & Filmmakers
Jimmy Buffett (1946–2023)
Singer/songwriter Jimmy Buffett regaled audiences for over five decades with songs about the faces and places he encountered along the road less traveled. Combining Hemingway’s eye for detail with Mark Twain’s mischievous humor, Buffett’s music celebrated the hustlers, beach bums, and pirates of the world through timeless themes of escapism, wanderlust, and unbridled curiosity.
John H. Cunningham (Director & Producer)
John H. Cunningham is a filmmaker and USA TODAY bestselling author of the 12-book Buck Reilly adventure series and The Last Raft. Before transitioning to fiction and film, Cunningham spent 35 years in commercial real estate, serving as Executive Vice President at Alexandria Real Estate Equities in NYC. Splitting his time between Virginia and Key West, he combines deep business acumen with a passion for compelling storytelling.
Anaqua Garden Bar at Plaza San Antonio Hotel & Spa. Photo: Anaqua Garden Bar, used with permission.
This year, Labor Day falls on Monday September 7. Celebrate the long Labor Day weekend with these standout events, stays, and treats across San Antonio and New Braunfels. (The Faust Hotel, Gunter Hotel, Plaza San Antonio Hotel & Spa, Otto’s Ice House, Smithsonian Starstruck, 2026)
Magnolia Patio at The Faust Hotel – Enjoy free live music alongside light bites and craft cocktails in the hotel’s outdoor lounge in the heart of historic downtown New Braunfels.
The Gunter Hotel– Book the “Where Summer Comes Alive” package to receive a complimentary third night, discounted valet parking ($39/night), and access to a 900+ album Vinyl Library Experience to play in your room.
Labor Day Botanical Party: Unwind at Anaqua Garden Bar with DJ-curated R&B and tropical house tracks, botanical cocktails, wellness moments, and a permanent jewelry/charm bar.
The Educator’s Reset at Spa Plaza: Teachers and educators can recharge with a customized 50-minute massage ($99) featuring Swedish or deep tissue pressure, aromatic inhalation, and a complimentary add-on (hot/cold stones or foot scrub).
Details: School/Educator ID required at check-in. Book online.
Otto’s Ice House– Pick up a classic Goode Co. Brazos Bottom Pecan Pie, packaged in a custom wooden box—perfect for family gatherings or gifts.
Truck Violence’s new album The weathervane is my body is out now. Photo: Matthew Van Dystadt-Aguiar, used with permission.
Truck Violence Returns with Unforgiving DIY Triumph: The weathervane is my body
Canada’s Truck Violencehowls through the harsh edges of hardcore and folk, delivering a final sound that is both deeply comforting and fiercely confrontational. Their second full-length record, The weathervane is my body, is an attempt to answer—an attempt at conciliation through refusal. (another side, 2026)
It is available now, featuring the standout single and album closer, “Kindly, wash yourself.”
From Prairie Towns to City Streets
After relocating from the Alberta prairies to Montréal at just seventeen years old, guitarist and banjoist Paul Lecours and singer-poet Karsyn Henderson navigated the massive shift from rural isolation to urban intensity.
Small-town roots: The pair grew up in a town of just 600 people, graduating in a class of nine.
Early DIY spirit: By age fifteen, they were running a local studio and radio station with no industry support, no infrastructure, and no template—only the work itself and the conviction that it was worth doing.
Expanding the sound: Drawing influence from punk, shoegaze, and sludge, their distinctive identity emerged from years of experimentation. Upon arriving in Montréal, Chris Clegg (bass) and Thomas Hart (percussion) joined to build Truck Violence from the ground up.
Uncompromising, In-House Execution
The weathervane is my body is the culmination of that entire journey. The group composition, recording, mixing, and visual media were all produced completely in-house without outside intervention. Here, DIY is not an aesthetic choice or a marketing angle—it is the only honest option available.
The album serves as an expansion of the angry statement of purpose launched in their debut album, Violence, which Pitchfork hailed as “never predictable or formulaic.” Rooted in noise rock and post-hardcore traditions, the new record stands immediate, self-determined, and uncompromising.
The Vision Behind the Cover Art
Shot on film by the band on Avenue du Parc in Montréal, the album cover captures the record’s entire thesis in a single frame:
A figure perches atop a small Québécois-style house, hand-built from reclaimed materials—spine curved, legs pulled in, bare-backed against a skyline that dwarfs everything beneath it. A rural thing dropped into the grit of the city: small, out of place, and refusing to disappear. Naked and defenseless, open to every stimulus the world delivers.
The weathervane is my body, track list:
My dog would fuck the air
Jaundiced and reaching for a mother
Compelled by Christy
House caught fire
New Jesus
Your name, It’s walking
Stomach as a tower and the globules descending
Gerard, be quiet
Kindly, wash yourself
Catch Truck Violence Live
Truck Violence will be touring across North America this fall and winter.
Magik returns to Hemisfair for expanded 2026-2027 season full of smash hits and fantastical fun. Photo: Magik Theatre, used with permission.
San Antonio’s Magik Theatre Unveils Star-Studded 2026–2027 Season & Educator Appreciation Event
As San Antonio students head back to the classroom, Magik Theatreis gearing up for an unforgettable new season of storytelling, education, and community connection. (Magik Theatre, 2026)
Serving roughly 30,000 students every year through its widely popular field trip program, Magik acts as a vital bridge between arts and literacy in South Texas. From timeless bestsellers to pioneering operatic collaborations, the upcoming 2026–2027 lineup brings beloved children’s literature straight to the stage.
“We built this season around characters that are adored by children and treasured by grown-ups. Generations of families, educators and their students, and friends of all ages will bond over these timeless tales — creating the unique community connection that live theatre makes possible.”
— Collin Pittmann, Artistic Director
Back-to-School Educator Happy Hour
Magik is hosting its annual Free Educator Happy Hour to give hard-working local teachers, faculty, and school staff a chance to unwind, connect with peers, and see how the upcoming lineup can complement their curriculum.
What to Expect: First look at recent theatre renovations, a sneak peek at the new season, free food and drinks, door prizes, classroom resources, and a look behind the curtain.
Admission: Free and open to all area educators and school staff (registration required).
2026–2027 Mainstage Lineup
All mainstage productions feature Sensory-Friendly, Pay-What-You-Wish, and American Sign Language (ASL) interpreted performances.
If You Give A Mouse A Cookie
Dates: October 3 – 25, 2026 | Ages 3+
Adapted by: Jodi Davidson (based on the book by Laura Numeroff)
The Story: Boy’s peaceful afternoon gets delightfully derailed when Mouse shows up. A mishap-fueled joyride filled with endless giggles.
Dr. Seuss’ How The Grinch Stole Christmas The Musical
Dates: November 21 – December 24, 2026 | Ages 3+
Book & Lyrics: Timothy Mason | Music: Mel Marvin
The Story: Narrated by Max the Dog, watch the mean Grinch discover the true meaning of Christmas. Features iconic hits like “You’re A Mean One, Mr. Grinch.”
A Year With Frog and Toad the Musical
Dates: January 30 – March 7, 2027 | Ages 4+
Book & Lyrics: Willie Reale | Music: Robert Reale
The Story: This three-time Tony-nominated Broadway hit follows cheerful Frog and grumpy Toad across four fun-filled seasons with a jazzy, upbeat score.
John Davies’ Pinocchio(Co-Production with OPERA San Antonio)
Dates: March 20 – April 4, 2027 | Ages 4+
By: John Davies (featuring classical music by Mozart, Donizetti, Offenbach, and Pergolesi)
The Story: Two San Antonio performing arts powerhouses join forces for a family-friendly one-act opera exploring honesty and trust.
Charlotte’s Web
Dates: April 24 – May 23, 2027 | Ages 5+
By: Joseph Robinette (based on the book by E.B. White)
The Story: Widely considered one of the greatest children’s books of all time, follow Wilbur the pig and his extraordinary spider friend Charlotte in this heartwarming tale of compassion.
Seussical the Musical (Theatre for Young Audiences Version)
Dates: June 19 – August 8, 2027 | Ages 3+
Music: Stephen Flaherty | Lyrics: Lynn Ahrens
The Story: A high-energy summer celebration bringing together Horton, Gertrude McFuzz, and The Cat in the Hat with a toe-tapping score blending pop, gospel, and R&B.
Discounts for children, seniors, military, educators, and students
Varies
Note: All ticket prices are subject to nominal facility and processing fees.
Take a Seat! Sponsorship
To celebrate Magik’s multi-million dollar renovation featuring brand-new seating, patrons are invited to sponsor a chair. Each sponsorship includes a custom-engraved plaque honoring your donation—a perfect way to commemorate your family’s love of the arts.
Share the Magik Initiative
This new community program provides local partners and their families with complimentary tickets to ensure every child can experience live theatre regardless of financial barriers. (Businesses interested in sponsoring can contact Kristin Beno, Director of Development).
Visit Magik Theatre
Located in the heart of Hemisfair Park, families can enjoy a show, explore Yanaguana Garden, and dine at nearby restaurants.
‘The Amityville Horror’ by Jay Anson. Photo: Barnes & Noble
📚Book Review: The Amityville Horror by Jay Anson
Synopsis
In December 1975, the Lutz family moved into their new home in suburban Long Island. George and Kathleen Lutz knew that one year earlier, Ronald DeFeo had murdered his family in the house, but the property, complete with a boathouse and swimming pool, and the price were too good to pass up.
Twenty-eight days later, the entire Lutz family fled in terror.
Review
The Amityville Horror remains one of the most chilling entries in paranormal literature, chronicling the 28 days George and Kathleen Lutz spent in their dream home. The narrative blurs the line between documentary reporting and visceral horror and the idea that an ordinary suburban house could conceal something horrifying gives the story much of its power.
Character Dynamics
George Lutz: Positioned as the pragmatic patriarch, George’s descent from a stable family man to an uncharacteristic, brooding recluse forms the novel’s emotional core. His gradual personality shift highlights the insidious influence of the house.
Kathleen Lutz: Serving as the perceptive counterweight, Kathy’s emotional anguish and instinct to protect her three children anchor the story’s human stakes amid chaotic spectral events.
Father Mancuso: The troubled priest introduces a theological dimension, acting as a spiritual guide whose physical illness reinforces the dark forces at play.
Anson’s background in documentary writing shapes the book’s character dynamics. Rather than making them over-the-top heroes, George and Kathleen are portrayed as grounded, everyday parents unraveling under inexplicable stress. Their vulnerability makes the escalation, from strange odors and cold spots to severe levitation and demonic infestation, profoundly unsettling. Whether readers accept the events as supernatural or approach them skeptically, the characters create a strong emotional center for the story.
Core Themes
The Violation of Domestic Sanctuary: The narrative weaponizes the American Dream, transforming a dream suburban home into a site of claustrophobic dread.
Economic Vulnerability: The financial pressure of buying a bargain home amplifies the family’s stress, blending real-world anxieties with the supernatural.
Good vs. Evil: A traditional moral conflict underpins the story, questioning whether human faith can withstand an ancient, malicious presence.
Enduring Appeal
Decades after publication, the book retains its hold on readers by capitalizing on journalistic realism and the simple, terrifying prompt: “Based on a true story.” Anson’s clinical, day-by-day structure creates an immersive documentarian tone that keeps true-crime and horror enthusiasts fascinated by its eerie legacy.
Book vs. 1979 Movie Adaptation
While Jay Anson’s 1977 book and Stuart Rosenberg’s 1979 film adaptation share the same core narrative, the Lutz family fleeing their home after 28 days of supernatural terror, the two versions diverge significantly in their storytelling approach, character execution, and thematic emphasis.
Feature
Jay Anson’s Book (1977)
1979 Film Adaptation
Narrative Tone
Clinical, investigative, and documentary-style; presents events as a straightforward log of facts.
Dramatic, cinematic, and melodramatic; relies on visceral jump scares and atmosphere.
George Lutz’ Arc
Portrayed as a fatigued, cold-sensitive man suffering mood swings and physical decline.
Features a full transformation into a threatening, axe-wielding figure resembling Ronald DeFeo Jr.
Religious Subplot
Father Mancuso suffers from afar after being instructed by the house to “get out.”
Expanded into a theatrical battle between Father Delaney (Rod Steiger) and systemic church bureaucracy.
Supernatural Elements
Relies heavily on lingering dread, foul odors, subtle physical coldness, and eerie sounds.
Features overt physical manifestations, such as black ooze from toilets and red-eyed demonic pig projections.
Key Plot Differences
The book operates like an eerie non-fiction diary, emphasizing small, increasing stresses, financial burdens, broken locks, and bad weather that wears down the family piece by piece. The film dramatizes these events, escalating George’s hostility much faster and turning his obsession with chopping firewood into an explicit signal of imminent physical danger toward his family. Additionally, the movie gives Father Delaney (renamed from Mancuso) a much larger on screen presence, including scenes where he loses his sight and sanity while attempting to warn the family.
Thematic Shifts
Journalistic Realism vs. Cinematic Spectacle: The novel’s power comes from its plain, “true story” journalistic layout. The film abandons this understated documentarian tone in favor of traditional Hollywood tropes, utilizing Lalo Schifrin’s Oscar-nominated score and visual horror cues to drive the narrative.
Domestic Ruin vs. Economic Anxiety: While the book focuses heavily on spiritual violation, it’s mostly seen as an exercise in financial anxiety. The movie leans heavily into the terror of the American Dream turning into a financial trap, highlighting unpaid bills, lost money down the drain, and a house that destroys the family’s equity along with their sanity.
Final Book Verdict
I hadn’t read the book previously and opted for the audiobook instead. To my surprise, it’s not as scary as I thought going in, though it does have its occasional jump scares. The final chapters, where the family prepares to leave while the house refuses to let them go, deliver some intense action. The overall day-by-day tone that breaks down the Lutz’ experience in the house is intriguing, and fans of real-crime stories will definitely find it an interesting read.
⭐⭐⭐⭐
Rating: 4 out of 5.
“When he flicked the first holy water and uttered the words that accompany the gesture, Father Mancuso heard a masculine voice say with terrible clarity: ‘Get out!’”
‘In The Power to Destroy,’ James K. Galbraith explains how yesterday’s economic tools don’t work today. Photo: University of Chicago Press
📚Book Spotlight: The Power to Destroy: How Bad Economics Drove America’s Decline
Author: James K. Galbraith
Release Date: September 23, 2026 (Available for pre-order)
The Dissonance of Modern Economics
Acclaimed economist James K. Galbraith sounds an urgent alarm on how conventional economic ideas and policies have failed to adapt to the most daunting challenges of our geopolitical moment. (University of Chicago Press, 2026)
Amid a mounting sense of American decline, everyday citizens live with a strange contradiction: traditional economists keep announcing that everything is fundamentally fine. They point to steady growth, low unemployment, relatively stable prices, and high stock markets, asking: what’s there to worry about?
Synopsis
The Power to Destroyshows that this dissonance reflects a failure of the discipline to evolve. Galbraith’s incisive history of 21st-century economic policy centers on a fundamental flaw: today’s experts are still deploying tools from yesterday’s wars.
Relying on obsolete ideas, outdated measures, and crude indicators like standard output and price indexes—many honed a century ago for a vastly different social landscape—offers little hope in the face of today’s existential threats.
Galbraith argues that these conventional policies are accelerating the decline of the US economy. Key policy shortcomings include:
Mismanaged Inflation: Weak responses to the post-pandemic inflation of 2021–2022.
Geopolitical Miscalculations: Flawed strategies regarding the sanctions war against Russia and the economic rise of China.
Stagnant Revival: Half-hearted and ineffective attempts at domestic industrial policy.
Unaddressed Crises: Inadequate preparation for climate change and the impending demographic crisis.
All of these failures root back to a flawed body of economic thought sustained for ideological rather than practical reasons. As Galbraith makes plain, while market systems have their virtues, government policies are what make functioning markets possible in the first place. Sticking with outdated theories brings the power to destroy, making new, realistic ideas an urgent necessity for survival in an emerging multipolar world.
About the Author
James K. Galbraith holds the Lloyd M. Bentsen, Jr. Chair in Government/Business Relations at the LBJ School of Public Affairs, The University of Texas at Austin.
His previous books include:
Entropy Economics: The Living Basis of Value and Production (with Jing Chen)
Inequality: What Everyone Needs to Know
Welcome to the Poisoned Chalice: The Destruction of Greece and the Future of Europe
The blood-soaked Southern throwback horror film will be released in select U.S. theaters on September 25, 2026. Photo: Bald Man Films/Convoke Media, used with permission.
THE BACKWOODS GET BLOODY: “HELLBILLY HOLLOW” TRAILER DROPS AHEAD OF SEPTEMBER THEATER RELEASE
One of the South’s most iconic haunted attractions is about to become the setting for an all-new generation’s nightmares.
Bald Man Films and Todd Slater’s Convoke Media have officially unleashed the first trailer for “Hellbilly Hollow,” a blood-soaked Southern throwback horror reminiscent of cult classics Terrifier and Friday the 13th. Filmed on location at the real-life Hellbilly Hollow haunted attraction in Vincent, Alabama, the film slashes into select U.S. theaters via Atlas Distribution Company on Friday, September 25. (Cinematic Red PR, 2026)
Check out the trailer breakdown, storyline, and behind-the-scenes details below.
The Synopsis: Real Scares in the Alabama Backwoods
In Hellbilly Hollow, a team of paranormal YouTubers ventures deep into the Alabama backwoods to film at a haunted attraction the night before Halloween. They soon encounter a sinister presence far more frightening, and deadlier, than specters and staged scares:
Tickles: A disfigured, childlike clown.
Bull: His manipulative caretaker brother.
One by one, the investigators and local thrill-seekers fall victim to the siblings’ sadistic games inside the attraction’s real-life haunted barn, hayride, and scare zones.
From Commercial Shoot to Southern Slasher
The idea for the film took root on-site at the attraction, where director Kevin Wayne was initially filming a commercial. After envisioning a sinister figure hunting victims through the haunt’s eerie backwoods setting, the concept evolved into a full-length feature.
“I’ve wanted to make a horror film for a long time – but not just any horror film. With ‘Hellbilly Hollow,’ I saw a chance to tell a true Southern horror story – one that’s sinister and twisted, atmospheric and character-driven, not just reliant on jump scares and gore.” — Kevin Wayne (Director / “Tickles”)
“We came up with a slate of outrageous, never-before-seen kills. From day one, we knew this would be the start of something bigger – a series of films built around a place, two complex, deranged siblings, and the culture they inhabit.” — Kurt Deimer (Producer / “Bull”)
Practical FX, Heavy Metal, and Carnage
Designed to deliver authentic throwback thrills, Hellbilly Hollow turns carnival mechanics into lethal traps. Engineered by executive producer and production designer Mike Denard, the set features customized, practical set pieces including:
Wack-a-Troll
High Striker
Acid Darts
Car Dunk Sequence
The Sound of Horror:
Supercharging the scares, the film features an original score composed by Roy Mayorga (Ministry), sound design by Tom Boykin (John Wick: Chapter 4, The Last of Us), and eight original songs performed by rock artist and co-star Kurt Deimer.
Cast and Crew Highlights
Cast: Kurt Deimer, Kevin Wayne, Danny Vinson, Sandra Ellis Lafferty, Megan Alexandrea Weaver, Hallie Shepherd, Trey Miller, and Keller Fornes.
Director: Kevin Wayne
Writer: Bernadette Chapman
Producers: Kurt Deimer, Todd Slater
Director of Photography: David Brower
Executive Producers: Michael T. Clarke, Mike Denard, Andy Gould, David Miller, Tim Miller, James Srygley, Kevin Wayne, and Brandon Evans.
ABOUT BALD MAN FILMS
Founded by Cincinnati-born rocker, actor, and producer Kurt Deimer, Bald Man Films specializes in producing genre content. The company is the culmination of Deimer’s unconventional journey from the school of hard knocks to entrepreneur, rock musician, actor, and film producer.
ABOUTCONVOKEMEDIA
Convoke Media is a strategic investment and content company operating at the intersection of film, television, digital media, and institutional capital. Recent films include, The Optimist, Flyover, Scare BnB, Paul & Greg & Amelia, & Don’t Log Off. Founded by veteran media executive Todd Slater, the company focuses on the development, financing, and scaling of premium content with global commercial potential.
Hellbilly Hollow still. Photo: Bald Man Films/Convoke Media